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1540s in music

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Overview of the events of the 1540s in music
List of years in music
(table)
In art
1537
1538
1539
1540
1541
1542
1543

Music timeline

The decade of the1540s in music (years 1540–1549) involved some significant events.

Events

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  • 1540
    • 4 April –Cristobal Morales leaves the position of master of the choristers at the Chapel of the Papal Basilica in St. Peter's, Rome
    • 23 April –Thomas Tallis loses his job at Waltham Abbey due to the Dissolution of the Monasteries
    • 27 April –Gioseffo Zarlino is electedcapellini andmansionario of the Scuola di San Francesco inChioggia
    • 1 May –Ambrose Lupo is taken on as a musician and composer at the court of Henry VIII
    • 30 December –Jacques Arcadelt is appointed maestro di cappella at the Sistine chapel in Rome
    • December –Nicolas Gombert dismissed from his position at the court chapel of the Emperor, Charles V
  • 1541
    • 25 May –Cristobal Morales re-joined the Papal choir at St. Peter's, Rome
    • 15 July –Jacques Buus appointed second organist at the basilica of S Marco, Venice
  • 1542
  • 1543:Thomas Tallis becomes a Gentleman of theChapel Royal in England.
    • 20 JulyTielman Susato is granted a three-year privilege to print music in the Netherlands.
  • 1544
  • 1545
    • 1 MayBartolomeo de Escobedo appointed maestro di cappella at the chapel of the Papal Basilica at St Peter's in Rome.
    • 1 MayCristobal Morales was granted 10 months leave from the Papal Chapel in Rome. He never returned.
    • 31 AugustCristobal Morales succeeded Andres de Torrentes as maestro di capilla at Toledo Cathedral.
  • 1547
    • 6 MayWaclaw of Szamotuly joined the Chapel Royal of Sigismund II Augustus of Poland in Vilnius.
    • 28 MayJacques Arcadelt reappointed maestro di cappella at the Sistine chapel.
    • 12 JuneGiovanni Pierluigi da Palestrina marries Lucrezia de Goris in his home town of Palestrina, Lazio
    • 9 AugustCristobal Morales leaves the position of maestro di cappella at Toledo Cathedral.
    • Bologna's first public theatre, the Teatro Della Sala, was opened. It burned down in 1623.
  • 1548François Roussel appointed maestro di cappella at St. Peter's, Rome
  • 1549 Juan Francisco de Penalosa succeeded Francisca Sacedo as principal organist of Toledo Cathedral
    • Balint Bakfark appointed court lutenist to King Sigismund Augustus of Poland

Bands formed

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Publications

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1540

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1541

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  • Martin Agricola – Book of Protestant hymnsSangbuchlein, published in Wittenberg.
  • Jhan GeroIl Primo Libro de Madrigali Italiani et Canzoni Francese a due voci (Venice:Antonio Gardano)
  • Nicolas Gombert
    • Second book of motets for five voices (Venice: Girolamo Scotto)
    • Second book of motets for four voices (Venice: Girolamo Scotto)
  • Giovanni Domenico da NolaCanzone villanesche, books 1 and 2, for three voices (Venice: Girolamo Scotto)
  • Giordano Passetto –Madrigali nuovi a voce pare, book 1 (Venice:Antonio Gardano)

1542

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  • Benedictus AppenzellerDes Chansons a Quattre Parties (Antwerp: Henry Loys & Jehan de Buys), a collection of chansons for 4 voices
  • Jacques Arcadelt – First book ofmadrigals for three voices (Venice: Antonio Gardano), "together with some madrigals byCostanzo Festa along with twelve French chansons and six new motets"
  • Pierre Certon
    • Second book of motets for four voices (Paris: Pierre Attaingnant & Hubert Jullet)
    • Third book of motets for four voices (Paris: Pierre Attaingnant & Hubert Jullet)
  • Domenico Ferrabosco – First book of madrigals for four voices (Venice: Antonio Gardano)
  • Silvestro Ganassi dal FontegoRegola rubertina, Venice
  • Johannes Lupi – Third book of motets for four voices (Paris: Pierre Attaingnant & Hubert Jullet), published posthumously
  • Cipriano de Rore – First book of madrigalsa5.

