Urban art combinesstreet art,guerrilla art, andgraffiti and is often used to summarize allvisual art forms arising inurban areas, being inspired by urban architecture or present urban lifestyle. Because the urban arts are characterized by existing in the public space, they are often viewed asvandalism and destruction of private property.

Although urban art started at the neighborhood level, where many people of different cultures live together, it is an international art form with an unlimited number of uses nowadays. Many urban artists travel from city to city and have social contacts all over the world. The notion of 'Urban Art' developed from street art which is primarily concerned withgraffiti culture. Urban art represents a broader cross-section of artists that, in addition to covering traditional street artists working in formal gallery spaces, also cover artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues. In Paris,Le Mur is apublic museum of urban art.

Though starting as an underground movement, urban artists likeBanksy andAdam Neate have now gained mainstream status and have, in turn, propelled the urban art scene into popular culture. Perceptions have started to change as urban movements such as graffiti slowly gain acceptance from the public. A confirmation of street art's new mainstream status can be, in part, confirmed by an invitation from theTate calling upon artists to create outdoor pieces on the Thames side of the gallery in the summer of 2008.^[1]

The bandGorillaz uses an urban art style to promote their band. The band members are animated in agraffiti style.

• Eberhard Bosslet
• Tom Christopher
• Guy Denning
• Burhan Dogancay
• Nick Gentry^[2]
• Dave Kinsey
• Antony Micallef
• Jonathan Yeo

• Urban art biennial
• Urban culture
• Art graffiti
• MONU - magazine on urbanism
• Urban Interventionism

In Spain, urban art, influenced by graffiti art and urban art from New York, was born first in the peripheral neighborhoods of large cities and in the towns of their metropolitan areas and then spread throughout the rest of the country. Currently Valencia, Madrid, Barcelona, Pontevedra, Zaragoza and Cuenca are important focuses of this discipline. The Aragonese city is a benchmark thanks to its Asalto urban culture festival, 5 which brings together artists from all over the world and performs interventions in the city. It is worth highlighting the rural city of La Bañeza, which has become the European city with the most works per square meter built.

• Le Bijoutier (2008),This Means Nothing, Powerhouse Books,ISBN 978-1-57687-417-2
• Bou, Louis (2006),NYC BCN: Street Art Revolution, HarperCollins,ISBN 978-0-06-121004-4
• Bou, Louis (2005),Street Art: Graffiti, stencils, stickers & logos, Instituto Monsa de ediciones, S.A.,ISBN 978-84-96429-11-6
• Chaffee, Lyman (1993).Political Protest and Street Art: Popular Tools for Democratization in Hispanic Cultures. Westport, CT:Greenwood Press.ISBN 0-313-28808-9.
• Combs, Dave and Holly (2008),PEEL: The Art of the Sticker,Mark Batty Publisher,ISBN 0-9795546-0-8
• Fairey, Shepard (2008),Obey: E Pluribus Venom: The Art of Shepard Fairey, Gingko Press,ISBN 978-1-58423-295-7
• Fairey, Shepard (2009),Obey: Supply & Demand, The Art of Shepard Fairey, Gingko Press,ISBN 978-1-58423-349-7
• Gavin, Francesca (2007),Street Renegades: New Underground Art, Laurence King Publishers,ISBN 978-1-85669-529-9
• Goldstein, Jerry (2008),Athens Street Art, Athens: Athens News,ISBN 978-960-89200-6-4
• Harrington, Steven P. and Rojo, Jaime (2008),Brooklyn Street Art, Prestel,ISBN 978-3-7913-3963-4
• Harrington, Steven P. and Rojo, Jaime (2010),Street Art New York, Prestel,ISBN 978-3-7913-4428-7
• Hundertmark, Christian (2005),The Art Of Rebellion: The World Of Street Art, Gingko Press,ISBN 978-1-58423-157-8
• Hundertmark, Christian (2006),The Art Of Rebellion 2: World of Urban Art Activism, Gingko Press,ISBN 978-3-9809909-4-3
• Jakob, Kai (2009),Street Art in Berlin, Jaron,ISBN 978-3-89773-596-5
• Lewisohn, Cedar (2008),Street Art: The Graffiti Revolution, London, England: Tate Publishing,ISBN 978-1-85437-767-8
• Longhi, Samantha (2007),Stencil History X, Association C215,ISBN 978-2-9525682-2-7
• Manco, Tristan (2002),Stencil Graffiti, Thames and Hudson,ISBN 0-500-28342-7
• Manco, Tristan (2004),Street Logos, Thames and Hudson,ISBN 0-500-28469-5
• Marziani, Gianluca (2009),Scala Mercalli: The Creative Earthquake of Italian Street Art,Drago Publishing,ISBN 978-88-88493-42-8
• Palmer, Rod (2008),Street Art Chile, Eight Books,ISBN 978-0-9554322-1-7
• Schwartzman, Allan (1985),Street Art, The Dial Press,ISBN 978-0-385-19950-6
• Strike, Christian and Rose, Aaron (Aug 2005),Beautiful Losers: Contemporary Art and Street Culture, Distributed Art Publishers,ISBN 1-933045-30-2
• Walde, Claudia (2007),Sticker City: Paper Graffiti Art (Street Graphics / Street Art Series), Thames & Hudson,ISBN 978-0-500-28668-5
• Williams, Sarah Jaye, ed. (2008),Philosophy of Obey (Obey Giant): The Formative Years (1989–2008), Nerve Books UK.
• Walde, Claudia (2011),Street Fonts - Graffiti Alphabets From Around The World, Thames & Hudson,ISBN 978-0-500-51559-4

• Urban Art Now at Google Cultural Institute