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AVC-Intra

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AVC-Intra is a term used byPanasonic to refer to itsprofiles of theH.264/MPEG-4 AVC standard encapsulated inMXF-format files. Among other features, it records video with onlyintra coding, so as to make it possible to edit videos without loss of quality, and makes other simplifications such as making the size of each frame fixed. The original AVC-Intra defines 10-bit 4:2:0 coding at 50 Mbit/s or 10-bit 4:2:2 at 100 Mbit/s for 1080p/i or 720p/i video.[1]

AVC-Intra is available in Panasonic's high definition broadcast products such as theirP2 card equipped broadcast cameras. Panasonic markets its storage products based on the level of AVC-Intra it can sustain.[2][1]

Technical details

[edit]

In April 2007,Panasonic announced AVC-Intra codec support. The use of AVC-Intra provides production quality HD video at bit rates more normally associated withelectronic news gathering applications, permitting full resolution, 10-bit field capture of high quality HD imagery in one piece camera-recorders.

Panasonic claims to follow theSMPTE RP 2027–2007[3] recommended practice specification.[4] Analysis by the x264 project has shown that Panasonic does not comply with this specification[5]

AVC-Intra was intended for video professionals who have to store HD digital video for editing and archiving. According to Panasonic, the new technology significantly outperforms the olderHDV (MPEG2 based) andDVCPRO HD (DV based) formats, allowing the codec in certain conditions to maintain better quality in half the storage space of DVCPRO HD.[citation needed]

AVC-Intra defines two classes:

  • AVC-Intra 50:
    • nominally 50 Mbit/s, size of each frame is fixed
    • CABACentropy coding only.
    • 1920 × 1080 formats are High 10 Intra Profile, Level 4
    • 1280 × 720 formats are High 10 Intra Profile, Level 3.2
    • 4:2:0 chrominance sampling
    • frames are horizontally scaled by 3/4 (1920x1080 is scaled to 1440x1080. 1280 × 720 is scaled to 960x720)
  • AVC-Intra 100:
    • nominally 100 Mbit/s, size of each frame is fixed
    • CAVLCentropy coding only.
    • All formats are High 4:2:2 Intra Profile, Level 4.1
    • 4:2:2 chrominance sampling
    • frames are not scaled

Common to both classes;

  • Frame rates: 1920 × 1080 (23.98p / 25p / 29.97p / 50i / 59.94i), 1280 × 720 (23.98p / 25p / 29.97p / 50p / 59.94p)
  • 10 bit luma and chroma

Panasonic's implementation of AVC-Intra codec has following limitations: 8 × 8 transform only, 8 × 8 intra prediction only, 10 slices per picture, MBAFF for interlace material, custom quantization matrices for each class and each resolution.[6]

AVC-Ultra

[edit]

The Panasonic AVC-Ultra family defines an additional three new encoding parameters within theMPEG-4 Part 10 (still H.264) standard, utilizing up to the 4:4:4 Intra Predictive Profile, as well as an additional low bitrate proxy recording mode. AVC-Ultra includes three parts: AVC-Intra, AVC-LongG, and AVC-Proxy.[7][8][9]

AVC-Intra is an expanded version of the existing AVC Intra. Changes include:[9]: 4 

  • Add Class 200, a 4:2:2 class with twice the bitrate budget of Class 100, up to 266 Mbit/s for 1080p{25,30} and 1080i{50,60}, or 452 Mbit/s for 1080p{50,60}.
  • Add Class 4:4:4, a 12-bitVBR class with about the same bitrate budget as Class 200.
  • Maximum budgets are changed for the older classes. For example, class 50 typically uses 54 Mbit/s now.

AVC-LongG enables "long" (inter frame compression) for vastly increased compression rates[10] at qualities comparable to AVC-Intra. It is intended for reducing operation costs in video production, and especially for transmitting HD video over 50 Mbps communication lines intended for SDTV.[9]: 5  All levels are VBR. There are four levels: G6 (4:2:0 8-bit), G12 (4:2:0 8-bit), G25 (4:2:2 10-bit), G50 (4:2:2 10-bit) with the numbers corresponding to the bitrate at 1080i50/60 and 720p50/60. G6 and G12 support themov format in addition to MXF.[9]: 4 

AVC-Proxy uses greatly reduced bitrates. All levels are VBR, 4:2:0 8-bit, and use the QuickTime mov format. The highest level is G6 (6 Mbps for all resolutions, no downscaling). The lower levels, SHQ, HQ, LOW, reduce the input stream's resolution to achieve 3.5, 1.5, and 0.8 Mbps respectively.[9]: 4  A recoder can generate a higher-quality recording and AVC-Proxy at the same time. The smaller "proxy" recording is then useful in reviewing the content or off-line editing in a remote place.[9]: 9 

