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Parsons code

From Wikipedia, the free encyclopedia
Notation used to identify a piece of music
Parsons Code ofOde to Joy
* R U U R D D D D R U U R D R      *-*                         /   \                      *     *                     /       \                *-*         *         *-*                 \       /   \                *     *     *-*               \   /                        *-*

TheParsons code, formally named theParsons code for melodic contours, is a simple notation method used to identify a piece of music throughmelodic motion – movements of thepitch up, down or static.[1][2]

The code

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The first note of a melody is denoted with anasterisk (*), although some Parsons code users omit the first note. All succeeding notes are denoted with one of three letters to indicate the relationship of its pitch to the previous note:

  • * = first tone as reference,
  • u = "up", for when the note is higher than the previous note,
  • d = "down", for when the note is lower than the previous note,
  • r = "repeat", for when the note has the same pitch as the previous note.

Directory of Tunes and Musical Themes

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Denys Parsons (father ofAlan Parsons[3]) developed the system for his 1975 bookThe Directory of Tunes and Musical Themes. Representing a melody in this manner makes it easier to index or search for pieces, particularly when the notes' values are unknown. Parsons covered around 15,000 classical, popular and folk pieces in his dictionary. In the process he found out that *UU is the most popular opening contour, used in 23% of all the themes, something that applies to all the genres.[4]

An earlier, alternative method of classifying and indexing melody was devised byHarold Barlow and Sam Morgenstern inA Dictionary of Musical Themes (1950).[5]

TheDirectory of Tunes and Musical Themes was also published in Germany in 2002 and reissued byPiatkus in 2008 as theDirectory of Classical Themes.[6]

Editions

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Examples

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See also

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References

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  1. ^"The Parsons Code for Melodic Contours".Musipedia. Archived fromthe original on 2005-05-22. Retrieved2005-05-08.
  2. ^Cai, Yang (9 January 2017).Instinctive Computing. Springer London. p. 177.ISBN 9781447172789.
  3. ^"Alan Parsons biography".Alanparsons.com. Archived fromthe original on 18 September 2019. Retrieved21 September 2022.
  4. ^Uitdenbogerd, Alexandra L.; Yap, Yaw Wah (January 2003).Was Parsons right? An experiment in usability of music(PDF). ISMIR 2003. Johns Hopkins University.
  5. ^Abbott, John (11 June 2014)."A Dictionary of Musical Themes: Morgenstern and Barlow (1950)".A Tune a Day.
  6. ^Parsons 2008

External links

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