Apishtaco (inNorthern Quechua "slaughterer, cutthroat"),ñaqaq (inSouthern Quechua, similar meaning) orkharisiri (inAymara,"slaughterer") is a folkloricboogeyman figure in theAndes region ofSouth America, particularly inPeru andBolivia, which extracts the fat of its victims.

It is believed to have originated in Spanish conquistadors' practice of usingIndigenous Peruvians' corpse fat as treatment for wounds and illnesses.
Nomenclature
editIn central Peru it is calledpishtaco (in Central and Northern Quechua, meaning "slaughterer", frompishtay, "behead, cut the throat") and south of the Andesñaqaq,naq'aq,ñaq'a'q[a] (from Southern Quechua:naqay, also meaning "to behead or cut the throat of")[3][4] or calledkharikhari ("cutter") in theAymara language,[1] depending on the region.
It is called by the Aymara nameskharisiri (var.karisiri "slaughterer") orlik'ichiri[b] ("fat-maker") in theBolivianAltiplano,[4]lik'ichiri in southern Bolivia.[1]
Legend
editThe typical pishtaco in Andean lore, is an attacker targeting indigenous victims to extract the human fat (Spanish:unto "ointment") for various commercial purpose.[5][6]
He is often given a white male racial profile (ormestizo), oft said to be armed with a long knife, with which he beheads, disembowels, or dismembers his victims;[5][6] thus immediately killing the victim. But the pishtaco may also leave no visible wound on the victim, but cause a fatal condition incurring death after a few days.[8][9] This is possible by stunning the victim with magic powder and extracting the fat from the anus.[9] He could be a nocturnal attacker[5][10] or more of a marauder of the countryside,[6] waylaying solitary travelers.[9]
His perceived professional status, and consequently his garb and purpose of usage for the obtained fat, has transformed depending on the epoch, but has the pishtaco has consistently been seen as a powerfulgringo figure.[11] The original pishtaco lore (of the Conquistador era), held that Spanish soldiers collected Indian fat treat their wounds.[6] Later in the eighteenth century,[12] thenakaq ("butcher") subtype appeared which were conceived of as knife-slashing priests.[6] and at some time came it came to be believed that the pishtaco used the fat to make better church bells, or polish the faces on the saints' statues.[13] Later of his avatars were a man on horseback or driving an automobile,[6] usually plantation owners (hacendado) from the age of slavery[14] onward into most of the 20th century.[15] The fat was for greasing firearms,[16] but also seen as being used to lubricate machinery on sugar processing plants, etc.[17][16][c](cf,§ Greasing modern machinery). Beside pharmaceuticals, cosmetic usage became part of the lore by the 19th century, where the fat was allegedly used for both medicine and soap-making,[19] and this sort of talk about thekharisiri fat used for has persisted into the 1990s.[20] Additional lore about thekharisiri is that they engage in cannibalism: they will makechicharrones from human flesh and sell them or eat them, together with eatingmote (hominy) made of teeth instead of corn.[21][22]
On balance, thepishtaco is more of a cannibal thanvampire.[23] However, Mary Weismantel (2001) has given the generalization that "pishtaco is nearly always a vampirelike white man..",[6] and wrote that instead of eviscerating or maiming, they would sometimes drain the victim's "body fluids".[25] In conference she has described the Andean pishtaco as "an evil priest who sucked the fat from Indians".[26]
The "white bogeyman" is another characterization.[28]
In the manifestation of the fear during the economic chaos of theAlan García administration (1980s), governmentID card-carryingñakaqs were rumored to be dispatched to collect fat as vital ingredient to some sort of medicine, whose sales were used to defray theforeign debt[9] (cf. Nicario's work under§ The arts and media)
Protection and cure
editThewayruru beans that are brilliantly red and black colored can be made intoamulets to ward againstkharisiri.[29] Once afflicted with the wasting away condition after fat has been robbed by thekharisiri, the only cure, apart from killing thekharisiri itself, is to administer purchased human fat that needs to be burned using thiswayruru bean and a white egg. The only ways to survive a pishtaco attack after the fact are to kill the pishtaco or to purchase human fat and burn it withwayruru beans and an egg, believed somehow to replenish the fat lost.[18]
Note that the foregoing prescribed cure is based on anecdote, and the sick man (bleeding diarrhea and vomiting) recovered after supposed use of human fat, which could be expensively bought[18] (For further discussion as modern commodity, cf.§ Greasing modern machinery).
