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はてなキーワード:tendとは
Firstdates can be exciting and nerve-wrackingallatonce.You’re meetingsomeone new, learning about their interests, and trying to figureout if there’schemistrybetweenyou. And then there’s flirting, that delicate dance of showingsomeoneyou’re interested withoutbeing too forward or awkward.
Flirtingdoesn’t have to be a high-pressuresituation. Infact,it can bethe mostfun part ofgetting to knowsomeone. Whetheryou're meetingsomeoneonMixerDates orany other platform,the most important thingis to be genuine,staycalm, and let theconnection developnaturally.
Ifyou’ve everfoundyourself wondering how to flirton a firstdate withoutfeeling uncomfortable,you’re notalone. Everyonehas their awkwardmoments, but themoreyou understand theart of flirting, the easierit becomes. In thisarticle, we’llbreak down how to flirt in a way thatfeelsnatural, exciting,and authentic towhoyou are. So, let'sdive in and learn how tomakethe most ofyour firstdate experience—withoutoverthinkingit.
Whenit comes to flirting, confidenceiskey. But whatdoesit really mean to be confidenton a firstdate? Confidencedoesn’t meanyouneed to be perfect, or evenoutgoing—it simply meansbeing comfortable inyour ownskin and showing upasyour authentic self.
Haveyou ever noticed how people are drawn to thosewho radiate self-assurance?It’s not aboutbragging or dominating the conversation—it’s about presentingyourself with ease. Ifyoufeelgood aboutyourself,itwillnaturally show. A greatsmile,good posture, and eye contact cango a long way in making agoodfirst impression.
For instance, think about thelasttimesomeone walked into a room and immediately caughtyourattention—not because they werethe mostattractive person in the room, but because of their energy. They were confident, they were present, and theymadeyoufeelat ease. That’s the kind of confidenceyou want to projectonyourdate.
Whenyou're confident,you're not worried about saying the perfect thing. Instead,youfocuson enjoying themoment, making the other personfeel comfortable, and letting theconnection happennaturally. That’s themagic of confidence—itallowsyou to be present,fun, and,most importantly,yourself.
Let’s faceit—noonewants tofeellike they’rebeing “worked” or put through a game. That’swhy subtletyis such a powerfultool whenit comes to flirting.It'sall about showing interest withoutbeingover-the-top or too obvious.
Flirtingdoesn’talways mean complimentingsomeone non-stop or using cheesy pickup lines. Infact,the most successful flirtingis the kind that happens behind the scenes—subtle, playful, andlighthearted. Think about thelittlemoments,like a teasing comment about how theyalways order the same thingat a restaurant or the wayyou laughat a silly joke theymake.
Thekeyis to find a balance. Asimplesmile or a playful comment can convey interest withoutbeing too much. For example, ifyourdate tellsyou theylove hiking but theytend togetlost easily,you could saysomethinglike, “So,you’re telling meyouneed a personal guide? I couldget behind that!”It’slighthearted, humorous, andmost importantly,it keeps the conversationfun without putting too much pressureon thesituation.
By keepingit subtle,youallowyourdate tofeelat ease.Ittakes the pressure off them to be perfectand allows both ofyou to enjoy the interactionmorenaturally. Flirtingdoesn’tneed to be a performance—it’s about creating an environment where both ofyou canfeel comfortableand authentic.
Now,let’stalk aboutsomething incredibly important in the flirting game:active listening. When we’reon adate, we oftenget caught up in thinking about what to saynext, how we’re coming across, or if we’rebeing interesting enough. But the best way tomake animpression? Truly listening toyourdate.
Active listening meansyou’re fullyengaged in the conversation, givingyourdateyour fullattention and responding thoughtfully.It’s about showing thatyou care about what they’re saying and thatyou’re genuinely interested ingetting to know them better. Whenyou listenactively,you’re also giving them space toopen up, and that can create an immediateconnection.
For example, ifyourdate mentions they recently traveled toJapan, instead of simply saying, “That’scool!”you could follow up withsomethinglike, “Whatwasthe most memorable experienceyou had there?” This shows thatyou’re not just hearing their words but are genuinely curious and invested in their experiences.It’s a great way to build rapport and let them knowyou’re not just there toimpress them—you’re there toconnect.
Whileyour words are important,body language often speaks louder thananythingyou can say. Whetheryourealizeit or not,yourbodyis constantly communicating howyoufeel. Howyousit, stand, andmove tellsyourdate whetheryou’rerelaxed,engaged, or distracted.
Small gestures cango a long way in flirting. Alight touchon thearm, a subtle lean in when they’re speaking, or maintaininggood eye contact—all thesebody language cues helpsignalyour interest. Andthe great thingis, whendonenaturally, these cues can be justas effectiveas words.
For example, ifyou’resittingat a caféonyourdate andyou lean in slightly when they’re sharing afunnystory,you’re not just showing thatyou’re interested—you’re inviting them intoyour space.It’s aninvitation toconnect further. And when they respondby leaning in too, that’s when themagic happens—the unspokenconnection that tellsyou both that there’s potential formore.
Flirting throughbody languagedoesn’t mean making grand gestures orbeingoverly touchy.It’s aboutbeing present and showing thatyou’reengagedwith yourdate in a subtle, but meaningful way.
It’s easy toget caught up inoverthinking how to flirt or trying to figureout ifyourdateis intoyou. Buthere’s asecret—whenyou letgo of the pressureand allowyourself to havefun,everything flows muchmorenaturally. Flirtingon a firstdatedoesn’tneed tofeellike atest or anassignment.It’s supposed to be afun,lighthearted experience that sets the stage formore greatdates ahead.
Whenwas thelasttimeyou had a genuinelyfundate?Wasit whenyou were trying too hard toimpress, or whenyou were both laughing, chatting, and enjoying each other's company? Flirting becomes effortless whenyou're present, enjoying themoment, and letting theconnection grownaturally.
Sometimes,it's the smallmoments—like sharing a laugh or swapping embarrassing stories—thatmake a firstdate truly special. Whenyoufocuson havingfun,you create an environment where both ofyou canrelax, flirt, and let thechemistry grow. That’s thesecret to a greatdate.
One of the best things about using a platformlikeMixerDatesis thatittakes the guessworkout of the equation.Byconnecting withsomeonewho already sharesyour interests and values,you’vegot a head starton making a realconnection.No more swiping through countless profiles hoping for aspark—onMixerDates,you already know there’ssomething incommon.
Whenyou’re alreadyon the same pagewith yourdate, flirting comesmore easily. There’s less of that awkward, “Are we evenon the same wavelength?”feeling, andmore of thefun, “Wow, we reallyclick!” vibe. Whetheryou’retalking aboutfavorite hobbies, movies, orlifegoals, the conversation flowsnaturally, making the flirtingfeel effortless.
Ifyou're looking for a place to meetlike-minded people and build genuineconnections,MixerDatesis the perfect platform.It's a great place to findsomeonewho appreciatesyou forwhoyou are andwhoyou cannaturally flirt with, without the stress.
Flirtingon a firstdateisall about confidence,connection, andfun. Whenyou letgo of the pressure andfocuson enjoyingthe experience, thechemistrywillnaturally follow. Remember, the best way to flirtisbybeingyourself—letyour personalityshine through, listen with intention, and embrace themoment.
