 | This article needs to beupdated. The reason given is: Out of date households,The Walking Dead franchise expansion & the end of the original series, lack of major updates to History section. Please help update this article to reflect recent events or newly available information.(March 2024) |
 | |
| Country | United States |
|---|---|
| Broadcast area | North America(United States Canada) |
| Headquarters | New York City,United States |
| Programming | |
| Language | English |
| Picture format | 1080iHDTV (downscaled to480iletterboxed for theSDTV feed) |
| Ownership | |
| Owner | AMC Networks |
| Sister channels | BBC America IFC Sundance TV We TV |
| History | |
| Launched | October 1, 1984; 41 years ago (1984-10-01) |
| Former names | American Movie Classics (1984–2002) |
| Links | |
| Website | amc |
| Availability | |
| Streaming media | |
| Service(s) | Philo,YouTube TV,Sling TV,DirecTV Stream |
AMC is an Americancabletelevision channel that, since 2002, mainlyairs a mix of original AMC shows, mostly dramas and documentaries, as well as acquired TV programs, and theatrically releasedfilms. Launched in late 1984 asAmerican Movie Classics, theflagship property ofAMC Networks, the channel aired classic films (from before 1970), similar toTurner Classic Movies, the channel's former rival. In 2002, AMC retired theAmerican Movie Classics name, resulting from themajor shift inits programming.[1][2]
As of December 2024, AMC was available in approximately 60 million U.S. pay-TV households.[3] This marks a decline from 65.1 million households in December 2023[4] and 94.8 million in July 2015,[5] reflecting the broader trend ofcord-cutting and the shift toward streaming platforms.
| This section needs to beupdated. The reason given is: No updates made since 2016. For example,The Walking Dead ended in 2022, while spin-offs have been produced since 2013. Please help update this article to reflect recent events or newly available information.(March 2024) |
American Movie Classics, as AMC was originally known, debuted on October 1, 1984, as apremium channel byRainbow Programming Services (The predecessor to current-day AMC Networks owned byCablevision). Its original format focused on classic movies – largely those made prior to the 1970s – that aired during the afternoon and early evening hours in acommercial-free, generally unedited, uncut, uninterrupted anduncolorized format.[6] The new network replacedMontage, a channel with a similar format that was being offered to Cablevision subscribers in theNew York area.[7]
In 1985, Rainbow became involved in a dispute withTed Turner'sTurner Broadcasting System over broadcast rights to theMGM/UA film library. On July 30 of that year, Rainbow had paid $45 million to license up to 800 pre-1950 films from the library. Weeks later, Turner announced an agreement to purchase the film studio with the intention of airing the films on hisSuperstation WTBS. Rainbow claimed it had exclusive basic cable rights to the films for the next five years. Despite its widespread cable carriage, Turner claimed that because WTBS was a broadcast station, the restriction did not apply. This led to both companies filing lawsuits against each other in September, and MGM/UA terminating the agreement with Rainbow after alleging that Rainbow had breached it by announcing its intention to offer a premium tier to the AMC cable service. By October, the lawsuit was settled. Rainbow received $50 million[8] and agreed to terminate the licensing deal on December 31, 1985, before which time AMC would not be allowed to convert to a basic service.[9][10] Turner completed the acquisition of MGM in early 1986, but his ownership was short-lived and he sold it back to the previous owner months later. However, he retained the film library and executed his original plan to air the movies on WTBS and later on his new networksTurner Network Television andTurner Classic Movies, a direct competitor to AMC.
The new movie network struggled to gain carriage. By March 1986, it had only 300,000 subscribers. To solve this problem, Cablevision andCBS (which became half owner of Rainbow about a year earlier) worked out a deal with the nation's largest cable television provider,Tele-Communications Inc. (TCI). TCI gained a one-third interest in AMC (but notBravo, Rainbow's other network) and in exchange made AMC available as an offering for most of its 3.9 million subscribers.[11] (TCI'sLiberty Media division eventually would create another premium service—Encore, which also originally focused on older films, mainly from the 1960s to the 1980s – five years later in April 1991). During its early years, it was not uncommon for AMC to host a marathon ofMarx Brothers films, or show classics such as the original 1925 release ofThe Phantom of the Opera. In 1987, the channel began to be carried on thebasic cable tiers of many cable providers.[6][12] In July 1988, AMC added its first original programming:Classic Stories From Classic Stars (featuring interviews), followed later that year byStar Facts (biographies) and a mini-documentary seriesMaking of a Classic.[13] By 1989, AMC was available to 39 million subscribers in the U.S.[12]
On December 1, 1990, AMC began operating on a 24-hour-a-day schedule.
