Kuaibanshu (Chinese:快板书;pinyin:Kuàibǎnshū;lit. 'fast boards') is a form of oral storytelling performance that is popular in northernChina. It is a type ofshuochang, somewhat similar toVietnamesevè orrapping.

Kuaiban literally meansfast boards. It is also known askuai shu, literally meaningfast books. InBeijing dialect, the art form is known askuaibanr.

The name refers tobamboo clappers, a set of small bamboo boards or bones, which the performer rattles to produce an accompanying beat (similar torapping).

The free rhyming style is called "flower point". The line should have seven words. This rule, however, is not strictly followed if the rhythmic beat and rhyme coincide to allow more words or fewer words.

While bones have been used as musical instruments in China for thousands of years, kuaiban in its modern form was pioneered byLi Runjie ofTianjin in the 1940s.

Duringweekend evenings, groups of middle-aged and elderly people perform kuaiban on thesouth side of the hill inJingshan Park inBeijing.

"Kuaiban" is a performance that highly emphasize on “repetition”. In each performance, the rhythm is the same.Bamboo - the material that “kuaiban” made of – has special sacred meaning. In Chinese tradition culture, bamboo symbolizes the elasticity, longevity, happiness and spiritual truth of life. Throughout the ages, bamboo has been praised by manypoets andpainters. It is not only green in all seasons, but also has a tall and straight line. It is not only a symbol of high wind and bright, a straightforward character, but also a reputation of a gentleman. Bamboo is charming, slender, and long-lasting, symbolizing youth forever. In China, bamboo is a sign of truth and dedication. Bamboo is used as a writing instrument in all parts of the East. For Buddhist and Taoist writers and artists, the straight lines and hollow structure of bamboo have extremely profound symbolic meanings. Bamboo is really something special to Chinese culture.

Bergeton, Uffe. “Philosophy on Bamboo: Text and the Production of Meaning in Early China by Dirk Meyer.” Philosophy East and West, vol. 65, no. 1, 2015, pp. 352–354., doi:10.1353/pew.2015.0023.Yuming, Yang, et al. “Bamboo Diversity and Traditional Uses in Yunnan, China.” Mountain Research and Development, vol. 24, no. 2, 2004, pp. 157–165., doi:10.1659/0276-4741(2004)024[0157:bdatui]2.0.co;2.

• Hudong.com (in Chinese)
• QYK.com (in Chinese)
• Kuai-ban.com (Chinese)