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Counter Culture

Fringe Review: The Story of Sting and The Police

August 26, 2025 at 4:47 pm· Filed underBiographical,Edinburgh Fringe Festival,Edinburgh Fringe Festival 2025,Music ·Tagged,,,,,,

Five black stars on a white background, representing a five-star rating.

Angus Munro doesn’t impersonate Sting—he honours him. InThe Story of Sting and The Police, Munro and his outstanding band deliver a heartfelt, high-energy tribute that charts the evolution of one of rock’s most genre-defying acts. From the raw pulse of The Police’s early days to Sting’s solo sophistication, this show is a love letter to musical innovation and emotional storytelling.

Promotional poster for 'The Story of Sting and The Police', featuring a colorful background and images of performers representing the tribute band.

The Police, formed in 1977 by Andy Summers, Stewart Copeland, and Gordon “Sting” Sumner, fused jazz, reggae, punk, and new wave into a sound that defined a generation. Munro captures that spirit without mimicry, bringing his own charisma and a four-octave range to classics like “Roxanne,” “De Do Do Do, De Da Da Da,” and “Message in a Bottle.” The audience response is electric—singing, clapping, and one ecstatic fan leaping to her feet, arms raised in joy.

The show’s emotional arc deepens with a 12-minute mega mix of Sting’s solo hits, including “Fields of Gold” and “Every Breath You Take,” showcasing Munro’s vocal agility and reverence for the material2. A slide projector adds visual texture, tracing Sting’s journey from band frontman to global icon, and anchoring the music in lived experience.

Presented by Night Owl Shows, this production is more than nostalgia—it’s a dynamic retelling of a musical legacy. Munro’s performance has earned accolades at both the Adelaide and Edinburgh Fringes, and the show continues its tour with a date at Hever Festival Theatre on 28 September 2025.

For fans of Sting, The Police, or simply great live music, this is an unmissable celebration.

Check Night Owl Shows’tour datesfor upcoming performances.

Reviewed by Jacqueline Sharp

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