Anthropologist Juan Antonio Manya records the belief that one may gain protection from akharisiri by chewingchancaca, eating earth, or showing a clove of garlic that has been pierced by a needle.[30]
The targets ofkharisiri attacks are usually adults rather than children or the elderly.[31]
Sacaojos
editThus thekharisiri which generally avoid bringing children to harm can be distinguished from thesacaojos (meaning "eye snatchers"[9] or "extractor of eyes", legend from the 1980s[6]) that preys on children, though both beings are equivalents ofpishtaco.[31] Thesacaojos is a version of the pishtaco or nakaq, as according to thecholo population (during the 1980s economic crisis[6]). The rumors detailedmachine gun-totinggringo doctors, accompanied by black men serving as aide orbodyguard, going intoshantytowns to harvest children's eyes for export. Other rumors made claims of a special contraption used to extract the eye, or extraction ofkidney andsuet.[9] And in 1988 young tourists accused of being kidnappingsacaojos were detained and nearly lynched.[32] It is noted that the lore of thesacamanteca ("fat-snatcher") was widespread back in Spain in the early 20th century, appearing in the popular literature.[33]
Other observations
editAccording to anthropological researcher Ernesta Vasquez del Aguila, the pishtaco is considered to be "untouchable" because he has "the defence of important institutions", whereas the pishtaco's victims are relatively systemically vulnerable.[10]
Colonial background
editThe legend of the pishtaco dates back at least to the16th century.Conquistadores were known to treat their wounds with their enemies' corpse fats,[34][35] and contemporariesCristóbal de Molina (1570s) andAntonio de Herrera y Tordesillas (1601) wrote about the rumors about theunto (human grease ointment) that developed where by the Indigenous Andeans believed the Spaniards were there to collect the fat from them to use in thisunto as the only cure for a certain illness, or to treat their sores.[36][37] Spaniards were also said to have killed natives and boiled their corpses to produce fat to grease their metal muskets and cannons, which rusted quickly in the humid Amazon.[38]
AnthropologistEfraín Morote Best asserted that pishtacos became associated especially with the order ofBethlehemite friars as a malicious rumor that spread at the beginning of the 18th century; in fact the order had cared for the sick and buried the dead, and took up alms collections on remote roads, possibly because the order's founder,Peter of Saint Joseph de Betancur, was known to clean wounds with his mouth in an expression of humility.[39][40] This order of friars is no longer exists,[d] and in modern tellings, the accusations ofpishtacos have henceforth fallen onmestizos andCaucasians.[39][42] The namenanaq was first attested in 1723 as a throat-cutter and already identified with the priesthood.[43][44]
TheAsháninka in the Peruvian Amazon believe in the present day believe the pishtaco (and the primordial whites) to be the wayward spawn of the (Incan)viracochas, fished out of the lake by a disobedient son of the shaman Inca, and came to be called "Franciscans"[45] In Andean myth Viracocha is a creation god associated withLake Titicaca, near where he built the world. The fair-skinned denizens there were also calledviracochas.[46]
The present-day pishtacos inherits some colonial traits, but are clearly remade in modern reincarnation. Thus the modernnakaq has three main uses for human fat: remedy (old), making resonant bells, and oiling machinery (new). The use of fat incasting bells for better sound is in-between: it is latter-day lore, but vaguely hails back to old association with the Church (cf.§ Ecclesiastic pishtaco).[49]
Ecclesiastic pishtaco
editMorote Best finds that the stereotype of thepishtaco (or rather theñak'aq) now conformed exactly with the characteristics of theBetlemitas (Bethlehemites), so that they were seen as wearing brown habits (like the Bethlehemites[51]), and waylaying people (in the manner similar to the brothers asking for alms on the highways).[52]
The modern lore of thekharisiri associates him with a whole list of ecclesiastical elements, like thebread (of thesacrament) or the Book of the Tata Cura ("daddy priest" who collects alms), and he is seen as using the human fat in casting bells of superior sound (as with thenakaq above[49]), or turn them intoholy oils and candles, or to polish the faces on the plasterbusts of saints.[52]