And ifyou’re ready to meetsomeone new,who’s justas interested in making aconnectionasyou are,MixerDatesis the perfect place to start. Sogo ahead,take theleap, and see whereit leads.Who knows?Yournext greatconnection might be just aclickaway.
Sign up forMixerDatestoday and startyourjourney to exciting firstdates and meaningfulconnections!
Whole grains" suchas brown rice and barley riceimprove diabetes, sleep, and depression
Keywords
Eating "whole grains" suchaswhole grain bread, brown rice, sprouted brown rice, millet rice, and barley ricelowers the risk of diabetes and obesity.
Studies have also shown that awhole graineating style canimprove sleep and prevent depression.
NotAll Carbohydrates Are CreatedEqual
Choosing the right carbohydratesand adjusting the amount of carbohydratesyoueatis the best approach to controlling diabetes. Of the three macronutrients, carbohydrates are theones that havethe most immediateimpactonbloodsugar, so weneed to be careful about how we consume them.
Eating refined flour orwhite rice, for example,may contain the same amount of carbohydrates, but because they contain less fiber, they are absorbedmore quickly,leading to an increase in postprandialbloodglucose." For diabeticswhoneed to control theirbloodsugar, the recommendationiswhole grains," says Carla Duenas.
Duenasis adietitian with Baptist Health South Florida, a clinical carenetwork withseven hospitals in the U.S.state of Florida.She stresses, "To achieve ahealthydiet,whole grains should be included in thediet, along with high-quality protein, vegetables, and fruits."
What to do about diabetic staples? '50-55% carbs'is healthiest
Not a fan of brown rice? Glutinous brown rice can help.
Wakame seaweed suppresses postprandialbloodglucosespikeLowerGI ofwhite rice
Replacewhite rice with brown rice
Whole grains are grains that have not had their hulls,seedskins, embryos, or endosperm removedbyprocessing suchas milling.
Many studies have shown that adiet rich inwhole grains reduces the risk of diabetes, obesity, andheart diseasemore than adiet rich in refined grains.
Familiarwhole grains includefoods suchas bread, pasta, and oatmealmade fromwhole wheat grains, brown rice, sprouted brown rice, millet rice, and barley rice containing barley.
Brown riceis awhole grain and rich in fiber. Althoughwhole grains are not necessarily the best choice, replacingwhite rice with brown riceis recommended for people with diabetes or obesity," Duenas advises.
Youget the fiberyoutend to lack.
Carbohydrates can be divided intosimple carbohydrates, which raisebloodglucoselevels quickly, andcomplex carbohydrates, which raise themslowly.Simple carbohydrates are thosefound insweets and fruits, whilecomplex carbohydrates are thosefound in grains, potatoes,beans, and otherfoods.
Complex carbohydratestake longer to be absorbed and raisebloodglucoselevelsat a slowerrate because they are broken down intosimple carbohydrates beforebeing digestedand absorbed.
Complex carbohydrates are "healthy carbohydrates.Whole grains suchas unrefined flour and brown rice have properties similar tocomplex carbohydrates. They are rich in nutrients that are often lacking, suchas fiber, vitamins, minerals,and antioxidants, which arelost during the refining process," Duenas pointsout.
Refined carbohydrates can also causeinsomnia.
Thirty percent of adults suffer frominsomnia, and part of the causemay bedietary style. Refined carbohydratesmay increase the risk ofinsomnia in women, according to a study.
The study showed that postmenopausal womenwhoeatjunkfoods andsoft drinks, especially those high in carbohydrates, aremore likely to developinsomnia.
Conversely, womenwho consumemore fiber-rich fruits and vegetables have a decreased risk ofinsomnia.
The studywas conductedbyJames Ganwish and colleagues from the Bagelos School of MedicineatColumbia University inthe UnitedStates.
77,860 women were studied for three years.
Insomniais often treated with pharmacotherapy and cognitive behavioral therapy, both of which are costly to the patient and expensive. Improvingone'sdietislow-cost, easy to implement, and free of side effects," says Ganwish.
The studyis basedon data from observational studies conductedby theNational Institutes of Health (NIH) Women's Health Initiative Study (WHI) to obtain information to prevent and treat health problems among women.
The researchers examined theassociationbetweeninsomnia and 77,860 postmenopausal womenwho participated in the WHI. They surveyed them about theirdietary habits and followed them for three years from 1997 to 2001.
The participants were analyzedby dividing them intofivegroups according toGIlevel, anindex that indicates the ease with whichbloodglucoselevelsrise after a meal.
The results revealed a 16% higher risk of developinginsomniaand an11% higher prevalence in thegroup with higherdietaryGI values. The study alsofound that the higher the intake of vegetables and fruits, thelower the risk ofinsomnia.
The study alsofound alower risk of developing depression.
The studyfound that "aspike inbloodglucoselevels after a meal stimulates the secretion of insulin, whichlowersbloodglucose, andmaylead to astate of hyperinsulinemia.As a result,bloodglucoselevelsdrop and the secretion of hormones suchas adrenaline andcortisol increases, whichmay disrupt sleep," explains Ganwish.
Thefoods thattriggerinsomniamay be processedfoods that contain highlevels ofisomerizedsugar, whichis composed of fructose andglucose. Suchfoods arenot found innature, but are mass-produced industrially and sold cheaply.
Fruits also contain fructose, but they are also rich in fiber. Fruits have alowGIand are thought to be less likely to cause postprandialbloodsugar elevation.
A study of 69,954 womenwho participated in the WHI, publishedby Ganwish and colleagues in 2015, also showed that womenwhoate a highGIdiet had a 22% higher risk of developing depression.
Gunwish noted, "Weneed randomized clinical trials to determine the benefits of improvingdiet and increasing intake ofwhole grains andcomplex carbohydrates to prevent and treatinsomnia and depression."
