Ralph Rapson | |
|---|---|
.jpg) Rapsonc. 1945 | |
| Born | (1914-09-13)September 13, 1914 |
| Died | March 29, 2008(2008-03-29) (aged 93) |
| Alma mater | University of Michigan |
| Occupation | Architect |
| Practice | Ralph Rapson and Associates |
| Buildings | Guthrie Theater (demolished),Riverside Plaza (Cedar Square West),University of MinnesotaRarig Center, churches, residences and U.S. embassies |
| Projects | Knoll furniture,Case Study House |
Ralph Rapson (September 13, 1914 – March 29, 2008) was Head of the School of Architecture at theUniversity of Minnesota for 30 years. He was an interdisciplinary designer, one of the world's oldest practicingarchitects at his death at age 93, and also one of the most prolific. His oldest son is the philanthropistRip Rapson.[1]
Rapson was born in Alma, Michigan with a deformed right arm that was amputated at birth; he learned to draw expertly with his left hand.[1] He earned architecture degrees at theUniversity of Michigan, and at theCranbrook Academy of Art, where he studied underEliel Saarinen. “Cranbrook was a very exciting, dynamic place where I met and worked with guys likeCharlie Eames,Harry Bertoia, andHarry Weese,” Rapson said.[2]
As a young architect, Rapson worked for the Saarinen architectural office from 1940 to 1941. He moved to Chicago in 1941, where he worked withGeorge Fred Keck and others.[3]
Rapson taught architecture at the New Bauhaus School (nowIIT Institute of Design) in Chicago underLaszlo Maholy-Nagy from 1942 to 1946, and at theMassachusetts Institute of Technology from 1946 to 1954.[1]
He was Head of theSchool of Architecture at the University of Minnesota from 1954 to 1984,[1] where "generations of Minnesota architects came up through [his] tutelage".[4]
While at Cranbrook, Rapson was part of a team withEero Saarinen and Fred James which won the competition for a National Festival Theater on the campus ofthe College of William and Mary.[5] This would possibly have been the first Modernist building on an American academic campus, but it went unbuilt amidst political opposition to the sponsoring organization, theAmerican National Theater and Academy, spurred by the controversial productions of the independent but similarFederal Theater Project (also shuttered in 1939).[6]
After accepting his position at the University of Minnesota, Rapson led his own practice inMinneapolis from 1954 to 2008. His work was predominantly in theModernist style and greatly influenced by his time at the New Bauhaus School. “Practically all the work I’ve done is not too far off fromBauhaus principles,” he said.[2] However, he also stressed his work was oriented to people rather than abstract principles: “Whenever I’m designing a building or a piece of furniture, people become a strong part of my general approach. The design process isn’t just about bricks and stones; for me it’s also about the people in a building and how I expect them to live.”[2]
Rapson was a prolific sketch artist and kept volumes of sketchbooks from his various world travels. A book of selected sketches was published in 2002.[7] In the book's introduction,Cesar Pelli described his drawings as "completely self-assured" and "quintessentially American."
Some of Rapson's most important projects include:
Rapson died quietly in his home in Minneapolis on March 29, 2008. He was working in his office the previous day. Six hundred people attended his memorial service at the new Guthrie Theater. He was described as a "rock star" in the field.[12]
Thomas Fisher, Dean of the University of Minnesota's College of Design at the time (and Dean of the School of Architecture until the College's establishment ), said: “His passing ends an era in American architecture as well as in the history of the school, and he will be very much missed by the thousands of people he influenced.”[5] Linda Mack remembered him as "A gentleman of the old school [who] maintained his career, his dignity, his charm and his kindliness to the end. He left more than an architectural legacy."[13] According to Kay Lockhart, "Ralph loved being an architect, and he told me once, he 'felt sorry for anyone who wasn't an architect.' He infused us all with that same spirit."[14] His was survived by his wife Mary and two sons, Richard "Rip" and Thomas "Toby", and a daughter, Ren, from a previous marriage.
