| 48:13 | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 6 June 2014 (2014-06-06) | |||
| Recorded | 2013 in London, England | |||
| Genre | ||||
| Length | 48:13 | |||
| Label | Columbia | |||
| Producer | Sergio Pizzorno | |||
| Kasabian chronology | ||||
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| Singles from 48:13 | ||||
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48:13 is the fifth studio album by English rock bandKasabian. The album, produced by the band's leader, songwriter, guitarist, and second vocalistSergio Pizzorno[7][8] (being their first album that Pizzorno produced for the band), and named after its total running time, was released in Germany on 6 June 2014 and in the UK on 9 June 2014.[9][10] The album entered at number one on theUK Albums Chart in its first week of release making it the band's fourth consecutive UK number one album. The album received mixed-to-positive reviews from critics who were divided on the electronic-heavy direction as well as criticising the lyrics.
On 13 November 2013, Kasabian posted a teaser video on their officialYouTube channel, announcing that the band's guitaristSergio Pizzorno had been in the studio for the previous six months working on material for the new record.[11] In an interview withQRO magazine, the band also revealed that the album would be produced by Pizzorno, who also co-produced their 2011 albumVelociraptor!.[7]
On 28 April 2014, Pizzorno said in a statement announcing the release of48:13, "I felt that we had the confidence to be more direct, more honest with this album. I started to strip away layers rather than to just keep adding." Kasabian vocalistTom Meighan added, "Less is more, you know? It's direct. It is what it is. Just listen to it. We've had the confidence to lay ourselves bare. Serge has stripped it right back. It's unbelievable."[8][12]
Kasabian have listedKanye West,Joe Strummer[13]Nirvana,Death Grips,Led Zeppelin,Rage Against the Machine andBeastie Boys[14] as influences for the album. Musically, the album represents a return to the hip hop influenced sound of theirdebut album combined with the space-rock and neo-psychedelic sound of their more recent releases.
48:13 is notable for being the band's only album before Meighan's departure in 2020 in which Pizzorno's lead vocal duties outweigh that of Meighan, with 4 tracks being sung by Pizzorno on the standard edition, 3 sung by Meighan and 3 tracks which feature both on lead vocals.
Preceded by a 1-minute intro "shiva" that segues in, "bumblebeee" kicks the album off with a "pile-driving electronic rock" sound[15] featuring gang vocals among its "pogoing chorus pulse [emphasising] the theme of togetherness in the sunshine and under the moonlight".[16] It was described by Pizzorno as a "Beastie Boys dub with a sort ofZeppelin,Rage Against the Machine chorus". "stevie" features a driving beat and taut bass riff with strings and horns described as "menacing" and "dramatic",[17] alongside an "empowering" chorus.[18]
The interlude "(mortis)" features Pizzorno's grandfather Wilf Dillon reading in Latin.[19] "doomsday" has been characterised as "glam ska-pop pushed through an electronic filter". "treat" has been regarded by Pizzorno as the "centrepiece" of the album,[19] with its near 7-minute length divided into the first half featuring "razor-sharp guitars" and an acknowledgement to the band's hometown of Leceister, and the second half containing "floaty electronics"[17] compirising a "glacial synth disco coda".[15] "Glass" combines "cycling sequenced electronics"(Independent) with "eastern-tinged guitar"[17] and outro from British spoken word poet Suli Breaks.
The electronic track "explodes" features "sub-bass wub-wubs, and analogue melodies redolent of Kraftwerk". Both this and the following interlude "(levitation)" have been compared to Velociraptor!, with the latter being described as an "Eastern psychedelic track" featuring Pizzorno on vocals.[18] The psychedelic influences continue on "clouds", which was highlighted as an example of the band's "stadium-sized UK 60's psych-rock influences"[16] and overall denoted as a "stirring electro rampage".[20]
Lead single "eez-eh", derived from the Leicester pronunciation of 'easy' is an electro-rock[16] song that features Meighan and Pizzorno singing in unison over "laser-guided galumph".[15] This is succeeded by "bow", which has been defined as an "oddly slick teen-rock anomaly in the vein of Linkin Park"[20] and featuring a contrast between "brooding verses and anthemic choruses".[17] The close "s.p.s", an acronym for 'Scissors, Paper, Stone' is an acoustic-based ballad featuring lap steel guitar, strings and cricket chirping sounds.[15][18]
On 4 April 2014, Tom Meighan and Sergio Pizzorno appeared in East London dressed in white overalls, painting large numbers "48:13" on a wall belonging to artist and fashion designerAitor Throup, with whom the band has previously worked on the cover art forVelociraptor! (2011) and the music video for "Switchblade Smiles".[21][22] On 28 April 2014, the band announced the release of the album, and it became clear that the mural was referring to its title and artwork.[12]
The album cover features simple black text on a pink background displaying the length of every track between the band and album title, although the deluxe edition omits the track lengths and enlarges the text. According to Pizzorno, he chose the pink colour scheme to go against the perception that Kasabian is a "very masculine" band, noting that "there’s a very punk element to it."[19]
48:13 was promoted by the lead single "Eez-eh",[23] released on 29 April 2014. A music video for the song, directed byAitor Throup, was released ontoYouTube the same day.[24]
On 11 June 2014, Pizzorno featured alongsidePete Donaldson on hisAbsolute Radio show, during which full versions of "Stevie" and "Treat" were played.[25] In support of the album, Kasabian made several appearances at festivals in Europe and Japan.[21] The band also headlined the2014 Glastonbury Festival, performing on the Pyramid Stage on 29 June 2014.[26]
The second single, "Bumblebeee" was released on 3 August 2014, with the music video, directed byAlex Courtes released on 27 July.[27] Over two months before its release, on 29 May 2014, "Bumblebeee" was awardedZane Lowe's Hottest Record.[28] The B-side of the "Bumblebeee" single is "Gelfling", named after the creature of the same name from the filmThe Dark Crystal.
