Adel Emam
عادل إمام
Adel Emam at the Doha Tribeca Film Festival on December 28, 2009.
Born	Adel Mohammed Emam Mohammed Bukhariny (1940-05-17)May 17, 1940 (age 85) Mansoura,Kingdom of Egypt
Other names	El Zaeem (The Boss)
Citizenship	Egypt
Education	Cairo University
Occupation(s)	Actor, comedian
Years active	1962–2024
Spouse	Hala Al Shalaqani
Children	3, includingMohamed Emam andRamy Imam
Relatives	Mustafa Metwalli (brother-in-law)

Adel Mohammed Emam (Arabic:عادل إمام; born on 17 May 1940),^[1] is anEgyptianfilm,television, andstageactor, known for his extensive career with over 150 artistic works, including films, plays, and television series spanning comedy, social, and political genres.^[2] He is regarded as one of the leading figures of the second generation of comedy artists in Egypt and the Arab world.^[3] He is primarily acomedian, but he has starred in more serious works and, combined comedy withromance especially in his earlier secondary roles in films such asMy Wife, the Director General,My Wife's Dignity,My Wife's Goblin andVirgo, all films starringSalah Zulfikar.

Emam stands as a towering figure in Egyptian and Arab cinema, celebrated for his versatility across genres. Starting in the 1960s, he became one of the most well-known figures in the industry. Emam earned abachelor's degree inAgriculture fromCairo University. Since then he has appeared in over 103movies and 10plays.^[4] Emam's personal life is connected to the world of arts. He is married to Hala El-Shalaqani and has three children, including directorRamy Emam and actorMohamed Emam.

His contributions to theEgyptian film industry and theatre through addressing social andpolitical issues in film and television earned him acult following and a worldwide reputation that made him one of the most influential Arab public figures in the 1980s and 1990s. Consequently, he is considered by a huge mass of cult followers as acultural icon in thehistory of modern Egypt.^[5][6]

Emam has received critical acclaim and international recognition, including Lifetime Achievement Awards and accolades from major festivals. Beyond acting, Emam is known for challenging societal norms and reflecting the culture of his time. His work remains influential, highlighting his lasting impact in a changing world. In January 2000, theUnited Nations appointed Emam as aGoodwill Ambassador for UNHCR.

Adel Emam was born into a poorfarmer family on May 17, 1940, in the Sayeda Aisha district of Cairo,^[1] but his family's origins trace back to the village ofShaha in theMansoura district ofDakahlia Governorate. His full name isAdel Mohammed Emam Mohammed Bukhariny (Arabic:عادل محمد إمام محمد بخاريني). Adel Emam mentioned that he loved his mother deeply, and was profoundly affected by her death.^[7] His father, Mohamed Emam, was religious and worked as a "Shawish" in the police force.^[1] His father died in 1997 after suffering fromAlzheimer's disease for some time.^[8] Adel Emam has one brother and two sisters. His brother is the producer Essam Emam, and his sisters are Eman and Mona.^[9]Mustafa Metwalli is his brother-in-law, being married to his sister Eman Emam.^[1]

During his childhood, Adel moved with his family from the Sayeda Aisha district to the Helmiya district, then to Omrania district in Giza, then toMohandiseen, and later to Mansouria.^[1] Adel studied at Helmiya School before transferring to Benbaqdgan Secondary School and then to Marqosiya Secondary School inAlexandria. After completing school, he joined the Faculty of Agriculture atCairo University, where some of his batchmates included actorSalah El-Saadany and former Syrian Prime MinisterMahmoud Al-Zoubi.^[10] Adel Emam stated on a talk show hosted by Hala Sarhan that Amin Shalaby and the late Younes Shalaby as well asSaeed Saleh and Salah Al-Saadani were his best friends since university.^[11] He began his artistic career at Cairo University's theater, where he worked in theater and cinema. He participated in the playAna Wa Howa Wa Heya (1963) during his third year at university.^[12]

