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Achyut Kanvinde | |
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| Born | (1916-02-09)9 February 1916 |
| Died | 28 December 2002(2002-12-28) (aged 86) |
| Alma mater | Sir J. J. College of Architecture |
| Occupation | Architect |
| Awards | Padma Shri (1974) |
| Practice | Kanvinde, Rai and Chowdhury |
| Buildings | Campus ofIndian Institute of Technology Kanpur Campus ofMalaviya National Institute of Technology, Jaipur |
Achyut Purushottam Kanvinde (9 February 1916 – 28 December 2002) was an Indian architect who worked in functionalist approaches with elements ofBrutalist architecture. He received thePadma Shri in 1974.[1]
He was born on 9 February 1916 inAchra, in the Konkan region ofMaharashtra, in a large family. His mother died when he was two and his father was an arts teacher in Mumbai. Kanvinde, influenced by his father, a portrait and landscape painter, took up art and graduated in architecture from Sir J.J. School of Arts, Mumbai in 1942. He was then sent by the Government of India to study at Harvard where he worked underWalter Gropius and was influenced by his thinking and teaching. The European masters of theBauhaus – Albert Bayer, László Moholy-Nagy, Marcel Breuer, and the Swiss-American architectural historian Siegfried Giedion also had a great impact. Some of his famous batchmates werePaul Rudolph,I. M. Pei and John Perkins.
When he returned to India he joined the Council for Scientific and Industrial Research. In 1985, he was the winner of the IIA "Baburao Mhatre Gold Medal".[2]
Along with his partner Shaukat Rai, he opened the firm Kanvinde, Rai and Chowdhury inNew Delhi (which is currently run by Sanjay Kanvinde, B.K. Tanuja and Murad Chowdhury). The firm has been responsible forIIT Kanpur,National Science Centre, Delhi, The National Council of Applied Economic Research in New Delhi, NII Pune, numerous dairy buildings under NDDB (such as Dudhsagar Dairy plant inMehsana[3]) and many other buildings.[4]
Kanvinde played with space and forms. A famous example is the ISKCON Temple at New Delhi. He gave great importance to natural light. The form of the building is such that the problem of ventilation as well as excessive heat is beautifully solved. He championed the cause of vernacular architecture. He believed that values and historical influences contributed towards good architecture.[citation needed] "Over the years I have come to believe it is imperative that an architect develop a sensitivity to human nature and a respect for human values. This, after all, is at the very core of his work. In India the search for a new architectural expression must continue – and this must go beyond the satisfaction of matter of fact functional needs. I think the designer's sensibility here must become aware of the accumulated wisdom of generations, but this should go together with the idea of progress reflected in the evolution of technology. In my own case, I must acknowledge my tremendous debt to Gropius – it was he who really exposed me to the power of technology on the one hand and the psychological dimensions of spatial organisation on the other. Actually my present concerns and realisations are all reflections of my earlier preoccupations: as a student at the J. J. School in Bombay my thesis was on "Architectural Composition and its Application to Indian Architecture."[5]
He believed that a grid of columns forming a matrix giving structural and spatial aspect would turn a design more sophisticated and faceted.[citation needed]
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