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AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Coupe de Ville(1990)

PG-13 | 98 mins |Comedy-drama |9 March 1990

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HISTORY

       ActorDaniel Stern’s character, “Marvin,” delivers the following voice-over before end credits: “Pop died that winter, but not before he made his point. Me and Buddy and Bobby, we all get together for holidays, ballgames, kids' birthdays, and that's because of Pop. By the way, ’Louie Louie’ is a sea chanty.”
       The 10 Aug 1988Newsday and 29 Sep 1988HR mentioned that Kiefer Sutherland would star inCoupe de Ville, scheduled to begin filming in Oct 1988. Actors Charlie Sheen and River Phoenix were being considered to play the other brothers. However, principal photography was postponed for six months, and Sutherland, Sheen, and Phoenix did not appear in the film.
       According to production notes in AMPAS library files, writer and co-producerMike Binder based the story on the experiences of his own father and uncles, which became known in the family as “the Cadillac story.” Though Binder set his script in 1954, directorJoe Roth changed the year to 1963 because he lacked a “frame of reference for 1954” and felt that 1963 was a “pivotal year in contemporary American history and culture.” Roth also told the 24 Feb 1989USA Today that he eliminated all references to the Civil Rights movement, in order to avoid confusion with a spate of other current films about the 1960s. Filming began in Greenville, SC, on 10 May 1989 and ended seven weeks, three states, and four cities later, on 28 Jun 1989. The production had three identical and operable 1954 Cadillacs that cost $30,000 apiece, plus three “sections of mainframe” used for insert shots. The 14 Apr 1989HR ...

