
はてなキーワード:the starsとは
考えてやってたわけじゃないけどジェレンとかもそうだったよなと思ってググったら
Champions, welcome!The stars have aligned! The festivalis nigh! General Radahn, mightiest demigod of the Shattering, awaitsyou!
demigodは設定的にわかると思うけどネイティブでも怪しいやつだし
大文字のShatteringのゲーム特有の意味も瞬間わかんなきゃいけないし
The Sacrament—and the Sacrifice
Of the Quorum of the Twelve Apostles
Ipray foryourfaith andprayers that my utteranceswill be received and understood “by theSpirit oftruth” and that myexpressionswill be given “by theSpirit oftruth” so that we mightall be “edified and rejoicetogether.” (See D&C 50:21–22.)
As I standheretoday—a wellman—words of gratitudeand acknowledgment ofdivine intervention are so very inadequate inexpressingthe feelings in mysoul.
Six months agoat theApril general conference, Iwas excused from speakingas Iwas convalescing from a serious operation.My lifehas been spared, and Inow have the pleasant opportunity of acknowledging the blessings,comfort, and readyaid of my Brethren in the First Presidency and Quorum of the Twelve, and other wonderfulassociates andfriends towhom I owe so much andwho surrounded mydear wife,Ruby, and my familywith theirtime,attention, andprayers. For the inspireddoctors and thoughtful nurses Iexpress my deepest gratitude, and for the thoughtful letters and messages offaith andhope received frommanyplaces inthe world,manyexpressing, “You have been in ourprayers” or “We have beenasking ourHeavenly Father to spareyourlife.”Yourprayers andmine, thankfully, have beenanswered.
One unusual card caused me to ponder upon themajesty ofitall.Itis anoriginalpaintingbyArta Romney Ballif of theheavensat night withits myriadgoldenstars.Her caption,taken fromPsalms, reads:
“He healeth the broken inheart, and bindeth up their wounds.
“He telleth thenumber ofthe stars; he calleth themallby theirnames.
“…His understandingisinfinite.” (Ps. 147:1, 3–5.)
As I lay in the hospitalbed,I meditatedonall that had happened to me and studied the contemplativepaintingbyPresident Marion G. Romney’ssister and the lines fromPsalms: “He telleth thenumber ofthe stars; he calleth themallby theirnames.” Iwas then—andcontinue to be—awedby the goodness andmajesty of theCreator,who knows notonly thenames ofthe stars but knowsyourname and myname—each of usasHis sons and daughters.
“When I consider thyheavens, the work of thy fingers, themoon andthe stars, which thouhast ordained;
“Whatisman, that thouart mindful ofhim? …
“For thouhastmadehim alittle lower than theangels, andhast crownedhim withglory and honour.” (Ps. 8:3–5.)
To be rememberedis a wonderful thing.
Theevening of my health crisis, I knewsomething very serious had happened to me.Events happened so swiftly—thepain striking with suchintensity, mydearRuby phoning the doctor and our family, and Ion myknees leaningover the bathtub for support and somecomfort andhoped relief from thepain. Iwas pleading to myHeavenly Father to sparemy life a while longer to give me alittlemoretime to doHis work, ifitwasHiswill.
Whilestillpraying, I began to lose consciousness. Thesiren of the paramedic truckwas thelast that I remembered before unconsciousnessovertook me, which wouldlast for thenext severaldays.
The terriblepain and commotion of people ceased. Iwasnow in acalm,peaceful setting;allwas serene and quiet. Iwas conscious oftwo persons in thedistanceon a hillside,one standingon a higherlevel than the other. Detailed features were not discernible. The personon the higherlevelwas pointing tosomething I could not see.
I heard no voices butwas conscious ofbeing in a holy presenceand atmosphere. During the hours anddays that followed, therewas impressedagainand again upon my mind theeternalmission and exalted position of the Son ofMan. I witness toyou that Heis Jesus the Christ, the Son ofGod,Savior toall, Redeemer ofallmankind, Bestower ofinfinitelove, mercy, and forgiveness, theLight andLife ofthe world. I knew thistruth before—I hadnever doubtednor wondered. Butnow I knew, because of the impressions of theSpirit upon myheart andsoul, these divinetruths in amost unusual way.
