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AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title
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HISTORY

The working titles for this film wereAdventures of Black Bart,Black Bart, Highwayman andThe Legend of Black Bart. The historical figure of Black Bart, whose given name was Charles E. Boles, reportedly held up twenty-eight Wells Fargo stagecoaches in Northern California before he was apprehended in 1882. The real-life Boles operated alone, used an unloaded weapon, and frequently left poems inside the strongboxes he had looted. He disappeared after his release from prison, and the date of his death is not known.
       This film was the first of producerLeonard Goldstein's many productions for Universal-International. TheLAT reported in Jun 1946 that Charles Korvin was being considered for the lead role. According toHR, Howard Welsch was the picture's original producer.HR production charts listGabriel Scognamillo as the art director and includes Edmond O'Brien and Tom Ladd in the cast. O'Brien did not appear in the film, but Ladd's appearance in the final film cannot be confirmed. Modern sources list Joseph West as the story writer, but his contribution to the final film has not been determined. For more information on the character of Black Bart, seeWrangler's Roost (below). In 1967, Al Rafkin directed a Universal-International remake ofBlack Bart entitledThe Ride to Hangman's Tree starring Jack Lord. ...

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The working titles for this film wereAdventures of Black Bart,Black Bart, Highwayman andThe Legend of Black Bart. The historical figure of Black Bart, whose given name was Charles E. Boles, reportedly held up twenty-eight Wells Fargo stagecoaches in Northern California before he was apprehended in 1882. The real-life Boles operated alone, used an unloaded weapon, and frequently left poems inside the strongboxes he had looted. He disappeared after his release from prison, and the date of his death is not known.
       This film was the first of producerLeonard Goldstein's many productions for Universal-International. TheLAT reported in Jun 1946 that Charles Korvin was being considered for the lead role. According toHR, Howard Welsch was the picture's original producer.HR production charts listGabriel Scognamillo as the art director and includes Edmond O'Brien and Tom Ladd in the cast. O'Brien did not appear in the film, but Ladd's appearance in the final film cannot be confirmed. Modern sources list Joseph West as the story writer, but his contribution to the final film has not been determined. For more information on the character of Black Bart, seeWrangler's Roost (below). In 1967, Al Rafkin directed a Universal-International remake ofBlack Bart entitledThe Ride to Hangman's Tree starring Jack Lord.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Box Office
7 Jun 1946
---
Daily Variety
26 Jun 1947
---
Daily Variety
28 Jan 1948
p. 3
Film Daily
30 Jan 1948
p. 5
Hollywood Reporter
19 Jul 1946
---
Hollywood Reporter
29 May 1947
p. 19
Hollywood Reporter
13 Jun 1947
p. 15
Hollywood Reporter
3 Jul 1947
p. 19
Hollywood Reporter
11 Jul 1947
p. 21
Hollywood Reporter
28 Jan 1948
p. 3
Hollywood Reporter
19 Feb 1948
p. 1
Hollywood Reporter
9 Mar 1948
p. 6
Los Angeles Times
27 Jun 1946
---
Motion Picture Herald Product Digest
31 Jan 1948
---
New York Times
4 Mar 1948
p. 30
Variety
4 Feb 1948
p. 13
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
PRODUCER
PHOTOGRAPHY
Dir of photog
ART DIRECTORS
FILM EDITOR
SET DECORATORS
COSTUMES
MUSIC
Mus for Miss DeCarlo's dance numbers comp by
DANCE
Choreog
MAKEUP
Hairstylist
COLOR PERSONNEL
Technicolor col consultant
DETAILS
Alternate Titles:
Adventures of Black Bart
Black Bart Highwayman
Release Date:
April 1948
Premiere Information:
San Francisco premiere: 17 Feb 1948; New York opening: 3 Mar 1948
Production Date:
early Jun--mid Jul 1947
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures Co., inc.
24 March 1948
LP1572
Physical Properties:
Sound
Western Electric Recording
Color
Technicolor
Duration(in mins):
80
Country:
United States
PCA No:
12678
SYNOPSIS

