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Image compression

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Reduction of image size to save storage and transmission costs
This article includes a list ofgeneral references, butit lacks sufficient correspondinginline citations. Please help toimprove this article byintroducing more precise citations.(April 2010) (Learn how and when to remove this message)

Image compression is a type ofdata compression applied todigital images, to reduce their cost forstorage ortransmission.Algorithms may take advantage ofvisual perception and thestatistical properties of image data to provide superior results compared with genericdata compression methods which are used for other digital data.[1]

Comparison ofJPEG images saved by Adobe Photoshop at different quality levels and with or without "save for web"

Lossy and lossless image compression

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Image compression may belossy orlossless. Lossless compression is preferred for archival purposes and often for medical imaging, technical drawings,clip art, or comics. Lossy compression methods, especially when used at lowbit rates, introducecompression artifacts. Lossy methods are especially suitable for natural images such as photographs in applications where minor (sometimes imperceptible) loss of fidelity is acceptable to achieve a substantial reduction in bit rate. Lossy compression that produces negligible differences may be called visually lossless.

Methods forlossy compression:

Methods forlossless compression:

Other properties

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The best image quality at a given compression rate (orbit rate) is the main goal of image compression, however, there are other important properties of image compression schemes:

Scalability generally refers to a quality reduction achieved by manipulation of the bitstream or file (without decompression and re-compression). Other names for scalability areprogressive coding orembedded bitstreams. Despite its contrary nature, scalability also may be found in lossless codecs, usually in form of coarse-to-fine pixel scans. Scalability is especially useful for previewing images while downloading them (e.g., in a web browser) or for providing variable quality access to e.g., databases. There are several types of scalability:

  • Quality progressive or layer progressive: The bitstream successively refines the reconstructed image.
  • Resolution progressive: First encode a lower image resolution; then encode the difference to higher resolutions.[6][7]
  • Component progressive: First encode grey-scale version; then adding full color.

Region of interest coding. Certain parts of the image are encoded with higher quality than others. This may be combined with scalability (encode these parts first, others later).

Meta information. Compressed data may contain information about the image which may be used to categorize, search, or browse images. Such information may include color and texture statistics, smallpreview images, and author or copyright information.

Processing power. Compression algorithms require different amounts ofprocessing power to encode and decode. Some high compression algorithms require high processing power.

The quality of a compression method often is measured by thepeak signal-to-noise ratio. It measures the amount of noise introduced through a lossy compression of the image, however, the subjective judgment of the viewer also is regarded as an important measure, perhaps, being the most important measure.

History

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Entropy coding started in the late 1940s with the introduction ofShannon–Fano coding,[8] the basis forHuffman coding which was published in 1952.[9]Transform coding dates back to the late 1960s, with the introduction offast Fourier transform (FFT) coding in 1968 and theHadamard transform in 1969.[10]

An important development in imagedata compression was thediscrete cosine transform (DCT), alossy compression technique first proposed byNasir Ahmed, T. Natarajan andK. R. Rao in 1973.[11]JPEG was introduced by theJoint Photographic Experts Group (JPEG) in 1992.[12] JPEG compresses images down to much smaller file sizes, and has become the most widely usedimage file format.[13] JPEG was largely responsible for the wide proliferation ofdigital images anddigital photos,[14] with several billion JPEG images produced every day as of 2015.[15]

Lempel–Ziv–Welch (LZW) is alossless compression algorithm developed byAbraham Lempel,Jacob Ziv andTerry Welch in 1984. It is used in theGIF format, introduced in 1987.[16]DEFLATE, a lossless compression algorithm developed byPhil Katz and specified in 1996, is used in thePortable Network Graphics (PNG) format.[17]

TheJPEG 2000 standard was developed from 1997 to 2000 by a JPEG committee chaired by Touradj Ebrahimi (later the JPEG president).[18] In contrast to the DCT algorithm used by the original JPEG format, JPEG 2000 instead usesdiscrete wavelet transform (DWT) algorithms. It uses theCDF 9/7 wavelet transform (developed byIngrid Daubechies in 1992) for its lossy compression algorithm,[19] and the Le Gall–Tabatabai (LGT) 5/3 wavelet transform[20][21] (developed by Didier Le Gall and Ali J. Tabatabai in 1988)[22] for its lossless compression algorithm.[19]JPEG 2000 technology, which includes theMotion JPEG 2000 extension, was selected as thevideo coding standard fordigital cinema in 2004.[23]