みなさんこんにちは。
過去1週間で、COVID-19のケースが急速にエスカレートしました。
現在、中国よりも他の地域で多くの症例と死亡が報告されています。
また、学校を閉鎖したり、スポーツイベントやその他の集会をキャンセルしたりするなど、社会的距離の測定が急速に拡大していることも確認しています。
しかし、テスト、隔離、および連絡先の追跡における緊急の十分なエスカレーションは確認されていません。これは、応答のバックボーンです。
社会的距離測定は、伝播を減らし、医療システムが対処できるようにするのに役立ちます。
ひじに手を洗って咳をすることで、あなた自身や他の人のリスクを減らすことができます。
しかし、彼らだけでは、このパンデミックを消すのに十分ではありません。違いを生むのは組み合わせです。
私が言い続けているように、すべての国は包括的なアプローチをとらなければなりません。
しかし、感染を防ぎ、命を救う最も効果的な方法は、感染の連鎖を断ち切ることです。そして、それを行うには、テストして分離する必要があります。
目隠しされた火と戦うことはできません。そして、誰が感染しているかわからなければ、このパンデミックを止めることはできません。
テスト、テスト、テスト：すべての国に簡単なメッセージがあります。
検査結果が陽性の場合、それらを隔離し、症状が発現する2日前までに密接に接触していた人を見つけ、それらの人も検査します。[注：WHOは、COVID-19の症状を示す場合にのみ、確認されたケースの連絡先をテストすることを推奨しています]
毎日、世界的な需要を満たすために、より多くのテストが作成されています。
WHOは120か国にほぼ150万のテストを出荷しています。私たちは企業と協力して、最も困っている人のためにテストの可用性を高めています。
WHOは、感染を予防し、適切なケアを提供するために、確認されたすべての症例は、軽度の症例であっても、医療施設で隔離されるべきだと助言しています。
しかし、多くの国がすでに専用の医療施設で軽度の症例をケアする能力を超えていることを認識しています。
そのような状況では、国々は高齢の患者と基礎疾患のある患者を優先すべきです。
いくつかの国では、スタジアムとジムを使用して軽度の症例をケアし、重症で重大な症例を病院でケアすることで能力を拡大しています。
別の選択肢は、軽度の病気の患者を自宅で隔離して世話をすることです。
感染した人を自宅でケアすることは、他の人を同じ家庭に危険にさらす可能性があります。そのため、できる限り安全にケアを提供する方法について、介護者がWHOのガイダンスに従うことが重要です。
たとえば、患者と介護者の両方が同じ部屋にいるときは、医療用マスクを着用する必要があります。
患者は、他の人とは別の寝室で寝て、別の浴室を使用する必要があります。
一人の患者、理想的には健康で基礎疾患のない人をケアする人を割り当てます。
介護者は、患者またはその身近な環境に触れた後、手を洗う必要があります。
COVID-19に感染した人は、気分が悪くなった後でも他の人に感染する可能性があるため、これらの対策は症状が消えてから少なくとも2週間は継続する必要があります。
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繰り返しますが、重要なメッセージは、テスト、テスト、テストです。
これは深刻な病気です。私たちが持っている証拠は、60歳以上の人が最も危険にさらされていることを示唆していますが、子供を含む若者は死にました。
WHOは、子供、高齢者、妊婦のケア方法に関する具体的な詳細を含む新しい臨床ガイダンスを発行しました。
これまでのところ、先進的な医療システムを備えた国で流行が見られました。しかし、彼らも対処するのに苦労しています。
ウイルスが低所得国に移動するにつれて、HIV感染率の高い人口や栄養失調の子供たちにウイルスが与える影響について深く懸念しています。
だからこそ、私たちはすべての国とすべての人に、感染を止めるためにできる限りのことをするよう呼びかけています。
手を洗うことは、感染のリスクを減らすのに役立ちます。しかし、それは連帯の行為でもあります。なぜなら、あなたのコミュニティや世界中の人々に感染するリスクを減らすからです。自分のために、他の人のために。
また、医薬品などの不可欠なアイテムを買いだめすることを控えることにより、連帯を表現するよう人々に求めます。
買いだめは薬や他の必須製品の不足を引き起こし、苦痛を悪化させる可能性があります。
COVID-19連帯対応基金に貢献したすべての人に感謝します。
金曜日にローンチして以来、110,000人を超える人々が約1,900万米ドルを寄付しました。
これらの資金は、診断テスト、医療従事者向けの消耗品の購入、研究開発の支援に役立ちます。
貢献したい場合は、who.intにアクセスして、ページ上部のオレンジ色の「寄付」ボタンをクリックしてください。
また、社会のさまざまな部門が集まっていることにも感謝しています。
これはSafeHands Challengeから始まりました。このチャレンジは、有名人、世界のリーダー、そしてあらゆる場所で手を洗う方法を示す人々を魅了しました。
今日の午後、WHOと国際商工会議所は、グローバルなビジネスコミュニティに共同で行動を呼びかけました。ICCは、従業員、顧客、地域社会を保護し、不可欠な物資の生産と流通をサポートするために、4500万を超える企業のネットワークに定期的なアドバイスを送信します。
ポールポルマン、アジャイバンガ、ジョンデントンのサポートとコラボレーションに感謝します。
また、WHOはGlobalCitizenと協力して、世界中の主要なミュージシャンとの一連のバーチャルコンサートであるSolidarity Sessionsを立ち上げています。
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今後数日、数週間、数か月は、私たちの決意のテスト、科学への信頼のテスト、そして連帯のテストになります。
このような危機は、人類に最高と最悪をもたらす傾向があります。
私と同じように、バルコニーから医療従事者を称賛する人々のビデオや、地域の高齢者のために食料品の買い物をすることを申し出ている人々の物語に感動したと確信しています。
人間の連帯というこの驚くべき精神は、ウイルス自体よりもさらに感染力を高めなければなりません。しばらくは物理的に離れていなければならないかもしれませんが、これまでにない方法で一緒に集まることができます。
私たちは皆一緒にいます。そして、私たちは一緒にしか成功できません。
ありがとうございました。
WHODirector-General's opening remarksat the mediabriefingon COVID-19 - 16March 2020
16March 2020
In the past week, we have seen a rapid escalation ofcases of COVID-19.
Morecases and deaths havenow been reported in therest ofthe world than inChina.
We have also seen a rapid escalation in social distancing measures,like closing schools and cancelling sporting events and other gatherings.
But we have not seen an urgent enough escalation intesting,isolation and contact tracing – whichis the backbone of theresponse.
Social distancing measures can help to reducetransmission andenable health systems to cope.
Handwashing and coughing intoyour elbow can reduce the risk foryourself and others.
Buton their own, they are not enough to extinguish this pandemic.It’s the combination that makes thedifference.
As I keep saying,all countries musttake a comprehensive approach.
Butthe most effective way to prevent infections and save livesisbreaking the chains oftransmission. And to do that,you musttest andisolate.
You cannotfight afire blindfolded. And we cannot stop this pandemic if wedon’t knowwhois infected.
We have asimplemessage forall countries:test,test,test.
If theytest positive,isolate them and findoutwho they have been in close contact with up to 2days before they developed symptoms, andtest those people too. [NOTE:WHO recommendstesting contacts of confirmedcasesonly if they show symptoms of COVID-19]
Every day,moretests arebeing produced to meet the global demand.
WHOhas shipped almost 1.5 milliontests to 120 countries. We’re working with companies to increase the availability oftests for thosemost inneed.
WHO advises thatall confirmedcases, even mildcases, should beisolated in health facilities, to preventtransmission and provide adequate care.
But we recognize that many countries have already exceeded their capacity to care for mildcases in dedicated health facilities.
In that situation, countries should prioritize older patients and those with underlying conditions.
Some countries have expanded their capacityby using stadiums and gyms to care for mildcases, with severe and criticalcases cared for in hospitals.
Another optionis for patients with mild disease to beisolated and cared forathome.
Caring for infected peopleathomemay put others in the same householdat risk, soit’s critical that care-givers followWHO’s guidanceon how to provide careas safelyas possible.
For example, both the patient and their care-giver shouldwear a medicalmask when they aretogether in the same room.
The patient should sleep in a separate bedroom to others and use a different bathroom.
Assignone person to care for the patient, ideallysomeonewhois ingood health andhas no underlying conditions.
The care-giver should wash their hands afterany contactwith the patient or their immediate environment.
People infected with COVID-19 canstill infect others after they stop feeling sick, so these measures shouldcontinue forat leasttwo weeks after symptoms disappear.
Visitors should not beallowed until the end of this period.
There aremore details inWHO’s guidance.
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Onceagain, ourkeymessageis:test,test,test.
Thisis a serious disease. Although theevidence we have suggests that thoseover 60 areat highest risk,young people, including children, have died.