Iwas shown a panoramicview ofHisearthly ministry:His baptism,His teaching,His healing the sick andlame, the mocktrial,His crucifixion,His resurrectionand ascension. There followed scenes ofHisearthly ministry to my mind inimpressive detail, confirming scriptural eyewitness accounts. Iwasbeing taught, and theeyes of my understanding were openedby the HolySpirit ofGod soas to beholdmany things.
The first scenewas of theSavior andHis Apostles in the upper chamberon theeve ofHis betrayal. Following the Passover supper, He instructed and prepared the sacrament of theLord’s Supper forHisdearestfriendsas a remembrance ofHis coming sacrifice.Itwas soimpressively portrayed to me—theoverwhelminglove of theSavior for each. I witnessedHis thoughtfulconcern for significant details—thewashing of the dusty feet of each Apostle,His breaking and blessing of the loaf of dark bread and blessing of thewine, thenHis dreadful disclosure thatone would betrayHim.
He explainedJudas’s departure and told the others of theevents soon totake place.
Then followed theSavior’s solemn discourse when He said to theEleven: “These things I have spoken untoyou, that in me ye might havepeace. Inthe world ye shall have tribulation: but be of good cheer; I haveovercomethe world.” (John 16:33.)
OurSaviorprayed toHis Fatherand acknowledgedthe Fatherasthe source ofHisauthority andpower—even tothe extending ofeternallife toallwho are worthy.
Heprayed, “And thisislifeeternal, that they might know thee theonlytrueGod, and Jesus Christ,whom thouhast sent.”
Jesus then reverently added:
“I have glorified theeon theearth: I have finished the work which thou gavest me to do.
“Andnow, O Father, glorify thou mewith thine own selfwith theglory which I hadwith thee beforethe worldwas.” (John17:3–5.)
He pled notonly for the disciples calledout fromthe worldwho had beentrue to their testimony ofHim, “but for them also which shallbelieveon me through theirword.” (John17:20.)
When they had sung a hymn, Jesus and theEleven wentout to the Mount of Olives. There, in thegarden, in somemannerbeyond our comprehension, theSavior took uponHimself the burden of thesins ofmankind from Adam to the end ofthe world.His agony in thegarden,Luke tells us,was so intense “his sweatwasas … greatdrops ofbloodfalling … to the ground.” (Luke 22:44.) He suffered an agonyand a burdenthe like of which nohuman person would be able to bear. In that hour of anguish ourSaviorovercameallthe power of Satan.
The glorifiedLord revealed toJoseph Smith this admonition toallmankind:
“Therefore Icommandyou to repent …
“For … I,God, … suffered … forall, that they might not suffer if they would repent; …
“Which suffering caused myself,evenGod,the greatest ofall, to tremble because ofpain, and to bleedatevery pore, …
“Wherefore, Icommandyouagain to repent, lest I humbleyou with my almightypower; and thatyou confessyoursins, lestyou suffer these punishments.” (D&C 19:15–16, 18,20.)
During thosedays of unconsciousness Iwas given,by thegift andpower of the HolyGhost, amore perfect knowledge ofHismission. Iwas also given amore complete understanding of whatit means to exercise, inHisname, theauthority to unlock the mysteries of the kingdom ofheaven for the salvation ofallwho arefaithful. Mysoulwas taughtover andoveragain theevents of the betrayal, the mocktrial, the scourging of the flesh ofevenone of theGodhead. I witnessedHis struggling up the hill inHis weakened condition carrying thecross andHisbeing stretched uponitasit layon the ground, that the crude spikes could be driven with a mallet intoHis hands and wrists and feet to secureHisbodyasit hungon thecross for public display.
Crucifixion—the horrible andpainfuldeath which He suffered—was chosen from thebeginning.By that excruciatingdeath, He descended belowall things,asis recorded, that throughHis resurrection He wouldascend aboveall things. (See D&C 88:6.)