Beginning in 1993, AMC presented an annual Film Preservation Festival to raise awareness of and funding forfilm preservation. Coordinated withThe Film Foundation, an industry group that was founded by acclaimed directorMartin Scorsese, the festival was originally conceived as a multi-daymarathon presenting rare and previouslylost films, many airing for the first time on television, along with behind-the-scenes reports on the technical and monetary issues faced by those engaged in archival restoration. Portions of the festival were often dedicated to all-day marathons focusing on a single performer. During its fifth anniversary year in 1998, Scorsese credited the Festival for creating "not only a greater awareness, but[...] more of an expectation now to see restored films."[14] In 1996, curator of theMuseum of Modern Art Mary Lee Bandy called the Festival "the most important public event in support of film preservation."[15] By its tenth anniversary in 2003, the Festival had raised $2 million from the general public, which The Film Foundation divided among its five-member archives.[16]
In 1993, Cablevision's Rainbow Media division became the majority owner of the channel, when it bought out Liberty Media's 50% stake in AMC; incidentally in August of that year, Liberty announced its intent to purchase the 25% stake in the channel that Cablevision held at the time, with theTurner Broadcasting System helping to finance the buyout that included an option for TBS to eventually acquire AMC outright.[17][18] The following year,Time Warner (which later purchased rivalTurner Classic Movies following the company's 1996 acquisition of the Turner Broadcasting System) also attempted to acquire at least part of Liberty Media's stake in AMC.[19]
In June 1995, AMC became involved with another dispute with Turner. It filed a $550 millionbreach of contract lawsuit againstTurner Entertainment, which alleged that the company violated AMC's exclusive cable television rights to the pre-1950Warner Bros. Pictures film library to broadcast approximately 30 times between July 1994 and April 1995, charging that Turner's objective in violating the contract was "to gain unfair advantage for the Turner Classic Movies cable network (which debuted in April 1994) at the expense of AMC."; Turner owns rights to theRKO Radio Pictures film library and licensed RKO's films to AMC in an output deal that was slated to last through 2004. Under the terms of the deal, AMC obtained the RKO titles in exclusive windows.[20]
Around this time,General Electric/NBC owned a stake in AMC – which it divested in the early 2000s. From 1996 to 1998, AMC aired its first original series,Remember WENN, a half-hour scripted series about a radio station during thepeak of radio's influence in the 1930s. The show was well received by both critics and its enthusiastic fans, but was abruptly cancelled after its fourth season following management changes at the channel (WENN was followed up byThe Lot, which lasted for only 17 episodes). Despite a well publicized write-in campaign to save the series, the show was not renewed for its originally scheduled fifth season.
One popular AMC program wasAmerican Pop! (originally intended as a preview of a new 24-hour cable channel),[21] which ran from 1998 to 2003 and featured movies from the 1950s and 1960s aimed atbaby boomers (such asBeach Blanket Bingo andSki Party). Of particular interest to movie completists were the segments that AMC played to fill out the timeslot (Saturday nights from 10:00 p.m. to 12:00 a.m.Eastern Time): classicmovie trailers,drive-in movie ads andsnipes (bits extolling viewers to visit the snack bar, etc.), along withmusic videos cribbed from movie musicals from the period.
The majority of the films presented on AMC during the 1990s had originally been released byParamount Pictures,20th Century Fox,Columbia Pictures, andUniversal Pictures. The channel also occasionally showed classicsilent films. The regular hosts of the telecasts were Bob Dorian and later,Nick Clooney (brother of singerRosemary and father of actor and businessmanGeorge), as well asNew York City radio personalityGene Klavan from WNEW (1130 AM, nowWBBR). Another WNEW alum,Al "Jazzbo" Collins, provided his voice for the "Jazzbo's Swingin' Soundies" series ofinterstitials.