José María Arguedas records a story "Los pishtacos" taken down in Lima. The story is set in the early years of thePeruvian Republic (c. 1820s or after), when certain individuals would kill people and use the harvested grease in thefoundry to cast the bell, and the more gifted the voice of the victim, the better sounding the bell turned out to be.[54]
The Boliviankharisiri had been widely portrayed as deadFranciscan monks wearing broad Franciscan hats until the 1950s, magically removing the kidney fat from the Aymara, and the bishop would make holy oil out of it.[e][55]
ArtistNicario Jiménez portrays the pishtaco harvesting fat for their bells in the guise of a Franciscan monks and sets this scene in the colonial period[56] (cf. Nicario's work under§ The arts and media).
Techno-pishtacos
editThe pishtaco, in modern times, has stood as a symbol for the fear of commodification of Indigenous bodies by white and foreign powers, and for the exploitative implementation of capitalism across Latin America and specifically in Peru that puts predominantly Indigenous as well as Black and Mestizo people at a disadvantage.[57]
The modern version pishtaco was regarded as driving fancy cars like aMercedes-Benz.[58]
InHuacho, around the year 1983, pishtaco imagery was predominantly associated with the Villasol road-building company (or sometimes the Ministry of Public Works[11]). Rumors circulated about murdered Indigenous people's bodies being used to uphold bridges and maintain the surrounding landscape; these rumors were most likely allegorical for the overworking and unworkable conditions of the company.[59][11]
In the aftermath of the killings and disappearances in Peru, part of theTruth and Reconciliation Commission (or CVR,Comisión de la verdad y reconciliación) was the Integral Program of Reparations, which involved exhumations to confirm deaths or discover the "disappeared", in which the surviving family of the ascertained victim received a sum of about 3,000 Euros. But rather than the remains being respectfully reinterred, the families complained the remains were lumped together and possibly sold for profit as crushed bone material or "flavor enhancers" to industries or as cadavers to medical facilities.[60]
Though in a different country, powerful white men (or organization) has been rumored inHonduras of kidnapping children for experimental usage, and the U.S.CIA has been accused in the rumor.[61]
Greasing modern machinery
editThe modern pishtaco or ñaktaq was seen as needing human fat oil to run anything from the manufacture ofmetals anddrugs all the way to theUS rocket ships.[63][16]
A long-standing piece of lore allegedly since colonial times[64] sugar mill machinery needed human fat as grease, especially of children.[17][16] Later since the 1950s, the word had spread that jet aircraft engines could not start without human fat, and in the 1960s, rumors that theU. S. Air Force was trying to fatten up children to this end led to parents boycotting sending their children toUSAID lunch programs.[17]
Since the human fat has become a highly valuable commodity on the international market due to its perceived needs,[65] there has appeared actual entrepreneurs, two men in 1969, who obtained and sold bottles of human grease, in a real crime casein which shepherd women were killed and mutilated to extract the product.[47]
Formerly,tallow (such as derived fromwhale blubber) was used in the lubrication of machinery during theIndustrial Age; thus, as anthropologist Andrew Canessa writes, "the uses to which human fat is believed to be put are not fanciful imaginings but based on very practical understandings of what fat was widely used for in the relatively recent past".[18]
Pishtacos affair
editIn November 2009, theNational Police of Peru alleged that Peruviangangsters had murdered as many as 60 people fortheir fat, and sold it to intermediaries inLima, who then sold the fat to laboratories inEurope for use incosmetics.[66] The name for the gang, "pishtacos," as well as the details of the alleged criminal plot, played on the Latin Americanurban legend of thepishtaco,[67][68] and the incident become known as "the pishtacos affair".
