| "A Streetcar Named Marge" | |||
|---|---|---|---|
| The Simpsons episode | |||
| Episodeno. | Season 4 Episode 2 | ||
| Directed by | Rich Moore | ||
| Written by | Jeff Martin | ||
| Production code | 8F18[1] | ||
| Original air date | October 1, 1992 (1992-10-01) | ||
| Guest appearances | |||
| |||
| Episode features | |||
| Chalkboard gag | "My name is not "Dr. Death""[1] | ||
| Couch gag | The couch turns into a tentacled brown monster.[2] | ||
| Commentary | Matt Groening Al Jean Mike Reiss Jeff Martin Hank Azaria Jon Lovitz | ||
| Episode chronology | |||
| |||
| The Simpsonsseason 4 | |||
| List of episodes | |||
"A Streetcar Named Marge" is the second episode of thefourth season of the American animated television seriesThe Simpsons. It first aired onFox in the United States on October 1, 1992. In the episode,Marge wins the role ofBlanche DuBois in acommunity theatremusical version ofTennessee Williams'A Streetcar Named Desire.Homer offers little support for his wife's acting pursuits, and Marge begins to see parallels between him andStanley Kowalski, the play's boorish lead male character. The episode contains asubplot in whichMaggie Simpson attempts to retrieve herpacifier from a strictdaycare owner.
The episode was written byJeff Martin and directed byRich Moore.Jon Lovitz made his fourth guest appearance onThe Simpsons, this time as musical directorLlewellyn Sinclair, as well as Llewellyn's sister, who runs the Ayn Rand School for Tots. The episode generated controversy for its original song aboutNew Orleans, which contains several unflattering lyrics about the city. One New Orleans newspaper published the lyrics before the episode aired, prompting numerous complaints to the local Fox affiliate; in response, the president of Fox Broadcasting issued an apology to anyone who was offended. In thechalkboard gag of the next episode, "Homer the Heretic", Bart writes "I will not defame New Orleans."[3]
Despite the controversial song, the episode was well received by many fans, and show creatorMatt Groening has named it one of his favorite episodes.
Marge announces to theSimpson family that she intends to audition for the role ofBlanche DuBois inOh! Streetcar!, a local musical production ofA Streetcar Named Desire. The family ignores her, and she leaves for her audition, feeling especially unappreciated byHomer. The director, Llewellyn Sinclair, immediately rejects Marge, explaining that Blanche is supposed to be a "delicate flower being trampled by an uncouth lout". However, as a dejected Marge calls home and takes Homer's dinner order, Llewellyn realizes that she is perfect for the role.
At Llewellyn's suggestion, Marge enrollsMaggie at theAyn Rand School for Tots, a daycare centre run by Llewellyn's sister, Ms. Sinclair. Ms. Sinclair immediately confiscates Maggie’s pacifier. Aided by the other toddlers at the daycare, Maggie manages to get her pacifier back, and redistributes all the other toddlers' confiscated pacifiers.
Marge andNed, who is playingStanley Kowalski, rehearse the scene in which Blanche breaks a glass bottle and attacks Stanley, which Marge has been struggling with. Homer repeatedly interrupts the rehearsal. Imagining that Stanley is Homer, Marge takes out her frustration—she smashes the bottle and lunges at Ned, injuring him.
The Simpson family attends the musical, and Homer is moved by Marge's performance, though during the curtain call Marge mistakes his sadness for boredom. After the show, Homer tells her that he was saddened by Blanche's plight as a woman in need of compassion but who receives only neglect and mistreatment from men like Stanley. Marge is moved by Homer's sincerity and impressed that he understood the musical so well, and the two happily leave the theater.