For most of its first 18 years in existence, AMC provided uncut and uncolorized films without commercial interruption. Its revenue came from carriage fees provided by the cable providers that maintained carriage agreements with the channel. However, in 1998, AMC began accepting traditional advertising, incorporating limited commercial interruptions between films (its sister movie channelRomance Classics, which had launched only one year earlier, became an entirely ad-supported channel at that point).[22] By 2001, AMC had also incorporated commercial breaks during its movie telecasts.[23] As a result of this move, Turner Classic Movies became the only one of the two classic film-focused networks to present their films commercial-free.
On September 30, 2002, AMC underwent a significant rebranding, changing its format from a classic movie channel, to a more general focus on movies from all eras[24] – as well as shortening its name to just the "AMC" abbreviation, and introducing a new logo (a rectangular outline with a lowercase and uppercase "aMC" text) and a new slogan that says TV for Movie people. Kate McEnroe, then-president of Rainbow Media, cited lack of subsidies from cable providers as the reason for the addition of advertising, and cited ad agencies who insist on programming relevant to their products' consumers as the reason for the shift to recent movies instead of just classics.[25] At the time of the format switchover, the company also attempted to launch a spin-offdigital cable channel, AMC's Hollywood Classics, which would have required viewers to pay an extra fee to receive the channel. This commercial-free channel would have aired black-and-white classics from the 1930s through the 1950s that American Movie Classics had been airing up until its format changeover; however, the new channel never debuted.[25][26]
AMC also gradually brought back original programming. In 2004, AMC aired its firstreality series,FilmFakers; the show featured out-of-work actors who believed they were auditioning for a major role in a real movie, only to be told that they were the subject of a prank and no film actually existed. ANew York Times article on the show said that "FilmFakers may go down as one of the meanest reality series yet."[27] From 2003 to 2007, AMC was a channel focused on American films partially classics as well as documentaries about film history such asBackstory andMovies that Shook the World.
On September 1, 2006, AMC officially became available in Canada for cable customers ofShaw Cable and satellite customers ofShaw Direct (formerly StarChoice), marking the first time AMC was made available outside the United States.[28]
In late 2007, AMC debuted its first original drama seriesMad Men, aperiod piece aboutMadison Avenueadvertising executives in the 1960s. The show was immediately lauded by critics,[29] and won 16Primetime Emmy Awards[30] and aPeabody Award.[31]Breaking Bad, a drama series aboutWalter White, acancer-stricken chemistry teacher involved in making and dealingmethamphetamine (played byBryan Cranston, who had been known primarily for comedic roles in series such asMalcolm in the Middle prior to the series), premiered in 2008; also garnering critical acclaim, winning 16 Primetime Emmy Awards.[32][33]Breaking Bad andMad Men ended their runs in 2013 and 2015, respectively, withBreaking Bad receiving a spin-off in the form ofBetter Call Saul.
On May 31, 2009, during the second-season finale ofBreaking Bad, AMC rebranded with the introduction of a new slogan, "Story Matters Here".[34] Later that year, the network premiered its second miniseries,The Prisoner. On January 4, 2010, AMC began airinginfomercials on Monday through Saturday mornings from 6:00 to 9:00 a.m. Eastern Time; the Saturday morning infomercial block was eliminated after its March 25, 2011, airing as AMC added a Saturday block ofwestern series and films the following week. 2010 also saw the premieres ofRubicon andThe Walking Dead. WhileRubicon was cancelled,The Walking Dead became an enormous success and has become the most watched scripted program in basic cable history.