From his jail cell, old-time outlaw Jersey Brady tells the story of his ex-partner, notorious highwayman Charles E. Boles, also known as Black Bart: Years earlier, Charles, Lance Hardeen and Jersey are working as outlaws when Charles decides to leave the gang, move to California and pull off one last, big heist, which will allow him to go straight. Although Lance tries to trick Charles out of his share of their hidden loot, Charles secretly double-crosses Lance first and steals all the money. In Sacramento months later, Charles meets Clark, an ex-partner, who now uses his position as a lawyer to commit big crimes. Together, the two plan to destroy the local Wells Fargo bank, create their own bank in its place, and profit from the growing gold rush business. Over the next two months, Clark tips off Charles about all the Wells Fargo money shipments, and a disguised Charles robs each stage until the townspeople lose confidence in the bank. One day, when a masked Charles, who is now known as Black Bart, stops a coach transporting Lance, Jersey and the celebrated dancer, Lola Montez, Lance recognizes Charles' voice and helps to save the coach from his thievery. Lance brings the coach to the bank's relay station, where he further impresses Lola by saving the broken leg of the driver. Soon after, however, Charles, as Black Bart, also intrigues Lola when he sneaks into the station, returns her diamond bracelet and embraces her before fleeing. The next day when they reach Sacramento, Wells Fargo manager Mark Lorimer and Sheriff Gordon hire Lance and Jersey, whom they consider their new heroes, as coach guards. Charles, a respected rancher ...

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From his jail cell, old-time outlaw Jersey Brady tells the story of his ex-partner, notorious highwayman Charles E. Boles, also known as Black Bart: Years earlier, Charles, Lance Hardeen and Jersey are working as outlaws when Charles decides to leave the gang, move to California and pull off one last, big heist, which will allow him to go straight. Although Lance tries to trick Charles out of his share of their hidden loot, Charles secretly double-crosses Lance first and steals all the money. In Sacramento months later, Charles meets Clark, an ex-partner, who now uses his position as a lawyer to commit big crimes. Together, the two plan to destroy the local Wells Fargo bank, create their own bank in its place, and profit from the growing gold rush business. Over the next two months, Clark tips off Charles about all the Wells Fargo money shipments, and a disguised Charles robs each stage until the townspeople lose confidence in the bank. One day, when a masked Charles, who is now known as Black Bart, stops a coach transporting Lance, Jersey and the celebrated dancer, Lola Montez, Lance recognizes Charles' voice and helps to save the coach from his thievery. Lance brings the coach to the bank's relay station, where he further impresses Lola by saving the broken leg of the driver. Soon after, however, Charles, as Black Bart, also intrigues Lola when he sneaks into the station, returns her diamond bracelet and embraces her before fleeing. The next day when they reach Sacramento, Wells Fargo manager Mark Lorimer and Sheriff Gordon hire Lance and Jersey, whom they consider their new heroes, as coach guards. Charles, a respected rancher by day, greets them in the local bar, and although Lance reveals that he knows Charles is Black Bart and tells him that he wants Lola, Charles insists they take out Lola together. One day Charles gets Lola alone and the two fall in love, but after he admits he is Black Bart, she implores him to give up his criminal life to be with her, and he agrees to do so after just one last job. Meanwhile, Sheriff Gordon devises a plan for Lance to act as lookout for a posse of deputies who are to guard a coach carrying the payload that will save Wells Fargo. As Lance and Jersey scheme to rob the stage themselves and blame it on Black Bart, Clark tells Charles that if the stage gets through, their plan will be ruined. Black Bart meets the stage, orders Jersey to throw the money box down as the stage rides past, and escapes from Lance. When he opens the box, however, he finds it empty and realizes the money must still be at the relay station. That night, after Charles tells Lola he has to go back to retrieve the money, she convinces him not to take the risk. Charles then tells Lance that he can steal, and keep, the money. Lance, however, forces Charles to go with him to the relay station, and as soon as they get there, they are ambushed by a waiting posse. They escape into a barn, but when the posse sets it on fire, they are forced to run out and both are shot to death. Jersey wraps up his story from his current home, a jail cell.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for theAFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.

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