The third single, "Bow" features Pizzorno on lead vocals, their second single to do so after the 2007 single "Me Plus One". It was solely released in Italy, but received some airplay in the UK.[29]
The fourth single, "Stevie", was a part of the soundtrack of the game,FIFA 15, made byEA Sports.
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 62/100[30] |
| Review scores | |
| Source | Rating |
| AllMusic |    [31] |
| Clash | 2/10[32] |
| The Daily Telegraph | [33] |
| Digital Spy | [34] |
| Drowned in Sound | 5/10[35] |
| The Guardian | [36] |
| The Independent | [37] |
| NME | [38] |
| The Observer | [39] |
| Q | [40] |
48:13 received mixed reviews from music critics. AtMetacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 62 based on 14 reviews, indicating "generally favourable" reviews.[30]
Digital Spy's Lisa Wright commented that "Kasabian are not quite up toAlex Turner's level of social commentary," but concluded that "when Kasabian accept what they do best and run with it – and at least half of48:13 stays resolutely in this spirit – they're the lairy masters of undeniably pumped-up hedonistic fun."[34] Michael Hann ofThe Guardian wrote that the album is "properly exciting" and the band members "never forget that their purpose is to entertain," however, "the lyrics throughout are reliably terrible."[36] James Hall ofThe Daily Telegraph wrote a scathing review of Meighan's lofty ambitions for the album, surmising that "no moulds were broken during the making of this album".[33]
All songs written and produced bySergio Pizzorno, and stylized inall lowercase.
| No. | Title | Lead vocals | Length |
|---|---|---|---|
| 1. | "(Shiva)" | (instrumental) | 1:07 |
| 2. | "Bumblebeee" | Meighan/Pizzorno | 4:01 |
| 3. | "Stevie" | Meighan | 4:45 |
| 4. | "(Mortis)" | Dillon | 0:48 |
| 5. | "Doomsday" | Meighan | 3:40 |
| 6. | "Treat" | Meighan/Pizzorno | 6:53 |
| 7. | "Glass" | Pizzorno/Breaks | 4:48 |
| 8. | "Explodes" | Pizzorno | 4:18 |
| 9. | "(Levitation)" | Pizzorno | 1:19 |
| 10. | "Clouds" | Meighan | 4:45 |
| 11. | "Eez-eh" | Meighan/Pizzorno | 3:00 |
| 12. | "Bow" | Pizzorno | 4:27 |
| 13. | "S.P.S." | Pizzorno | 4:22 |
| Total length: | 48:13 | ||
| No. | Title | Lead vocals | Length |
|---|---|---|---|
| 14. | "Beanz" | Pizzorno | 4:40 |
| 15. | "Gelfling" | (instrumental) | 3:15 |
| Total length: | 56:06 | ||
Deluxe edition bonus DVD
Kasabian
Technical personnel[7]
| Additional musicians
|
Weekly charts[edit]
| Year-end charts[edit]
Certifications[edit]
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Country | Date | Label | Format(s) |
|---|---|---|---|
| Germany[9] | 6 June 2014 | Sony Music | CD, 2×LP |
| France[64] | 9 June 2014 | CD, 2×LP,digital download | |
| Poland[65] | Digital download | ||
| United Kingdom[66] | Columbia | CD, 2×LP, digital download | |
| Poland[67] | 10 June 2014 | Sony Music | CD, 2×LP |
| Italy[68] | CD, 2×LP, digital download | ||
| Australia[69] | 14 June 2014 | ||
| New Zealand[70] | 17 June 2014 | ||
| Japan[71] | 18 June 2014 | ||
| United States[72] | 7 October 2014 | Harvest | CD, 2×LP, digital download |
