Take me away with you—let us hurry!This phrase reflects a deep longing and urgency in the relationship between the bride and the bridegroom. In the context of the Song of Solomon, this can be seen as an expression of the desire for intimacy and union. The urgency ("let us hurry") suggests a passionate and eager love. Biblically, this can be compared to the believer's longing for a closer relationship with Christ, as seen in
Philippians 3:10, where Paul expresses a desire to know Christ more deeply. The imagery of being taken away can also be reminiscent of the Exodus, where God led His people out of Egypt, symbolizing deliverance and a journey towards a promised relationship.
May the king bring me to his chambers.
The reference to "the king" elevates the bridegroom to a royal status, which can be seen as a type of Christ, the King of Kings. The "chambers" symbolize a place of intimacy and privacy, suggesting a deep, personal relationship. Historically, royal chambers were places of privilege and honor, indicating the special status of the bride. This can be paralleled withJohn 14:2-3, where Jesus speaks of preparing a place for believers, highlighting the intimate and eternal relationship between Christ and His church.
We will rejoice and delight in you;
This phrase emphasizes communal joy and celebration in the presence of the beloved. In the context of the church, this can be seen as the collective worship and adoration of Christ by believers. The joy and delight reflect the fruits of a relationship with God, as seen inGalatians 5:22, where joy is listed as a fruit of the Spirit. The communal aspect ("we") underscores the unity and fellowship among believers, as encouraged inHebrews 10:24-25.
we will praise your love more than wine.
Wine in biblical times was a symbol of joy, celebration, and abundance. To praise love more than wine suggests that the love of the bridegroom is more fulfilling and satisfying than the greatest earthly pleasures. This can be connected toEphesians 5:18, where believers are encouraged to be filled with the Spirit rather than wine, indicating the superior joy found in a relationship with Christ. The comparison elevates divine love above all earthly experiences.
It is only right that they adore you.
This final phrase acknowledges the worthiness of the beloved to be adored. In a broader biblical context, it reflects the rightful worship and adoration due to God.Revelation 4:11 echoes this sentiment, declaring the worthiness of God to receive glory and honor. The phrase suggests a natural and appropriate response to the beloved's character and actions, paralleling the believer's response to the love and sacrifice of Christ.
Persons / Places / Events
1.
The Shulammite WomanThe primary female character in the Song of Solomon, often interpreted as a representation of the bride or the church in a spiritual allegory.
2.
The KingTraditionally understood as Solomon, representing the bridegroom or Christ in allegorical interpretations.
3.
The ChambersSymbolic of intimacy and closeness, often interpreted as a place of deep personal relationship with God.
4.
The Daughters of JerusalemThey are the onlookers or chorus in the account, representing the community of believers or those observing the relationship.
5.
The LoveRepresents the deep, abiding love between the bride and bridegroom, often seen as a metaphor for the love between Christ and the Church.
Teaching Points
Intimacy with GodThe call to be "drawn away" signifies a desire for deeper intimacy with God. Believers are encouraged to seek a personal and profound relationship with Christ.
Joy in Relationship"We will rejoice and delight in you" highlights the joy found in a relationship with God. Christians are reminded to find their ultimate joy and satisfaction in Christ.
Praise and WorshipThe phrase "we will praise your love more than wine" suggests that God's love is superior to all earthly pleasures. Believers are called to prioritize worship and adoration of God above all else.
Community of BelieversThe role of the "daughters of Jerusalem" emphasizes the importance of community in the Christian faith. Fellowship with other believers strengthens and encourages our walk with God.
Bible Study Questions and Answers
1.What is the meaning of Song of Solomon 1:4?
2.How does Song of Solomon 1:4 illustrate the joy of divine love?
3.What does "draw me after you" suggest about pursuing a relationship with God?
4.How can we apply "the king has brought me into his chambers" today?
5.Connect Song of Solomon 1:4 with Psalm 63:1 on seeking God's presence.
6.How can we rejoice in God's love as described in Song of Solomon 1:4?
7.What does "Draw me after you; let us run" signify in Song of Solomon 1:4?
8.How does Song of Solomon 1:4 reflect the relationship between God and believers?
9.Why is the imagery of a king's chambers used in Song of Solomon 1:4?
10.What are the top 10 Lessons from Song of Solomon 1?
11.If the author truly was King Solomon, why is there no explicit historical record or external verification of these events beyond the text (Song of Solomon 3)?
12.What evidence supports Solomon as the author of Song of Solomon 5, and if lacking, why attribute these verses to him at all?
13.If historically attributed to King Solomon, how does Song of Solomon 4 mesh with the accounts of his many wives and concubines in other biblical texts (e.g., 1 Kings 11:3)?