Jesus Christ died in the literalsense in which wewillall die.Hisbody lay in the tomb. The immortalspirit of Jesus, chosenas theSavior ofmankind, went to those myriads ofspiritswho had departed mortallife with varying degrees of righteousness toGod’slaws. He taught them the “glorious tidings of redemption from the bondage ofdeath, and of possible salvation, … [whichwas] part of [our]Savior’s foreappointed and unique service to thehuman family.” (James E. Talmage, Jesus the Christ,Salt Lake City: DeseretBook Co., 1977, p. 671.)
I cannotbegin to convey toyou thedeep impact that these scenes have confirmed upon mysoul. Isense theireternal meaning andrealize that “nothing in the entire plan of salvation compares inany way in importancewith thatmost transcendent ofallevents, theatoning sacrifice of ourLord.Itisthe most importantsingle thing thathasever occurred in the entirehistory of created things;itis therock foundation upon which the gospeland all other thingsrest,”ashas been declared. (Bruce R. McConkie, MormonDoctrine,Salt Lake City:Bookcraft, 1966, p. 60.)
Father Lehi taughthis son Jacob and ustoday:
“Wherefore, redemption cometh in and through the Holy Messiah; for heis full ofgrace andtruth.
“Behold, he offerethhimself a sacrifice forsin, toanswer theends of the law, untoall thosewho have a brokenheartand a contritespirit; and unto none else can theends of the law beanswered.
“Wherefore, how great the importance tomake these things known unto the inhabitants of theearth, that theymay know that thereis no flesh that can dwell in the presence ofGod, saveit be through the merits, and mercy, andgrace of the Holy Messiah,who layeth downhislife according to the flesh, andtakethitagainbythe power of theSpirit, that hemay bring to pass the resurrection of the dead,being the first that shouldrise.
“Wherefore, heis the firstfruits untoGod, inasmuchas he shallmake intercession forall the children of men; and they thatbelieve inhim shall be saved.” (2Ne. 2:6–9.)
Ourmost valuable worship experience in the sacrament meetingis the sacred ordinance of the sacrament, forit provides the opportunity tofocus our minds andhearts upon theSavior andHis sacrifice.
The ApostlePaul warned the earlySaintsagainst eating this bread and drinking thiscup of theLord unworthily. (See 1 Cor.11:27–30.)
OurSaviorHimself instructed theNephites, “Whoso eateth and drinketh my flesh andblood unworthily [brings] damnation tohissoul.” (3Ne. 18:29.)
Worthy partakers of the sacrament are inharmonywith theLord and put themselves under covenant withHim toalways rememberHis sacrifice for thesins ofthe world, totake upon them thename of Christ and toalways rememberHim, and to keepHiscommandments. TheSavior covenants that wewho do so shall haveHisspirit to be with us and that, iffaithful to the end, wemay inheriteternallife.
OurLord revealed toJoseph Smith that “thereis nogift greater than thegift of salvation,” which plan includes the ordinance of the sacramentas a continuous reminder of theSavior’satoning sacrifice. He gave instructions that “itis expedient that the church meettogether often to partake of bread andwine in the remembrance of theLord Jesus.” (D&C 6:13; D&C20:75.)
Immortality comes to usallas a freegiftby thegrace ofGodalone, without works of righteousness.Eternallife, however,is the reward for obedience to thelaws and ordinances ofHis gospel.
I testify toall ofyou that ourHeavenly Fatherdoesanswer our righteous pleadings. The added knowledge whichhas come to mehasmade a greatimpact uponmy life. Thegift of the HolyGhostis a priceless possession and opens the door to ourongoing knowledge ofGod andeternaljoy. Of this I bear witness, in the holyname of Jesus Christ, amen.
