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Pederasty

From Wikimedia Commons, the free media repository
Deutsch: Der BegriffPäderastie bezieht sich im klassischen und akademischen Sinn auf Liebesbeziehungen zwischen erwachsenen Männern und geschlechtsreifen Jugendlichen. Diese Beziehungen können sexuell geprägt sein oder auch nicht, freiwillig oder unfreiwillig, sentimental oder käuflich. Ihre Legalität ist von den jeweiligen Schutzaltersgrenzen und Gesetzen zurHomosexualität abhängig.
English: In the classic and academic sense,pederasty refers to the hebephilic or ephebophilic relationship between an adult male and an adolescent boy. Such relationships may be sexually expressed or not, consensual or nonconsensual, sentimental or commercial, and their legality will vary depending on local age of consent laws and prohibitions on homosexuality. The term can also be employed of the attraction of the man to the boy, whether or not reciprocated. It is analogous to korephilia.
Español: En español la palabrapederastia (delgriegopaís opaidós: «niño» o «muchacho» yeran: «querer») se refiere a la práctica sexualabusiva ydelictiva entre un varónadulto y unmenor de edad.

El término «pederastia» se ha visto confundido con otros dos conceptos:

  • Homosexualidad masculina: Por malinterpretación de los textos clásicos griegos, «pederasta» ha introducido el matiz semántico de la homosexualidad masculina.
  • Paidofilia opedofilia: A pesar de que etimológicamente significan lo mismo (ya que ambas se basan enpaidós: «niño» o «adolescente»), lapedofilia no se refiere al abuso sexual, sino a la meratendencia sexual o atracción entre un hombre adulto y un adolescente (en Grecia generalmente unerastes y supupilo). Este uso es distinto del uso comun en los paises de habla inglesa, donde "pedofilia" se refiere a la atracción y contacto sexual entre un adulto y una persona de menos de trece años. Al primar en el mundo civilizado unDerecho penal de acto, y no unDerecho penal de autor, se castiga la pederastia pero no la pedofilia, es decir, el abuso sexual real y no la mera tendencia sexual.
Français : Le motpédérastie renvoie à la relation amoureuse entre un homme adulte et ungarçon adolescent, que celle-ci se traduise ou non par des rapports sexuels, qu'elle soit ou non de type consensuel, de nature sentimentale ou bien marchande. La légalité de telles relations dépend des lois en matière deprotection des mineurs et des interdits concernant l'homosexualité, variables d'un État à l'autre. Le terme peut également servir à désigner l'attirance d'un homme pour un garçon, que cette dernière soit réciproque ou non.
Português: No senso clássico e acadêmico,pederastia refere-se a relação erótica entre um homem adulto e um garoto adolescente. Tal relação pode ser seualmente expressada ou não, consensual ou não consensual, sentimental ou comercial, e a sua legalidade irá variar dependendo do local, leis e proibições da homossexualidade. O termo também pode ser empregado para a atração física de um homem para um garoto, recíproca ou não.

Ancient Greece / Grèce antique / Griechische Antike

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Mythical / Mythologie

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  • Pentesilea Painter, Zeus abducting Ganymede. Ferrara, Spina museum.
    Pentesilea Painter,Zeus abductingGanymede.Ferrara, Spina museum.
  • Ganymede with cockerel and hoop. Around 500 BCE. Paris, Musée du Louvre.
    Ganymede with cockerel and hoop. Around 500 BCE.Paris,Musée du Louvre.
  • Hyacinthus and Zephyrus. Figure on the left may also be Eros. Around 480 BCE. Museum of Fine Arts, Boston
    Hyacinthus and Zephyrus. Figure on the left may also be Eros. Around 480 BCE. Museum of Fine Arts, Boston
  • Hyacinthus and Zephyrus. Figure on the left may also be Eros. Around 480 BCE. Museum of Fine Arts, Boston
    Hyacinthus and Zephyrus. Figure on the left may also be Eros. Around 480 BCE. Museum of Fine Arts, Boston
  • Hyacinthus and Zephyrus. Attic Kylix. 500 - 450 BCE
    Hyacinthus and Zephyrus. Attic Kylix. 500 - 450 BCE
  • Winged Eros and a boy. Boston Museum of Fine Arts
    Winged Eros and a boy. Boston Museum of Fine Arts