1543

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1544

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  • Jacques Arcadelt –Il Quinto Libro di Madrigali for 4 voices (Venice: Antonio Gardano)
  • Paolo AretinoSacra responsoria (Venice:Gerolamo Scotto)
  • Jacquet de Berchem – "Ala Dolc'ombra de le Belle Frondi" published by Antonio Gardano in Venice.
  • Simon Boyleau – Motets for four voices (Venice: Girolamo Scotto)
  • Francesco Corteccia – First book of madrigals for four voices (Venice: Girolamo Scotto)
  • Cristóbal de Morales
    • First book of masses, for four and five voices (Rome: Valerio and Luigi Dorico)
    • Second book of masses, for four, five, and six voices (Rome: Valerio and Luigi Dorico)
  • Hans Neusidler – three books of lute music:Das erst Buch: ein newes Lautenbüchlein,Das ander Buch: ein new künstlich Lautten Buch, andDas dritt Buch: ein new künstlich Lauten Buch.
  • Georg Rhau –Newe Deudsche Geistliche Gesenge published in Wittemberg.
  • Cipriano de Rore –Il secondo libro de madrigali for 5 voices published in Venice.
  • Tielman Susato (ed.)
    • Third book of chansons, for four voices (Antwerp: Tielman Susato), contains only compositions byThomas Crecquillon
    • Fifth book of chansons, for five and six voices (Antwerp: Tielman Susato), contains mostly compositions byNicolas Gombert

1545

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1546

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  • Giovan Thomaso di Maio –Canzone villanesche a3, book 1.

1547

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  • Giovanni Animuccia – First book of madrigals for 4, 5, and 6 voices (Venice:Antonio Gardano)
  • Loys Bourgeois – First book of four-part psalms (Lyon: Godfroy & Marcelin Beringen frères), published for theCalvinists ofGeneva using the French translations byClément Marot.
  • Jacques Buus – First book of ricercars for four voices or instruments (Venice: Antonio Gardano)
  • Perissone Cambio – First book of madrigals for four voices (Venice: Antonio Gardano), also includes a few madrigals by Cipriano de Rore
  • Francesco Corteccia
    • New expanded edition of the first book ofmadrigals for four voices, including pieces composed forintermedii for the comedyIl furto byFrancesco d'Ambra (Venice: Antonio Gardano)
    • Second book of madrigals for four voices (Venice: Antonio Gardano)
    • First book of madrigals for five and six voices (Venice: Antonio Gardano)
  • Claude Gervaise, ed. – Second book of dances for four instruments (Paris: Pierre Attaingnant)
  • Heinrich GlareanDodecachordon published in Basel.
  • Hoste da Reggio – First book of madrigals for four voices (Venice: Antonio Gardano)
  • Hans Neusidler –Das erst Buch: ein newes Lautenbüchlein
  • Caspar Othmayr
    • Bicinia sacra (Nuremberg: Johann Berg and Ulrich Neuber)
    • Symbola for five voices (Nuremberg: Johann Berg and Ulrich Neuber), a collection of motets
  • Dominique Phinot – First book of motets for five voices (Lyon: Godefroy & Marcellin Beringen)
  • Enriquez de Valderrabano – Book of vihuela musicLibra de musica de vihuela intitulado Silva de Sirenas published in Valladolid

1548

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  • Benedictus Appenzeller – A collection of sacred songs without a title (Augsburg: Philip Ulhart)
  • Arnold Caussin – First book of motets for five voices (Venice: Antonio Gardano)
  • Heinrich Faber – Beginner's music textbookCompendium Musicae published in Nuremberg.
  • Didier Lupi Second
    • First book of spiritual chansons for four voices (Lyon: Beringen & Beringen), all texts by Guillaume Guéroult
    • Third Book, containing 35 chansons for four voices (Lyon: Beringen & Beringen)
  • Tugdual MenonMadrigali d'amore for four voices (Ferrara: Giovanni de Buglhat & Antonio Hucher)[1]
  • Jan Nasco – Madrigals for five voices (Venice: Antonio Gardano)
  • Dominique Phinot
    • Second book of motets for six, seven, and eight voices (Lyon: Godefroy & Marcellin Beringer)
    • First book of thirty-seven chansons (Lyon: Godefroy & Marcellin Beringer)
    • Second book containing thirty-six chansons (Lyon: Godefroy & Marcellin Beringer)
  • Francesco PortinaroPrimi frutti de motetti for five voices (Venice: Antonio Gardano)
  • Cipriano de RoreIl terzo libro de madrigali a cinque voci (Third Book of Madrigals for Five Voices) published in Venice.