Journalists as pishtaco
editThe suspicion of pishtaco falling onmestizos and Caucasians[42] means not even benign seeming professions are spared, be it journalists, scholars, or human aide workers.
Enrique Mayer in discourse relating to the 1983Massacre [es] ofUchuraccay where 8 journalists were killed by the indigenouscomuneros, explaining that the journalists may have been taken to bepishtacos.[47] Mayer makes the point that anthropologists like himself could be taken to be pishtaco, as he thinks happened with Lionel Valée and Salvador Palomino in the 1960s, who were tied up and set to be killed.[47] Peter Gose also writes that "virtually every ethonographer of the Andes including myself has been identified as añakaq" at one time or another.[69]
Indigenous people have attacked surveygeologists working on the Peruvian and Bolivian altiplano because they believed that the geologists were pishtacos.[70] The work of anthropologists has been stymied because measurements of fat folds were rumored to be part of a plot to select the fattest individuals later to be targeted by pishtacos.[71]
The arts and media
editTheretablo (altar box) entitled "El Pistaku" byNicario Jiménez[72] (cf.photo above) shows the evolution of the pishtaco legend over time: the topmost layer represents the Colonial Period when the pishtaco garbed as Franciscans gathering fat with which they will have their bells forged, the middle represents the 1960s where a long-haired white man in a mechanic's overalls need fat to lubricate his airplane engine and factory machinery, and the bottom shows the 1980s, where variously dressed fighters are the special forces collecting fat, and in the mix, ageneral there for the international purchase of weapons and repayment offoreign debt.[56][f]
The pishtaco is prominently referenced in the novelDeath in the Andes byMario Vargas Llosa.[73] In the book, members of thePeruvian Civil Guard investigate the disappearance of three men, theShining Path guerillas are quickly ruled out and suspicion falls on a locals especially the male and female barkeep,[74] who clearly believe in the cult with pishtaco as the collector of sacrificial lives, and theapu mountain deities requiring sacrifice in order to bring about restitution from, in particular, a debacle highway project, thus restore the local economy.[75][48] Vargas failed to take account of the pishtaco lore as motive for the locals killing 8 journalists when he headed the commission to report on theMassacre of Uchuraccay [es], but introduced pishtaco in this later novel.[47][48]
Pishtacos are primary antagonists in the episode "The Purge" in theninth season of the TV seriesSupernatural. The show represents pishtacos as having a lamprey-like appendage coming from their mouth, with which they suck out human fat. The episode revolves around two pishtacos and one human started a weight-loss retreat, at which the pishtacos secretly feed on clients. One of the pishtacos decides to kill their clients instead, and is killed in turn by the show's monster hunter leads.
Pishtacos are also featured in theGail Carriger novelCompetence, the third book in her Custard Protocol series. The crew of the Spotted Custard travel to the Peruvian Andes in search of a supposed newly discovered species of vampire that is on the verge of extinction. The pishtacos in this story are described as being very tall, thin, shock-white haired, and red-eyed with a single columnar tooth for fat-sucking instead of the traditional elongated canine teeth of vampires for blood-sucking. This appearance is a result of the transformation from human to pishtaco.[76]
Pishtacos play a prominent role in the 2018 edition of theCall of Cthulhu adventure module,Masks of Nyarlathotep, where their mythology is linked to the Lovecraftian entity, Nyarlathotep.[77]
Pishtacos also appear as minor supporting characters in the first novel of Josh Erikson's Ethereal Earth series,Hero Forged.[78]
In the 2018 video gameShadow of the Tomb Raider, pishtacos appear as mythical creatures who hunt members of Trinity, the organization that serves as game’s main antagonist.