14.How many stalls of horses did Solomon have? (1 Kings 4:26 vs. 2 Chronicles 9:25)What Does Song of Solomon 1:4 Mean
Take me away with you—let us hurry!The bride voices urgent longing.
• Literally, she wants Solomon to whisk her away without delay—true passion inside God-given marriage.
• Spiritually, the church longs for Christ’s return and personal fellowship (John 14:3;Revelation 22:20).
• Like the psalmist, eager love moves the feet: “I run in the path of Your commandments” (Psalm 119:32).
• Nothing sluggish exists in authentic love; it is energetic, decisive, and pure (Songs 2:10–13).
May the king bring me to his chambers.The private quarters picture both intimacy and security.
• Historically, Solomon’s royal chambers were a place set apart for the bride (Psalm 45:13-15).
• Prophetically, Christ prepares a place for His people: “In My Father’s house are many rooms” (John 14:2-3).
• The initiative is the king’s; true intimacy with God begins with His invitation (Ephesians 2:6-7).
• The chambers also hint at covenant faithfulness—no casual fling but a committed bond.
We will rejoice and delight in you;The scene widens from bride to bridal party, illustrating corporate joy.
• Love celebrated together magnifies blessing (Philippians 4:4;Psalm 32:11).
• In worship, the church delights in Christ’s person, not merely His gifts (1 Peter 1:8).
• Joy is relational—anchored in who He is rather than circumstances (Habakkuk 3:18).
we will praise your love more than wine.Love surpasses the finest earthly pleasure.
• Wine was a symbol of joy (Psalm 104:15), yet the bride ranks the king’s love higher.
• David echoed the comparison: “Your loving devotion is better than life” (Psalm 63:3).
• For believers, knowing Christ eclipses every sensory delight (Ephesians 3:19;Philippians 3:8).
• True love is not only exhilarating; it is sanctifying, meeting the deepest needs of heart and soul.
It is only right that they adore you.Praise is the fitting response.
• Others—“the daughters of Jerusalem”—recognize the worthiness of the groom (Psalm 45:17).
• Universal worship is God’s design: “My name will be great among the nations” (Malachi 1:11).
•Revelation 5:12 pictures multitudes declaring the Lamb worthy; such adoration is both duty and delight.
• Authentic love attracts admiration; the king’s character fuels cascading praise.
summarySong of Solomon 1:4 portrays a bride’s impassioned plea, her entrance into royal intimacy, and the joyful chorus that follows. Literally, it celebrates covenant love between a man and a woman; typologically, it points to Christ’s loving pursuit of His people. Urgency, intimacy, corporate rejoicing, surpassing delight, and rightful adoration weave together, urging us to run after the Bridegroom, rest in His prepared chambers, and proclaim His love as better than any earthly joy.
(4)
The king hath brought me.--The dramatic theory of the poem (see
ExcursusII.) has been in a great measure built up on interpretations given to this verse. We understand it as a repetition, in another form, of the protestation of love made in
Song of Solomon 1:1-3. Like them, it forms a stanza of five lines. The clause, "the king hath brought," &c, is--in accordance with a common Hebrew idiom, where an hypothesis is expressed by a simple perfect or future without a particle (comp.
Proverbs 22:29;
Proverbs 25:16)--to be understood, "Even should the king have brought me into his chambers, yet our transport and our joys are for
theealone; even then we would recall thy caresses, those caresses which are sweeter than wine."
The upright love thee.--Marg.,they love thee uprightly;Heb.,meysharim,used in other places either (1) in the abstract, "righteousness," &c,Psalm 17:2;Psalm 99:4;Proverbs 8:6 (so LXX. here); or (2) adverbially,Psalm 58:2;Psalm 75:3 (andSong of Solomon 7:9 below; but there theLamedprefixed fixes the adverbial use). The Authorised Version follows the Vulg.,Recti diligunt te,and is to be preferred, as bringing the clause into parallelism with the concluding clause ofSong of Solomon 1:3 : "Thou who hast won the love of all maidens by thy personal attractions, hast gained that of the sincere and upright ones by thy character and thy great name." . . .
Verse 4. -
Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will make mention of thy love more than of wine: rightly do they love thee. This is best taken as all spoken by the bride. It is the language of the purest affection and adoring admiration. "I drew them," God says (
Hosea 11:4), "with cords of a man, with bands of love." "The Lord appeared of old unto me," says Jeremiah (
Jeremiah 31:3), "saying, Yea, I have loved thee with an everlasting love: therefore with loving kindness have I drawn thee." In the same sense the Greek word
ἐλκυεῖν is used by our Lord himself of the Father
drawing to the Son, and of the Son, uplifted on the cross, "drawing" all men unto him (cf.
