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AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title
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HISTORY

       The 20 May 1989HR announced that principal photography began 16 Mar 1989. According to production notes in AMPAS library files, the location for “Turgeon Luxury Auto Sales” was a recently abandoned Cadillac dealership in Long Island City, Queens, NY near the 59th Street Bridge. Technicians redesigned and soundproofed the showroom to turn it into a film set. In order to capture actorRobin Williams’ unpredictable improvisations, the director often used two cameras, sometimes backed by a Steadicam-mounted camera. After filming at the car lot for eight weeks, the production moved to a Manhattan nightclub, a park in Queensborough, and various homes and motels. The 1 Mar 1990DV and 16 Mar 1990Back Stage noted that directorRoger Donaldson filmed a week of last-minute re-shoots in New York City.
       According to the 19 Feb 1989LAT, actor Al Pacino was originally considered to star. The Jul 1990Box remarked thatRobin Williams said much of the film’s “darker material” was excised after test audiences reacted negatively, and that the final product was not what he expected. The 18 May 1990LAT commented that the film “has the feel of a darker movie made artificially bright, if not garish.”
      Cadillac Man opened 18 May 1990, according to that day’s editions of theLAT andNYT. The 22 May 1990DV reported that the film, showing on 1,826 screens, grossed $6.7 million its first week. Various sources, including the 30 May 1990DV, reported that second-week attendance dropped sharply.
      End credits include "Special thanks" to: "Futura Metal ...

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       The 20 May 1989HR announced that principal photography began 16 Mar 1989. According to production notes in AMPAS library files, the location for “Turgeon Luxury Auto Sales” was a recently abandoned Cadillac dealership in Long Island City, Queens, NY near the 59th Street Bridge. Technicians redesigned and soundproofed the showroom to turn it into a film set. In order to capture actorRobin Williams’ unpredictable improvisations, the director often used two cameras, sometimes backed by a Steadicam-mounted camera. After filming at the car lot for eight weeks, the production moved to a Manhattan nightclub, a park in Queensborough, and various homes and motels. The 1 Mar 1990DV and 16 Mar 1990Back Stage noted that directorRoger Donaldson filmed a week of last-minute re-shoots in New York City.
       According to the 19 Feb 1989LAT, actor Al Pacino was originally considered to star. The Jul 1990Box remarked thatRobin Williams said much of the film’s “darker material” was excised after test audiences reacted negatively, and that the final product was not what he expected. The 18 May 1990LAT commented that the film “has the feel of a darker movie made artificially bright, if not garish.”
      Cadillac Man opened 18 May 1990, according to that day’s editions of theLAT andNYT. The 22 May 1990DV reported that the film, showing on 1,826 screens, grossed $6.7 million its first week. Various sources, including the 30 May 1990DV, reported that second-week attendance dropped sharply.
      End credits include "Special thanks" to: "Futura Metal Wear (NY); the New York Association for the Blind; the New York Film Commission."