chatgptにこの歌詞をロマンチックに詩的に翻訳してもらった
https://music.oricon.co.jp/php/lyrics/LyricsDisp.php?music=3929926
The singingsea
歌う海音に酔いしれ
The talking trees
話す木々が囁きかけ
A Silent in anoisy way
静かなのに大騒ぎ
星たちが輝く
But give nolight
でも光を放たない
The world spins backward everyday
虹のネズミと
A checkered cat
チェック模様の猫
Go tail in tail around theroad
尾を引っ張りながら道を巡る
The mouseis pleased
ねずみは喜ぶ
月はチーズであり
黄金の鳥が歌い出す
Today I heard
今日聞いた
Sitting upon a silverbranch
銀の枝に座っていた
その小さな歌は心を打つ
Whichmade mesad and start to laugh
それが私を悲しくさせ、笑わせた
私の妹は彼
私の兄は彼女
But thereisonly me inthe family
でも家族の中には私だけ
When I grow up
私が大きくなったら
川を下りて
歌う海を目指す
ネタバレあり。
つまり、散逸してバラバラになった過去の記憶の断片という意味合いで、それは死海文書なのである。
はっきり言えば今作で庵野のやりたかったことが十全に表現できているとは思えない。本来別の青写真があったにも関わらず、着地点が微妙にズレている気がする。
例えば、アスカとシンジの行方だとか、マリの作中での扱いとか、あるいは、ループする世界とか、月面の世界とか。
そういうものが完全に描き切られていたとは思えない。
庵野は忸怩たる思いなのではなかろうかと、外野ながらに推測する。
アスカはヒロインである。しかしシンジとは最終的に結ばれることは無かった。最終的に彼女の心を射止めたのは相田ケンスケである。
正直なところ、アスカの扱いがやや雑なのは否めない。当方アスカ派なので、「お、おう」といった気分である。
庵野秀明がアスカ役の宮村優子にフラれたのが原因であるとか、そういう説もある。
実際のところよく分からないけれど、要するに庵野自身にアスカを受け入れられない理由があったのは間違いあるまい。旧劇のラストシーンに見られる通りである。
旧劇のラストの解釈は様々に別れるのだけれど、アレは結局、他者を自己のエゴの延長としてしか捉えられないことへの絶望だったのではなかろうか。
他者を愛しているはずが、結局他者を介して自己を投影し、その自己を愛着しているに過ぎないことへの絶望があのシーンには表れていたように思う。
他者に決して行き着くことのない煩悶こそが、旧劇のラストシーンの意味ではないかと個人的には思っている。
とは言え、旧劇における破滅的なラストを、今作で繰り返すことは無かった。
否定的な評価を随分と集めている今作ではあれど、あのラストシーンの繰り返しにならなかったことは庵野における重要な進歩であることは間違いない。あれをもう一度繰り返さなかっただけでも、今作は評価に値する。
それは良いことなんだけれど、やはり視聴者としては少しばかり置いてけぼりなのだ。
そして、マリ=モヨコ女史説が頻りに訴えられている通り、マリは庵野にとってどこまでもエゴとはかけ離れた場所からやって来た存在であり、だからこそ、エゴの呪縛に苦しめられることなく、庵野はマリをヒロインとして愛することができたのではないかと、そう思う。
それにしてもシンジの心理描写も雑である。そっくりさんとの悲劇的な離別を経て、彼が何かを学んだことは間違いない。
つまり、そっくりさんはクローンであり、偽物であったとしても、その一回の生を全力で生きており、そこに生命の尊厳があったのだ……ということをシンジは学んだのであろう。
これは、後述のループ的世界観とも合致する成長プロセスである。
とは言え、やはりその描写は簡素というか説明不足な感が否めない。というかまだまだシンジは「神話になれ」と唄う例のテーマソングの示唆する精神状態には、行き着いていないのではなかろうか。まだ成長の途上段階なのではあるまいか。まだ、父親を救済できるほどの人格を備えてはいなかったのではあるまいか。
彼は本当に神話になれたのであろうか。
ラスト近くにてゲンドウを救済するシンジくんの姿に、些か置いてけぼりの感があった。
散々言われている通りである。
庵野氏が相互的な愛情をほぼ初めて維持できたのが、伴侶であるモヨコ女史との関係性だったのだと思う。
庵野のエゴの外側からやって来た彼女によって、彼はエゴの呪縛から解かれたのであろう。
でもそのエゴの呪縛が解かれるシーンを作中でちゃんと描いてないから、やっぱり展開が唐突に見えてしまうのだ。
あの世界はループしているというのはもはや自明だったと思う。真っ赤になった海は、旧劇のラストシーンの流れを受け継いでいる。
また、貞本義行によるコミック版のラストシーンもまた、ループを思わせる展開に収束する。
エヴァ世界はループしている。それが庵野秀明の世界観であることに間違いはあるまい。
我々の暮らす宇宙は遥か昔にこの座標に生まれ、未だにそのエントロピーは激しく運動し続けている。
しかし、いつかはそのエントロピーが相似形を描き、同じような結末と始まりを繰り返すのではないか、などと想像したことのある諸氏は多いことと思う。
エヴァ世界は、そのような意味合いでループしている。その周期は何年周期なのだろうか?
