
Inmusic theory, aneutral interval in24 TET (including extensions), (but also known as asubmajor interval, or as asuperminor interval, inJust Intonation), is aninterval that is neithermajor nor minor, but is, instead, in-between them.
In12 TET, these intervals are aquarter tone sharper than minor intervals and a quarter tone flatter than major intervals. For example, theminor third is tuned at 300¢, while themajor third is a semitone (100¢) sharper (400¢), and so theneutral third lies between them at 350¢.
A neutral intervalinverts to another neutral interval.
In just intonation, as well as in tunings such as31-ET,41-ET, or72-ET, which more closely approximate it with more of them, such intervals can be closer together.
| intervals | minor | neutral | major |
|---|---|---|---|
| seconds | D♭ | D | D♮ |
| thirds | E♭ | E | E♮ |
| sixths | A♭ | A | A♮ |
| sevenths | B♭ | B | B♮ |
| Inverse | neutral seventh |
|---|---|
| Name | |
| Abbreviation | n2 |
| Size | |
| Semitones | ~1+1⁄2 |
| Interval class | ~1+1⁄2 |
| Just interval | 11:10 or 12:11[1] |
| Cents | |
| 12-Tone equal temperament | 100 or 200 |
| 24-Tone equal temperament | 150 |
| Just intonation | 165 or 151 |

Aneutral second ormedium second is an interval wider than aminor second and narrower than amajor second. Three distinct intervals may be termed neutral seconds:
The equal-tempered neutral is found in some traditionalArabic music (see alsoArab tone system). Because the equal tempered neutral second is essentially a semitone (minor second) plus a quarter-tone, they may be consideredthree-quarter tones in thequarter tone scale.
Approximations to the 12:11 and 11:10 neutral seconds can be found in a number of equally tempered tuning systems. 11:10 is very closely matched by22-ET, whereas 12:11 is matched by24-ET,31-ET and41-ET.72-ET matches both intervals closely and is also the smallest widely used equal temperament that uniquely matches both intervals. Tuning systems that temper out thecomma of 121:120 do not distinguish between the two intervals.17-ET has a neutral second between 12:11 and 13:12, and a neutral third between 16:13 and 11:9.
| Inverse | neutral second |
|---|---|
| Name | |
| Other names | - |
| Abbreviation | n7 |
| Size | |
| Semitones | ~10+1⁄2 |
| Interval class | ~1+1⁄2 |
| Just interval | 11:6,[1] 64:35,[2] or 24:13 |
| Cents | |
| 12-Tone equal temperament | 1000 or 1100 |
| 24-Tone equal temperament | 1050 |
| Just intonation | 1049, 1045, or 1061 |

Aneutral seventh is a musical interval wider than aminor seventhplayⓘ but narrower than amajor seventhplayⓘ. Four distinct intervals may be termed neutral sevenths:
These intervals are all within about 12 cents of each other and are difficult for most people to distinguish.
A neutral seventh can be formed by stacking aneutral third together with aperfect fifth. Based on its positioning in the harmonic series, the undecimal neutral seventh implies aroot one perfect fifth below the lower of the two notes.