Adel Emam has been married only once, to Hala El-Shalaqani, a union that began in the mid-1960s and has lasted to the present day. In various interviews, Emam has discussed the story of his marriage. He revealed that he was initially not interested in marriage, but his wife, who came from a wealthy, land-owning family with ties to the Liberal Constitutional Party, was determined to marry him despite the challenges posed by their different social backgrounds. Emam noted that it was difficult for her to marry someone with his status as an actor in minor roles. In another television appearance, Emam shared that their relationship evolved naturally. He and his wife were once at the home of their friend, Samir Khafaga, when the door unexpectedly opened, and Emam saw something that brought him joy. Despite those around them trying to flirt with her, he refrained, explaining that he did not know how to flirt.^[13]

His wife, Hala, spoke about their early relationship in an interview with media personality Mufid Fawzy. She mentioned that she had insisted on marrying Emam, as he was initially shy and apprehensive about entering into a new relationship. She recounted, "He once told me that he wasn’t thinking about marriage at all."^[14] Emam also reflected on their modest beginnings, stating that they decided not to have a wedding ceremony in order to save money for more important things. They gradually built their life together, starting with a chair, then a refrigerator, and eventually a stove, as they established their home. In another interview, Emam mentioned that the union took place without the approval of his wife’s family, as they had rejected the idea due to his status as a film extra. He also said: "God loves me because I married Hala".^[15]

Emam has three children: the directorRamy Emam, Sarah Emam, andMohamed Emam, who also starred in the movieThe Yacoubian Building asTaha ElShazli. He also has eight grandchildren. Three of them, Adel, Ezz El-Din, and Roqaya, are Rami's children; three daughters, Hala, Camellia, and Amina, are Sarah's; and two daughters, Khadija and Qismat, are Mohamed's.^[16] Rami's wife is named Yasmine, Sarah's husband is Ahmed Mokbel, and Mohamed's wife is Nouran Talaat.^[17][18]

Adel usually spends his summer days with his children and grandchildren in a villa designated for them on theNorth Coast. He enjoys reading and has a large library in his home, considering reading an essential part of his daily routine. He also has a special hobby of planting and taking care of plants, due to his academic background, as he graduated from the Faculty of Agriculture.^[19]

There are no official estimates regarding the exact size or amount of Adel Imam's wealth, but some media reports suggest it is valued in the millions of dollars, making him the richest actor in Egypt with a net worth of 100 million dollars.^[20][21]

Adel Emam began his career in the 1960s, making his debut in 1967 with small roles in films.^[3] He launched his career in theater inAna w Howa w Heya (1962) withFouad El-Mohandes andShwikar.^[22] In cinema, his early work included roles in films likeMy Wife, the Director General (1966),My Wife's Dignity (1967), and his first significant role came inMy Wife's Goblin (1968) withSalah Zulfikar andShadia.^[22] He was part of the younger generation of actors who emerged during the 1960s, which was a time of social and political change in Egypt. He was known for his charming screen presence and his ability to perform both comedic and dramatic roles.^[22] Despite his simple roles, he emerged as a prominent face and a distinctive mark among comedy actors, and this caught the attention of the great writerMahmud Sadani, who praised him in his bookThe Comedians in 1969, with sentences saying:^[23][24]

If Adel Imam realized how talented and in demand he is, he would have saved himself from the trap set for him. If he didn’t quickly escape from this narrow corner he was placed in, to roles of light-hearted villainy, the charming conman, a mix ofRichard Widmark andClifton Webb, a blend of Tawfik El-Deken andFouad el-Mohandes, a concoction ofHassan Yousef and Abdel Moneim Ibrahim, even if Adel failed to escape this fate, even if he remained stagnant in supporting roles, it would not diminish his talent, nor undermine his stature as a brilliant, talented, and great artist.

In the early 1970s, Adel Emam became more prominent and gained a reputation for his comedic and versatile acting style.^[25] His career reached a new height with films likeVirgo (1970) withSalah Zulfikar in the lead. He shared the lead withMervat Amin andSamir Sabry inSearching for the Scandal (1973).