Daily life / Vie quotidienne / Alltag

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Symposium

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  • Symposium scene. Fresco from the north wall of a tomb in Paestum (Italy). 470 BCE
    Symposium scene. Fresco from the north wall of a tomb in Paestum (Italy). 470 BCE
  • Detail of Fresco from the north wall. 470 BCE
    Detail of Fresco from the north wall. 470 BCE
  • Symposium scene. Fresco from the north wall of a tomb in Paestum (Italy). 470 BCE
    Symposium scene. Fresco from the north wall of a tomb in Paestum (Italy). 470 BCE
  • Symposium scene. Fresco from the south wall of a tomb in Paestum (Italy). 470 BCE
    Symposium scene. Fresco from the south wall of a tomb in Paestum (Italy). 470 BCE
  • Symposium scene. Fresco from the south wall a tomb in Paestum (Italy). 470 BCE
    Symposium scene. Fresco from the south wall a tomb in Paestum (Italy). 470 BCE
  • Symposium scene. Attic kylix. Around 460-450 BCE.
    Symposium scene. Attic kylix. Around 460-450 BCE.
  • Symposium scene. Detail. Attic kylix. Around 460-450 BCE.
    Symposium scene. Detail. Attic kylix. Around 460-450 BCE.
  • This image has been given the description of a "...courting couple at the symposium."[3] and a "Symposium scene with youths." [3]. Interior of an Attic cup. Artist; Painter from Colmar. Around 500 - 450 BCE. Louvre Museum
    This image has been given the description of a "...courting couple at the symposium."[3] and a "Symposium scene with youths."[3]. Interior of an Attic cup. Artist; Painter from Colmar. Around 500 - 450 BCE. Louvre Museum

Ancient Rome / Rome antique / Roma antica / Antikes Rom

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  • Antinous (c. 110–130 CE). He was the beloved of the Roman Emperor Hadrian.
    Antinous (c. 110–130 CE). He was the beloved of the Roman EmperorHadrian.
  • Ecouen Antinous.
    Ecouen Antinous.
  • Antinous as Egyptian god Osyris.
    Antinous as Egyptian godOsyris.
  • Antinous (Delphi, Greece).
    Antinous (Delphi, Greece).
  • Antinous - Antinoo (Palazzo Altaemps, Rome).
    Antinous - Antinoo (Palazzo Altaemps, Rome).
  • Antinous - Antinoo.
    Antinous - Antinoo.
  • Emperor Hadrian, on a coin.
    Emperor Hadrian, on a coin.
  • Emperor Hadrian, on a coin.
    Emperor Hadrian, on a coin.
  • Emperor Hadrian, on a coin.
    Emperor Hadrian, on a coin.
  • Emperor Hadrian. - L'imperatore Adriano, amante di Antinoo.
    Emperor Hadrian. - L'imperatore Adriano, amante di Antinoo.
  • Polydeukion, here portrayed in a votive relief (2nd c. E.E.), was the favorite pupil and beloved of stoic philosopher and millionaire Herodes Atticus.
    Polydeukion, here portrayed in a votive relief (2nd c. E.E.), was the favorite pupil and beloved of stoic philosopher and millionaireHerodes Atticus.
  • Ganymede - Ganimede (Museo delle Terme, Rome, Italy).
    Ganymede - Ganimede (Museo delle Terme, Rome, Italy).
  • The rape of Ganymede (Museo archeologico, Venice, Italy) - Il ratto di Ganimede. Museo archeologico, Venezia.
    The rape ofGanymede (Museo archeologico, Venice, Italy) - Il ratto di Ganimede. Museo archeologico, Venezia.
  • Skyphos from Pergamon with relief appliques:left is Ganymede around 180 - 70 BCE
    Skyphos from Pergamon with relief appliques:left isGanymede around 180 - 70 BCE
  • Ganymede (Musée du Louvre, Paris, France).
    Ganymede (Musée du Louvre, Paris, France).
  • Man and youth having sex, Warren Cup
    Man and youth having sex, Warren Cup
  • Young man and boy having sex, Warren Cup
    Young man and boy having sex, Warren Cup
  • Hadrian and Antinous in Egypt.
    Hadrian and Antinous in Egypt.

Japan / Japon

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  • Three samurais
    Three samurais
  • Suzuki Harunobu Shunga, ca. 1750.
    Suzuki Harunobu Shunga, ca. 1750.

China / Chine

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  • The Way of the Academicians from “Hua Ying Chin Chen” (Variegated Positions of the Flower Battle), China, Ming dynasty (1368–1644)
    The Way of the Academicians from “Hua Ying Chin Chen” (Variegated Positions of the Flower Battle), China, Ming dynasty (1368–1644)
  • "Old Monk Received into a Wealthy Man's House while his Young Companion is being seduced by the Owner", Mid nineteenth century, Silk painting, F. M. Bertholet Collection
    "Old Monk Received into a Wealthy Man's House while his Young Companion is being seduced by the Owner", Mid nineteenth century, Silk painting, F. M. Bertholet Collection