See also
edit- emu oil andhorse oil - dermatological uses
- Sugar refinery#history - animal blood was once used
- Soap made from human corpses – Alleged Nazi atrocity
- Kan'o Haruhide [ja] - famously quipped on exploitation that for "sesame oil and peasants: the more your grind the more you get"
- Sacamantecas – Spanish name for a bogeyman or criminal that kills for human fat
Explanatory notes
edit- ^Other forms:niakaq,[1]ñakaq[2]
- ^Lik'ichiri is also the name of a mountain in Bolivia.
- ^And animal fat ortallow was indeed usually used to grease machinery.[18]
- ^The order orBethlehemite Brothers dissolved in 1820, was technically restored in 1984 following thebeatification of Betancur in 1980 byPope John Paul II.[41]
- ^But around the 1970s there was as shift, and the kidney fat were seen as fueling electricity in North America.
- ^Sales of fat-based medicine to pay towards overseas debt was a real rumor, as aforementioned.[9]
References
edit- ^abcCanessa (2000), p. 705 (abstract) and p. 718 (endnote 2).
- ^Weismantel (2001), pp. xxxv, 6 et passim.
- ^Benson, Elizabeth P.; Cook, Anita Gwynn (2001).Ritual sacrifice in ancient Peru. University of Texas Press. p. 63, note3.ISBN 9780292708945.
- ^abMolinié Fioravanti (1991), p. 80.
- ^abcOliver-Smith (1969), p. 363.
- ^abcdefghiWeismantel (2001), p. xiii.
- ^abLedesma, Diana Cuéllar (2023)."Chapter 15 Minor Cinemas, Major Issues: Horror Films and the Traces of the Internal Armed Conflict in Peru". In Coryat, Diana; León, Christian; Zweig, Noah (eds.).Small Cinemas of the Andes: New Aesthetics, Practices and Platforms. Springer Nature. p. 316.ISBN 9783031320187.
- ^Ledesma[7] citing José Martinez Gamboa (2003), Nilo Escriba Palomino (2012) and other sources.
- ^abcdefghWilliams, Gareth (2002).The Other Side of the Popular: Neoliberalism and Subalternity in Latin America. Duke University Press. pp. 249–251.ISBN 9780822384328.
- ^abVasquez del Aguila (2018), pp. 139–161.
- ^abcdGarcía Hierro, Pedro (2005). Surrallés, Alexandre; García Hierro, Pedro (eds.).The Land Within: Indigenous Territory and the Perception of the Environment. IWGIA. p. 182.ISBN 9788791563119.
- ^Beginning of the 18th century for theBethlehemite friars developing the reputation. See below.
- ^Taussig (1987)Shamanism, p. 238 apud Williams.
- ^Weismantel (2001), p. 158.
- ^Weismantel (2001), p. 210.
- ^abcdFranco, Jean (1999)."Globalization and the Crisis of the Popular". InPratt, Mary Louise; Newman, Kathleen Elizabeth (eds.).Critical passions: selected essays. Post-contemporary interventions. Duke University Press. p. 217.ISBN 0-8223-2248-X.
- ^abcScheper-Hughes, Nancy (1993).Death without weeping: the violence of everyday life in Brazil. University of California Press. p. 236.ISBN 0-520-07537-4.
- ^abcdCanessa (2012), p. 179.
- ^Ledesma[7] citing Vazquez (2018), p. 143.
- ^Weismantel (2001), p. 209.
- ^Spedding (2005), pp. 32, 37.
- ^Grantham, Michael (2015).The Transhuman Antihero: Paradoxical Protagonists of Speculative Fiction from Mary Shelley to Richard Morgan. McFarland. p. 179.ISBN 9780786494057.
- ^Braham, Persephone (2024)."Chapter 35. Classical Monsters in Latin American Cultures". In Felton, Debbie (ed.).The Oxford Handbook of Monsters in Classical Myth. Oxford University Press. p. 497.ISBN 9780192650443.
- ^Stein, William W. (2003).Deconstructing Development Discourse in Peru: A Meta-ethnography of the Modernity Project at Vicos. University Press of America. p. 221.ISBN 9780761826507.