John 6:44;
John 12:32). If the spiritual meaning of the whole poem is admitted, such language is quite natural. The king's chambers are the king's own rooms in the palace,
i.e. his sleeping, rooms and sitting rooms - the
penetralia regis. We may take the preterite as equivalent to the present;
i.e. "The king is bringing me into closest fellowship with himself, not merely as a member of his household, but as his chosen bride." The concluding words have caused much discussion. The meaning, however, is the same whether we say, "The upright love thee," or "Thou art rightly loved." The intention is to set forth the object of love as perfect. The plural,
מֵישָׁרִים, is used to signify the abstract of the word, thought, or act;
i.e. "righteous," for "rightly" (cf.
Psalm 58:2;
Psalm 75:3); but the best critics think it could not be the abstract for the concrete plural, as in the Vulgate,
Recti diligunt re. The same use of the word is seen in eh. 7:9, "The best wine that teeth down
smoothly for my beloved" (cf.
Proverbs 23:31). Before going further in the song, it is well to observe how chaste, pure, and delicate is the language of love; and yet, as Delitzsch has pointed out, there is a mystical, cloudy brightness. We seem to be in the region of the ideal. It is not a mere love song, though it may have been the commemoration of an actual past. The Eastern form of the words may be less suited to our taste than it would be to those who first embraced Christianity, and to the nineteenth century than to the first; but the loving rapture of the Church in fellowship with the Saviour is certainly seeking a more vivid expression in song, and there are many of the most simple-minded and devoted Christians whose joy in Christ pours itself out freely in strains not much less fervid and almost as sensuous as anything to be found in Solomon's Song. Some are beginning to remonstrate against this freedom of devotional language, but the instinct of the Church seems to justify it as the demand of the heart under the influence of the Word of God itself. Perhaps there is a state of religious feeling coming into the experience of Christians which will remove the veil from such a book as the Song of Songs, and we shall yet find that its language is needful and is not extravagant.
Parallel Commentaries ...
Hebrew
Take meמָשְׁכֵ֖נִי(mā·šə·ḵê·nî)Verb - Qal - Imperative - masculine singular | first person common singular
Strong's 4900:To draw, dragaway with you—אַחֲרֶ֣יךָ(’a·ḥă·re·ḵā)Preposition | second person masculine singular
Strong's 310:The hind or following partlet us hurry!נָּר֑וּצָה(nā·rū·ṣāh)Verb - Qal - Imperfect Cohortative - first person common plural
Strong's 7323:To runMay the kingהַמֶּ֜לֶךְ(ham·me·leḵ)Article | Noun - masculine singular
Strong's 4428:A kingbring meהֱבִיאַ֨נִי(hĕ·ḇî·’a·nî)Verb - Hifil - Perfect - third person masculine singular | first person common singular
Strong's 935:To come in, come, go in, goto his chambers.חֲדָרָ֗יו(ḥă·ḏā·rāw)Noun - masculine plural construct | third person masculine singular
Strong's 2315:A chamber, roomWe will rejoiceנָגִ֤ילָה(nā·ḡî·lāh)Verb - Qal - Imperfect Cohortative - first person common plural
Strong's 1523:To spin round, rejoice, fearand delightוְנִשְׂמְחָה֙(wə·niś·mə·ḥāh)Conjunctive waw | Verb - Qal - Conjunctive imperfect Cohortative - first person common plural
Strong's 8055:To brighten up, be, blithe, gleesomein you;בָּ֔ךְ(bāḵ)Preposition | second person masculine singular
Strong's Hebrewwe will praiseנַזְכִּ֤ירָה(naz·kî·rāh)Verb - Hifil - Imperfect Cohortative - first person common plural
Strong's 2142:To mark, to remember, to mention, to be maleyour loveדֹדֶ֙יךָ֙(ḏō·ḏe·ḵā)Noun - masculine plural construct | second person masculine singular
Strong's 1730:To love, a love-token, lover, friend, an uncleabove wine.מִיַּ֔יִן(mî·ya·yin)Preposition-m | Noun - masculine singular
Strong's 3196:Wine, intoxicationIt is only rightמֵישָׁרִ֖ים(mê·šā·rîm)Noun - masculine plural
Strong's 4339:Evenness, prosperity, concord, straightness, rectitudethat they adore you.אֲהֵבֽוּךָ׃(’ă·hê·ḇū·ḵā)Verb - Qal - Perfect - third person common plural | second person masculine singular
Strong's 157:To have affection f
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OT Poetry: Song of Solomon 1:4 Take me away with you (Song Songs SS So Can)