WHOhasissued new clinical guidance, with specific detailson how to care for children, older people and pregnant women.
So far, we have seen epidemics in countries with advanced health systems. But even they have struggled to cope.
As thevirus moves tolow-income countries, we're deeply concerned about theimpactit could have among populations with highHIV prevalence, or among malnourished children.
That’swhy we’recallingon every country and every individual to doeverything they can to stoptransmission.
Washingyour handswill help to reduceyour risk of infection. Butit’s also anact of solidarity becauseit reduces the riskyouwill infect others inyour communityand aroundthe world.Do it foryourself,do it for others.
We alsoask people toexpress their solidarityby refraining from hoarding essentialitems, including medicines.
Hoarding can create shortages of medicines and other essential products, which can exacerbate suffering.
We’re grateful to everyonewhohascontributed to the COVID-19 SolidarityResponse Fund.
Since we launcheditonFriday,more than 110,000 people havecontributed almost 19 million U.S. dollars.
These fundswill help to buy diagnostictests, supplies for health workers and support research and development.
Ifyou wouldlike tocontribute, pleasego towho.int andclickon theorange “Donate” buttonat thetop ofthe page.
We’re also grateful for the way different sectors ofsociety are comingtogether.
Thisstartedwith the SafeHands Challenge, whichhasattracted celebrities, world leaders and people everywhere demonstrating how to wash their hands.
This afternoonWHO and theInternational Chamber of Commerceissued a joint call toaction to the global business community. TheICCwill send regular advice toitsnetwork ofmore than 45 million businesses, to protect their workers, customers and local communities, and to support the production and distribution of essential supplies.
I’dlike to thankPaul Polman, Ajay Banga and John Denton for their support and collaboration.
WHOis also working with GlobalCitizen to launch the Solidarity Sessions, a series of virtual concerts with leading musicians fromaround the world.
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Thisis the defining global health crisis of ourtime.
Thedays, weeks and months aheadwill be atest of our resolve, atest of our trust in science,and atest of solidarity.
Criseslike thistend tobringout the best andworst inhumanity.
Like me, I’m sureyou have been touchedby the videos of people applauding health workers from their balconies, or the stories of people offering to do grocery shopping for older people in their community.
This amazingspirit ofhuman solidarity must become evenmore infectious than thevirusitself. Although wemay have to be physically apart from each other for a while, we can cometogether in ways we never have before.
We’reall in thistogether. And we canonly succeedtogether.
So the rule ofthe gameis:together.
Thankyou.
I’m not sure what I just watched.
「え、俺いま何見たの？」って感じですよ
Our newmusic video is totally yabai (“yavay”).
Yabai?
ヤバいって？
Japanese slang forcool, dope, sick,ill. Fast, intense. What movesyou. Yabai is yabai. There’s no otherword to describeit.
日本語で、クールとかラリってるとか、病気とか、悪いって意味で……なんなんだろう。とにかく「ヤバいはヤバい」としか言えないんですよ
Sort of likekawaii?
cawaiiというのとは、違うの？
No no,kawaii isonly for “cute” things. Yabai is forawesome things. Bite into piping-hot pizza,it tastes yabai.Once agoodDJtakes the
stage, theclubgets yabai.Funky Kota is totally yabai.
違う違う。cawaiiは「可愛い」もののことで、yabayは「凄い」もののこと。例えば、凄い熱いピザをガブっと食べたりすると、味が「ヤバい」。良いDJがプレイ
したりすると、そのクラブが「ヤバい」。そしてFunky Kotaは、全体的に「ヤバい」
Funky Kota is a new style ofrave andhousemusic from Indonesia.Over there they callit Dangdut, butit’s also contractedas Funkot. Thebeats
are hyper fast, usually around 180 to 200BPM, likehappy hardcore except withmorevocal samples. “Areyou ready!” “HeyDJ!” That kind of
stuff. Except toJapanese ears,it sounds like “TICCCKKEE!”It doesn’t meananything butitgetsyou pumped up.
「Funky Kota」は、インドネシアから来た新しいダンスミュージックで、現地では「Dangdut」ってよばれてるんですけど、同じ様に縮めて「Funkot」とも呼ばれ
てるんです。テンポが凄く速くて、BPMが、大体180から200くらい。ボイスサンプルをもっと使いまくるハッピーハードコアって感じで“Areyou ready!” “Hey
DJ!”とかそういうのなんだけど、日本人の耳には「ティッケー！」って聞こえて、全然意味はわかんないんだけど、凄くアガるんですよ。
What’s theFunky Kota scene like inJapan?
日本のFunky Kotaシーンって、どんな感じ？
Mandokoro Takano,AKADJJetBaron pioneered thecraze back in 2009on a radio talk show with the rapper Utamaru fromRhymester. He layered Funky
Kotabass lines and samplesoverJ-pop, folk tunes and old superherothemesongs. Now he’s remixing our stuff. Very yabai.
高野政所さん（DJJetBaron）が、2009年にラッパーのライムスター宇多丸さんのラジオから流行らせました。Funky KotaのベースラインにJ-POPとかフォークソ
ングや昔の特撮番組の主題歌のサンプリングを重ねたんです。その高野政所さんが、いまうちらの曲をリミックスしてくれてるんですけど、凄く「ヤバい」です
。
So this is a new direction for thegroup?Your oldersongs are conservativeas faras idolmusicgo.
これは、グループにとって新しい試みなんじゃない？ これまでの君たちの曲って、正統派のアイドルソングって感じだよね？
We were in beforeAKB48, playing free shows in Akihabara and making aname for ourselves. The current idol culture didn’t exist back in2006.
AKB48’srise to fameset the standard forall otheracts to follow. Theymade idols yabai. Nowyouneed to have ahook to standout from the
うちらはAKB48より以前から、秋葉原で無料でライブをやって名前を売ってきたんです。でもいまみたいなアイドル文化は、2006年より以前には無かった。AKB48
が売れて、それがスタンダードになったんです。彼女たちはアイドルの「ヤバい」を作った。でもいまみんなが求めてるのは、そういうのを抜け出す何かだと思
う。
Andyou’re carvingout a nice niche with Funkot.You’ve playedover 600 shows but arestill underground. What’s thegoal of the unit?
そして君たちは、Funkotでニッチな鉱脈を掘り当てた。これまで600回以上もライブをやって、それでも地下アイドルのままだった君たちにとって、これはゴール
と言って良いのかな？
IfAKB are theheroines of the idol world, then we’re the heels. We belong justoutside the mainstream.Anything too popular losesitsedge.
Beingon aprime-time variety show like otherTop 40groups would rob us of our essence. But we’d thriveon a late night comedy program!
AKBがヒロインなら、うちらは悪役。メインストリームからは外れてます。あんまり有名になりすぎると、エッヂがなくなっちゃうじゃないですか。他のTop 40の
グループみたいにゴールデンのバラエティに出ても、うちらの味は出せない。でも深夜のお笑い番組だったら、うちらヤリますよ。
Those shows like to put their guests in bikinis. Funkotclub dancerstend to be dressed verysexy –maybeyou could playon that angle?
そういう番組って、ゲストにビキニを着せたりするよね。Funkotのダンサーも、かなりセクシーな衣装を着てるけどーー君たちも、そういうの、着る？
No, unlike some othergroups wedon’t do the bathing suit thing anymore! We want to keep ouractmorepure,more genuine.