AMC became the flagship property of modern-dayAMC Networks after Cablevision spun off Rainbow Media. Cablevision founderCharles Dolan and his family continue to retain a controlling interest in the company.[35] Also during this year, the network introduced two new dramas (The Killing andHell on Wheels), two original web series (The Trivial Pursuits of Arthur Banks[36] andThe Walking Dead: Torn Apart), and theWalking Dead discussion seriesTalking Dead. In 2012, AMC premiered three original reality series:The Pitch,Comic Book Men[37] andSmall Town Security; along with a second web series spun off fromThe Walking Dead,The Walking Dead: Cold Storage.[37]
In July 2012, AMC was dropped fromDish Network, in conjunction with acarriage dispute with the satellite provider, citing that AMC Networks charged an excessive amount inretransmission consent payments from the service for carriage which was in disproportion with the lower audience viewership for the channels. AMC Networks cited the removal as being related to abreach of contract lawsuit filed against Dish Network by the channel's former parent Rainbow Media'sVoom HD Networks in 2008 for improperly terminating its carriage contract; Dish Network denied that the lawsuit had any relation to the decision to remove AMC and its sister channels and that it ended the carriage agreement on its own terms.[38] However, the two companies came to a resolution, bringing back the channel (and sister networksIFC,Sundance Channel andWE tv) to Dish in October 2012.[39][40]
On March 31, 2013, during the third-season finale ofThe Walking Dead, AMC unveiled a rebranding campaign with the new slogan "Something More", and inverted the logo from a rectangular outlined box to a solid gold block with the network's acronymic name retained in the center.[41] 2013 saw the channel's unscripted slate double with the additions ofOwner's Manual,Showville, the second part of the final season ofBreaking Bad, theBreaking Bad discussion seriesTalking Bad, and the second season of the unscripted seriesFreakshow, before being cancelled.
Also in April,Rectify, which was originally developed for AMC, premiered on AMC's sister channelSundance Channel to jump-start that network's emerging slate of original scripted programming. It was then followed by the July announcement that fellow sister channelWE tv had picked up another series originally developed for AMC for the 2012-13 development slate,The Divide, to series. During this timeframe, AMC had started to run marathons of certain shows and cross-promote programs from its co-owned sister channels.
In July 2013, the network announced that it had given series orders for two dramas:Turn: Washington's Spies (which premiered on April 6, 2014) andHalt and Catch Fire (which premiered on June 1, 2014). This marked the first time that AMC had four pilot orders picked up to series in the same cycle, the other two beingThe Divide andLow Winter Sun (the latter premiered on August 11, 2013, after the season premiere of the final season ofBreaking Bad). The former two would both be renewed for second seasons while the latter two were cancelled after their first seasons. AMC would then pick upInto the Badlands for a six episode first season[42] andBreaking Bad spinoffBetter Call Saul for two seasons.
On October 9, 2014, it was announced that AMC would scrap its entire current and future unscripted slate outsideTalking Dead andComic Book Men.[43] This announcement came shortly after AMC took over the United States co-production of the sci-fi dramaHumans fromXbox Entertainment Studios.[44] AMC Media recently bought the European media giantChello Media fromLiberty Global. At the end of October, it was announced that AMC had won the bidding war to air the miniseriesThe Night Manager.[45] In November,AMC Networks renamed the EuropeanMGM Channel toAMC.[46] In January 2015, the Asian MGM channel also became AMC as well.[citation needed] In January 2015, AMC announced that they would be airing the eight part miniseriesThe Making of the Mob: New York.[47]
In March 2015,Sling TV announced it would soon addAMC Networks (includingBBC America,IFC,Sundance TV, andWe TV) to its service.[48][49][50]
In 2016, AMC introduced a new slate of original unscripted series, includingRide with Norman Reedus,Geeking Out, and new expansions of theTalking Dead format withTalking Saul,Talking Preacher, andTalking with Chris Hardwick.[51][52][53][54]
Although movies remain an integral part of AMC's schedule, the network has garnered attention in recent years for its original series. The channel's first original series was the game showThe Movie Masters, which ran from 1989 to 1990 and was otherwise notable for beingGene Rayburn's last hosting role; outsideRemember WENN andFilmfakers, most of AMC's original programming prior to September 2007 consisted of film history-related documentary and review programs. The establishment ofMad Men in 2007, followed by that ofBreaking Bad in 2008, andBetter Call Saul in 2015, has given AMC a reputation on par with premium cable networksHBO andShowtime, both of which rejectedMad Men before it came to AMC.[29]
AMC also airsacquired programming, ranging from black-and-white filmed shows (such asThe Rifleman and shorts fromThe Three Stooges) to contemporary series (such asCSI: Miami).