The early 1970s saw Emam take on roles in films that explored themes of love, youth, and societal pressures.^[26]Bahibek Ya Helwa (1970), in which Emam starred alongsideHassan Youssef andNahed Sherif, was a romantic comedy that capitalized on the youthful energy and charm of the lead actors. This film reflected the societal changes of the time, focusing on the emerging youth culture and its influence on relationships.

By the mid-1970s, Emam had established himself as a household name in Egyptian cinema. His roles in comedies and theatre, such asMadraset El Moshaghbeen (1973), helped cement his place as one of the leading comedic actors of the time.^[27] In Madraset El Moshaghbeen, Emam’s portrayal of Bahgat El Abasery, a mischievous and humorous character, resonated with audiences and became one of his most iconic roles.^[28] Also, in 1976, Emam performed one of his most powerful plays,Shahed Ma Shafsh Haga "Witness Who Saw Nothing", With Omar Al-Hariri and Nahed Jabr.^[29]

The 1980s marked a period of both professional growth for Emam, as he took on various characters across genres between comedy and drama. One of his notable films during the early 1980s wasThe Suspect (Arabic:المشبوه, 1981). The 1981 film Al-Mashbooh marked a significant turning point in Adel Emam's career, shifting from comedy to action and crime. The film explores themes of societal chaos, economic struggle, and personal redemption in the early 1980s, as the protagonist, Maher Al-Nemr, grapples with his criminal past and attempts to build a better future. The soundtrack byHani Shnouda played a crucial role in intensifying the film's dramatic tension, blending music with the narrative. The movie not only showcased Emam's acting range beyond comedy but also set the stage for successful collaborations between him, Seif, and Shnouda in future films. It also symbolized a shift in Egyptian cinema towards realism and social commentary.^[30]

Adel Emam's diverse roles in 1980s show his versatility as one of the industry's most influential figures.^[23] In the 1980s, he was one of the highest-paid actors, and his films garnered the highest box office earnings during that period.^[23][31] His on-screen chemistry with actressSoad Hosny, another iconic star, added a unique charm to their collaboration in films likeLove in a Jail Cell (1983). InThe Street Player (1983), Emam’s portrayal of a character who blends humor with social commentary marked a pivotal moment in his career. The film's success further established him as a central figure in Egypt's evolving cinematic landscape. Additionally, Emam starred inSmart but Foolish (1980), a light-hearted comedy.

Moreover, inThe Human Lives Only Once (1981), Emam depicted a man undergoing a transformation after personal trials, combining humor with emotional depth. Similarly, inAt the Minister’s Door (1982), he portrayed a character struggling with the absurdities of bureaucracy while seeking a government job. Known for his sharp comedic timing, Emam masterfully infused humor into the frustrations of dealing with corruption and inefficiency.

Hamada and Tutu’s Gang (1982) marked a departure from his typical comedic roles. His performance brought a mix of action and comedy, as he portrayed a character caught in a world of crime and chaos. InThe Beggar (1983), Emam played a man who, after a life of wealth, finds himself on the streets as a beggar. The film was an important social commentary on the plight of the poor.

Adel Emam acted in a unique experience in 1984 in his filmSo That the Smoke Doesn’t Fly. It is based on the novel byIhsan Abdel Quddous, Emam portrayed a man who navigates the complications of addiction and personal life. His performance was marked by emotional depth as he handled both the personal turmoil and societal judgment.^[32] Another unique film wasThe Humans and the Jinn (1985). It was Emam’s only foray into the horror genre, where he played a man caught between the worlds of humans and supernatural entities. He bring a unique touch to a genre that was not common in Arab cinema at the time. Emam also participated in theatrical productionAl-Wad Sayed Al-Shaghal (1993), where he played the character of Sayed, a charming and witty young man navigating the complexities of love and social expectations. The play premiered for the first time on July 20, 1985, and continued its run for 8 years until 1993. According to several critics, it is considered one of the best Arabic plays.^[33][34]