いや、他のグループとは違って、うちらは水着とか着ませんから！ うちらはうちらのやることを、純粋に突き詰めてくだけです。
Haveyou changedover the years?
ずっとやってきて、変わってきたことってある？
We’remore hyper than ever! Ifanything, we’ve learned how to be humble. We used to expect to be pampered. I mean, that’sone of the perks of
being an idol, right? But now weaim to emulate the humble shrimp – head down, waist bowed inrespect.
何かあるとしたら、謙虚になることですね。最初はうちら、もっとちやほやされると思ってて、それがアイドルの特権だと思ってたんだけど、いまはもう、エビ
みたいに謙虚になるのが目標ですからーーエビみたく頭を下げて、腰を折ってお辞儀しますから。
What makes Hyper Yoyo hyper?
Non-stop adrenaline! If we’re not having ablaston stage, then how can the audience enjoy themselves?
止まらないアドレナリン！ うちらがステージで爆発しなかったら、お客さんも盛り上がれないでしょ？
With the advent oflive streaming sites suchasNicoNicoLive,more people are content tostayathome rather thanventureout to events.
ニコ生みたいなサイトの出現で、ライブに来るより、家で満足しちゃう人の方が多くなっちゃったんじゃない？
Funky Kota isn’t somethingyou listen to,it’s somethingyou experience! The sound reverberates throughyourbody. Watching through the
computerscreen dulls the impact. The monitor standsbetweenyou and the party.
Funky Kotaは、聞くものじゃなくて体験するものです！ 音が身体で反響するんですよ。この衝撃は、パソコンのモニターで見てたんじゃわからないですから。モニターは邪魔。
Even with that buffer,your newmusic video is pretty intense!
そんな邪魔があっても、君たちの新しいPVは、かなり激しかったよ！
Oh yeah, that’s a perfect example of what our concerts are like!Itwas filmed insideRobot Restaurant,the most yabai place inJapan.10
billionyen to build,all ofitgoing intocoloredlight bulbs and makeup for therobots.
おおぅ。あれって、うちらのギグそのものなんですよ！ ロボットレストランで撮影したんです。日本で一番ヤバいスポット。あのロボットや照明を作るのに100億円かけたって話です。
It’s beenallover thenews sinceit openedlast summer.
それって、去年の夏にオープンしてから、かなり話題になってるよ
Seriously? We hope the video shows people how yabaiJapan is. See, theJapanesetakeon Funkot is different from Indonesia, sothe originators
are starting to reverse-importit. Even the way we dance isn’t authentic.It’s half cobbledtogether fromYouTube clips, half improv.
本当に？ あのPVを見て、日本がいかにヤバいところか知ってほしいですね。日本のFunkotは、インドネシアのとは違ってると思うんだけど、最近は本家のそっちの方に、逆輸入され始めてるそうなんです。うちらはダンスも本場とは違ってるんだけど、あれって急いでyoutubeのクリップから作ったのと改良したのが半々なんです。
It’sas if we’regoing fullcircle, withDJs in Indonesia remixing copies of their original tracks…
それって円になってるみたいだね。インドネシアのDJが、彼らの曲のコピーを更にリミックスするという……
Next step,Jakarta! We want to party with the localclubkids and experience the scene firsthand.Get the authentic experience.
Imagine, our firstAsian tour. How yabai would that be!?
次の目標はジャカルタ！ 現地のクラブキッズとパーティーして、現地のシーンを直に体験したい。本物を体験したい。想像してくださいよ。うちらの最初のアジアツアーですから。相当、ヤバいですよ！？
俺は今中国に留学している。ところで、今日は香港人の友達から、日本人にインタビューをしたい友達がいるから紹介させてくれと言われた。
その香港人の友達が俺に英語で送ってきた質問が以下。それに対する俺の答えも載せてる。
まあ、中国にはこんな一面もあるのですよという報告です。よかったら見てけよ。
こんにちは^_^
Thankyou for accepting myinterview. These are my question.
1. How long haveyou been toChina?
2. What'syour impression ofChina andChinese people before? Haveyour impression ofChina orChinese people changed a lot sinceyou came toChina for study?
3.Asyou know,China-Japan relationship is not quitegood in recentdays because of the SENKAKUISLANDS(DIAOYUISLANDS) dispute. How doyou think aboutit?
4. Few weeks ago, there are many anti-Janpan protestsoverChina. AndI know thatJapan doesn't have this kind of protest.Asyou are a Janpanese, how doyou think bout the protest inChinaby comparingyour country?
That'sall my questions. Hope that none of them wouldmake annoy. Thankyou foryourtime and kindnessagain.
以下は俺からの返事。
hi kit!
1. How long haveyou been toChina?
a.
1 year. from 2012.2~2013.1
2. What'syour impression ofChina andChinese people before? Haveyour impression ofChina orChinese people changed a lot sinceyou came toChina for study?
a.
My impression before i comingshanghaihas never changed....infact, some people isnoisy, no manner, and there aregarbageon streets. but myimage thatchinese people is honest and they aregoodat merchandise is also true actually.
The changedpoint is ....fact thatchinese elite is not sosmart. I mean they aregoodat studying and getting agoodscoreon the papertest but they dont have mind ofcreation. Deeply thinking, there arenothinggood product originated inchina...many aremade in america orjapan. Basement of economic ofchina is rehash...? and that have notstill changed? that culturemakechinese elite boring? anyway, i can meet earnestguy easily, butit is difficult to findguybeyond my mind. their opiniontend to be like newspapers, just there islittle different from which newspaper they chooseas their opinion.
more or less, i have some prejudice. what do u think aboutit?
3.Asyou know,China-Japan relationship is not quitegood in recentdays because of the SENKAKUISLANDS(DIAOYUISLANDS) dispute. How doyou think aboutit?
a.
As manyjapanese, i also think diaoyudao isjapanese. also historically...lol
And i wanna present utwo mistakesmadeby both country.
fromjapanese side.....goverment shouldnt buy thatisland. buying is too radical and they dont knowchinese calture...讲究面子.
after that,chinesegoverment cantgo back.....for thier mianzi andnational interest.
fromchinese side...chinesegovermentalways choose radical way especially in territory problemand always dependson their force... notonly withjapan but also with vietnam, philipine...
4. Few weeks ago, there are many anti-Janpan protestsoverChina. AndI know thatJapan doesn't have this kind of protest.Asyou are a Janpanese, how doyou think bout the protest inChinaby comparingyour country?
the people taking part in is no manner and selfish...i think.
thank u kit, anyway ilovechina, and i wannalive inchinese world(shanghai ,hongkong, singapole if i can!) after graduating university.
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Digital cameras are made in a wide range of sizes, prices andcapabilities. Themajority are cameraphones, operatedas a mobileapplication throughthe cellphone menu. Professionalphotographers and many amateurs use larger,more expensivedigital single-lens reflex cameras (DSLR) for their greater versatility. Between these extremesliedigital compact cameras andbridgedigital cameras that "bridge" thegap between amateur and professional cameras.Specialized cameras including multispectral imaging equipmentand astrographscontinue to serve the scientific, military, medical and other special purposes for whichdigitalphotographywas invented.