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       ActorDaniel Stern’s character, “Marvin,” delivers the following voice-over before end credits: “Pop died that winter, but not before he made his point. Me and Buddy and Bobby, we all get together for holidays, ballgames, kids' birthdays, and that's because of Pop. By the way, ’Louie Louie’ is a sea chanty.”
       The 10 Aug 1988Newsday and 29 Sep 1988HR mentioned that Kiefer Sutherland would star inCoupe de Ville, scheduled to begin filming in Oct 1988. Actors Charlie Sheen and River Phoenix were being considered to play the other brothers. However, principal photography was postponed for six months, and Sutherland, Sheen, and Phoenix did not appear in the film.
       According to production notes in AMPAS library files, writer and co-producerMike Binder based the story on the experiences of his own father and uncles, which became known in the family as “the Cadillac story.” Though Binder set his script in 1954, directorJoe Roth changed the year to 1963 because he lacked a “frame of reference for 1954” and felt that 1963 was a “pivotal year in contemporary American history and culture.” Roth also told the 24 Feb 1989USA Today that he eliminated all references to the Civil Rights movement, in order to avoid confusion with a spate of other current films about the 1960s. Filming began in Greenville, SC, on 10 May 1989 and ended seven weeks, three states, and four cities later, on 28 Jun 1989. The production had three identical and operable 1954 Cadillacs that cost $30,000 apiece, plus three “sections of mainframe” used for insert shots. The 14 Apr 1989HR noted other South Carolina locations in Spartanburg, Pickens, and Oconee counties. Final scenes were filmed in FL, according to the 5 May 1989HR.
       By the time the Universal Pictures film premiered at New York’s Museum of Modern Art on 7 Mar 1990,Joe Roth had become the chairman of 20th Century Fox Film Corporation, the 14 Mar 1990Var reported. Nonetheless, he hosted the rival studio’s production, saying, “I’d like to see the film do well.”
       The May 1990Box noted thatCoupe de Ville grossed only half-a-million dollars in its first seventeen days.
       Though the interpretation of The Kingsmen’s garbled recording of “Louie Louie” was used prominently to illuminate the three brothers’ personalities, the actual lyrics, sung in a faux-Jamaican accent, were available from writer Richard Berry’s original 1956 recording. The song is a sailor’s lament, but Marvin’s conclusion that it was a “sea shanty” is incorrect.
      Opening credits include the follow information: “Detroit, 1952” and “11 years later.” End credits contain the following information: “Special thanks to City of St. Petersburg, Florida; Derby Lanes, St. Petersburg, Florida; Lee County, Florida; Major League Baseball, St. Petersburg Kennel Club.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
May 1990
---
Daily Variety
5 Mar 1990
p. 2, 30
Hollywood Reporter
29 Sep 1988
---
Hollywood Reporter
14 Apr 1989
---
Hollywood Reporter
28 Mar 1989
---
Hollywood Reporter
5 May 1989
---
Hollywood Reporter
9 May 1989
---
Hollywood Reporter
6 Mar 1990
p. 4, 79
Los Angeles Times
9 Mar 1990
Section F, p. 4
New York Times
9 Mar 1990
p. 16
Newsday
10 Aug 1988
p.6
USA Today
24 Feb 1989
Section D, p. 4
Variety
7 Mar 1990
p. 20
Variety
14 Mar 1990
p. 16
CAST
NAME
CREDITED AS
CREDIT
+
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXTS
Morgan Creek Productions presents
a Rollins/Morra/Brezner production
a film by Joe Roth
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
WRITER
PHOTOGRAPHY
Dir of photog
1st asst cam
2d asst cam
2d 2d asst cam
Cam op--2d unit
1st asst cam--2d unit
2d asst cam--2d unit
Aerial cam op
Steadi-cam op
Steadi-cam op
Best boy grip
Chris Reynolds
Grip
Still photog
Cranes & dollys by
ART DIRECTORS
Art dept asst
Art dept asst
Art dept asst
Storyboard artist
FILM EDITORS
1st asst film ed
2d asst film ed
2d asst film ed
2d asst film ed--Florida
Apprentice film ed--Florida
Negative cutter
SET DECORATORS
Set dec
Set dresser
Set dresser
Swing gang
Swing gang
Swing gang
Swing gang
Swing gang
Scenic painter
Standby painter
Painter
Prop master
Asst prop master
Const coord
Const foreman
Carpenter foreman
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter
Carpenter asst
MUSIC
Exec mus prod
Asst to James Newton Howard
Orch rec
Orch cond by
Rhythm section rec
Musicians contractor
Mus clearance
SOUND
Supv sd ed
Apprentice sd ed
Apprentice sd ed
Foley artist
Foley artist
Prod sd mixer
Cable op
Re-rec mixer
Re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Spec eff coord
Spec eff
Titles & opticals
MAKEUP
Make-up stylist
Hair stylist
PRODUCTION MISC
Post prod supv
Voice casting
Temperature controller
Scr supv
Scriptist
Loc mgr--Florida
Asst loc--Florida
Loc scout--Florida
Loc mgr--South Carolina
Loc scout--North Carolina
Helicopter pilot
Prod coord--Florida
Prod coord--South Carolina
Asst coord
Prod controller
Prod accountant
Asst prod accountant
Post prod accountant
Unit pub
Spec events coord
Screening projectionist
Extras casting
Addl casting--South Carolina
Casting asst
Jami Abell
Asst to Mr. Roth
Asst to Mr. Brezner
Asst to Mr. Robinson
Key prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Prod asst
Morgan Creek administrator
Chauffeur
Transportation coord
Police coord
Security--Florida
Craft service
Completion guaranty provided by
Payroll services provided by
STAND INS
Stunt coord
Insert car driver
COLOR PERSONNEL
Col timer
Col by
Processing by
SOURCES
SONGS
"(How Much Is That) Doggie In The Window," performed by Patti Page, courtesy of CBS Records, Music Licensing Department, written by Bob Merrill; "Crying In The Rain," performed by The Everly Brothers, courtesy of Warner Bros. Records Inc., by arrangement with Warner Special Products, written by Howard Greenfield & Carole King; "The Wanderer," performed by Dion, courtesy of Continental Communications Corp., written by Ernie Maresca; "Sleepwalk," performed by Santo & Johnny, licensed from Dischi Ricordi S.p.A., written by Santo Farina, Johnny Farina & Ann Farina; "Rubber Biscuit," performed by The Chips, courtesy of Rhino Records Inc., written by Samuel Strain, Jr., Shedrick Lincoln, Paul Fulton, Nathaniel Epps & Charles Johnson; "Shout," performed by Joey Dee & The Starliters, courtesy of Rhino Records Inc., written by Ronald Isley, Rudolph Isley & O'Kelly Isley; "Da Doo Ron Ron," performed by The Crystals, courtesy of Gusto Records, Inc., written by Phil Spector, Ellie Greenwich & Jeff Barry; "Transfusion," performed by Nervous Norvous, courtesy of MCA Records, written by Jimmy Drake; "Since I Lost My Baby," performed by The Temptations, courtesy of Motown Record Company, L.P., written by William Robinson & Warren Moore; "Ooo Baby, Baby," performed by Smokey Robinson & The Miracles, courtesy of Motown Record Company, L.P., written by William Robinson, Jr. & Warren Moore; "Louie Louie," performed by The Kingsmen, courtesy of Gusto Records, Inc., written by Richard Berry; "Yumbambe," performed by Poncho Sanchez, courtesy of Concord Picante Records, written by Joe Loco & Alejandro Campillo Conzalo; "Speedo," performed by The Cadillacs, courtesy of Rhino Records Inc., written by Esther Navarro; "Whole Lot Of Shakin' Going On," performed by Jerry Lee Lewis, licensed from Sun Entertainment Corp., courtesy of Rhino Records Inc., written by David Curlee Williams; "Descarga No. 2," performed by Ricardo Ray & His Orchestra, courtesy of Sonida Inc., written by Ricardo Ray & Robert Cruz; "Happy Birthday To You," performed by Rita Taggart, written by Mildred J. Hill & Patty S. Hill; "I Only Have Eyes For You," performed by The Flamingos, courtesy of Rhino Records Inc., written by Al Dubin & Harry Warren; "Whispering Bells," performed by The Del-Vikings, courtesy of MCA Records, written by F. Lowry & C. Quick; "Could This Be Magic," performed by The Dubs, courtesy of Rhino Records Inc., written by Richard Blandon & Hiram Johnson; "Louie Louie," house mix by Young M. C., performed by The Kingsmen, Richard Berry, The Rice University Marching Owl Band, courtesy of Gusto Records, Inc. and Rhino Records Inc., written by Richard Berry, performed by The Sandpipers, courtesy of A&M Records, Inc., performed by Les Dantz & His Orchestra, courtesy of Rhino Records Inc.
DETAILS
Release Date:
9 March 1990
Premiere Information:
New York City premiere: 7 Mar 1990; Los Angeles opening: 9 Mar 1990; New York opening: week of 9 Mar 1990
Production Date:
10 May--28 Jun 1989
Copyright Info
Claimant
Date
Copyright Number
Universal City Studios, Inc.
14 August 1990
PA479406
Physical Properties:
Sound
Dolby Stereo ® in Selected Theatres
Color
Lenses
Panaflex® camera and lenses by Panavision®
Duration(in mins):
98
Length(in feet):
8,742
MPAA Rating:
PG-13
Country:
United States
Language:
English
PCA No:
30122
SYNOPSIS