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Back Stage
16 Mar 1990
---
Box Office
Jul 1990
---
Daily Variety
1 Mar 1990
---
Daily Variety
22 May 1990
p. 4
Daily Variety
30 May 1990
p. 4
Daily Variety
31 May 1990
p. 3
Hollywood Drama-Logue
29 Jun 1989
---
Hollywood Reporter
20 May 1989
---
Hollywood Reporter
11 May 1990
p. 4, 65
Los Angeles Times
19 Feb 1989
---
Los Angeles Times
18 May 1990
Calendar, p. 1
New York Times
18 May 1990
p. 8
Variety
16 May 1990
p. 26
CAST
NAME
CREDITED AS
CREDIT
Co-Starring:
Harlan Cary Poe
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PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXTS
A Donaldson/Roven-Cavallo Production
A Roger Donaldson Film
An Orion Pictures Release
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Unit prod mgr
1st asst dir
2d asst dir
2d 2d asst dir
DGA trainee
PRODUCERS
Assoc prod
WRITER
PHOTOGRAPHY
Dir of photog
1st asst A cam
2d asst A cam
Cam B/Panaglide op
1st asst B cam/Panaglide
2d asst B cam
Dolly grip
Special rigging grip
Elec best boy
Lighting tech
Lighting tech
Lighting tech
Lighting tech
Cam helicopter pilot
Gyrosphere cam op
Gyrosphere cam asst
Video asst
Still photog
ART DIRECTORS
Prod des
Art dept asst
FILM EDITORS
1st asst ed
Asst ed--New York
Apprentice ed--New York
Asst ed--Los Angeles
Asst ed--Los Angeles
Asst ed--Los Angeles
Negative cutter
SET DECORATORS
Draftsman
Draftsman
Prop master
Asst props
Asst props
Const coord
Const grip
Shop craftsman
Master scenic artist
Cam scenic
Prod illustrator
COSTUMES
Asst cost des
Women's costumer
Men's costumer
Robin Williams ward furnished by
MUSIC
Mus score
Mus score eng by
Mus score performed by
On N.E.D.'s Synclavier Digital Music System
SOUND
Playback op
Sd des/Supv sd ed
Supv dial ed
Dial ed
Sd eff ed
Sd eff ed
Addl sd ed
Addl sd ed
Addl sd ed
Addl sd ed
Asst sd ed
Asst sd ed
Asst sd ed
Jennifer Lee Ware
Asst sd ed
Apprentice sd ed
Apprentice sd ed
Foley walker
Asst Foley walker
Asst Foley rec
Asst Foley rec
Supv re-rec mixer
Re-rec mixer
Re-rec mixer
Re-rec mixer
VISUAL EFFECTS
Spec eff
Main titles des by
PRODUCTION MISC
Scr supv
Unit pub
Video segment prod
Video segment prod
Playback op
Asst auditor
Steven Shareshian
Asst auditor
Post prod auditors
Asst to Ronald Donaldson
Prod coord
Prod coord
Asst prod coord
Transportation coord
Loc asst
Loc asst
Casting asst
Extra casting
Extra casting assoc
Voice casting
Animal trainer
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Set prod asst
Office prod asst
Office prod asst
Office prod asst
Office prod asst
Craft services
Financial representative
COLOR PERSONNEL
Col by
SOURCES
SONGS
"(Opportunity Knocks But Once) Snatch And Grab It," written by Sharon Pease, published by Criterion Music Corp., performed by Julia Lee, courtesy of Capitol Records, by arrangement with CEMA Special Markets; "Peking Opera Melody: Flowing Water," written by Gu Guanren, used by permission of EMI April Music Inc., performed by the Traditional Instruments Orchestra of the Central Conservatory, courtesy of CBS Records, Music Licensing Department; "Mr. Big Stuff," written by Joe Brussard/Carrol Washington/Ralph Williams, published by Maleco Music/Caraljo Music--BMI, performed by Precious Metal, courtesy of Chameleon Records; "Stayin' Alive," written by Barry Gibb/Robin Gibb/Maurice Gibb, published by Gibb Brothers Music; "Hit The Road, Jack," written by Percy Mayfield, published by Gibb Brothers Music; "Purple Bamboo Melody," written by Ma Shenglong, used by permission of EMI April Music Inc., performed by the combined Orchestras of the Shanghai Philharmonic Society and the Peking Opera Theater of Shanghai, courtesy of CBS Records, Music Licensing Department; "Tattler," written by Ry Cooder/Russ Titelman, published by Tonopah & Tidewater Music Corp., performed by Ry Cooder, courtesy of Reprise Records, by arrangement with Warner Special Products; Additional music by Associated Production Music, "Etude #4"--Bruton Music; "Madame Butterfly"--Puccini.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
18 May 1990
Premiere Information:
Los Angeles opening: 18 May 1990; New York opening: week of 18 May 1990
Production Date:
16 May--late Jul 1989; re-shoots Mar 1990
Copyright Info
Claimant
Date
Copyright Number
Orion Pictures Corporation
26 June 1990