- ^Weismantel (1997a) "White Cannibals: Fantasies of Racial Violence in the Andes", pp. 10–11apud Stein (2003)[24]
- ^Weismantel, Mary (2004),"Really Scary Food",Abstracts of the Annual Meeting -- American Anthropological Association, American Anthropological Association, p. 467,ISBN 9781931303187
- ^Musharbash, Yasmine; Presterudstuen, Geir Henning (2020)."Introduction: Monsters and Change".Monster Anthropology: Ethnographic Explorations of Transforming Social Worlds Through Monsters. Routledge. p. 236.ISBN 9781000185539.
- ^Weismantel (2001), p. xxvi; Weismantel (2000). "Race Rape: White Masculinity in Andean Pishtaco Tales"Identities7 (3): 498. doi 10.1080/1070289Xapud Musharbash & Presterudstuen (2020).[27]
- ^Spedding (2005), p. 32.
- ^Manya (1969), p. 39 apudCanessa (2000), p. 718 (endnote 8).
- ^abCanessa (2000), p. 715.
- ^Portocarrero Maisch, Gonzalo et al. (1992)Sacaojos: Crisis social y fantasmas coloniales, pp. 48–49, 49– 53, etc.apud G. Williams.[9]
- ^Wachtel (1994), pp. 80–81.
- ^Marrin, Albert (1986).Aztecs and Spaniards: Cortés and the conquest of Mexico. Atheneum. p. 76.ISBN 0-689-31176-1.
Melted fat taken from the body of a dead Indian was then used to soothe the raw wound.
- ^Canessa (2000), p. 706 citing Stern (1987), pp. 170–171
- ^Fernández Juárez (2008), p. 75.
- ^Oliver-Smith (1969), p. 364.
- ^Anderson, Jon Lee (8 August 2016)."The Distant Shore".The New Yorker. Retrieved12 September 2016.
- ^abFernández Juárez (2008), pp. 75–76.
- ^Canessa (2000), p. 706 citing Morote Best (1951) pp. 81–85
- ^Fernández Soneira, Teresa (1997).Cuba: historia de la educación catolica, 1582-1961. Vol. 1. Ediciones Universal. p. 59.ISBN 9780897298346.
- ^abCanessa (2000), p. 706 citing Morote Best (1951) and Weismantel (1997). Cf.Weismantel (2001), pp. xxx–xxxiii, xxxviii on trying to distinguishmestizos,indio, black or white, etc. racial divides.
- ^Father Joseph García la Concepción (1723) , quoted onnacas inWachtel (1994), pp. 78–79
- ^García Hierro (2005)[11] citing Ansión (1989), p. 70.
- ^Brown, Michael F.; Fernández, Eduardo (1993).War of Shadows: The Struggle for Utopia in the Peruvian Amazon. University of California Press. p. 143,notes11, 12.ISBN 9780520074484(in English); Fernández & Brown (2001)Guerra de sombras: la lucha por la utopía en la Amazonía peruana, p. 138(in Spanish)
- ^Kulmar, Tarmo (1999)."On The Role Of Creation And Origin Myths In The Development Of Inca State And Religion".Folklore: Electronic Journal of Folklore.12. Eesti Kirjandusmuuseum:7–8.doi:10.7592/FEJF1999.12.inca.full download (unpaginated)
- ^abcdeMayer, Enrique (1992)."Peru In Deep Trouble: Mario Vargas Llosa's 'Inquest in the Andes' Reexamined". InMarcus, George E. (ed.).Rereading Cultural Anthropology. Duke University Press. pp. 187–188.ISBN 9780822312970.
- ^abcKristal, Efraín (1999).Temptation of the Word: The Novels of Mario Vargas Llosa. Vanderbilt University Press. p. 192.ISBN 9780826513441.
- ^abSifuentes (1989), pp. 72–73 also paraphrased in English by Mayer (1992).[47] Mayer also quoted by Kristal[48]
- ^Rubli Kaiser, Frederico (2005).The Betlemitas Convent. Translated by Gabriel Breña Valle. Chapa ediciones. p. 61.ISBN 9789685546072.