1549

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  • Gasparo Alberti – First book of masses (Venice:Girolamo Scotto), the first printed book of masses dedicated to a single Italian composer
  • Paolo AretinoLibro primo delli madrigali cromati (Venice: Girolamo Scotto)
  • Jacques Buus
    • Second book of ricercars (Venice: Antonio Gardano)
    • First book ofIntabolatura d'organo di recercari (Venice: Antonio Gardano), a collection of ricercars in organ tablature
    • First book of motets for five voices (Venice: Antonio Gardano)
  • Ghiselin Danckerts – Canons for four voices (Augsburg: Melchior Kriesstein)
  • Nicolao Dorati – First book of madrigals for five voices (Venice: Antonio Gardano)
  • Jhan Gero
    • Libro primo delli madrigali a quatro voci (Venice: Girolamo Scotto)
    • Libro secondo delli madrigali a quatro voce (Venice: Girolamo Scotto)
  • Claude Goudimel – book of chansons.
  • Clement Janequin –XXX chansons nouvelles
  • Didier Lupi Second – 30 Psalms for four voices (Lyon: Beringen & Beringen), French translations by Gilles D'Aurigny
  • Hans Neusidler –Das ander Buch: ein new künstlich Lauten Buch
  • Giovanni Domenico da Nola – First book of motets for five voices (Venice: Girolamo Scotto)
  • Caspar Othmayr
    • Tricinia (Nuremberg: Johann Berg & Ulrich Neuber)
    • Reutterische unnd Jegerische Liedlein for four voices (Nuremberg: Johann Berg & Ulrich Neuber)
  • Robert Wedderburn (probable) –The Complaynt of Scotland, including the earliest known references (inMiddle Scots) to a number ofBorder ballads
  • Gioseffo Zarlino –Moduli motecta vulga noncupata liber primus – book of motets for 5 voices

Sacred music

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1541

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1542

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1547

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Births

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1540

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  • date unknownGiovanni Maria Artusi, Italian composer and theorist (d. 1613)
  • probableWilliam Byrd, English composer (d. 1623)
  • probableJakob Regnart, Franco-Flemish composer (d. 1599)
  • probableGirolamo Dalla Casa, Italian composer, cornetist and writer (d. 1601)
  • probableWilliam Daman, Flemish recorder player, organist and composer (d. 1591)
  • probableGiovanni Dragoni, Italian composer (d. 1598)
  • probable – Noel Fagnient, Flemish composer and shopkeeper (d. c. 1600)
  • probable – Johannes de Fossa, Flemish composer and choirmaster (d, 1603)
  • probableMarcin Leopolita, Polish composer and musician (d. c. 1585)
  • probableFrancesco Rovigo, Italian composer and organist (d. 1597)
  • probableAlexander Utendal, Flemish singer, composer and choirmaster (d. 1581)
  • probableMatthaus Waissel, German lutenist, composer, Lutheran theologian, publisher, schoolteacher and writer (d. 1602)

1541

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1542

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1543

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1544

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  • Maddelena Casulana, Italian composer, lutenist and singer. First female composer of the period to have her music printed and published.
  • Ivo de Vento, Flemish composer and organist (d. 1575).

1545

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1546

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  • date unknownLuca Bati, Italian composer (d. 1608)

1547

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1548

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1549

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Deaths

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  • 1540:Francesco De Layolle, Italian composer and organist (b. 1492)
  • 1541:
  • 1542: Lodovico Fogliano, theorist and composer (c. 66)
  • 1543:probable
  • Avery Burton, composer (c.73) died in England
  • 1544:
  • 1545: April 10 –Constanzo Festa, Italian composer (b. c.1485–1490)
  • 1546: October 18 –John Taverner, English composer (b. c. 1490)
  • 1547: October or November –John Redford, English composer, poet and playwright (b. c. 1500)
  • 1548: June 14 –Elzéar Genet de Carpentras, French composer (b. c. 1470)
    • January 23 –Bernardo Pisano, Italian composer and singer (b. 1490).
    • April 10 –Giacomo Fogliano, Italian composer, organist and teacher (b. c. 1468)
    • August 16 –Georg Rhau, printer, publisher and composer, died in Wittenberg (b. 1488)
    • October 21 – Sixt Dietrich, composer and teacher, died in St Gallen, Switzerland (c. 55)
    • Vincenzo Capirola, lutenist and composer, died in Brescia (b. 1474).
  • 1549: Richard Pygott, English composer and choirmaster

References

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  1. ^Jane A. Bernstein; Jane A.. Bernstein (29 October 1998).Music Printing in Renaissance Venice: The Scotto Press (1539-1572). Oxford University Press, USA. p. 377.ISBN 978-0-19-510231-4.
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