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A-sharp minor

See also:B-flat minor

A-sharp minor is aminor musical scale based onA, consisting of the pitches A,B,C,D,E,F, andG. Itskey signature has sevensharps.[1]

A-sharp minor
{ \magnifyStaff #3/2 \omit Score.TimeSignature \key ais \minor s16 \clef F \key ais \minor s^"" }
Relative keyC-sharp major
Parallel keyA-sharp major (theoretical)
enharmonic:B-flat major
Dominant keyE-sharp minor (theoretical)
enharmonic:F minor
SubdominantD-sharp minor
EnharmonicB-flat minor
Component pitches
A, B, C, D, E, F, G

Itsrelative major isC-sharp major (or enharmonicallyD-flat major). Itsparallel major, A-sharp major, is usually replaced byB-flat major, since A-sharp major's threedouble-sharps make it impractical to use. Theenharmonic equivalent of A-sharp minor isB-flat minor,[1] which only contains five flats and is often preferable to use.

The A-sharpnatural minor scale is:

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A-sharpharmonic minor andmelodic minor scales are:

InChristian Heinrich Rinck's 30 Preludes and Exercises in all major and minor keys, Op. 67, the 16th Prelude and Exercise andMax Reger'sOn the Theory of Modulation on pp. 46~50 are in A-sharp minor.[2] In Bach'sPrelude and Fugue in C-sharp major, BWV 848, a brief section near the beginning of the piece modulates to A-sharp minor.

Scale degree chords

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Thescale degree chords of A-sharp minor are:

References

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  1. ^abPilhofer, Michael; Day, Holly (February 25, 2011).Music Theory For Dummies.Wiley. p. 144.ISBN 9781118054444.
  2. ^Max Reger (1904).Supplement to the Theory of Modulation. Translated by John Bernhoff. Leipzig: C. F. Kahnt Nachfolger. pp. 46–50.

External links

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