相対性理論的に、物体の運動に基づいてのみ時間を測定しうるのであれば、そこに時間的経過を求めることは難しそうだけれど。
And let me play amongthe stars.
何度闇を潜り抜けても息づいている記憶の姿を全力で描いてもらいたかった。
庵野が描いてくれたものには、ある程度は満足することができたのだけれど、完全な青写真ではなかった感がある。
それはあくまで、後世に受け継がれた、散逸した記憶の断片の内の一枚に過ぎなかったのではなかろうか。
まだ、散逸した断片は幾つもこの世界に残留していることと思う。
"Space, thefinalfrontier. These are the voyages ofthe starshipEnterprise.It'sfive yearmission, to explore strange new worlds, to seekout newlife and new civilizations, to boldlygo where nomanhasgone before...
(宇宙、それは人類に残された最後の開拓地である。そこには人類の想像を絶する新しい文明、新しい生命が待ち受けているに違いない。これは人類最初の試みとして、5年間の調査旅行に飛び立った宇宙船U.S.S.エンタープライズ号の驚異に満ちた物語である。)" (TOS冒頭のナレーションより)
ちょうどこの曲にはまった時にあの子へ恋してた。
他愛もないやりとりだけど毎日が本当楽しくて、もう一生経験しないと思っていた恋愛の高揚感を感じて、24時間彼女の事ばかり考えて、この子は自分の人生で大きな決断が必要な運命の人ではとか勝手に思ってたりして。
歌詞では憂鬱な月曜日から週末に向けて気分がアガっていくわけだが、当時の自分は月曜日は彼女に久々に会えるので Thankthe starsit'sMonday! だったな。
ただ、悲しいかな彼女はそんな気は毛頭なく、一人勝手に熱にうかされてた俺はとんだピエロだったわけだが。
こんなにも人を好きになる情熱が自分の中に存在していたことを気づかせてくれ、まだ見たことのない景色を見せてくれ、楽しい時間をくれた彼女にはただただ感謝しかないけど。
Yes, I've never seen astar that close before.
It's a once-in-a-lifetime encounter!
Yes, I'm lookingatit.It's magnificent!
Its partingwas not a tragedy, In the eternity of theland offairies, they were blessed with a new vessel, anditssoul would be protected forevermore.
But I just decided I'mgonna travelthe worldlikeyou.
I might face somedanger. And even die!
But I'mgonna choose togo down thispath.
Then,maybeone day, we could meetagainsomewhere under thestarry sky.
We'll both be travelers!
Can wewatchthe starstogether if wecrosspathagain?
Can we!?