Third-party support

[edit]
  • Avid'sMedia Composer since v 3.5.0 provides support via Avid Media Access (AMA), a new plug-in architecture[11]
  • Apple'sFinal Cut Pro 7 provides native AVC-Intra decoding within a ProRes 422 timeline.[citation needed]
  • Apple'sFinal Cut Pro X provides native editing of AVC-Intra, including AVC-Intra 100 and AVC-Intra 50, as well as AVC-LongG, with support for import and playback without transcoding within a ProRes 422 timeline.[12]
  • MXF4mac offers an AVC-Intra codec for QuickTime that allows to export AVC-Intra and to set up native AVC-Intra timelines in Final Cut Pro.[13]
  • EVS Broadcast Equipment has announced AVC-Intra 100 support for their XT[2]+, XT[3] and XS server family[14]
  • MainConcept offer an AVC-Intra encoder and decoder as part of their Codec SDK[15]
  • Harris Corporation announced AVC-Intra support for the NEXIO AMP line of video servers atNAB 2008
  • Omneon announced AVC-Intra support for their Spectrum and MediaDeck products in 2007.[16]
  • Quantel demonstrated AVC-Intra workflow atNAB 2007,[17] and released to customers[18] in 2008 with their V4 software.[19]
  • Grass Valley has announced native support for AVC-Intra inEdius 4.5[20]
  • Adobe'sAfter Effects CS5 provides native AVC-Intra decoding.[21]
  • Vanguard Software Solutions provides an H.264/AVC PC SDK capable of encoding at 100 Mbit/s in real-time[22][23]
  • FFmpeg andLibav support decoding of both forms of AVC-Intra[24]
  • ATEME AVC-I Contribution Encoders[25]
  • x264 can encode AVC-Intra[5]
  • Broadcast products based onSHINE Media Platform[26] of GammaRED Engineering

Several companies introduced AVC Intra codecsemiconductor intellectual property cores.[27]

  • CoreEL Technologies provides AVC-Intra Class 50 and AVC-Intra Class 100 IP cores.
  • Tata Elxsi provides AVC-Intra & AVC-Ultra fully optimizable class 50 and 100 IP.
  • Vanguard Software Solutions provides AVC-Intra 50 and 100 encoder IP (up to AVC-Ultra: 1080p60 at 300 Mbit/s).
  • Nethra Imaging provides AVC-Intra 50 and 100 encoder IP.

References

[edit]
  1. ^ab"AVC-Intra Frequently Asked Questions"(PDF). Panasonic. 20 September 2007. Retrieved30 October 2013.[permanent dead link]
  2. ^"AJ-HPX2000 brochure"(PDF). Retrieved29 January 2008.[permanent dead link]
  3. ^"SMPTE RP 2027–2007, "AVC Intra-Frame Coding Specification for SSM Card Applications"".
  4. ^"AVC-Intra (H.264 Intra) Compression, Technical Overview"(PDF). Retrieved29 January 2008.[permanent dead link]
  5. ^ab"Git commit". x264 git. Archived fromthe original on 26 January 2016. Retrieved9 January 2016.
  6. ^"AVC-Intra Technical Overview by Panasonic Broadcast"(PDF) (in French). Archived fromthe original(PDF) on 20 July 2011.
  7. ^"AVC-ULTRA".eww.pass.panasonic.co.jp.
  8. ^Hofman, S (2013)."AVC-Ultra - the universal Codec family"(PDF).
  9. ^abcdef"AVC-ULTRA Overview Revision 2.0"(PDF). 2015.
  10. ^Mullen, Stephen (October 2012)."Discover the benefits of AVC-Ultra".Tv Technology.
  11. ^"Avid Announces Surge of Third-Party Integrations at NAB '09". Avid. Archived fromthe original on 23 April 2009.
  12. ^"Final Cut Pro X Specifications". Apple.
  13. ^"AVC-Intra QT". MXF4mac.
  14. ^"EVS announces support of AVC-Intra".[permanent dead link]
  15. ^"MainConcept SDKs".MainConcept.Archived from the original on 12 October 2010. Retrieved24 September 2010.
  16. ^"Omneon Server support for Panasonic's Advanced AVC-Intra HD format".Press release. 22 November 2007. Archived fromthe original on 5 June 2008. Retrieved30 October 2013.
  17. ^"Quantel demonstrates AVC-Intra". Archived fromthe original on 7 June 2008.
  18. ^"Schweizer Fernsehen and tv productioncenter zürich (tpc) choose Quantel".
  19. ^"V4 – for Enterprise sQ and Newsbox HD".
  20. ^"Thomson's Grass Valley Boosts EDIUS Capabilities and User Interface".
  21. ^"Supported import formats". Adobe. Archived fromthe original on 10 January 2011. Retrieved14 September 2010.
  22. ^"H.264/AVC Professional SDKs". Vanguard Software Solutions. Archived fromthe original on 5 October 2010. Retrieved22 October 2010.
  23. ^"VSS AVC-I Hardware Encoder"(PDF). Vanguard Software Solutions. Archived fromthe original(PDF) on 17 July 2011. Retrieved22 October 2010.
  24. ^"Git commit". FFmpeg git.
  25. ^http://extranet.ateme.com/download.php?file=1316[dead link]
  26. ^"GammaRED Engineering: SHINE Media Platform Overview".
  27. ^"AVC-Intra Codec Search Result". Retrieved8 October 2009.
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