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A. Bhimsingh | |
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| Born | (1924-10-15)15 October 1924 Rayalacheruvu,Madras Presidency,British India |
| Died | 16 January 1978(1978-01-16) (aged 53) Madras,Tamil Nadu, India |
| Occupation(s) | editor, director, producer, writer |
| Years active | 1949–1978 |
| Spouses | |
| Children | B. Lenin B. Kannan |
| Relatives | Travancore family |
A. Bhimsingh orBhim Singh (15 October 1924–16 January 1978) was an Indian filmmaker who worked predominantly inTamil cinema. Apart from Tamil, he made films in other languages that include 18 films inHindi, 8 inTelugu, 5 inMalayalam and 2 films inKannada. Hailing from Andhra Pradesh, he started his film career as an assistant editor with the film-making duoKrishnan–Panju in the late 1940s. Later, he became an assistant director before evolving as an independent director. His films mainly dealt with family and relationships. He made a series of films all of which started with theTamil syllablepa, mainly withSivaji Ganesan.
Bhimsingh married Sona, the sister ofKrishnan, in 1949. He had eight children with her; one of their eight children,B. Lenin is a film editor, and another son,B. Kannan, is a cinematographer, who is known for his frequent collaborations withBharathiraja. Later, Bhimsingh's eldest son Naren married Panju's daughter. Bhimsingh later married actressSukumari in 1959 and has a son Suresh Bhimsingh.[1]
| Year | Film | Banner | Language | Screenwriter | Notes |
|---|---|---|---|---|---|
| 1954 | Ammaiyappan | National Productions | Tamil | M. Karunanidhi | Directorial debut |
| 1956 | Raja Rani | ||||
| 1958 | Pathi Bakthi | Budda Pictures | Valampuri Somanathan | screenplay, dialogues and editor credits | |
| Thirumanam | Valampuri Pictures | M. S. Solamalai | |||
| 1959 | Ponnu Vilaiyum Bhoomi | Oriental Pictures | |||
| President Panchatcharam | Savitri Pictures | B. S. Ramaiah | |||
| Bhaaga Pirivinai | Saravana Films | M. S. Solamalai | |||
| Sahodhari | Carnatic Films | Murasoli Maran | |||
| 1960 | Aai Phirse Bahar | Hindi | M. Karunanidhi | ||
| Padikkadha Medhai | Bala Movies | Tamil | Asha Poorna Devi | ||
| Kalathur Kannamma | AVM Productions | Javar Seetharaman | Dubbed in Telugu asMavoori Ammayi | ||
| Petra Manam | National Pictures | Mu. Varadarajan | |||
| 1961 | Pava Mannippu | Budhdha Pictures | M. S. Solamalai | National Film Award for Second Best Feature Film Dubbed in Telugu asPapa Pariharam | |
| Pasamalar | Rajamani Pictures | K. P. Kottarakkara | |||
| Paalum Pazhamum | Saravana Films | G. Balasubramaniam, Pasumani | Remade asSaathi | ||
| 1962 | Paarthaal Pasi Theerum | AVM Productions | A. C. Tirulokchandar | ||
| Padithaal Mattum Podhuma | Ranganathan Pictures | Tharashankar Bandopadhyay | |||
| Rakhi | Hindi | Remake ofPasamalar | |||
| Senthamarai | Madras Pictures | Tamil | Rama Arangannal | ||
| Bandha Pasam | Santhi Films | Valampuri Somanathan | |||
| Main Chup Rahungi | AVM Productions | Hindi | Remake ofKalathur Kannamma | ||
| 1963 | Paar Magaley Paar | Kasturi Films | Tamil | Pattu | Based on stage playPetralthan Pillaiya |
| 1964 | Pachchai Vilakku | Vel Pictures | G. K. Suriyam | ||
| Pooja Ke Phool | AVM Productions | Hindi | K. S. Gopalakrishnan | Remake ofKumudham, directed byAdurthi Subba Rao | |
