His arms are rods of gold set with beryl.This phrase uses the imagery of gold and beryl to convey strength and value. Gold, often associated with divinity and kingship in the Bible, suggests the beloved's noble and precious nature. Beryl, a precious stone mentioned in the priestly garments (
Exodus 28:20), symbolizes beauty and rarity. The arms, described as rods, indicate strength and stability, qualities admired in a leader or protector. This imagery can be seen as a type of Christ, whose strength and divine nature are central to His role as Savior and King. The use of precious materials reflects the high esteem and love the bride has for her beloved, paralleling the church's adoration for Christ.
His body is polished ivory bedecked with sapphires.
Ivory, known for its smoothness and rarity, signifies purity and value. In ancient times, ivory was a luxury item, often used in royal settings, indicating the beloved's esteemed status. The polished nature of the ivory suggests refinement and perfection. Sapphires, another precious stone, are associated with heavenly realms and divine favor (Ezekiel 1:26). The combination of ivory and sapphires in this description highlights the beloved's beauty and worth, both physically and spiritually. This can be seen as a reflection of Christ's purity and the heavenly nature of His kingdom. The imagery evokes a sense of awe and reverence, akin to the church's view of Christ as the perfect and divine bridegroom.
Persons / Places / Events
1.
The BelovedThe male figure in the Song of Solomon, often interpreted as King Solomon or a representation of Christ in allegorical readings. He is described in terms of physical beauty and strength.
2.
The ShulammiteThe female speaker in the Song of Solomon, expressing her admiration and love for the Beloved. She is often seen as a representation of the Church or the individual believer in allegorical interpretations.
3.
JerusalemThe setting for much of the Song of Solomon, representing a place of spiritual significance and the heart of Israelite worship.
4.
Beryl and SapphiresPrecious stones mentioned in the verse, symbolizing beauty, value, and divine craftsmanship. Beryl is often associated with clarity and purity, while sapphires are linked to heavenly realms and wisdom.
5.
IvoryA symbol of purity and rarity, often used in biblical times for decoration and signifying wealth and status.
Teaching Points
Divine Beauty and StrengthThe description of the Beloved's arms as "rods of gold" and his body as an "ivory panel" reflects the divine beauty and strength that believers can find in their relationship with Christ. Just as these materials are precious and enduring, so is the nature of Christ's love and power.
Symbolism of Precious StonesThe use of beryl and sapphires symbolizes the value and purity of the relationship between the Beloved and the Shulammite. In a spiritual sense, believers are called to recognize the preciousness of their relationship with God and strive for purity in their walk with Him.
Spiritual WealthThe imagery of gold, ivory, and precious stones can be seen as a metaphor for the spiritual wealth and richness found in a life devoted to God. Believers are encouraged to seek spiritual treasures that are eternal rather than temporal.
Christ as the Ultimate BelovedIn the allegorical interpretation, Christ is the ultimate Beloved, whose beauty and majesty surpass all earthly comparisons. This calls believers to deepen their love and devotion to Him, recognizing His unparalleled worth.
Bible Study Questions and Answers
1.What is the meaning of Song of Solomon 5:14?
2.How does Song of Solomon 5:14 describe the beloved's physical and spiritual attributes?
3.What does "his hands are rods of gold" symbolize in a Christian marriage?
4.How can Song of Solomon 5:14 deepen our understanding of Christ's love for us?
5.How does the imagery in Song of Solomon 5:14 connect to Proverbs 31:10?
6.How can we apply the admiration in Song of Solomon 5:14 to our relationships?
7.What is the significance of the imagery used in Song of Solomon 5:14?
8.How does Song of Solomon 5:14 reflect the nature of divine love?
9.Why is the description in Song of Solomon 5:14 important for understanding biblical poetry?
10.What are the top 10 Lessons from Song of Solomon 5?
11.Are there any archaeological or historical records indicating cultural practices similar to the depictions in Song of Solomon 5, or is it purely literary imagery?
12.How do we reconcile the romantic imagery of Song of Solomon 3 with the more sober views on marriage and lust in other biblical texts (e.g., Matthew 5:28)?
13.How does Song of Solomon 8:5, which suggests a strong marital bond, align with biblical texts that portray marriage in more patriarchal terms?
14.What evidence supports Solomon as the author of Song of Solomon 5, and if lacking, why attribute these verses to him at all?What Does Song of Solomon 5:14 Mean
His arms are rods of gold set with berylPicture arms that gleam like solid gold—strong, untarnished, and precious. Gold in Scripture often signals purity, enduring worth, and royalty (1 Kings 10:18–20;Revelation 1:13). Here the bride delights in a husband whose strength is both protective and priceless. Beryl, a brilliant gem, adds sparkle to the image. Think of:
•Exodus 28:20, where beryl is fixed into the high priest’s breastpiece, symbolizing dignity and intercession.