Muslim lands / Pays musulmans / Islamische Länder

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Persia / Perse / Persien

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  • Mahmoud & Ayaz, and Shah Abbas; Unknown artist - Moraqqa; 17th century Reza Abbasi Museum
    Mahmoud & Ayaz, and Shah Abbas; Unknown artist - Moraqqa; 17th century Reza Abbasi Museum
  • Ayaz kneeling before Sultan Mahmud of Ghazni. A miniature painting from a fifteenth century manuscript of six poems by 'Attar. "Six poems" by Farid al-Din 'Attar Southern Iran, 1472 British Library, London
    Ayaz kneeling before Sultan Mahmud of Ghazni. A miniature painting from a fifteenth century manuscript of six poems by 'Attar. "Six poems" by Farid al-Din 'Attar Southern Iran, 1472 British Library, London
  • Shah Abbas I & wine boy
    Shah Abbas I & wine boy
  • Men and youths by a stream - Ceramic panel from Chehel Sotoun
    Men and youths by a stream - Ceramic panel from Chehel Sotoun
  • Youth seeking his father's advice Miniature illustration to the Haft Awrang of Jami, in the story A Father Advises his Son About Love Freer and Sackler Galleries, Smithsonian Institution, Washington, DC.
    Youth seeking his father's advice
    Miniature illustration to theHaft Awrang ofJami, in the storyA Father Advises his Son About Love Freer and Sackler Galleries,Smithsonian Institution, Washington, DC.
  • Persian youth playing chess with two suitors Illustration to the Haft Awrang of Jami, in the story A Father Advises his Son About Love Freer and Sackler Galleries, Smithsonian Institution, Washington, DC.
    Persian youth playing chess with two suitors Illustration to theHaft Awrang of Jami, in the storyA Father Advises his Son About Love Freer and Sackler Galleries, Smithsonian Institution, Washington, DC.
  • Youth conversing with suitors Miniature illustration from the Haft Awrang of Jami, in the story A Father Advises his Son About Love. Freer and Sackler Galleries, Smithsonian Institution, Washington, DC.
    Youth conversing with suitors
    Miniature illustration from theHaft Awrang of Jami, in the storyA Father Advises his Son About Love. Freer and Sackler Galleries, Smithsonian Institution, Washington, DC.
  • Sheikh and boy partying in a garden
    Sheikh and boy partying in a garden
  • Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace
    Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace

Ottoman empire / Empire ottoman / Osmanisches Reich

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  • Kocek
    Kocek
  • Tellak
    Tellak
  • Jalal al-Din Rumi, Founder of the Order of the Whirling Cerviches, Showing His Love for His Young Disciple Hussam al-Din Chelebi
    Jalal al-Din Rumi, Founder of the Order of the Whirling Cerviches, Showing His Love for His Young Disciple Hussam al-Din Chelebi

Pre-modern Europe / Europe prémoderne / Europa premoderna / Vormodernes Europa

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Zeus andGanymede / Zeus et Ganymède / Zeus e Ganimede

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Images up to 1800 ca.