Notes and references

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  1. ^"Image Data Compression".
  2. ^Ahmed, N.; Natarajan, T.; Rao, K.R. (1974)."Discrete Cosine Transform"(PDF).IEEE Transactions on Computers.100 (1):90–93.Bibcode:1974ITCmp.100...90A.doi:10.1109/T-C.1974.223784.S2CID 149806273. Archived fromthe original(PDF) on 2011-11-25.
  3. ^Gilad David Maayan (Nov 24, 2021)."AI-Based Image Compression: The State of the Art".Towards Data Science. Archived fromthe original on 25 November 2021. Retrieved6 April 2023.
  4. ^Bühlmann, Matthias (2022-09-28)."Stable Diffusion Based Image Compression".Medium. Retrieved2022-11-02.
  5. ^"High-Fidelity Generative Image Compression". Retrieved6 April 2023.
  6. ^Burt, P.; Adelson, E. (1 April 1983). "The Laplacian Pyramid as a Compact Image Code".IEEE Transactions on Communications.31 (4):532–540.Bibcode:1983ITCom..31..532B.CiteSeerX 10.1.1.54.299.doi:10.1109/TCOM.1983.1095851.S2CID 8018433.
  7. ^Shao, Dan; Kropatsch, Walter G. (February 3–5, 2010). Špaček, Libor; Franc, Vojtěch (eds.)."Irregular Laplacian Graph Pyramid"(PDF).Computer Vision Winter Workshop 2010. Nové Hrady, Czech Republic: Czech Pattern Recognition Society.Archived(PDF) from the original on 2013-05-27.
  8. ^Claude Elwood Shannon (1948). Alcatel-Lucent (ed.)."A Mathematical Theory of Communication"(PDF).Bell System Technical Journal.27 (3–4):379–423,623–656.Bibcode:1948BSTJ...27..379S.doi:10.1002/j.1538-7305.1948.tb01338.x.hdl:11858/00-001M-0000-002C-4314-2.Archived(PDF) from the original on 2011-05-24. Retrieved2019-04-21.
  9. ^David Albert Huffman (September 1952),"A method for the construction of minimum-redundancy codes"(PDF),Proceedings of the IRE, vol. 40, no. 9, pp. 1098–1101,Bibcode:1952PIRE...40.1098H,doi:10.1109/JRPROC.1952.273898,archived(PDF) from the original on 2005-10-08
  10. ^Pratt, W.K.; Kane, J.; Andrews, H.C. (1969). "Hadamard transform image coding".Proceedings of the IEEE.57 (1):58–68.Bibcode:1969IEEEP..57...58P.doi:10.1109/PROC.1969.6869.
  11. ^Ahmed, Nasir (January 1991)."How I Came Up With the Discrete Cosine Transform".Digital Signal Processing.1 (1):4–5.Bibcode:1991DSP.....1....4A.doi:10.1016/1051-2004(91)90086-Z.
  12. ^"T.81 – DIGITAL COMPRESSION AND CODING OF CONTINUOUS-TONE STILL IMAGES – REQUIREMENTS AND GUIDELINES"(PDF).CCITT. September 1992.Archived(PDF) from the original on 2000-08-18. Retrieved12 July 2019.
  13. ^"The JPEG image format explained".BT.com.BT Group. 31 May 2018. Retrieved5 August 2019.
  14. ^"What Is a JPEG? The Invisible Object You See Every Day".The Atlantic. 24 September 2013. Retrieved13 September 2019.
  15. ^Baraniuk, Chris (15 October 2015)."Copy protections could come to JPEGs".BBC News.BBC. Retrieved13 September 2019.
  16. ^"The GIF Controversy: A Software Developer's Perspective". 27 January 1995. Retrieved26 May 2015.
  17. ^L. Peter Deutsch (May 1996).DEFLATE Compressed Data Format Specification version 1.3.IETF. p. 1. sec. Abstract.doi:10.17487/RFC1951.RFC1951. Retrieved2014-04-23.
  18. ^Taubman, David; Marcellin, Michael (2012).JPEG2000 Image Compression Fundamentals, Standards and Practice: Image Compression Fundamentals, Standards and Practice.Springer Science & Business Media.ISBN 9781461507994.
  19. ^abUnser, M.; Blu, T. (2003)."Mathematical properties of the JPEG2000 wavelet filters"(PDF).IEEE Transactions on Image Processing.12 (9):1080–1090.Bibcode:2003ITIP...12.1080U.doi:10.1109/TIP.2003.812329.PMID 18237979.S2CID 2765169. Archived fromthe original(PDF) on 2019-10-13.
  20. ^Sullivan, Gary (8–12 December 2003)."General characteristics and design considerations for temporal subband video coding".ITU-T.Video Coding Experts Group. Retrieved13 September 2019.
  21. ^Bovik, Alan C. (2009).The Essential Guide to Video Processing.Academic Press. p. 355.ISBN 9780080922508.
  22. ^Le Gall, Didier; Tabatabai, Ali J. (1988). "Sub-band coding of digital images using symmetric short kernel filters and arithmetic coding techniques".ICASSP-88., International Conference on Acoustics, Speech, and Signal Processing. pp. 761–764 vol.2.doi:10.1109/ICASSP.1988.196696.S2CID 109186495.
  23. ^Swartz, Charles S. (2005).Understanding Digital Cinema: A Professional Handbook.Taylor & Francis. p. 147.ISBN 9780240806174.
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