PA472741
Physical Properties:
Sound
Spectral Recording™ Dolby Stereo in selected theatres
Color
Lenses
Lenses and Panaflex® camera by Panavision®
Duration(in mins):
95
Length(in feet):
8,764
MPAA Rating:
R
Country:
United States
Language:
English
PCA No:
29856
SYNOPSIS

Car salesman Joey O’Brien happens upon a funeral procession stopped outside a cemetery behind a broken-down hearse. Joey convinces the funeral director he can sell him a new hearse at Turgeon Luxury Auto Sales for only $500 over cost, then he gives the widow his business card and suggests her husband would have wanted her to have a new car. Joey loves to sell, because it is like “making a friend” and provides an emotional connection to people. Later, he and his mistress, Joy Munchack, stop making love when he appears on a Turgeon Auto television commercial. At the car lot, Little Jack “Jackie” Turgeon, the owner’s son, admits to Joey that he is crazy about secretary Donna Kosciuski, despite her jealous husband. He informs Joey that since the dealership is moving to a new location on Monday, each salesman will have to sell at least twelve cars over the weekend. When owner Big Jack Turgeon eats with his salesmen at a nearby Chinese restaurant, he reminds them, “Remember, twelve cars.” At an antique store, Joey tells Joy Munchack that he could never buy the things her wealthy husband, Harry, lavishes on her, but she insists she wants emotional support more than financial comfort. Joey convinces the antique dealer to reduce the price of a vase by $1,000. Later, he visits boyhood friend, gangster Tony Dipino, to see if he or his “associates” need new cars. Tony reminds Joey of his current debt of $20,000, and warns him not to “wait too long.” He also thanks Joey for getting his son, Frankie Dipino, a job washing cars at Turgeon Auto. When Joey asks his ex-wife, Tina O’Brien, to telephone ...

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Car salesman Joey O’Brien happens upon a funeral procession stopped outside a cemetery behind a broken-down hearse. Joey convinces the funeral director he can sell him a new hearse at Turgeon Luxury Auto Sales for only $500 over cost, then he gives the widow his business card and suggests her husband would have wanted her to have a new car. Joey loves to sell, because it is like “making a friend” and provides an emotional connection to people. Later, he and his mistress, Joy Munchack, stop making love when he appears on a Turgeon Auto television commercial. At the car lot, Little Jack “Jackie” Turgeon, the owner’s son, admits to Joey that he is crazy about secretary Donna Kosciuski, despite her jealous husband. He informs Joey that since the dealership is moving to a new location on Monday, each salesman will have to sell at least twelve cars over the weekend. When owner Big Jack Turgeon eats with his salesmen at a nearby Chinese restaurant, he reminds them, “Remember, twelve cars.” At an antique store, Joey tells Joy Munchack that he could never buy the things her wealthy husband, Harry, lavishes on her, but she insists she wants emotional support more than financial comfort. Joey convinces the antique dealer to reduce the price of a vase by $1,000. Later, he visits boyhood friend, gangster Tony Dipino, to see if he or his “associates” need new cars. Tony reminds Joey of his current debt of $20,000, and warns him not to “wait too long.” He also thanks Joey for getting his son, Frankie Dipino, a job washing cars at Turgeon Auto. When Joey asks his ex-wife, Tina O’Brien, to telephone her brother and tell him about the car sale, she reminds him that he owes child support for their daughter, Lisa. Joey goes home for lunch, and his mother nags him about getting back together with Tina and having a “regular family.” That evening, Lila, a fashion costumer who loves Joey, takes him to a nightclub. After a celebrity photographer calls Lila a nobody, they return to her studio apartment and Joey rebuilds Lila’s confidence. On Sunday, saleswoman Molly outpaces Joey and her other coworkers. Tina telephones, crying that their daughter, Lisa, has been out all night and has not yet come home, but Joey reminds her that he has to stay at Turgeon and sell his quota. When Larry Kosciuski arrives on his motorcycle and gets in an