Subcompact with lensassembly retracted
Compact cameras are designed to be tiny andportableand are particularly suitable for casual and "snapshot" uses. Hence, they are also calledpoint-and-shoot cameras. The smallest, generally less than20mm thick, are describedas subcompacts or "ultra-compacts" and some are nearly credit card size.[2]
Most, apart fromruggedized or water-resistantmodels, incorporate a retractable lensassemblyallowing a thin camera to have a moderately long focal length and thus fullyexploit animage sensor larger than thaton a camera phone,and a mechanized lenscap to cover the lens when retracted. The retracted andcapped lens is protected from keys,coins and other hard objects, thus makingit a thin, pocketable package. Subcompacts commonly haveone lugand a short wrist strap whichaids extraction from a pocket, while thicker compactsmay havetwo lugs forattaching a neck strap.
Compact cameras are usually designed to be easy to use, sacrificing advanced features and picture quality for compactness and simplicity;images can usuallyonly be stored using lossy compression (JPEG). Most have a built-inflash usually oflowpower, sufficient for nearby subjects.Live preview is almostalways used to frame thephoto. Most have limitedmotion picturecapability. Compacts often have macrocapability andzoom lenses but thezoom range is usually less than forbridge and DSLR cameras. Generally a contrast-detect autofocus system, using theimage data from thelive preview feed of the mainimager,focuses the lens.
Typically, these cameras incorporate a nearly silentleaf shutter into their lenses.
Forlower cost and smaller size, these cameras typically useimage sensors with a diagonal of approximately 6mm, corresponding to a cropfactor around 6. This gives them weakerlow-light performance, greater depth offield, generallycloserfocusing ability, and smaller components than cameras using larger sensors.
Starting in2011, some compactdigital cameras cantake3Dstillphotos. These3D compactstereo cameras cancapture3D panoramicphotos for play backon a3DTV.[3] Some of these arerugged and waterproof, and some haveGPS,compass, barometerand altimeter. [4]
Main article:Bridge camera
Bridge are higher-enddigital cameras that physically and ergonomically resemble DSLRs andshare with them some advanced features, butshare with compacts the use of a fixed lensand a small sensor. Like compacts, most uselive preview to frame theimage. Their autofocus uses the same contrast-detect mechanism, but manybridge cameras have amanualfocus mode, in some cases using a separatefocusring, for greater control. They originally "bridged" thegap between affordablepoint-and-shoot cameras andthe then unaffordable earlierdigitalSLRs.
Due to the combination ofbig physical size but a small sensor, many of these cameras have very highly specified lenses with largezoom range and fastaperture, partially compensating for the inability tochange lenses.On some, the lens qualifiesas superzoom. To compensate for the lesser sensitivity of their small sensors, these cameras almostalways include animage stabilization system toenable longer handheld exposures.
These cameras are sometimes marketedas and confused withdigitalSLR cameras since the appearance is similar.Bridge cameras lack the reflexviewing system of DSLRs, are usually fitted with fixed (non-interchangeable) lenses (although some have a lens thread toattachaccessory wide-angle or telephoto converters), and can usuallytake movies with sound. The scene is composedbyviewing either the liquid crystal display or the electronicviewfinder (EVF). Most have a longer shutter lag than a true dSLR, but they arecapable of goodimage quality (with sufficientlight) whilebeingmore compact andlighter than DSLRs. High-endmodels of this type have comparableresolutions tolow andmid-range DSLRs. Many of these cameras can storeimages in aRawimage format, or processed andJPEG compressed, or both. Themajority have a built-inflash similar to those found in DSLRs.
Inbrightsun, the quality difference between a good compact cameraand adigitalSLR is minimal butbridgecams aremoreportable, cost less and have a similarzoom ability to dSLR. Thus aBridge cameramay better suitoutdoor daytimeactivities, except when seeking professional-qualityphotos.[5]
Inlowlight conditions and/oratISO equivalents above 800, mostbridge cameras (or megazooms) lack inimage quality when compared to even entrylevel DSLRs. However, they do haveonemajor advantage: their much larger depth offield due to the small sensoras compared to a DSLR,allowing largerapertures with shorter exposure times.
A3DPhoto Modewas introduced in2011, whereby the camera automaticallytakes a secondimage from a slightly different perspective and provides a standard .MPO file forstereo display. [6]
[edit]Mirrorless interchangeable-lens camera
Main article:Mirrorless interchangeable-lens camera
In late2008, a new type of camera emerged, combining the larger sensors and interchangeable lenses of DSLRs with thelive-previewviewing system of compact cameras, either through an electronicviewfinder oron the rearLCD. These are simpler andmore compact than DSLRs due to the removal of themirrorbox, and typically emulate the handling and ergonomics of either DSLRs or compacts. The system is usedby Micro Four Thirds, borrowing components from the Four Thirds DSLR system.
[edit]Digital single lens reflex cameras
Main article:Digital single-lens reflex camera
Digital single-lens reflex cameras (DSLRs) aredigital camerasbasedon film single-lens reflex cameras (SLRs). Theytake theirname from their uniqueviewing system, in which amirror reflectslight from the lens through a separate opticalviewfinder.At themoment of exposure themirror flipsout of the way, making a distinctive "clack" soundand allowinglight to fallon theimager.
Since nolight reaches theimager during framing, autofocus is accomplished usingspecialized sensors in themirrorboxitself. Most 21stcentury DSLRs also have a "liveview" mode that emulates thelive preview system of compact cameras, whenselected.
These cameras have much larger sensors than the other types, typically 18mm to 36mmon the diagonal (cropfactor 2, 1.6, or 1). This gives them superiorlow-light performance, less depth offieldat a givenaperture,and a larger size.
Theymake use of interchangeable lenses; eachmajor DSLR manufacturer also sells aline of lenses specifically intended to be usedon their cameras. Thisallows theuser toselect a lens designed for theapplicationat hand: wide-angle, telephoto,low-light,etc. So each lensdoes notrequireits own shutter, DSLRs use a focal-plane shutter in front of theimager, behind themirror.
Main article: Rangefinder camera#Digital rangefinder
A rangefinder is auser-operated optical mechanism to measure subjectdistanceonce widely usedon film cameras. Mostdigital cameras measure subjectdistance automatically using electro-optical techniques, butit is not customary to say that they have a rangefinder.
[edit]Line-scan camera systems
Aline-scan camera is a camera device containing aline-scanimage sensorchip,and afocusing mechanism. These cameras are almost solely used in industrial settings tocapture animage of a constantstream of moving material. Unlike video cameras,line-scan cameras use a single row ofpixel sensors, instead of a matrix of them. Data coming from theline-scan camerahas a frequency, where the camerascans aline, waits, and repeats. The data coming from theline-scan camera is commonly processedby a computer, to collect theone-dimensionalline data and to create atwo-dimensionalimage. The collectedtwo-dimensionalimage data is then processedbyimage-processing methods for industrial purposes.
Further information: Rotatingline camera
Many devices includedigital cameras built into or integrated into them. For example, mobilephones often includedigital cameras; those that do are knownas cameraphones. Other small electronic devices (especially those used for communication) suchas PDAs, laptops andBlackBerry devices often contain an integraldigital camera, and most 21stcentury camcorders can alsomakestill pictures.
Due to the limited storagecapacity and general emphasisonconvenience rather thanimage quality, almostall these integrated or converged devices storeimages in the lossy but compactJPEG file format.