•Isaiah 40:10, “See, the Lord GOD comes with power, and His arm rules for Him”. The groom’s “golden” arms mirror the Lord’s mighty, saving arm—strength exercised for the beloved’s good.
For marriage, this calls husbands to wield strength that is valuable, not oppressive; for believers, it points to Christ whose power is pure, protective, and infinitely precious.
His body is polished ivoryIvory is prized for its smoothness, whiteness, and rarity. A body “polished” suggests flawless beauty, deliberately cared for and fully exposed to the bride without blemish. Compare:
•Ephesians 5:27, where Christ presents the church to Himself “without spot or wrinkle.”
•Psalm 45:8, a messianic wedding psalm describing the King whose robes are fragrant, emphasizing both attractiveness and holiness.
Ivory does not decay quickly; it keeps its luster. The groom’s physique hints at enduring vitality, foreshadowing Christ whose resurrected body can never see corruption (Acts 2:31). For a believing couple, it urges physical honor, valuing each other’s God-given bodies without shame.
Bedecked with sapphiresSapphires, with their deep blue hue, evoke the heavens and royal majesty.Exodus 24:10 notes that under God’s feet the pavement “was like a sapphire stone, clear as the sky itself”;Revelation 21:19 lists sapphire as a foundation stone of the New Jerusalem. Draping the polished ivory with sapphires highlights:
• Majestic beauty—an outward splendor that matches inward purity.
• Heavenly orientation—the bride sees something of eternity in her husband, just as the church sees heaven’s glory in Christ.
• Covenant depth—the groom’s beauty is not fleeting fashion but jewel-anchored stability, echoing God’s unbreakable promises (Isaiah 54:11–12).
SummarySong of Solomon 5:14 paints a husband whose strength is as valuable as gold, whose purity is as smooth and enduring as polished ivory, and whose beauty reflects heavenly sapphire splendor. Literally, it celebrates the delight, honor, and security a wife finds in her beloved. Spiritually, it points to Jesus Christ—powerful yet pure, flawless yet approachable, regal yet relational—inviting believers to adore Him and to let His character shape every marriage and every heart.
(14)
His hands. . .--Galil, translated
ring, is more probably a
cylinder(from
galal,to roll), referring to the rounded arm, ending in a well-shaped hand with beautiful nails.
Beryl.--Heb.tarshish; LXX.??????.Possibly "stones of Tarshish," and if so, either chrysolite or topaz, both said to have been first found in Tartessus, an ancient city of Spain, between the two mouths of the B?tis (Guadalquiver). Mentioned as one of the precious stones in the breastplate of the High Priest (Exodus 28:20;Exodus 39:13). The LXX. adopt the various renderings????????? =?,??????,????? ????????,or, as here, keep the original word.
Bright ivory.--Literally,a work of ivory, i.e.,achef-d'?uvrein ivory.
Sapphires.--It is doubtful whether the sapphire of Scripture is the stone so called now, or the lapis-lazuli. The former best suitsExodus 28:18 andJob 28:6, because lapis-lazuli is too soft for engraving. The comparison in the text either alludes to theblue veinsshowing through the white skin or to the colour of some portion of dress. . . .
Parallel Commentaries ...
Hebrew
His armsיָדָיו֙(yā·ḏāw)Noun - fdc | third person masculine singular
Strong's 3027:A handare rodsגְּלִילֵ֣י(gə·lî·lê)Noun - masculine plural construct
Strong's 1550:A valve of a, folding door, a ringof goldזָהָ֔ב(zā·hāḇ)Noun - masculine singular
Strong's 2091:Gold, something gold-colored, as oil, a clear skysetמְמֻלָּאִ֖ים(mə·mul·lā·’îm)Verb - Pual - Participle - masculine plural
Strong's 4390:To fill, be full ofwith chrysolite.בַּתַּרְשִׁ֑ישׁ(bat·tar·šîš)Preposition-b, Article | Noun - masculine singular
Strong's 8658:(a precious stone) perhaps yellow jasperHis bodyמֵעָיו֙(mê·‘āw)Noun - masculine plural construct | third person masculine singular
Strong's 4578:The intestines, the abdomen, sympathy, a vest, the stomach, the uterus, the heartis an ivoryשֵׁ֔ן(šên)Noun - common singular
Strong's 8127:A tooth, ivory, a cliffpanelעֶ֣שֶׁת(‘e·šeṯ)Noun - masculine singular construct
Strong's 6247:A fabricbedeckedמְעֻלֶּ֖פֶת(mə·‘ul·le·p̄eṯ)Verb - Pual - Participle - feminine singular
Strong's 5968:To veil, cover, to be languidwith sapphires.סַפִּירִֽים׃(sap·pî·rîm)Noun - masculine plural
Strong's 5601:A gem, the sapphire
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OT Poetry: Song of Solomon 5:14 His hands are like rings of gold (Song Songs SS So Can)