  • Zeus and Ganymede + Apollo and Cyparissus (1522)
    Zeus and Ganymede + Apollo andCyparissus (1522)
  • Antonio da Correggio (Antonio Allegri) (1489-1534), Ratto di Ganimede (1531), (Kunsthistorisches Museum, Vienna).
    Antonio da Correggio (Antonio Allegri) (1489-1534),Ratto di Ganimede (1531), (Kunsthistorisches Museum, Vienna).
  • Illustrazione per gli Emblemata di Andrea Alciati (1534).
    Illustrazione per gliEmblemata diAndrea Alciati (1534).
  • Raffaello da Montelupo (1505-1566), Giove bacia Ganimede - Jupiter kisses Ganymede (1550 ca.).
    Raffaello da Montelupo (1505-1566),Giove bacia Ganimede - Jupiter kisses Ganymede (1550 ca.).
  • Nicolas Beatrizet (1515-1565), Zeus and Ganymede.
    Nicolas Beatrizet (1515-1565),Zeus and Ganymede.
  • Illustrazione per gli Emblemata di Andrea Alciati: Ganymedes - In deo laetandum
    Illustrazione per gli Emblemata di Andrea Alciati:Ganymedes - In deo laetandum
  • Tempesta, Antonio (1555-1630) - In aquilam transformatus Iupiter Ganymedem rapit.
    Tempesta, Antonio (1555-1630) -In aquilam transformatus Iupiter Ganymedem rapit.
  • Cherubino Alberti (16th century), Zeus and Ganymede.
    Cherubino Alberti (16th century),Zeus and Ganymede.
  • 16th century.
    16th century.
  • François Chauveau, Enlevement de Ganymède (17th century)
    François Chauveau, Enlevement de Ganymède (17th century)
  • Lelio Orsi (16th century), Ratto di Ganimede. (Museo estense, Modena, Italy).
    Lelio Orsi (16th century),Ratto di Ganimede. (Museo estense, Modena, Italy).
  • Damiano Mazza, Ratto di Ganimede, 16th century (National Gallery, London).
    Damiano Mazza,Ratto di Ganimede, 16th century (National Gallery, London).
  • Rembrandt Harmenszoon Van Rijn (1606-1669), The rape of Ganymede, (1635). (Gemäldegalerie, Dresda).
    Rembrandt Harmenszoon Van Rijn (1606-1669),The rape of Ganymede, (1635). (Gemäldegalerie, Dresda).
  • Rembrandt Harmenszoon Van Rijn (1606-1669), Rape of Ganymede, (1635), Gemäldegalerie, Dresda.
    Rembrandt Harmenszoon Van Rijn (1606-1669),Rape of Ganymede, (1635), Gemäldegalerie,Dresda.
  • Eustache Le Sueur, "Abduction of Ganymede"
    Eustache Le Sueur, "Abduction of Ganymede"
  • Carlo Cesio (1626-1686), Ganimede e Giove, da: A. Carracci, Illustrazione de la Galleria Farnese (1675).
    Carlo Cesio (1626-1686), Ganimede e Giove, da: A. Carracci,Illustrazione de la Galleria Farnese (1675).
  • Annibale Carracci (da), Ganimede e l'aquila - Incisione tratta dall'affresco tutt'ora a Palazzo Farnese (Roma)
    Annibale Carracci (da), Ganimede e l'aquila - Incisione tratta dall'affresco tutt'ora a Palazzo Farnese (Roma)
  • Dolcibene: incisione della statua del Ganimede dei Musei vaticani (1785 ca).
    Dolcibene: incisione della statua del Ganimede deiMusei vaticani (1785 ca).
  • Grangerel, incisione da Rubens 1786/1808.
    Grangerel, incisione da Rubens 1786/1808.
  • Zeus kissing Ganymede - A copy of an original by Wilhelm Böttner. Originally painted circa 1780. This copy was painted in the 19th century
    Zeus kissing Ganymede - A copy of an original by Wilhelm Böttner. Originally painted circa 1780. This copy was painted in the 19th century

Portraits / Portraits / Ritratti

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  • Emperor Hadrian. Modern bust.
    Emperor Hadrian. Modern bust.

Miscellaneous topics / Autre / Miscellanea / Verschiedenes

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  • Socratic love. French 19th century erotic drawing from the Manual of Classical Erotology by Friedrich Karl Forberg
    Socratic love. French 19th century erotic drawing from theManual of Classical Erotology by Friedrich Karl Forberg
  • Jacopo Caraglio (16th century), Apollo and Hyacinthos. Engraving.
    Jacopo Caraglio (16th century),Apollo andHyacinthos. Engraving.
  • Giulio Romano, Apollo e Ciparisso (1596) / Apollo and Cyparissus, Nationalmuseum, Stockholm.
    Giulio Romano,Apollo e Ciparisso (1596) /Apollo andCyparissus, Nationalmuseum, Stockholm.

Modern & contemporary era / Époque moderne et contemporaine / Età moderna e contemporanea / Moderne und Gegenwart

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Personages / Personnalités / Persönlichkeiten

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Various / Divers / Sonstiges

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  • Frederick Rolfe (1860-1913) a.k.a "Baron Corvo", portrait of Tito Biondi, Rome, circa 1890.
    Frederick Rolfe (1860-1913) a.k.a "Baron Corvo", portrait of Tito Biondi, Rome, circa 1890.
  • Frederick Rolfe (1860-1913), male nude, 1891.
    Frederick Rolfe (1860-1913), male nude, 1891.
  • Sergei Eisenstein: Ganymede I and II, Drawing, Andrei Moskvin Collection, Moscow
    Sergei Eisenstein: Ganymede I and II, Drawing, Andrei Moskvin Collection, Moscow

See also / Voir aussi / Siehe auch

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  1. abTwo-handled cup with male couples. https://collections.mfa.org. Museum of Fine Arts, Boston. Retrieved on1 May 2024. ""Two-handled cup with male couples. Sides (A) and (B): A man titillating a boy, who responds, flanked by grape vines with large clusters of grapes. On one side, over the figures, KALOS (handsome); ""
  2. Cite error: Invalid<ref> tag;no text was provided for refs namedKarchesion
  3. abJared Alan Johnson (2015) "The Greek Youthening: Assessing the Iconographic Changes within Courtship during the Late Archaic Period." (Master's)[1], University of Tennessee
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