- ^The Bethlehemites were dressed like theCapuchin monks (brown firars) — though Rubli Kaiser's describing the monks in Mexico.[50]
- ^abSpedding (2005), p. 39 citing Morote Best (1951) and Gose (1994).
- ^Arguedas, José María (2013) [1970]."Los Pishtacos (Lima)".Mitos, leyendas y cuentos peruanos (in Spanish). Penguin Random House Grupo Editorial Perú. pp. 140–194.ISBN 978-612-4128-02-8.
grasa de dichas personas servían en la fundición de las campanas; y dicen que cuanto mejor voz tenía la persona más sonora salía la campana
- ^Arguedas (2013) [1970][53] cited byMolinié Fioravanti (1991), p. 83
- ^Crandon-Malamud, Libbet (1991)From the Fat of Our Souls, p. 121apudWeismantel (2001), p. 209
- ^abWeismantel (2001), pp. 208–209.
- ^Derby, Lauren; Werner, Marion (2013)."The Devil Wears Dockers: Devil Pacts, Trade Zones, and Rural-Urban Ties in the Dominican Republic".New West Indian Guide.87 (3–4):294–321.doi:10.1163/22134360-12340109.ISSN 1382-2373.
- ^Mitchell, Gregory (2022-09-13)."Panic at the Gringo".Panics without Borders. University of California Press. pp. 121–122.doi:10.2307/j.ctv2vr8txn.9.JSTOR 2661038.
- ^Santos-Granero, Fernando (May 1998)."Writing History into the Landscape: Space, Myth, and Ritual in Contemporary Amazonia".American Ethnologist.25 (2):128–148.doi:10.1525/ae.1998.25.2.128.ISSN 0094-0496.
- ^Delacroix, Dorothée (2021-07-25)."L'État cannibale. Rumeurs de trafic d'os exhumés au Pérou".Cultures & Conflits (121):73–97.doi:10.4000/conflits.22659.ISSN 1157-996X.S2CID 238764612.
- ^Samper, David (January 2002)."Cannibalizing Kids: Rumor and Resistance in Latin America".Journal of Folklore Research.39 (1):1–32.JSTOR 3814829.
- ^"Los Nacaq (Los Degollares)" in :Szeminski, Jan; Ansión, Juan (1982)."Dioses y hombres de Huamanga".Allpanchis (in Spanish).19: 212. Story collected by Victor Solier Ochoa, Informant: Mariano QUispe, age 48,Vinchos District
- ^Gose (1986), p. 297 citing Szeminski & Ansión (1982), p .212[62]
- ^Hughes here citing Oliver-Smith, Anthony R. (1969),Taussig (1987b), pp.211–241
- ^Gose (1986), p. 297 citing Ortiz Rescaniere, Alejandro (1973).De Adaneva a Inkarrí p. 166
- ^Andrew Whalen (AP) (2009-11-19)."Gang Killed People For Their Fat: Peruvian Police".Huffington Post. Archived fromthe original on 2013-01-25.
- ^Arthur Brice (2009-11-21)."Arrests made in ring that sold human fat, Peru says". CNN. RetrievedNovember 21, 2009.
- ^Rory Carroll (2009-11-20)."Gang 'killed victims to extract their fat'".The Guardian.
- ^Gose (1986), p. 297.
- ^Gow, Peter (2001).An Amazonian myth and its history. Oxford University Press. p. 256.ISBN 0-19-924196-1.
- ^Nordstrom, Carolyn; Robben, Antonius C. G. M. (1995).Fieldwork under fire: contemporary studies of violence and survival. University of California Press. p. 122.ISBN 0-520-08994-4.
- ^"Retablo Ayucuchano of El Pistaku (The Legend of the Pistaco)".University of Miami Lowe Museum. Retrieved2025-03-02. This copy of the work differs from the one pictured above.