"A Streetcar Named Marge" was conceived about two years before it aired on television.[4] Jeff Martin first pitched the idea of Homer being in a theatrical production of1776; producerJames L. Brooks then suggested that Marge could play Blanche DuBois inA Streetcar Named Desire. Brooks saw that Marge's relationship with Homer was similar to Blanche's relationship with Stanley, and he wanted to use that fact to build the emotional arc for an episode. The estate ofTennessee Williams would not let the show use large excerpts from the actual play, since the work was copyrighted.[4] However, Fox lawyer Anatole Klebanow said that original songs based on the play were acceptable. According to producerMike Reiss, Klebanow even promised to "take [their] case to theSupreme Court to get [the] episode aired."[5] Martin later explained that while the songs made the episode funnier, they also made it harder to write.[4]
The Maggie subplot was present in Martin's episode pitch.[6] The music in the sequence isElmer Bernstein'smarch theme fromThe Great Escape.Simpsons composerAlf Clausen secured the rights to the score, along with the original orchestra charts.The Great Escape had been Martin's favorite film as a child, and he said "it was so exciting and so stirring" to hear the music being performed by theSimpsons' studio orchestra.[4]
"A Streetcar Named Marge" posed a challenge to the show'sanimation directors. The episode contains many longset pieces, especially during the third and final act, which includes the end of the Maggie subplot and the performance of the musical.[4] Several scenes required the animators to draw dozens of background characters.[7]Rich Moore, the head director, initially feared the episode would not be completed in time.David Silverman, the supervising director, also had doubts;[6] according to Martin, Silverman sent back a cartoon of himself reading the script with his eyes popping out, and his jaw dropped.[4] ProducerAl Jean said that Moore "worked himself to death" to produce the episode's most elaborate sequences.[6]
A number of scenes that appeared in thestoryboard andanimatic were reordered or dropped altogether in the final version of the episode. Much of the Maggie subplot, for example, was modified before the episode aired. A scene in which the babies lock Ms. Sinclair in her office is missing from the final version of the episode.[8] However, this scene was later shown on the season 4 DVD, namely the portion which showed the episode in storyboard form.[8]
All the mainSimpsonscast members lent their voices to the episode, along with semi-regularMaggie Roswell and recurringguest starPhil Hartman. Assistant producerLona Williams also had a minor speaking role.[2]
ComedianJon Lovitz, who played Llewellyn Sinclair and Ms. Sinclair, made his fourth guest appearance onThe Simpsons; he had previously voiced characters in "The Way We Was", "Brush with Greatness", and "Homer Defined". Lovitz later worked with Al Jean and Mike Reiss in the animated sitcomThe Critic, and returned toThe Simpsons for the episodes "A Star Is Burns", "Hurricane Neddy", "Half-Decent Proposal", "The Ziff Who Came to Dinner" and "Homerazzi". In 2006, Lovitz was named the eighth-bestSimpsons guest star byIGN.[9]
ThoughOh! Streetcar! is based onA Streetcar Named Desire, the title of the musical alludes to the theatricalrevueOh! Calcutta! Besides Blanche and Stanley, characters fromA Streetcar Named Desire who appear inOh! Streetcar! include Stella (played byHelen Lovejoy), the Young Collector (played byApu Nahasapeemapetilon), Mitch (played byLionel Hutz), the Doctor (played byChief Wiggum), Steve (played byJasper Beardley, although Apu originally said he was playing Steve), and Pablo (originally played byOtto Mann but taken over by Llewellyn prior to curtain). The musical's closing song, "Kindness of Strangers", is a reference to Blanche's last line in the original play: "I have always depended on the kindness of strangers." However, the song is very cheery in tone, intentionally missing the point of Blanche's line, which is meant by Tennessee Williams to be ironic.[4]
At the beginning of the episode, the beauty pageant contestants singJanis Ian's "At Seventeen" a song which is, ironically, a critique of beauty pageants.[10] Maggie plays "Dance of the Sugar Plum Fairy" on a toy xylophone but Homer asks her to stop. The Maggie subplot uses the musical score ofThe Great Escape and contains several other allusions to the film. At one point, Ms. Sinclair punishes Maggie by sending her to a playpen called "the box", a play on the solitary confinement facility called "the cooler" from the 1963 film. Maggie even bounces a ball against the wall of the playpen, asSteve McQueen's character Virgil Hilts does throughout the film while he is in confinement.[2]
The episode contains multiple references toAyn Rand's novels andObjectivist philosophy. Maggie's daycare center is the "Ayn Rand School for Tots", and Ms. Sinclair can be seen reading a book calledThe Fountainhead Diet, a reference to Rand's novelThe Fountainhead. On the wall of the daycare is a poster that reads "Helping Is Futile", an allusion to Rand's rejection of the ethical doctrine ofaltruism. Another wall sign reads "A Is A", thelaw of identity, which plays a central role in Rand's novelAtlas Shrugged.[11] The Ayn Rand School for Tots is seen again in the 2012short filmThe Longest Daycare.[12]
In the scene when Homer, Bart and Lisa pick up Maggie from the daycare center, babies are perched all over the building, staring at the family and quietly sucking on pacifiers. This is a parody of the final shot ofAlfred Hitchcock'sThe Birds.[13]: 11:05-11:07 Indeed, a cartoon-version of Hitchcock can be seen walking his dogs past the daycare, a reference to his owncameo appearance in the film.[5] The episode also contains an allusion toJoseph Cotten in the opera scene inCitizen Kane, in which Homer plays with a shredded playbill while he watches his wife in the musical.[2][13]: 12:25-12:29