Mobilephones incorporatingdigital cameras were introduced inJapan in2001byJ-Phone. In2003 cameraphonesoutsold stand-alonedigital cameras, and in2006 theyoutsoldall film-based cameras anddigital cameras combined. These cameraphones reached a billion devices sold inonlyfive years, andby2007more than half of the installedbase ofall mobilephones were cameraphones. Sales of separate cameras peaked in2008. [7]
Integrated camerastend to beat the verylowest end of thescale ofdigital cameras in technical specifications, suchasresolution, optical quality,and ability to use accessories. With rapid development, however, thegap between mainstream compactdigital cameras and cameraphones is closing, and high-end cameraphones are competitive withlow-end stand-alonedigital cameras of the same generation.
ACanonWP-1 waterproof 35mm film camera
Waterproofdigital cameras aredigital cameras that canmake pictures underwater. Waterproof housings have long been made but they cost almostas the cameras. Many waterproofdigital cameras are shockproof and resistant tolow temperatures;one of them isCanonPowerShotD10,one of the first underwaterdigital cameras.
These cameras become very popular during the holiday season, because many people want to save the bestmoments from their holidaysat the seaside. Waterproof watches and mobilephones were produced earlier. Mostmakers ofdigital cameras also produce waterproofones and every year they launchat leastone newmodel, for exampleSony,Olympus,Canon, Fuji.
HealthwaysMako Shark, an early waterproof camera,[8]was launched in 1958 and cost around 25 dollars.Itwas ahuge camera and pictures were black andwhite.
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今日の深夜～早朝にかけて、同人音楽界隈から一歩出れば無名に近いokadadaのUstreamでのDJに2000人以上という異例の人数が殺到するという出来事があった。詳細は以下のブログで。
http://tofubeats.blog107.fc2.com/blog-entry-235.html
トブiPhone: 記録的な聖夜！8畳に2000人を集めたUSTREAMDJ @okadadada
http://applembp.blogspot.com/2009/12/82000ustream-dj-okadadada.html
67.DJ okadaの衝撃。歴史が変わる瞬間を目撃してるのかもしれない。 - ちょっとギークな（中略）のブログ。
http://d.hatena.ne.jp/kazzwatabe/20091224/1261683822
この出来事が起こった背景と、出来事それ自体、そしてTwitterと音楽はキャズムを超えられるのか？という問いについて。
この出来事を読んで(あるいは体験して)、多くの人は2chの「祭り」を想起したのではないか。無名あるいは匿名の個人から発した動きがインターネット(の一部)で爆発的に広がり、多くの人間がそこへ参加していく、と言った構図は確かに「祭り」と通ずるものがある。
しかし、これは「祭り」ではない。もっとすごいものだ。それなのに「祭り」として処理されそうになっている。この文章を書いたのもそれに反対するためである。
最も大きな違いはこれだ。
「祭り」はよく指摘されているように、「祭り」のネタ・内容に意味があるのではなく、参加すること自体が意味であり目的である。
「Twitterで有名人に群がる」と言えば広瀬香美のことが思い出されるが、この点においてあれもまた「祭り」の変形として捉えることが出来るだろう。2chであればニュースや企業の不祥事といったコンテンツをネタに「祭る」ことができるが、ツイッターの場合はその性質上、どうしても「コンテンツとしての人間」(http://d.hatena.ne.jp/gotto-s/20091201/1259675416)が必要になってしまう。
翻って今回の場合は、集まる中心に音楽というコンテンツ(ネタ)が据えられており、その分だけ「参加することそれ自体」への志向性が低い。これによって、よく「祭り」について言われる空虚さや無意味性といった点を克服している。この点こそが「祭り」と今回の件を分けて考えなければならないとする最も大きな理由である。
さて、今回の件から「魅力的なコンテンツさえあればそれが多くの人に届く環境が用意された」と言うことも出来るだろう。
「でもそれってインターネット始まって以来ずっと言われてきたことじゃない？」
その通り。でもよくよく思い出してみると「魅力があるが無名のコンテンツがインターネットを通じて一躍有名に」というケースは実はかなり少ない。なぜなら、これまでは「一躍有名に」できる力を持つ人間が少なく、また力があっても「一躍有名に」できるような環境が整備されていなかったからだ。
今回それが可能となったのは「今、ここ」を垂れ流しに出来るTwitterの存在があったからに他ならない。例えば有名人が「御用達の店」を紹介する際、グルメ番組はもちろんのことブログに書くにも紹介しようと思いついて紹介文を書き投稿されるまでに結構な取捨選択が行われてしまう。その点Twitterは、「○○でランチなう」「××おいしい！」という、紹介するという意識もないような一言で済ませることが出来る、「人々が情報を広めやすい」(easyだけではなくtend toの意味でも)メディアであると言える。
2chで、ある情報が「祭り」として認知されるためには、大勢の名無しがスレッドに書き込みスレッドの勢いを上げることが必要である。
対して今回の場合、爆発的に広めるきっかけとなったのはいとうせいこうのtweetである。
say yeah! USTdj→http://bit.ly/Ds7aL
seikoito(いとうせいこう)
(http://twitter.com/seikoito/status/7005117342)
「結局有名人が必要なら今までのメディアと大差ないじゃないか」という意見もあるだろう。しかし、これまでのメディア(マスメディアだけでなくBlogも含む)とは違い、Twitterにおいては、有名人がメディアを使うのではなくメディア(Twitter)が有名人を使うのだ。言い換えれば、Twitterは既存メディアが作り上げた「有名人」を取り込んでしまう。
有名人に限らないことだが、上の例で述べたように、Twitterは利用者にコンテンツを紹介するという意識を持たせないまま紹介させる。上のいとうせいこうのtweetにしたって非常に小さな情報でしかない。この性質こそが既存メディア比べたときにTwitterが決定的に違い、また強いポイントだ。
つまり、今回の件はTwitterでなければ起こりえなかったと言える。(いとうせいこうがブログだけを使っていたら深夜のUstreamを取り上げただろうか？2chのスレッドにUstreamのURLを貼って2000人が集まっただろうか？)
この点で、今回の件は既存メディアによるものと異なり、また「祭り」とも異なっている。
しかしそうはいっても、結局音楽はあまり関係無しに「祭り」として楽しんだ人もかなりの数に上るだろうし、そうでない人たちも結局終わった後はそれぞれのクラスタへ帰ることとなる。
確かにそうかもしれない。だが、今回の件はあってないような（なくてあるような）それにして確固としたクラスタの壁を突き破ることが出来たということもまた事実である。
それはゆるく広い繋がりを志向するTwitterの功績でもあるが、それだけではなく、壁を破る原動力としての音楽の価値も認めて良いはずだ。いくら有名な人間が勧めたとしても、批評についてのUstreamや高校生の独り言を垂れ流すニコ生では、こうはいかなかったように思う。それは恐らく音楽の持つ普遍性によるのだろう。
音楽が中心にあり、その周りで人々が騒ぐ。この構図を見ると、これこそ括弧無しで祭りと呼ぶのにふさわしいのではと思える。
中心に別に音楽でなくてもいい。しかし、中心に何もなくただ集まるだけの「祭り」の行き着く先は袋小路だろう。
そう考えると、Twitterがキャズムを超える日が来るとすれば、それはカリスマやコンテンツ化した人間の存在や「祭り」の場であるがゆえでなく、価値あるコンテンツと人々を媒介する場としてであろう。
Twitterのこうした媒介としての側面は、これまであまり触れられてこなかったことのように思う。しかし、有名人のTwitter参入が相次いでいることや、アルファTwitter-erの出現を見ても、今後はこういったケースがますます増えていくはずだと考えられるし、別に有名人やアルファTwitter-erでなくても媒介することは可能なはずだ。
村上春樹講演英文と和訳まとめ（仮）http://anond.hatelabo.jp/20090219051511
の付録として、共同通信＝Kと毎日新聞＝Mの英文を対照させてみました。
英文
（ハアレツ紙）http://www.haaretz.com/hasen/spages/1064909.html
（共同通信47News＝K）http://www.47news.jp/47topics/e/93880.php
（毎日新聞＝Mの前半）http://mdn.mainichi.jp/mdnnews/news/20090302p2a00m0na004000c.html
和訳
（K和訳）http://www.47news.jp/47topics/e/93925.php
（M前半和訳）http://mainichi.jp/enta/art/news/20090302mog00m040057000c.html
Kとの類似から、Mはテープから起した英文のようです。ただし、「失礼しました、大統領」（M前半和訳）に相当する部分は書き起こされていません。K和訳は、ハアレツ紙のみにある’’ This is an impression, of course, that I would notwish to give. I do not approve of anywar, and I do not support any nation.’’にあたる部分を含んでいますが、M前半和訳はそれを含みません。
前回同様、番号は便宜的につけただけ。
1
（K）Politicians do it, too,as we all know.
