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Tolstoyans on a Mountain: From New Practices of Asceticism to the Deconstruction of the Myths of Monte Verità

In:Journal of Religion in Europe
Author:
Yme B. KuiperDepartment Comparative Study of Religion,University of Groningen,y.b.kuiper@rug.nl

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Online Publication Date:
01 Jan 2013

The decades before the Great War were a period of exciting cultural creativity and great social upheaval. Both men and women cultivated a great range of interests in ethical, feminist, mystical, spiritualist and sexual ideas and practices. Max Weber referred to this diversity as a ‘department store for worldviews’. Recent historiography has dubbed this period ‘the age of nervousness’ or ‘the quest for purity’. New fascinations held many people in their thrall: the culture of the body and, more specifically, the Life Reform movement. Some felt inspired by their ethical hero Count Leo Tolstoy, the famous Russian writer and pacifist. Tolstoyan colonies based on his philosophy of back-to-nature simplicity were founded in several European countries. One of the places where Tolstoyans experimented with new practices of asceticism was the Monte Verità near Ascona, a village on the Lago Maggiore in the Swiss region of Ticino. This article deals with the transformation of this Tolstoyan colony into a nature cure sanatorium, inspired by ethical and aesthetic values. As a case study it addresses crucial, but ambivalent, aspects of modernity in the ‘natural’ life of nude sunbathing, vegetarian meals, walking barefoot, living in wooden light-and-air cabins and free love marriages. However, this microcosm of Belle Époque Europe has also been the subject of much mythification. The article argues that these forms of myth-making reveal different narratives and models of identification. Deconstruction of Monte Verità myths reveals their popularity as counter-culture narrative (discourse) in the historiography of the 1970s. During the last decade, a comparison between the elitist, artistic lifestyle experiments on Monte Verità and trends in our modern, mass culture (referring to ‘personal authenticity’ or to Foucault’s ‘technologies of the self’) seems to be gaining in influence.

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Title:
Tolstoyans on a Mountain: From New Practices of Asceticism to the Deconstruction of the Myths of Monte Verità
Article Type:
Research Article
DOI:
https://doi.org/10.1163/18748929-00604007
Language:
English
Pages:
464–481
Keywords:
Belle Époque Europe;Life Reform movement;vegetarianism;asceticism;nude sunbathing;free love marriages;Gesamtkunstwerk;myths of Monte Verità;practices;narratives;discourses;counter-culture;Leo Tolstoy;Max Weber;Michel Foucault
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  • 2)

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  • 3)

    Philipp Blom,The Vertigo Years. Change and Culture in the West, 1900-1914 (London:Weidenfeld & Nicolson,2008),3.

  • 4)

     See alsoJoachim Radkau,Das Zeitalter der Nervosität: Deutschland zwischen Bismark und Hitler (Munich:Hanser,1998).This study extensively reveals the dominant discourse and treatment of ‘nervous disturbance’ under the Second Reich.

       See alsoJoachim Radkau,Das Zeitalter der Nervosität: Deutschland zwischen Bismark und Hitler (Munich:Hanser,1998).This study extensively reveals the dominant discourse and treatment of ‘nervous disturbance’ under the Second Reich.)| false
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  • 6)

    Peeters,Beyond Pleasure,8-9;M. Foucault, “Technologies of the Self,” in: L.M. Martin, H. Gutman and P.H. Hutton (eds),Technologies of the Self: A Seminar with Michel Foucault (London: Tavistock, 1988), 16-49. Foucault interprets ‘techniques of the self” as “those reflective and voluntary practices by which men not only set themselves rules of conduct, but seek to transform themselves, to change themselves in their singular being, and to make their life into an oeuvre that carries certain aesthetic values and meets certain stylistic criteria”; cf. Clare O’Farrell,Michel Foucault (London: Sage, 2005).

      Peeters,Beyond Pleasure,8-9;M. Foucault, “Technologies of the Self,” in: L.M. Martin, H. Gutman and P.H. Hutton (eds),Technologies of the Self: A Seminar with Michel Foucault (London: Tavistock, 1988), 16-49. Foucault interprets ‘techniques of the self” as “those reflective and voluntary practices by which men not only set themselves rules of conduct, but seek to transform themselves, to change themselves in their singular being, and to make their life into an oeuvre that carries certain aesthetic values and meets certain stylistic criteria”; cf. Clare O’Farrell,Michel Foucault (London: Sage, 2005).)| false
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  • 11)

    Thomas Nipperdey,Religion im Umbruch. Deutschland 1870-1918 (Munich:Beck,1988),148.

  • 12)

     Cf.Ralph Freeman Freeman,Hermann Hesse. Pilgrim of Crisis. A Biography (New York:Pantheon Books,1978).

  • 18)

    Ida Hofmann,Wie gelangen wir Frauen zu harmonischen und gesunden Daseinsbedingungen (Ascona:Selbstverlag,1902); idem,Vegetabilismus! Vegetabilismus! Blätter zur Verbreitung vegetarischer Lebensweise (Ascona: Selbstverlag, 1904); idem,Monte Verità – Wahrheit ohne Dichtung (Lorch-Württemberg: Rohm, 1906); Erich Mühsam,Ascona. Eine Broschüre (Locarno: Ed. Carlson, 1905).