from theline of "Violet Evergarden"
「好きな音楽のジャンルは?」と聞かれたら「サントラです」と答えられるくらいにサントラが好きだし、「好きな映画は?」と聞かれたら「スターウォーズ」と答えるくらいスターウォーズも好きだ。
「スペースオペラ」と言われるだけあって、ジョン・ウィリアムズのサントラは素晴らしい。彼がいなければこれだけ長く愛される作品にならなかったと思う。
しかし、エピソード7と8のサントラには「う〜ん」と言わざるをえない。もちろん、レイやカイロレン、レジスタンス、オク=トーのモチーフは緻密に計算されているし、他の作曲家に同じものは作れないだろう。残念なのは、どちらも「耳に残る」曲がないのである。
これまでのスターウォーズには、それぞれのキャラクターのモチーフを活かしつつ、エピソードごとに神曲と言うべき曲が一つはあった。
個人的には、ファントム・メナスならDuel ofthe Fates,クローンの攻撃はAcrossthe Stars,シスの逆襲はBattle of theHeroes, 新たなる希望はエンディングのやつ,帝国の逆襲はThe ImperialMarch,ジェダイの帰還もFinaleを選ぶ。どれも映画のイメージを1曲で示している、「映画のための曲」である。Duel ofthe Fatesをアナキンとオビワンの戦いで流してもBattle of theHeroesほどの感動はないだろう。
7と8はどうだろうか。前述の通り、モチーフとしては耳に残るものがあるが、「曲」として残らない。7はさておき、8に関してはレイとカイロレンの共闘とか、ルークとのご対面とか名シーンが生まれているにも関わらず、そのBGMの印象が薄く、他と差別化されていないように思う。「7といえばこの曲!」というのがないんだよなぁ。
間違いなく、ジョン・ウィリアムズだからこそできることもあると思う。7でも8でもレイアやルーク、ヨーダ、ファルコンのテーマは非常に効果的に使われていて、本人でなければ成し得なかったであろう。特に、8のエンディングのキャリー・フィッシャーのクレジットに合わせてレイアのテーマを流すのには本当に感動してしまった。
しかし、やはり曲としてもう一声欲しい。ジョン・ウィリアムズが年でそんな体力が残っていないのかもしれないし、監督がルーカスでないからコミュニケーションが上手くいっていないのかもしれない。分からないが、ルーカスが一線を退いたからには、サントラも次の世代が作ってもいいのかなぁ、そんなことを思ってしまった。
元増田が貼ってる記事は編集が入っててどこまでが専門家の言ったことが分かりにくいので、コメントがそのまま載っているオリジナル記事の追記部分を元にざっと訳出
http://gizmodo.com/teen-discovers-lost-maya-city-using-ancient-star-maps-1775735999
David StuartさんのFacebookを引用。元増田が貼っているものなので省略。
https://en.wikipedia.org/wiki/David_Stuart_%28Mayanist%29
Thomas Garrisonさんのコメントを掲載。USC(南カリフォルニア大。1880年設立の名門校)所属の人類学者であり、リモートセンシングの専門家でもある。
I applaud theyoungkid’s effort andit’s exciting to see such interest in the ancientMaya and remote sensing technology in such ayoung person. However, ground-truthingis thekey to remote sensing research.You have to be able to confirm whatyou are identifying in a satelliteimage or other type of scene. In thiscase, the rectilinearnature of the feature andthe secondary vegetation growing back withinit are clear signs of a relic milpa. I’d guessits been fallow for10-15 years. Thisis obvious toanyone thathas spentanytimeatall in theMaya lowlands. I hope that thisyoung scholarwill considerhis pursuitsat the universitylevel so thathisnextdiscovery (and there areplenty to bemade)will be a meaningfulone.
(意訳)若者の努力は素晴らしいことだ。しかしこの結論はちょっと。リモートセンシングができるなら、この画像はトウモロコシ畑の跡地だとはっきり分かる。おそらく10年から15年間、休閑地になっているところだろう。マヤ低地を調べた経験があれば、誰でも分かることだ。私としては、この若者が次は有意義な発見ができるよう、大学に行って勉強して欲しいと思っている
Garrisonさんはよく似た地形が写っている画像もギズモードに提供している。耕作放棄されてから間がない分、もとの画像よりもはっきり形が分かる
Ivan Šprajcさんのコメントを掲載。スロベニア芸術科学アカデミー所属。人類学者であり、天文考古学を研究している。
Very fewMaya constellations have been identified, and even in thesecases we do not know how many and whichstars exactly composed each constellation.Itis thus impossible to check whether thereisany correspondencebetweenthe stars and the location ofMaya cities. In general, since we know of several environmental facts that influenced the location ofMaya settlements, theidea correlating them withstarsis utterly unlikely.
