The Metaphysics of Crackle: Afrofuturism and Hauntology

@article{Fisher2013TheMO,  title={The Metaphysics of Crackle: Afrofuturism and Hauntology},  author={Mark Fisher},  journal={Distributed Computing},  year={2013},  volume={5},  pages={42-55},  url={https://api.semanticscholar.org/CorpusID:110648899}}
  • M. Fisher
  • Published24 October 2013
  • Philosophy, Art
  • Distributed Computing
There has always been an intrinsically “hauntological” dimension to recorded music. But Derrida’s concept of hauntology has gained a new currency in the 21 st century, when music has lost its sense of futurism, and succumbed to the pastiche- and retro-time of postmodernity. The emergence of a 21 st century sonic hauntology is a sign that “white” culture can no longer escape the temporal disjunctions that have been constitutive of the Afrodiasporic experience since Africans were first abducted… 

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