In 1952 Detroit, Michigan, brothers Marvin, Buddy, and Bobby Libner share a bedroom and squabble constantly. Buddy’s science project is destroyed during an altercation, and Marvin exclaims that he cannot wait to get away from the other two. Eleven years later, in 1963, Marvin, now a U.S. Air Force sergeant, arrives at a house to pick up a blue 1954 Cadillac Coupe de Ville convertible. At his father’s request, he is supposed to drive it from Detroit to Miami, Florida, in time for his mother’s fiftieth birthday. Buddy arrives and announces that their father asked him to accompany Marvin and pick up their younger brother, Bobby, at his high school academy, which Buddy calls a “reform school.” Marvin and Buddy discuss whether it has been three or five years since they last saw each other. After Bobby jumps into the back seat, he shouts obscenities at one of his teachers, but instead of driving away, Marvin forces Bobby to confront the teacher face to face. Later, Marvin telephones their father, Fred Libner, from a gas station. Fred insists they deliver the car in perfect condition by Sunday afternoon, and informs Buddy and Bobby that Marvin is in charge during the journey. Driving south, Marvin and Bobby argue over what to play on the radio. Marvin, the most conservative of the three, likes soft rock and roll, while the rebellious Bobby wants rhythm and blues. Bobby smokes a cigarette despite Marvin’s objection and accidentally burns a hole in the back seat. At a restaurant, Buddy and Bobby cannot believe Marvin is going to work with their inventor father. The brothers fight over the bill, and once they get back on ...

