• recite(deprecated)

re-cite (third-person singular simple presentre-cites,present participlere-citing,simple past and past participlere-cited)

2. Tocite again, as with a second or subsequentcitation.
   • 1974,Journal of Irish Literature‎^[1], volume 3, page53:

     […] eleven of them refer to [Daniel] Corkery's bookSynge and Anglo-Irish Literature, which is fullyre-cited in eleven different sections. It would have been more efficient to have cited Corkery's book fully one time and thenre-cite it in abbreviated form in head notes to the other sections.

   • 2006, Maria Wikse,Materialisations of a Woman Writer: Investigating Janet Frame's Biographical Legend‎^[2], Peter Lang,→ISBN, page24:

     In order to understand the importance of context and genre for the identification of a re-citation, we may look at an example of a recurring re-citational source, namely, Virginia Woolf'sA Room of One's Own.[…] In [Janet] Frame's novels and autobiographies there are several references to Woolf's work in general andRoom in particular. IndeedRoom isre-cited in different ways in the different works studied here. At times, the re-citations further Woolf's ideas and other times theyre-cite them against the grain, even if the difference between the two modes is elusive.

   • 2007, B. Venkat Mani,Cosmopolitical Claims: Turkish-German Literatures from Nadolny to Pamuk‎^[3], University of Iowa Press,→ISBN, page88:

     Having cited the "pernicious" formulation of this interpretation of origin—"you cannot help acting this way because your origin stages you so"—Spivak moves tore-cite herself and revise her own previously authored statement: "history lurks in it [origin] somewhere" is rewritten as "history slouches in it, ready to comfort and kill" (ibid., original emphasis). Through this moment of re-citation and revision, Spivak argues for an understanding of origins through a reexamination of institutions and inscriptions in order to then "surmise the mechanics by which such institutions and inscriptions can stage such a particular style of performance" (ibid.).