All the songs from "A Streetcar Named Marge" were released onRhino Records' 1997 albumSongs in the Key of Springfield.[14] The episode was included in the 1999VHS setThe Simpsons Go Hollywood[15][16] and released onDVD in 2004 as part ofThe Simpsons Complete Fourth Season. Jon Lovitz participated in the DVD'saudio commentary, alongside Matt Groening, Al Jean, Mike Reiss, Jeff Martin, andHank Azaria.[17]
In its original broadcast, "A Streetcar Named Marge" finished 32nd in ratings for the week of September 27 – October 4, 1992, with aNielsen rating of 11.8, equivalent to approximately 11.0 million viewing households. It was the second highest-rated show on the Fox network that week, followingMarried... with Children.[18]
Since airing, it has received very positive reviews from fans and television critics. Michael Moran ofThe Times ranked the episode as the seventh best in the show's history.[19]Entertainment Weekly's Dalton Ross lauded it as "the show's best ever musical episode",[20] whileDave Kehr ofThe New York Times called it a "brilliant ... parody of Broadway musicals that should be required viewing for everyTony voter."[21] In a list of his favorite episodes, Kevin Williamson ofCanadian Online Explorer added, "As pitch-perfect eviscerations of community theatre go, this topsWaiting for Guffman."[22] In 2019,Consequence ranked it number four on its list of top 30Simpsons episodes.[23]
Series creatorMatt Groening has listed it as one of his own favorites, calling the subplot "Maggie's finest moment",[24] and futureSimpsons guest starTrey Anastasio said the episode "may have been the best TV show ever".[25] Executive producerJames L. Brooks also listed it as one of his favorites, saying it "showed we could go into areas no one thought we could go into".[26] Following the episode, theAyn Rand Society called Groening to say they were amazed at the references to Rand. They also asked him if the show was making fun of them.[7]
In 1993, "A Streetcar Named Marge" and "Mr. Plow" were submitted for thePrimetime Emmy Award for "Outstanding Comedy Series". Before this season, the series had only been allowed to compete in the "Outstanding Animated Program" category, winning twice, but in early 1993 the rules were changed so that animated television shows would be able to submit nominations for "Outstanding Comedy Series".[27] However, the Emmy voters were hesitant to pit cartoons against live action programs, andThe Simpsons did not receive a nomination. TheSimpsons' crew submitted episodes for Outstanding Comedy Series the next season, but again these were not nominated.[28] Since then, the show has submitted episodes in the animation category and has won seven times.[29]
The musical within the episode includes a controversial song depicting the New Orleans which existed during the period in timeA Streetcar Named Desire was set in, referring to the city as a "home of pirates, drunks and whores", among other things. Jeff Martin, the writer of the episode, intended for the song to be a parody of a song inSweeney Todd, which speaks ofVictorian-era London in unflattering terms ("There's No Place Like London"). Martin said: "The whole story of it is just me imitatingStephen Sondheim."[30] Al Jean later explained that twoCajun characters were supposed to walk out of the theater in disgust, but none of the voice actors could provide a convincing Cajun accent.[31] An early version of the scene can be seen in an animatic included in the DVD boxset.[32][13]: 12:15-12:24
Before the premiere of the fourth season, the producers sent two episodes to critics: "Kamp Krusty" and "A Streetcar Named Marge".[6] A New Orleans critic viewed "A Streetcar Named Marge" and published the song lyrics in his newspaper before the episode aired.[31] Many readers took the lyrics out of context, and New Orleans' then-Fox affiliate,WNOL-TV (then-owned by musicianQuincy Jones; the Fox affiliation for the area later moved toWVUE), received about 150 to 200 calls on the day the episode aired. The station manager noted that not all the calls they received were complaints, stating, "Half of them were very negative and half of them were very positive. Quite a few of them actually agreed with the lyrics."[33] Several local radio stations also held on-air protests in response to the song.[34]
At the urging of WNOL, Fox presidentJamie Kellner released a statement on October 1, 1992:
It has come to our attention that a comedic song about New Orleans in tonight's episode of "The Simpsons" has offended some city residents and officials. Viewers who watch the episode will realize that the song is in fact a parody of the opening numbers of countless Broadway musicals, which are designed to set the stage for the story that follows. That is the only purpose of this song. We regret that the song, taken out of context, has caused offense. This was certainly not the intention of "The Simpsons" production staff or Fox Broadcasting Company.[35]
TheSimpsons' producers rushed out achalkboard gag for "Homer the Heretic", which aired a week after "A Streetcar Named Marge". It reads, "I will not defame New Orleans." The gag was their attempt to apologize for the song and hopefully bring the controversy to an end.[30] "We didn't realize people would get so mad", said Al Jean. "It was the best apology we could come up with in eight words or less."[36] The issue passed quickly, and a person in a Bart Simpson costume even served asKrewe of Tucks Grand Marshal at the 1993New Orleans Mardi Gras.[37]
The episode generated further controversy in September 2005, whenChannel 4 in the United Kingdom decided to air the episode a week afterHurricane Katrina struck New Orleans. Arguing that the episode was an insensitive choice, given recent events, several viewers filed complaints withOfcom. Two days later, Channel 4 apologized on-air and directly contacted all those who had complained. Channel 4 had screened the episode for offensive content, but the reviews focused on the main content of the episode, and the song was not considered a key part of the plot. Channel 4 promised to update their review process to ensure that similar incidents would not occur.[38]
Quotations from Wikiquote
Data from Wikidata