| 1965 | Pazhani | Bharatha Matha Pictures | Tamil | G. V. Iyer | |
| Santhi | ALS Productions | M. S. Solaimalai | |||
| Khandan | Vasu Films | Hindi | Remake ofBhaaga Pirivinai | ||
| 1966 | Sadhu Mirandal | Sunbeam Productions | Tamil | Writer and producer | |
| 1967 | Pattathu Rani | Tamil | Producer | ||
| Mehrban | AVM Productions | Hindi | Remake ofPadikkadha Medhai Nominated,Filmfare Award for Best Director | ||
| Paaladai | Kamala Pictures | Tamil | Bilahari (T. Raman) | ||
| Aalayam | Sunbeam Productions | Writer and producer | |||
| 1968 | Gauri | Sivaji Films | Hindi | Remake ofSanthi | |
| Aadmi | PSV Pictures | Akhtar ul Iman Kaushal Bharati Ramarao Shamanna | Remake ofK. Shankar'sAalayamani | ||
| Sadhu Aur Shaitaan | Usilai Somanathan | Remake ofSadhu Mirandal | |||
| 1969 | Manishichina Maguva | Telugu | |||
| Bhai Bahen | Hindi | ||||
| 1970 | Paadhukaappu | Sunbeam Productions | Tamil | Paasumani | |
| Gopi | Hindi | Remake ofB. R. Panthulu'sChinnada Gombe | |||
| Oke Kutumbham | Telugu | ||||
| 1972 | Sub Ka Saathi | Hindi | |||
| Maalik | |||||
| Maa Inti Jyothi | Telugu | ||||
| Joroo Ka Ghulam | Hindi | ||||
| 1973 | Loafer | Century Films | Jagdish Kanwal | ||
| 1974 | Paadha Poojai | Kasiram Pictures | Tamil | ||
| Naya Din Nai Raat | Hindi | A. P. Nagarajan | Remake ofA. P. Nagarajan'sNavarathiri | ||
| 1975 | Raagam | Jammu Films | Malayalam | S. L. Puram Sadanandan | |
| Bhagyashalulu | Telugu | ||||
| 1976 | Sila Nerangalil Sila Manithargal | ABS Productions | Tamil | Jayakanthan | |
| Kanavan Manaivi | Sri Umachitra Combines | Kalaignanam | Remade asHaisiyat | ||
| Chiranjeevi | Kannada | ||||
| Bangaru Manishi | |||||
| 1977 | Yaaron Ka Yaar | Hindi | |||
| Nirakudum | Swapna Films | Malayalam | Surasu | Remake ofBhaaga Pirivinai | |
| Sneham | JS Films | Sreekumaran Thampi | |||
| Nee Vazha Vendum | Fathima Amuda Combines | Tamil | |||
| Amaanat | Hindi | ||||
| Evaru Devudu | Telugu | ||||
| 1978 | Vamsha Jyothi | Sri Rama Enterprises | Kannada | ||
| Oru Nadigai Natakam Parkiral | Girnar Films | Tamil | Jayakanthan | ||
| Mishiha Charitram | Malayalam | Dubbed into Tamil and Telugu | |||
| Kai Pidithaaval | Ganeshanjali Productions | Tamil | |||
| Maattoly | Swapna Films | Malayalam | R. Balakrishnan | ||
| Iraivan Kodutha Varam | Raja Cine Arts | Tamil | |||
| Karunamayudu | Vijayachander Rev.Louis F. Knoll STBC | Telugu | Fr. Christopher Coelho,O.F.M. | Bhimsingh also acted asJudas Iscariot. Dubbed in Hindi asDaya Sagar, Tamil asKarunamoorthy and English asOcean of Mercy. | |
| Karunai Ullam | MSV Movies | Tamil |
Many of Bhimsingh's films began with the syllablePa, starred Sivaji Ganesan, had music by Viswanathan–Ramamoorthy, and lyrics by Kannadasan.[2] According to Ganesan, Bhimsingh hardly imagined that he would make a series of films that began with the letterPa, implying that he "might have thought about it at first because his name starts with the same letter in Tamil. Later he might have decided to stay on with this letter for sentimental reasons."[3]
Bhimsingh frequently associated with the same crew members. These included the assistant director duo Thirumalai–Mahalingam (who later became proper directors on films produced and written by Bhimsingh), cinematographer G. Vittal Rao and editor A. Paul Duraisingam.[4][5][6] Ganesan appeared in 18 films directed by Bhimsingh, starting withRaja Rani (1956).[7][8]