The Academy wanted to find a new venue for the festivities amid limited seating and rehearsal time concerns with theDorothy Chandler Pavilion. In addition, problems arose regarding staging the Oscars at theShrine Auditorium because there was difficulty of directing guests from the auditorium where the main event took place to the adjacent Exhibition Hall for the Governor's Ball.[22] In August 1997, AMPAS and Canadian development firmTrizecHahn went into negotiations over the development of an entertainment complex located on the corner ofHollywood Boulevard andHighland Avenue adjacent to theMann's Chinese Theatre.[23] Seven months later, both the Academy and TrizecHahn agreed on a twenty-year lease that allowed for the ceremony to be staged at a new venue, which would later be called theKodak Theatre, located within the property which was also situated near theHollywood Roosevelt Hotel, the site of theinaugural awards ceremony in 1929.[24][25] This was the first time the ceremony was held in Hollywood since the32nd ceremony took place at thePantages Theatre in 1960.[24]
In view of the return of the Oscars to Hollywood, the Academy hired film producer andSony Pictures Entertainment chairmanLaura Ziskin in September 2001 to oversee production of the telecast.[4] Pierson explained the decision to hire Ziskin saying, "This show is one of the most difficult—if not the most difficult—producing jobs in show business. Laura Ziskin brings intelligence, experience and wit expressed in everything she has done."[26] This marked the first occurrence that a woman produced the Oscars solo. Four months later,Whoopi Goldberg was selected as host of the 2002 ceremony. In an article in theLos Angeles Times, Ziskin justified her choice of Goldberg commenting that she has "great warmth, with humor, humanity and social conscience, all qualities that I feel are essential for this year's show. I look forward to collaborating with Whoopi to put on a meaningful and entertaining evening."[27]
Furthermore, theSeptember 11 attacks affected the telecast and its surrounding events. Despite speculation and suggestions that the festivities be postponed or canceled, AMPAS President Pierson wrote in aVariety column refusing to take such action stating that it would send the message that "the terrorists have won".[28][29] However, due to security concerns, the Academy announced that red carpet bleacher seats would now be limited on a reservation basis based on a random selection and abackground check.[30]
On Oscar night,Tom Cruise opened the show and stated that it was the job of filmmakers to make films during troubling times. In addition, later in the evening Goldberg introduced a "New York icon" to the stage and filmmaker and directorWoody Allen, who had previously never attended a ceremony, made a surprise appearance. Allen was greeted with a hearty standing ovation from audience members includingBaz Luhrmann,Ron Howard,Jennifer Connelly,Denzel Washington, andEthan Hawke. He explained that the September 11 attacks influenced him to attend the Oscars so that he could represent the city he deeply admired and urged filmmakers to continue to film in New York City. Allen then presented a film montage directed by fellow New Yorker and screenwriterNora Ephron saluting New York City in film.[31]
Several other people participated in the production of the ceremony. ActorsGlenn Close andDonald Sutherland served as announcers during the show.[32] The orchestra, led by film composer and telecast musical supervisorJohn Williams, performed selections of film scores during a montage saluting film composers produced byKyle Cooper.[33] FilmmakerErrol Morris filmed a vignette featuring several famous people discuss movie memories.[34] DirectorPenelope Spheeris produced a montage saluting 60 years of Oscar-winning documentary feature films.[35][36]Cirque du Soleil performed a dance number inspired by movies and visual effects.[37]
Beginning with this ceremony, AMPAS introduced a new competitive award that would honoranimated feature films.[38] According to Academy communications director John Pavlik, the film must be at least 70 minutes in length, have a significant amount of animated characters, and be at least 75 percent animated in order to be qualified for consideration.[39] A minimum of eight qualifying films must be released within the calendar year to permit a slate of three nominees. If the number of films exceeds twelve, the nominee roster increases to five.[40] Prior to the introduction of this category, threeDisney films (1937'sSnow White and the Seven Dwarfs, 1988'sWho Framed Roger Rabbit, and 1995'sToy Story) were all givenSpecial Achievement Academy Awards.[41]
At the time of the nominations announcement on February 12, the combined gross of the five Best Picture nominees at the US box office was $484 million, with an average of $96.9 million per film.The Lord of the Rings: The Fellowship of the Ring was the highest earner among the Best Picture nominees with $271 million in domestic box office receipts.[42] The film was followed byA Beautiful Mind ($113 million),Moulin Rouge! ($57.1 million),Gosford Park ($22.2 million), and finallyIn the Bedroom ($19.5 million).[42]
Of the top 50 grossing movies of the year, 46 nominations went to 14 films on the list.[43] OnlyThe Lord of the Rings: The Fellowship of the Ring (2nd),Shrek (3rd),Monsters, Inc. (4th),A Beautiful Mind (15th),Black Hawk Down (25th),Jimmy Neutron: Boy Genius (27th),Training Day (29th),Bridget Jones's Diary (31st),Ali (41st), andMoulin Rouge! (44th) were nominated for Best Picture, Best Animated Feature, or any of the directing, acting, or screenwriting awards.[43] The other top-50 box office hits that earned nominations wereHarry Potter and the Sorcerer's Stone (1st),Pearl Harbor (7th),Vanilla Sky (19th), andAI: Artificial Intelligence (28th).[43]
The show received a mixed reception from media publications. Some media outlets were more critical of the show. Television critic Robert Bianco ofUSA Today complained that the awards ceremony was "intensely narcissistic and characteristically, almost unrelievedly, dull."[44] Columnist Matthew Gilbert ofThe Boston Globe bemoaned that "TV's most-watched slug crawled back into town last night." He also sniped, "As usual, the technical awards formed aBermuda Triangle in the middle of the show, and the film-clip fests and production numbers numbed our brains."[45]The Sacramento Bee's Rick Kishman lamented that "It was the first time both best-acting Oscars went to African Americans...yet viewers had to fight hours and hours of boredom to care." He also quipped that the excessive amount of montage and tributes dragged down the proceedings.[46]
Other media outlets received the broadcast more positively.Orange County Register film critic Henry Sheehan praised Goldberg's performance as hosting writing that her "ensuing entrance a laMoulin Rouge was a comparative triumph and her boom-boom-boom succession of jokes put the show right on track."[35] Television columnist Joanne Ostrow ofThe Denver Post raved, "The nearly five-hour telecast was stunning, historic, slick, efficient, and helped along by some knockout clothes." She also commented that Washington and Berry's acceptance speeches and the Sidney Poitier tribute added to the historic and emotional mood of the festivities.[47] John Levesque of theSeattle Post-Intelligencer commended producer Ziskin for producing "the best Oscar telecast this TV watcher can remember." In addition, he wrote that "It was clear the 74th Academy Awards ceremony was something special: fresh, crisp, different from its predecessors."[48]
The American telecast on ABC drew in an average of 41.82 million people over its length, which was a 3% decrease from theprevious year's ceremony.[49] The show also earned lowerNielsen ratings compared to the previous ceremony with 25.54% of households watching over a 40.34 share.[50] In addition, it garnered a lower 18–49 demo rating with a 16.13 rating over a 36.46 share among viewers in that demographic.[50]
In July 2002, the ceremony presentation received seven nominations at the54th Primetime Emmys.[51] Two months later, the ceremony won one of those nominations for Debra Brown's choreography during the telecast.[52]
^Munoz, Lorena (February 4, 2002)."The New Bleacher Features".Los Angeles Times.Archived from the original on February 21, 2014. RetrievedJanuary 21, 2014.