Hostname: page-component-857557d7f7-c8jtx Total loading time: 0 Render date: 2025-11-24T03:52:48.495Z Has data issue: false hasContentIssue false
  • English
  • Français

Motown crossover hits 1963–1966 and the creative process

Published online by Cambridge University Press: 11 November 2008

Extract

In recent years there has been a marked resurgence of interest in early Motown songs, many of which have received widespread exposure via successful films such asThe Big Chill, My Girl, The Commitments, Father of The Bride andSister Act. The steady flow of CD re-releases and contemporary ‘covers’ further attests to the continuing appeal and relevance of the music.

Information

Type
Articles
Copyright
Copyright © Cambridge University Press 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Bronson,F.1985.The Billboard Book of Number 1 Hits (New York)Google Scholar
Betrock,A.1982.Girl Groups: The Story of a Sound (London)Google Scholar
Crawford,D.1977. ‘Gospel songs in court: from rural music to urban industry’,Journal of Popular Culture,11, pp.551–67CrossRefGoogle Scholar
Cummings,T.1974. ‘The Four Tops story’,Black Music,1 (11), pp.10–12Google Scholar
Cummings,T.1975. ‘The Supremes Story’,Black Music,2 (10), pp.10–14Google Scholar
Cummings,T.1976. ‘An English way to Marvin Gaye’,Black Music,4 (12), pp.10–16,52–3Google Scholar
Forte,D.1979. ‘James Jamerson: Preeminent Motown bassist’,Guitar Player,06, pp.44–5,133Google Scholar
George,N.1986.Where Did Our Love Go: The Rise and Fall of the Motown Sound (Sydney)Google Scholar
Guralnick,P.1991.Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom (London)Google Scholar
Hall,D.1976. ‘Norman Whitfield’,Black Music,3 (04), pp.14–15,52–3Google Scholar
Marsh,D.1989.The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made (London)Google Scholar
Maultsby,P. K.1975. ‘Selective bibliography: U.S. black music’,Ethnomusicology,19, pp.420–49Google Scholar
Maultsby,P. K.1990. ‘Africanisms in African-American music’, inAfricanisms in American Culture, ed.Holloway,J. (Bloomington)Google Scholar
Maultsby,P. K.1992. ‘The Impact of gospel music on the secular music industry’, inWe'll Understand It Better By and By: Pioneering African-American Gospel Music Composers, ed.Reagon,B. (Washington, D.C.)Google Scholar
McEwan,J. andMiller,J.1992. ‘Motown’, inThe Rolling Stone Illustrated History of Rock and Roll, rev. and ed.Decurtis,A.,Henke,J. withGeorge-Warren,H. (New York)Google Scholar
Price,D.1974. ‘Bibliography of Bob Dylan’,Popular Music and Society,3, pp.227–41CrossRefGoogle Scholar
Robinson,W. withRitz,D.1982.Smokey: Inside My Life (London)Google Scholar
Smith,J.1990.Off the Record: An Oral History of Popular Music, ed.Fink,M. (London)Google Scholar
‘Standing in the shadows of Motown: the unsung session men of Hitsville's golden era’,1983,Musician, 60, pp.61–6Google Scholar
Taylor,P.1985.Popular Music Since 1955: A Critical Guide to the Literature (London)Google Scholar
Whiburn,J.1987.The Billboard Book of Top Forty Hits (New York)Google Scholar
Williams-Jones,P.1975. ‘Afro-American gospel music: a crystallization of the black aesthetic’,Ethnomusicology,19, pp.373–85CrossRefGoogle Scholar
Wilson,M. withRomanowsky,P. andJuillard,A.1986.Dreamgirl: My Life as a Supreme (New York)Google Scholar