Ðông Hồ painting (Vietnamese:Tranh Đông Hồ or Tranh làng Hồ), full nameĐông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune,Thuận Thành District,Bắc Ninh Province).
With the consent of the Prime Minister, the Ministry of Culture, in collaboration with the Provincial People's Committee of Bắc Ninh and the specialized agencies conducting research, have set records for Đông Hồ folk paintings to be submitted toUNESCO for the recognition ofintangible cultural heritage.
Đông Hồ painting is considered a fine reflection of traditional aesthetic value, social philosophies, and humanitarian desires. The traditional themes of Đông Hồ painting are good luck signs, historical figures, folk allegories, popular stories, and social commentaries. Elements of everyday life are well integrated in Đông Hồ paintings to express the thoughts and wishes of people.[1][2] Following is a table of main themes in Đông Hồ paintings and exemplary pictures of each theme:[3]
| Theme | Pictures |
|---|---|
| Spirit | Ngũ sự, 12 signs ofVietnamese zodiac |
| Good luck wishes | Lợn đàn (corpulent pig with suckling piglets),Gà đàn (hen surrounded by chickens),Cá chép (carp) |
| Mythical and historical figures | Bà Triệu,Hai Bà Trưng,Quang Trung,Thánh Gióng |
| Folk allegories and popular stories | Truyện Kiều,Thạch Sanh,Thầy đồ Cóc (Confucian scholar in form of a toad),Đám cưới chuột (Rat's wedding) |
| Social activities and commentaries | Đánh ghen (scene of jealousy),Hứng dừa (scene of catching coconuts),Đấu vật (scene of wrestling),Chăn trâu thổi sáo (boy sitting on a buffalo and playing the flute) |
Because Đông Hồ paintings are mainly bought and displayed on the occasion ofTết Nguyên Đán (Vietnamese New Year), contents are often humorous and optimistic with bright and powerful colours such as red, yellow, and white.[3] The most popular and best-selling paintings areLợn đàn,Gà đàn, andChăn trâu thổi sáo, which represent the wish for prosperity, happiness and luck in the New Year.[3][4] Together with the illustration, a Đông Hồ painting also has somechữ Hán to literally describe the meaning. Sometimes, Đông Hồ paintings are shown in couplet or quartet to fully express the signification of the set, for example, theVinh Hoa (eminence) and thePhú quý (prosperity and honour) should be taken in a couple.[1] In addition, Đông Hồ paintings are a medium to express the social concern of craftsmen through subtle social, political, and cultural criticism. For example, before World War I, Đông Hồ villagers produced a set of four prints entitledVăn Minh tiến bộ (The Progress of Civilization) in which the Westernization of the Vietnamese society was delicately criticized through the satirical portrayal of contemporary Vietnamese people dressing and behaving like French people.[5] Some Đông Hồ paintings became famous for their interesting themes like the pictureĐám cưới chuột (Rat's wedding) which features a wedding march of rats with the rat bride and groom and other rat guests delivering gifts to a big cat in hope that the cat will leave the happy couple alone.
Below are some examples:
| Colour | Origin[1][4] |
|---|---|
| Black | Burntbamboo leaves |
| Green | Cajuput leaves |
| Blue | Verdigris |
| Amber | Turpentine |
| Red | Powder of red gravels |
| Yellow | Senna flowers |
| White | Powder of egg shells |
Đông Hồ painting is the exclusive product of the Đông Hồ village, a craft village located on the left bank of theĐuống River inBắc Ninh Province, about 35 km fromHanoi.[1][4] Craftsmen in the village often produce their own raw materials for the making such asđiệp paper and natural colours.[3]
In printing pictures, Đông Hồ craftsmen use a special type of paper namedgiấy điệp. The paper is obtained in almost the same way asdó paper. The bark ofdó tree, which normally is grown inTuyên Quang Province, is soaked in water for months, then mixed with powders of seashells (sò điệp), which is the origin of the paper's name, andglutinous rice to make sheets of paper.[6] Due to the elements of seashell and glutinous rice, điệp paper possesses an exotic sparkling hard background and is able to conserve the durability of colours.[2][4] The colours of paint using in printing are refined from various kinds of natural materials which are easily found in Vietnam. For instance, the red colour is taken from red gravel in Thiên Thai Mountain, while the black comes from charcoal of burned bamboo leaves. In that way, a Đông Hồ painting can keep its colours for a long time.[7]
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The last stage of making a Đông Hồ painting is printing, the woodblock is applied with paint and pressed on a sheet of paper like a stamp. The process is repeated with different colours until the craftsman is satisfied with the painting.[7] One woodcut is for outline and several others are for each colour printed, and they are carefully engraved by hand so the woodcuts can be preserved through generations.[2] The finished picture is covered with a layer of rice paste (hồ nếp) to strengthen the durability of its illustration and colours and afterwards dried under the sun.[8] In the past, to prepare for Tết, craftsmen had to begin the process of making these paintings six or seven months ahead.[1]
According to the villagers, the making oftranh Đông Hồ painting was dated back to the 11th century during the reign of theLý dynasty, while researchers propose that craftsmen began to print pictures in Đông Hồ village during the rule ofLê Kính Tông (1600–1619) of theLê dynasty.[1] In the dynastic time, Đông Hồ village is one of the few places which had the tradition of making folk paintings, along withHàng Trống,Kim Hoàng, andSình village.[9] Originally, Đông Hồ paintings were made only withblack-and-white prints of woodcuts, but from the 15th century, different colours were introduced by craftsmen in the village. As a village specialized in making woodcuts and paintings, almost all Đông Hồ villagers were involved in the manufacturing of paintings from carving the woodblocks, producingđiệppapers, obtaining natural colours to creating new themes, and printing.[3]
Traditionally, Đông Hồ painting was an essential element in every Vietnamese family during theTết holiday.[6][7] The colourful tones and optimistic content of the images livened up the house and the picture was considered a good luck sign for the family in the New Year, thus Đông Hồ paintings had other names like Tết paintings (tranh Tết) or spring paintings (tranh xuân).[1][2] Before 1945, over 150 families in Đông Hồ village were making pictures.[10] However, the tradition faded rapidly under the dominance of modern life in Vietnam, and Đông Hồ pictures gradually disappeared in Vietnamese families during the Tết holiday. The principal buyers of Đông Hồ paintings today are tourists who are interested in traditional arts. Therefore, the villagers can no longer make a living based on this production.[4] Đông Hồ painting also has to face the menace fromfake pictures which are mass-produced by printing machines.[11] As a result, only several households in the village still make pictures, while many others have switched to producingjoss paper and votive paper objects (vàng mã).[4][8]
Several efforts have been made to preserve this traditional art form. A "Đông Hồ Painting Center" was established in 2008 by Nguyễn Đăng Chế, one of the few remaining experienced craftsmen of the village.[1][7] Some artists have also tried to adapt the elements of Đông Hồ painting in modern fine art such as using the technique of woodcut printing like Đông Hồ craftsmen or drawing with the inspiration from Đông Hồ pictures.[12][13][14] To honour this traditional art and propagate the beauty of Đông Hồ painting, the Ministry of Post and Telecommunications of Vietnam issued in 2007 a set ofcommemorative stamps with the artwork in the style of traditional Đông Hồ paintings such asLợn đàn orLợn Âm Dương.[15]
Đông Hồ painting village is famous for its folk paintings. Year-round, many foreign tourists visit to buy souvenirs. A painting fair is held annually on theTết holiday in the communal house in the village.[17]