argument with his wife, Donna, about her infidelity, Little Jack Turgeon hides. Dozens of customers look at cars. Tina telephones again to say that Lisa is still not home. The hearse driver arrives for his promised deal, an elderly Russian couple is eager to buy a car, and Harry Munchack brings Joy into the showroom to buy her a new car, but Tina O’Brien insists that Joey pay attention to her, not his customers. Suddenly, Larry Kosciuski crashes into the showroom on his motorcycle, carrying an automatic rifle and a television remote, which he claims will blow up explosives taped to his gas tank. Taking everyone hostage, Larry demands to know who his wife has slept with. When Donna Kosciuski shouts that she slept with everybody, Larry wildly fires several bullets, grazing her head and knocking her unconscious. As customers and salesmen cower, Joey steps forward, admits he is Donna’s only lover, and asks Larry to let everyone else go. Donna regains consciousness and denies having sex with Joey, but changes her mind when she realizes he wants to save the others. Police arrive, and Joey convinces Larry to release the women, except Donna, as a gesture of good faith. Joy Munchack declares her love for Joey and refuses to leave, angering her husband, Harry. When New York Police Department (NYPD) Captain Mason sets up his post at the Chinese restaurant and telephones the showroom, Joey negotiates on Larry’s behalf. To protect Larry’s identity, Joey refers to him as “Chuck.” Helicopters hover overhead, and snipers take positions on nearby roofs. As several police move forward, Larry Kosciuski fires and hits an officer in the foot. He becomes agitated when he sees Little Jack Turgeon exchange looks with Donna, but again Joey deflects his suspicion. Larry explains that he has been out of work for a year, which is why Donna took the job at Turgeon Auto. Joey convinces him to let the male customers go, but Larry insists on keeping Harry because they share the humiliation of having unfaithful wives. Outside, Lila sneaks past police, runs into the showroom, and declares herself “Joey’s girl.” However, when he explains, for Larry’s sake, that he has been having sex with his wife, Lila knees Joey in the groin and runs out. Reporters surround her, and Lila touts herself as a fashion designer. Tina O’Brien arrives, as well as Tony Dipino and his henchmen. When Captain Mason lets Tina telephone the showroom, she tells Larry Kosciuski to let her husband go because he needs to find their missing daughter, and also because his mother is worried. Larry tells Joey to let his mother know he is okay, but when he telephones, she berates Larry for worrying her son. After Captain Mason refuses to further negotiate, Joey proposes a plan to Larry to gain sympathy. First, Larry releases everyone except Donna and Harry. Then, he tries to release his wife, Donna, but she clings to him, declaring her undying love, until he throws her out. Then, Joey makes a deal with Harry Munchack to pay for Larry’s lawyer, and when Harry agrees, Larry lets him go. Now, with no hostages but Joey, the plan requires Larry to surrender. When he objects, exclaiming, “That’s crazy,” Joey answers, “No, you’re crazy.” He explains that love has made Larry crazy, and any jury will understand. Furthermore, Joey promises to stay with him “every step of the way.” Larry finally agrees to walk out, but he will keep his rifle aimed at Joey, so that nobody will think him a wimp. As a compromise, he removes the bullets. Larry also says the explosives on the motorcycle are fake. As they walk out together, a policeman fires, hitting Larry, and Joey covers him with his body. As medics put Larry into an ambulance, Joey reminds him to stay “crazy,” and Harry reconfirms his financial assistance. Everyone treats Joey as a hero. Big Jack announces that all salesmen will remain with Turgeon Auto, and a grateful Tony Dipino wipes away Joey’s $20,000 debt. As Joey and Tina embrace, their daughter, Lisa, approaches in tears, and her overjoyed parents hug her. Tina agrees to have a dinner date with Joey to discuss getting back together. The happy salesman gets in his Cadillac and drives away.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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