The 1990s marked the peak of Adel Emam's career, as he reigned over the Egyptian cinema, being the highest-paid actor and the number one star in Arab cinema.^[35] His collaborations with directors likeSherif Arafa produced iconic works such asTerrorism and Kebab (1992), though technically just outside this decade, andJazeerat al-Shaytan (1987). Emam’s style in the 1990s was often characterized by strong social criticism laced with humor. His performances in these films resonated with wide audiences across the Arab world, earning him massive popularity.

During an interview between Adel Emam and the journalist Mufid Fawzy behind-the-scenes of the movieEl-Mansi (1993), Adel Emam said: "Time is my only competitor".^[23] He confirmed that he does not focus on anything other than his work and clarified a fundamental truth, which is that time is his only competitor due to his intense desire to give everything he has. Therefore, he is always busy with his projects and often presents more than one film in a year, in addition to performing a play on a daily basis.^[23]

In the 1990s, Adel Emam maintained his dominance in the Egyptian film industry. He continued to take on socially relevant roles that reflected the political and social realities of Egypt. One of his most famous films from this era isAl-La'ib Ma'a Al-Kibar (Playing with the Big Boys, 1991) which is a black comedy in which Emam starred as an ordinary man who gets entangled with powerful individuals in a game of high stakes. The film's satirical tone was a commentary on the power dynamics and corruption within society. Another famous film isThe Terrorist, which was one of Emam's most critically acclaimed works, combined humor with a profound social and political message. The movie focused on a terrorist who seeks redemption, and Emam's portrayal brought depth to a character who was tragic. In 1998, Emam took on the role of a man who becomes an unlikely hero after being asked to deliver an important letter to a corrupt governor inRisala Ela Al-Wali (1998).

Adel Emam earned the title ofAl-Zaeem "The Leader" after mastering his role in the playAl-Zaeem (1993), in which he portrayed a role that resonated with themes of political power and leadership. Adel Emam was the number one actor in the Arab world during the 1980s and 1990s.^[4]

The 2000s saw Adel Emam evolve into an elder statesman of Egyptian cinema. He continued to act in both films and television series, maintaining a strong presence in Egyptian entertainment. One of his key films from the 2000s wasThe Embassy in the Building (2005), where he took on the role of a man who gets caught up in a political thriller involving international intrigue. Emam played a Cairene everyman inconvenienced when the Embassy of Israel moves into his apartment building. In the following year, Emam was one of the ensemble cast ofThe Yacoubian Building, a film reputed to be the highest-budgeted in Egyptian cinema and adapted from the novel of the same name. The story is a sharp look at contemporary Egyptian life through the prism of a faded downtownCairo apartment building. Emam portrays an agingroué whose misadventures form a central strand of the film's complex narrative.^[36][37]

Emam was an important national figure inEgypt largely because of theEgyptian political roles he took on in many of his films and plays, he always focused on Egypt's politics and religious problems. These roles, whether he intended it or not, often put him in a critical position vis-à-vis the president or the government, such asThe Terrorist (1994) alongside Salah Zulfikar in Zulfikar's final film role. He has been cast several times by the producer Emad Adeeb in movies likeMorgan Ahmed Morgan (2007), andHassan and Marcus (2008) starringOmar Sharif.