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In 1952 Detroit, Michigan, brothers Marvin, Buddy, and Bobby Libner share a bedroom and squabble constantly. Buddy’s science project is destroyed during an altercation, and Marvin exclaims that he cannot wait to get away from the other two. Eleven years later, in 1963, Marvin, now a U.S. Air Force sergeant, arrives at a house to pick up a blue 1954 Cadillac Coupe de Ville convertible. At his father’s request, he is supposed to drive it from Detroit to Miami, Florida, in time for his mother’s fiftieth birthday. Buddy arrives and announces that their father asked him to accompany Marvin and pick up their younger brother, Bobby, at his high school academy, which Buddy calls a “reform school.” Marvin and Buddy discuss whether it has been three or five years since they last saw each other. After Bobby jumps into the back seat, he shouts obscenities at one of his teachers, but instead of driving away, Marvin forces Bobby to confront the teacher face to face. Later, Marvin telephones their father, Fred Libner, from a gas station. Fred insists they deliver the car in perfect condition by Sunday afternoon, and informs Buddy and Bobby that Marvin is in charge during the journey. Driving south, Marvin and Bobby argue over what to play on the radio. Marvin, the most conservative of the three, likes soft rock and roll, while the rebellious Bobby wants rhythm and blues. Bobby smokes a cigarette despite Marvin’s objection and accidentally burns a hole in the back seat. At a restaurant, Buddy and Bobby cannot believe Marvin is going to work with their inventor father. The brothers fight over the bill, and once they get back on the road, Buddy vomits in the back seat, egged on by Bobby. Meanwhile, in Florida, Fred Libner shows his brother, Phil Libner, his latest invention, a plastic, rust-proof, lightweight stop sign that will last forever. He calls it an “annuity” for his sons. The two middle-aged brothers bicker until Phil leaves. Meanwhile, Fred’s sons argue whether the car is the same blue 1954 Cadillac their father once owned, because why else would he want a nine-year-old car driven over a thousand miles to Florida? At a motel, Marvin, Buddy, and Bobby fight over whether to watch The Fugitive or Los Angeles Dodgers baseball on television. The next day, policemen follow them, and when Bobby yells at him to speed up, Marvin hits a sign and smashes a headlight. Police fine them $250. Marvin telephones their father, but does not reveal that they damaged the car and have run out of money. They sleep along the road. Buddy confides to Bobby that in Florida he will see Tammy, his college girl friend, who had sex with him on their first date. Buddy plans to ask her to marry him. The next morning, Bobby reveals that he hid most of his money, but surrenders it to Marvin for gasoline. During an argument, Bobby accuses Marvin of being just like their father, grabs his bag, and walks away. Buddy convinces his kid brother to stay by assuring him they will never see each other again after delivering the car. In Florida, as Fred Libner sits on his boat near his house, his wife, Betty, tells him she never regretted marrying him, despite the difficulties between them. As the three younger Libners listen to The Kingsmen’s recording of “Louie Louie” on the car radio, each one interprets the lyrics his own way. Bobby calls it a “hump song,” Buddy a “dance song,” and Marvin a “sea shanty.” Later, while Marvin sleeps in the back seat, Buddy lets Bobby drive. Pushing what he thinks is the cigarette lighter, Bobby hits the button for the convertible top, and the wind rips it off the car. Later, as Buddy drives, he falls asleep, hits a wire fence, and plunges into a shallow pond. Marvin screams at both brothers, declaring their journey is over because he cannot stand them. He confesses that their father is dying, but wanted to hide the news from Buddy and Bobby. When Marvin cools down, they return to the road with a battered fender. Near Miami, they stop at Tammy’s house, but Buddy discovers she is living with a man named Rick. Tammy tells Buddy she thought she would never see him again. The brothers stop at Uncle Phil’s house to borrow money to fix the Cadillac, but despite his expensive home, Phil is penniless because he gambles at the dog track. All he can give is a “hot tip” on a race. Marvin convinces Bobby to pawn his coin collection for $90. That night, Buddy returns to Tammy’s house with a bouquet of roses, while Marvin and Bobby go to the dog track. Studying a tout sheet, Marvin decides not to bet on Uncle Phil’s tip but rather his own choice, and his dog wins. Meanwhile, Buddy makes love with Tammy and wants to rekindle their college romance. However, Rick comes home early and beats him. The next morning, when Marvin hears what happened, he goes to Tammy’s house and punches Rick in the face. Meanwhile, Fred Libner tests his plastic stop sign by replacing a city sign at a nearby intersection, but as soon as he leaves, wind blows it away. The brothers take the Cadillac to Doc Sturgeon, a mechanic who works on vintage automobiles, but because of the their limited funds and twenty-four hour deadline, Sturgeon enlists them to do the work under his supervision. Tammy arrives at the garage and tells Buddy that Marvin broke Rick’s nose. Bobby apologizes to Marvin for accusing him of not looking after his kid brothers. As Buddy and Tammy embrace, Marvin and Bobby hug. After they restore the Cadillac to pristine condition, the brothers drive toward their parents’ home, but Rick and his friend, Raymond, intercept them. Fighting on the same side, Marvin, Buddy, and Bobby send the tough guys running. As the brothers get back in the Cadillac, an old man turns the corner too fast, because the stop sign is no longer there. The man hits the Cadillac’s driver’s side door. When the brothers arrive home, their mother is happy to see them and loves the Cadillac. Their father notices the smashed door, but tells them he does not care. Setting up the journey was a ruse to force the brothers to deal with each other. Marvin admits to his father that he told Buddy and Bobby about his illness. As the family goes into the house, Fred says, “You did good, Marvin.”

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for theAFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.

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