(訳)もともと、特定されているマヤ文明の星座は非常に少ない。それに、星座が分かっていても、それぞれの星座が、正確にはどの星を組み合わせたものなのかは分かってない。したがって、星の位置とマヤ文明の都市の位置が一致しているかをチェックすることは不可能だ。また、マヤ文明の居住地の位置決定に影響を与えた環境的な要素はある程度分かっている。それに星が関係するというのは、まずありえない
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The particular modifyon the urban center is without a doubt switching, specificallytogether with a lot of approach large establishing intended for symbolize,and also this areat recent many portraitdigitalphotography buffs including firing template.
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【 1 】 searching. Summer mood
Warmsunshine in thebody and melted the remaining thesorrow, but increase some warm meaning. Half a narrowed her eyes,look long rearits head, the suspension of thegolden ballstillsmiledat me. The window, havealways liked position, whether in the coffee shop or the teahouse or is a fast-food restaurant,as longas is the placeall to sit down for the habitualby a window. So, I can clearly see theoutside world, see clearly in theoutside walk everyone.
Iam afear ofstay in that vague world people, can now, are steps into the relationship that vague. Once the countlesstimes told himself, the person to work to clear and plainly,clean,neat. But, now ofoneself, not only drag,ya, indecision isat sixes and sevens, blurred.
Summer, is a hot season, also is a easily lose season. Each peopleall have everyone's temper, and summer, let everyone's temper toacme. Stimulate each other's sensory nerve,little the release of anger. They have with anger, with anger passing, also have with anger of fighting the performance...
All kinds of people are full ofall kinds of release methods, and Istillslowly,don't worry aboutbeingbyyour side. Payattention toyou every day the fickle mood, ponderyour mood every day ofgood and bad. Sometimes think,time is like a medicine, and like apoison.It makes us forget the pain before, but start thenext paragraphsad.It let we abandon our past and desolate, but to a desolate.
【 2 】 summer.Away from grief
Springasthe fallen petalgo, wearing a suit LuYeEr of summer in thejump inthe warm wind coming, I like winning, jubilant welcome the arrival of the summer. I like summer, likethe warmsunshine. Like thesunrise, also like thesunset. Like thegoldensun, also likethe warmth ofsunshine.
Where there issun, and I feel that my world will not toocold.
Where there issun, and I feel thatmy life not too dark.
Where there issun, and I thinkthe world is full of hope.
Had thesunlight, I have confidencehas been waiting foryou.
The recent weather and began tochange is full ofsunshine in the morning,and atnoon, will see thesun's trail,the change is the roaringwinds,bully touching eachcorner,don'tallow alittle resistance. Recently isalwayslooking for a variety of ways, to easehis trouble andsorrow. No longer letoneself andsadhook, no longer letyourself withtears becomeattached to, so, no longer let theirsorrow.
Recently,alwayslooking forall kinds of things to do, like have do not like, just likeit or not, will be serious to do. Soit won't have too muchtime to think some the mess of things, so thatit doesn'talways have my insignificant problem into the inside andyou weep alone.
[3] night. sensational
With only asunshine graduallyexitout of the window, themoonlightslowly emerging, tight withall kinds ofthe stars alsoslowly appeared in thesky. Theearth is alightmoonlight andthe stars into romantic ornament night.Littlestars sings likepearl inlaid in under the canopy, ShanShanDe with alight, and thenextyou saidnothing,as if to see this wonderful night.
Into that familiar with the place, the habitualopenair conditioning,open the curtains, theoutside world isstill so wonderful,the stars and not because night and receding, butmore glow.At themoment, finally understand,why do so many people likestars in the night, the night the crush.
Tonight'syou, different from ordinary, striking alittle can'tbelieve.Don't know ishis vision, or a real feelings, whether true or not true world.All like tonight'syou, suddenly a fewdays beforethe fall ofall scores brought. Perhaps that is part ofyour charm.
Night,stillas black, so quiet. Just, tonight's night, less afraid.
I and,as usual, quietlookingat the sleepingyou, the mouth cape raise filar silksmile and this is thatlight tastehappiness?
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