- ^Vargas Llosa, Mario (2024).Death in the Andes: A Novel. Translated byEdith Grossman. Macmillan + ORM. Ch. 3.ISBN 9781429921589.
- ^Sun (2013), pp. 99–100.
- ^Sun (2013), pp. 101–103.
- ^Carriger, Gail (2018)."Ch. Thirteen. On Hives, Haciendas, and Hijinks".Competence: The Custard Protocol. Orbit.ISBN 9780316433877.
- ^Masks of Nyarlathotep. Chaosium Inc. 2018.
- ^Erikson, Josh (2018).Hero Forged.
Bibliography
edit- Canessa, Andrew (December 2000). "Fear and loathing on the kharisiri trail: Alterity and identity in the Andes".Journal of the Royal Anthropological Institute.6 (4):705–720.doi:10.1111/1467-9655.00041.ISSN 1359-0987.
- Canessa, Andrew (2012).Intimate Indigeneities: Race, Sex, and History in the Small Spaces of Andean Life. Duke University Press.ISBN 9780822352679.
- Fernández Juárez, Gerardo (2008).Kharisiris en acción: cuerpo, persona y modelos médicos en el Altiplano de Bolivia. Editorial Abya Yala.ISBN 9789978227213.
- Gose, Peter (June 1986). "Sacrifice and the Commodity Form in the Andes".Bulletin de l'Institut Français d'Études Andines.20 (1):296–310.doi:10.2307/2803161.JSTOR 2803161.
- Molinié Fioravanti, Antoinette (1991).""Sebo bueno, indio muerto": la estructura de una creencia andina".Bulletin de l'Institut Français d'Études Andines.20 (1):79–92.doi:10.3406/bifea.1991.1027.
- Oliver-Smith, Anthony (October–December 1969)."The Pishtaco: Institutionalized Fear in Highland Peru".The Journal of American Folklore.82 (326):363–368.doi:10.2307/539781.JSTOR 539781.
- Sifuentes, Eudosio (1989)."La continuidad de la historia de los pishtacos en los "robaojos" de hoy". In Ansión, Juan (ed.).Rereading Cultural Anthropology. Lima: Tarea, Asociacion de Publicaciones Educativas. pp. 61–105.
- Spedding, Alison (2005).Sueños, kharisiris y curanderos: dinámicas sociales de las creencias en los Andes contempóraneos. Editorial Mama Huaco.
- Sun, Haiqing (2013)."6. A Journey Lost in Mystery: Mario Vargas Llosa'sDeath in the Andes". In Singer, Marc; Pearson, Nels (eds.).Detective Fiction in a Postcolonial and Transnational World. Ashgate Publishing, Ltd. pp. 97–114.ISBN 9781409475514.
- Vasquez del Aguila, Ernesto (December 2018)."Pishtacos: Human Fat Murderers, Structural Inequalities, and Resistances in Peru".América Crítica.2 (2):139–161 – via ResearchGate.Archived 22 September 2008 at theWayback Machine, accessed 5 February 2019
- Wachtel, Nathan (1994).Gods and Vampires: Return to Chipaya. University of Chicago Press.ISBN 9780226867632.
- Weismantel, Mary J. (2001).Cholas and pishtacos: stories of race and sex in the Andes. University of Chicago Press.ISBN 0-226-89154-2.
External links
editPishtaco texts in Quechua
edit- S. Hernán AGUILAR: Kichwa kwintukuna patsaatsinan. AMERINDIA n°25, 2000. Pishtaku 1, Pishtaku 2 (inAncash Quechua, with Spanish translation)
- RUNASIMI.de: Nakaq (Nak'aq). Wañuchisqanmanta wirata tukuchinkus rimidyuman. Recorded by Alejandro Ortiz Rescaniere in 1971, told by Aurelia Lizame (25 years old), comunidad de Wankarama / Huancarama, provincia de Andahuaylas, departamento del Apurímac. Alejandro Ortiz Rescaniere, De Adaneva a Inkarri: una visión indígena del Perú. Lima, 1973. pp. 164–165 (inChanka Quechua).