Chuck Jones
Chuck Jones
Background information
Fullname
Born
Died
Cause of death
Nationality
AmericanAlternate names
Occupation
Family information
Early life[]
Jones was born in Spokane, Washington. He moved to Los Angeles at a young age. Jones' interest in animation peaked when his father (a proprietor) would bring home stationery from every business he closed. Jones later cited inChuck Amuck that his father was a large influence of making him who he was. Jones dropped out of high school and later attended Chouinard Art Institute.
Career[]
When Jones was first starting out, his first cartoons were followingWalt Disney's footsteps. Jones started his career in animation in 1933 as an assistant animator forFriz Freleng. AfterFrank Tashlin left Warner Bros., Jones later had the opportunity to become an animation director in 1938. He accepted and his work went to new heights over the years.
Jones created his first recurring character Sniffles for Warner Bros. After he retired Sniffles, Jones moved away from the Disney style animation. "The Dover Boys" is one of the first uses of stylized animation in American film, breaking away from the more realistic animation styles influenced by theWalt Disney Studios.
During the closure ofWarner Bros. animation studio, Jones got a job atDisney, where he teamed up withWard Kimball for a four month period of uncredited work onSleeping Beauty. Jones, however, disliked the experience because every aspect of his work was dictated, as opposed to the creative freedom the Warner Bros. studio granted him.
Jones' was fired from Warner Bros. after violating his contract that he couldn't work with other studios, as he worked withUPA in 1961 onGay Purr-ee, let alone his short period with Disney. His animation unit was laid off after completing the final cartoon in their pipeline, "The Iceman Ducketh", and the rest of the Warner Bros. Cartoons studio was closed in early 1963. Jones later found work atMetro-Goldwyn-Mayer and worked onTom and Jerry at his own studio Sib-Tower 12, as well as directing the 1966 holiday specialHow the Grinch Stole Christmas based on theDr. Seuss book of the same name. Jones frequently claimed, including in the aforementioned autobiography, that this happened because Warner finally learned they weren't makingMickey Mouse cartoons.
Jones later returned to Disney briefly and worked as a consultant onWho Framed Roger Rabbit and storyboarded the piano duel sequence withDonald Duck andDaffy Duck, laying out most of Daffy's scenes, and also drew the Singing Sword.
In 1992, when Jones went to see Disney'sAladdin, he went on to call it 'the funniest feature ever made', marking it as his favorite film.
Jones died on February 22, 2002, at his house in Corona Del Mar, California, due to heart failure. He was cremated and his ashes were scattered at sea, at his request. Although Jones is no longer around, many cite his works as one of the best in animation history.
Connection with Walt Disney[]
Jones always openly admired Walt, though he disagreed with his politics. During theDisney animators' strike, Jones joined several other Warners' employees in support of the strikers.
In spite of this, he continued to show his respect for Disney and wrote letters to him several times over the years, to which Disney always replied. Shortly before Disney's death, Jones visited him in the hospital to thank him. In his bookChuck Reducks, he quotes Disney telling him "You are the only animator who ever wrote to me." Even towards the end of his own life, Jones admitted: "Even though we didn't know it at the time, we learned from Disney." He also stated, in his earlier bookChuck Amuck, that "Walt Disney, along with many other producers, may have had the political acumen of a squid, but to me he is the patron saint of all animators."
In 1965, Jones also became a founding member of the 12California Institute of the Arts (CalArts) board of directors. The school was founded by Walt a few years earlier.