AMC maintains movie licensing rights agreements withWarner Bros.,Metro-Goldwyn-Mayer (including films fromUnited Artists and library content fromThe Samuel Goldwyn Company,Orion Pictures, andCannon Group),Universal Pictures (including some films fromDreamWorks Animation as titles fromIllumination Entertainment and most fromFocus Features are absent),Paramount Pictures (including films from pre-2011DreamWorks Pictures andMiramax),Walt Disney Studios Motion Pictures (primarily film content fromTouchstone Pictures,Hollywood Pictures,20th Century Studios,Searchlight Pictures,Disney,Walt Disney Animation Studios, andBuena Vista International, while titles fromPixar,Lucasfilm, much ofMarvel Studios, and the defunctBlue Sky Studios are not included because of other channels' agreements, including those owned by Disney themselves) andSony Pictures Entertainment (includingColumbia Pictures,TriStar Pictures,Sony Pictures Classics,Screen Gems, andTriumph Films). Since the 2002 format change, the network's film telecasts usually are "television" cuts meant for basic cable, which feature content edits, censoring or dubbing ofprofanities, and some time edits by removing some superfluous plotting or toning down scenes with adult content inappropriate for basic cable broadcast to fit within a set timeslot with commercials added.
In 1997, AMC launched "Monsterfest", a popular week-long marathon ofhorror films and thrillers that aired from mid- or late October every year for Halloween until the day after Halloween. In the mid-2000s, AMC started a Monsterfest blog on its website,[55] which chronicled news on horror-related film and television productions. In addition, AMC presented "Fear Friday", a horror moviedouble feature on late Friday evenings. On September 26, 2008, AMC announced the launch of a new horror-themed movie marathon for its October schedule called "Fearfest" (which replaced Monsterfest); coinciding with this, the "Monsterfest" blog was renamed as the "Horror Hacker" blog. "Fearfest" also ran from mid- or late October every year for Halloween until the day after Halloween too from 2008 to 2021. Beginning in 2021, Fearfest now runs throughout the whole month of October.
AMC had typically aired a rotating lineup of five to sixChristmas movies during the holiday season. In 2018, the channel introduced a more extensive holiday lineup branded as Best Christmas Ever, running from November 26 to December 25, featuring a mix of popular Christmas and family films, along with other acquired specials. The schedule included notable acquisitions fromWarner Bros., includingElf,National Lampoon's Christmas Vacation,The Polar Express, and 12Rankin/Bass Animated Entertainment specials (the films had been recent mainstays ofFreeform's competing25 Days of Christmas schedule, withElf in particular having received extensive airplay and high viewership during the event), as well as other specials fromDreamWorks Animation.[56] As expected, AMC saw ratings gains over the holiday season; primetime viewership for the first two weeks of the event was up 40% year-over-year, airings ofElf andChristmas Vacation both peaked at 1.5 million viewers, and average viewership of feature films on Freeform fell by 36% year-over-year in the same period.[57]
AMC Premiere is an add-on subscription service only available as an extra to those already normally subscribed to AMC. It involves access to an expanded On-Demand library compared to the standard "AMC OnDemand" library packaged with the usual cable service. This is necessary to view many "locked" programs on the AMC website (such as complete availability to The Walking Dead all eleven seasons) which prompts someone to subscribe for ~$5/mo or ~$30/yr. For currently-airing programs it sometimes gives early access to viewing them before they debut on the main AMC channel.[58]
AMC+ is a premium, commercial-free streaming bundle that includes the same benefits of AMC Premiere, early access to additional AMC series, as well as additional library content from sister networks BBC America, IFC, and SundanceTV, and the complete collections of fellow AMC Networks streaming services including Shudder, Sundance Now and IFC Films Unlimited.[59] The service is available through most streaming services for $8.99 per month likeApple TV,Amazon Prime Video andRoku and it's also at a reduced price for existing AMC channel subscribers too likeXfinity,Dish Network andSling TV.
