Rutgerus Sycamber orRoger of Venray (b. 1456/57, d. after 1509)[1] was ahumanist, music theorist, and a prolific but little-published writer. He was acanon regular of theAugustinian Order based for most of his life at the monastery ofHagen nearWorms.
Sycamber is notable for the expansiveness of his correspondence with other humanists in Germany, the Netherlands and France, among themErasmus,Johannes Trithemius,Robert Gaguin andWigand Wirt, the last debating theImmaculate Conception. His latest known letter is dated 3 September 1507.[2] He was part of a circle of literary men living in the cities of southwest Germany, and was known for his "aggressive self-promotion."[3]
Sycamber was born inVenray in upperGelderland, close to the border with theDuchy of Cleves.[4] Inantiquity, this was the territory of theGermanic people called by theRomans theSicambri, Sigambri, Sugambri,[5] etc., and from thisethnonym he took his Latin surname. It can thus be surmised that he self-identified in some sense as "German."
Little known in the 21st century, Sycamber was a prolific but "rather mediocre" writer. Between 1495 and 1505, he produced as many as 140opuscula in both poetry and prose, which have survived only erratically. Despite his wide network of influential literary contacts, few of his works were published. Even his friend Trithemius remarked on his prodigious if unavailing output:
Our Rutgerus Sycamber is writing books as is his habit and produces countless offspring — so many that it is wearisome to me even to list individual titles … for he has completed (to use his own word) 136 works of hislucubrations in four volumes and he has not stopped writing today."[6]
Sycamber'sDialogus de musica (ca. 1500),[7] also known asDe recta, congrua devotaque cantione dialogus, dealt with the correct performance ofchant in theliturgy.[8] Other published works areDe quantitate syllabarum[9] (Cologne, 1502) andLitania ad omnes sanctos (Deventer, 1514). The former is written as a dialogue between Sycamber and the dedicatee, the teacher (magister) Jacob Sonnenschyn, to whom Sycamber also addresses appended poems.[10]
Sources
edit- Unless otherwise noted, biographical information comes from R.A.B. Mynors, D.F.S. Thomson, and Wallace K. Ferguson,Collected Works: The Correspondence of Erasmus, Letters 1 to 141, 1484 to 1500 (University of Toronto Press, 1974), pp. 138–139online.
- Detailed bibliographical information is provided by Konrad Wiedemann, entry on Sycamber inContemporaries of Erasmus: A Biographical Register of the Renaissance and Reformation (University of Toronto Press, 1985, reprinted 1995), pp. 301–302, limited previewonline.
- Further bibliography of primary sources byPaul Oskar Kristeller,Iter Italicum: A Finding List of Uncatalogued or Incompletely Catalogued Humanistic Manuscripts of the Renaissance in Italian and Other Libraries (Brill, 1983), vol. 3, pp. 336online and 594online.
- Three letters written by Sycamber (dated January 1498, where his tone is described as "uncooperative and even petulant," June 1503, and September 1507) appear in English translation in Barbara Crawford Halporn,The Correspondence of Johann Amerbach: Early Printing in Its Social Context (University of Michigan Press, 2000), pp. 74–80online and p. 337online.
Notes
edit- ^Sycamber may have been born as early as 1451. His dates are also given as between 1456 and 1461, to sometime after 1507. He may have lived as long as 1517.
- ^Peter G. Bietenholz and Thomas B. Deutscher,Contemporaries of Erasmus (University of Toronto Press, 1985, reprinted 1995), p. 302.
- ^Barbara Crawford Halporn,The Correspondence of Johann Amerbach: Early Printing in Its Social Context (University of Michigan Press, 2000), pp. 74–76.
- ^Information about Sycamber's birth derives fromTrithemius,Cathalogus de illustribus viris Germaniae (1495), vol. 4.
- ^In medieval and Renaissanceorthography, Latinu is sometimes represented byy.
- ^Halporn, pp. 76 and 80.
- ^Tess Knighton and David Fallows,Companion to Medieval and Renaissance Music (University of California Press, 1992, reprinted 1997), p. 427online.
- ^Don Harrán,In Defense of Music: The Case for Music as Argued by a Singer and Scholar of the Late Fifteenth Century (University of Nebraska Press, 1989), p. 48online. This work was published in a modern edition by Fritz Soddeman,Rutgerus Sycamber de Venray, Dialogus de musica (um 1500), Beiträge zur rheinischen Musikgeschichte 54 (Cologne, 1963).
- ^The full title isDialogus fratris Rutgeri Sycambri canonici regularis de quantitate syllabarum cum paucis carminibus adiunctis inchoat.
- ^Louis Thuasne,Roberti Gaguini Epistole et Orationes (Paris, 1904), vol. 2, p. 50online.