      Ida Hofmann,Wie gelangen wir Frauen zu harmonischen und gesunden Daseinsbedingungen (Ascona:Selbstverlag,1902); idem,Vegetabilismus! Vegetabilismus! Blätter zur Verbreitung vegetarischer Lebensweise (Ascona: Selbstverlag, 1904); idem,Monte Verità – Wahrheit ohne Dichtung (Lorch-Württemberg: Rohm, 1906); Erich Mühsam,Ascona. Eine Broschüre (Locarno: Ed. Carlson, 1905).)| false
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  • 19)

    Rudolf Jans,Tolstoj in Nederland (Bussum:Paul Brand,1952),82-83.

  • 26)

    Enno van der Eerden,Ascona, bezield paradijs (Amsterdam:Uitgeverij Bas Lubberhuizen,2011),328.

  • 27)

    Schwab,Monte Verità,259-266.

  • 28)

    William Wickel,The Death of Tolstoy. Russia on the Eve. Astapovo Station, 1910 (Ithaca & London:Cornell University Press,2010).

  • 30)

    Arnold Labrie,Zuiverheid en decadentie. Over de grenzen van de burgerlijke cultuur in West-Europa 1870-1914 (Amsterdam:Bert Bakker,2001),149;idem, ‘Purity and Danger in Fin-de-siècle Culture: a Psychohistorical Interpretation of Wagner, Stoker and Zola,Psychoanalytische Perspectieven, 20/2 (2002), 261-274; Mary Douglas,Purity and Danger. An Analysis of the Concepts of Pollution and Taboo (London: Routledge & Kegan Paul, 1966).

      Arnold Labrie,Zuiverheid en decadentie. Over de grenzen van de burgerlijke cultuur in West-Europa 1870-1914 (Amsterdam:Bert Bakker,2001),149;idem, ‘Purity and Danger in Fin-de-siècle Culture: a Psychohistorical Interpretation of Wagner, Stoker and Zola,Psychoanalytische Perspectieven, 20/2 (2002), 261-274; Mary Douglas,Purity and Danger. An Analysis of the Concepts of Pollution and Taboo (London: Routledge & Kegan Paul, 1966).)| false
    • Search Google Scholar
    • Export Citation
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Tolstoyans on a Mountain: From New Practices of Asceticism to the Deconstruction of the Myths of Monte Verità

In:Journal of Religion in Europe
Author:
Yme B. KuiperDepartment Comparative Study of Religion,University of Groningen,y.b.kuiper@rug.nl

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Online Publication Date:
01 Jan 2013
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The decades before the Great War were a period of exciting cultural creativity and great social upheaval. Both men and women cultivated a great range of interests in ethical, feminist, mystical, spiritualist and sexual ideas and practices. Max Weber referred to this diversity as a ‘department store for worldviews’. Recent historiography has dubbed this period ‘the age of nervousness’ or ‘the quest for purity’. New fascinations held many people in their thrall: the culture of the body and, more specifically, the Life Reform movement. Some felt inspired by their ethical hero Count Leo Tolstoy, the famous Russian writer and pacifist. Tolstoyan colonies based on his philosophy of back-to-nature simplicity were founded in several European countries. One of the places where Tolstoyans experimented with new practices of asceticism was the Monte Verità near Ascona, a village on the Lago Maggiore in the Swiss region of Ticino. This article deals with the transformation of this Tolstoyan colony into a nature cure sanatorium, inspired by ethical and aesthetic values. As a case study it addresses crucial, but ambivalent, aspects of modernity in the ‘natural’ life of nude sunbathing, vegetarian meals, walking barefoot, living in wooden light-and-air cabins and free love marriages. However, this microcosm of Belle Époque Europe has also been the subject of much mythification. The article argues that these forms of myth-making reveal different narratives and models of identification. Deconstruction of Monte Verità myths reveals their popularity as counter-culture narrative (discourse) in the historiography of the 1970s. During the last decade, a comparison between the elitist, artistic lifestyle experiments on Monte Verità and trends in our modern, mass culture (referring to ‘personal authenticity’ or to Foucault’s ‘technologies of the self’) seems to be gaining in influence.

Title:
Tolstoyans on a Mountain: From New Practices of Asceticism to the Deconstruction of the Myths of Monte Verità
Article Type:
Research Article
DOI:
https://doi.org/10.1163/18748929-00604007
Language:
English
Pages:
464–481
Keywords:
Belle Époque Europe;Life Reform movement;vegetarianism;asceticism;nude sunbathing;free love marriages;Gesamtkunstwerk;myths of Monte Verità;practices;narratives;discourses;counter-culture;Leo Tolstoy;Max Weber;Michel Foucault
In:
Journal of Religion in Europe
In:
Volume 6: Issue 4
Publisher:
Brill
E-ISSN:
1874-8929
Print ISSN:
1874-8910
Subjects:
History of Religion,Religious Studies,Religion & Society,Social Sciences,Religion,Middle East and Islamic Studies,Anthropology of Religion,Comparative Religion & Religious Studies

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