In celebration of Adel Imam's 88th birthday, his 2010 film "Alzheimer" was re-released in cinemas across Egypt and Arab countries from May 16 to 18, 2024. This move was part of a strategy to honor prominent artistic figures in the Arab world.^[38]

On January 21, 2024, it was officially confirmed that Emam has retired, as his son, Rami Emam, stated that his father decided to step away from artistic endeavors to dedicate his time to family life. He retired from acting after a 60-year career.^[39][40][41]

Adel Emam has significantly influenced societal and humanitarian efforts beyond his career in the arts. Emam has also been an advocate for political and social progress in Egypt. He was an outspoken support for democratic principles and freedom of expression during periods of political upheaval. Furthermore, he has been active in charitable work, notably in healthcare and education. He has contributed to funding hospitals and educational initiatives aimed at improving the quality of life for marginalized communities.^[42] Adel Imam makes donations and provides assistance to those in need without publicizing them. He prefers these charitable acts to remain "private," away from the spotlight and media, without any fanfare.^[19]

In recognition of his humanitarian contributions, Emam was appointed as a Goodwill Ambassador for the United Nations High Commissioner for Refugees (UNHCR).^[43] This role allowed him to support the rights and needs of refugees and displaced individuals. By using his widespread fame, he participated in numerous campaigns and events to raise awareness about the plight of refugees.^[44] When Adel Emam became Goodwill Ambassador he said:

In many of my films I fight against discrimination and raise awareness about poverty and social problems – issues that need to be addressed but which are often not discussed easily.^[43]

Emam’s political influence extends to his cinematic work. He has explored pressing local and regional issues. His films have addressed topics such asterrorism,sectarian violence, and theIsraeli–Palestinian conflict. A prominent example is his 1994 filmThe Terrorist, which delved into the impact ofextremism. The film’s release coincided with a notable incident: the attempted assassination of Adel Emam by Muhammad Kroum, a former member of an extremist group. Kroum revealed that he was tasked with assassinating Adel Imam because of his filmThe Terrorist, which raised awareness among young people about jihadist movements.^[45] This highlighted the controversial and impactful nature of Emam's work. Many of today's stars acknowledge Imam's credit for giving them golden opportunities at the beginning of their artistic careers, and it is said that he does not only offer advice and guidance, but also seeks to provide actual support by providing job opportunities and participating in artistic works.^[19] Randa Abu al-Azm, director ofAl Arabiya’s office in Egypt, remarked during an interview onAl-Hekaya with Amr Adib onMBC Masr: "We could produce twenty successful documentaries about Adel Emam".^[46]

In February 2012, Emam was sentenced (in absentia) to three months in jail for offending Islam.^[47] Emam said he would appeal the sentence.^[48] On September 12, 2012, Emam won his appeal when a Cairo misdemeanours court cleared him of defaming Islam in his films.^[49]

Adel Emam has received numerous awards throughout his five-decade career. He won the Horus Award twice, for his leading roles inOmaret Yakobean andAl-irhabi, at theCairo International Film Festival. Additionally, in 2014, a testament to his legacy he was honored with theHonorary Award at theMarrakech International Film Festival. His international acclaim continued as he received the International Jury Award at theSão Paulo International Film Festival.^[50] Furthermore, in both 2005 and 2008, theDubai International Film Festival awarded Adel Emam the Lifetime Achievement Award. In 2017, he was presented with the first-ever Career Achievement Award at theEl-Gouna Film Festival. Most recently, in January 2024, he was honored with the Arab Art Leader Award at theJoy Awards.^[51]

• Commander of theOrder of Merit

• Knight (Achir) of theNational Order of Merit (Algeria, 2002)^[61]
• Officer of theNational Order of the Cedar (Lebanon, 2003)^[62]
• Commander of theOrder of Intellectual Merit (Morocco, 1997)^[63][64]
• Grand Officier of theNational Order of Merit of Tunisia (Tunisia, 2016)^[65][66]

• Adel Emam atIMDb 

• Adel Emam atRotten Tomatoes
• Adel Emam onWorldCat (libraries)
• Adel Emam onAllocine (French)
• All Adel Emam films online in English, Arabic and French

• Egyptian comedians
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• United Nations High Commissioner for Refugees goodwill ambassadors
• Egyptian male television actors
• Cairo University alumni
• People from Mansoura, Egypt
• Egyptian male stage actors
• 20th-century Egyptian male actors
• Egyptian nationalists
• Male comedians
• 21st-century Egyptian male actors
• Egyptian Muslims

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