（M）Some politicians do it, too,as we all know.
2
（K）The lies of novelists differ from others, however,
（M）The lies of novelists, however, differ from others,
3
4
5
6
（K）where thetruth-lies within us,
（M）where thetruth lies within us,
7
（K）a fewdays in the year when I do not engage in telling lies,
（M）a fewdays in the year I do not engage in telling lies,
8
9
（K）Some evenwarned me they would instigate a boycott
（M）Some evenwarned me that they would instigate a boycott
10
（K）after receiving notice of the award,
（M）after receiving notice of this award,
11
（K）accepting a literary prize was the proper thing to do, whether
（M）accepting a literary prize is a proper thing to do, and whether
12
13
14
（K）Perhaps, like many other novelists,
（M）Like many other novelists,
15
（K）If people are telling me—and especially if they arewarning me— “Don’t go there,” “Don’t do that,” Itend to want to
（M）If people are telling me, and especially if they arewarning me, “Don’t go there,” or “Don’t do that,” Itend to … want to
16
17
（K）Please do allow me to deliver amessage,one very personalmessage. It is something that I always keep in mind
（M）So, please do allow me to deliver amessage--one very personalmessage. It is something I keep in my mind … always keep in mind
18
（K）it is carved into the wall of my mind, and it goes
（M）it is carved into the wall of my mind. It goes
19
（K）no matter how right the wall may be and how wrong theegg,
（M）no matter how right the wall may be, how wrong theegg,
20
（K）What is the meaning of this metaphor?
（M）What is the meaning of this metaphor, of the wall and theegg?
21
（K）Theeggs are the unarmed civilianswho are crushed and burned and shot by them.
（M）Theeggs are unarmed civilianswho are crushed, burned and shot by them.
22
（K）This isone meaning of the metaphor.
（M）This isone meaning of this metaphor that is true.
（つづく）
http://mainichi.jp/enta/art/news/20090302mog00m040057000c.html?link_id=TT002
署名記事： ハアレツ紙http://www.haaretz.com/hasen/spages/1064909.html
テープ起こし：共同通信http://www.47news.jp/47topics/e/93880.php
テープ起こし：毎日新聞（前半）http://mdn.mainichi.jp/mdnnews/news/20090302p2a00m0na004000c.html
毎日新聞（後半）http://mdn.mainichi.jp/mdnnews/national/news/20090303p2g00m0dm005000c.html
（ハアレツ紙より）
増田さん訳：http://anond.hatelabo.jp/20090218005155
sho_ta さん訳：http://d.hatena.ne.jp/sho_ta/20090218/1234913290
びじうさん訳：http://blog.livedoor.jp/bijoux_iris/archives/51179283.html
finalvent さん訳：http://finalvent.cocolog-nifty.com/fareastblog/2009/02/post-1345.html
ちぶぞうさん訳：http://lsi.cocolog-nifty.com/blog/2009/02/post-118d.html
wh_cm さん訳：http://d.hatena.ne.jp/wh_cm/20090218
mousecat さん訳：http://www.geocities.co.jp/Playtown-Spade/2177/diary0902.html#20090218
fujipon さん訳：http://d.hatena.ne.jp/fujipon/20090218#p1
adfjpn さん訳：http://d.hatena.ne.jp/adfjpn/20090218
yu-kuboさん訳：http://www3.atwiki.jp/cloud9science/pages/121.html
m_debuggerさん訳：http://d.hatena.ne.jp/m_debugger/20090218/1234917019
youghsoroさん訳：http://d.hatena.ne.jp/youghsoro/20090219
maki555さん訳：http://maki555.blog88.fc2.com/blog-entry-1161.html
Ryo-maさん訳：http://ameblo.jp/fwic7889/entry-10210795708.html
chorocoさん訳：http://choroco.tumblr.com/post/79548962
giantpandaさん訳：http://d.hatena.ne.jp/giantpanda/20090220
適当社長さん訳：http://ameblo.jp/at-nine/entry-10210524463.html
細馬さん訳：http://12kai.com/murakami_jerusalem.html
（共同通信より）
共同通信訳：http://www.47news.jp/47topics/e/93879.php
ただし、共同通信記事では省略されているハアレツ紙記事の内容が含まれていたり、単語が落ちていたりするので、英文ともども最終版なのかは注意が必要。
共同通信訳微修正版：http://www.47news.jp/47topics/e/93925.php
変更箇所
（前）父が朝食前に毎日、長く深い仏教の祈りを捧げている
（後）父が朝食前に毎日、長く深いお経を上げている
（毎日新聞より）
毎日新聞訳（前半）：http://mainichi.jp/enta/art/news/20090302mog00m040057000c.html
毎日新聞訳（後半I）：http://mainichi.jp/enta/art/news/20090303dde018040076000c.html
毎日新聞訳（後半II）：http://mainichi.jp/enta/art/news/20090303dde018040076000c2.html
番号は便宜的につけただけ。
1
（H）I have come to Jerusalemtodayas a novelist,
（K）Good evening. I have come to Jerusalemtodayas a novelist,
2
（H）Diplomats and military men
（K）Diplomats and generals
3
4
5
（H）we first have to clarify where thetruth lies within us.
（K）we first have to clarify where thetruth-lies within us, within ourselves.
6
7
8
（H）in the blockaded Gaza City
（K）in the blockaded city of Gaza
9
（H）unleashits overwhelming militarypower. This is an impression, of course, that I would notwish to give. I do not approve of anywar, and I do not support any nation. Neither, of course, doI wish to see my books subjected to a boycott.
（K）unleashits overwhelming militarypower. Neither, of course, doI wish to see my books subjected to a boycott.
10
（H）I chose to speak to you rather than to saynothing.
This is not to say that Iam here to deliver a politicalmessage. Tomake judgments about right and wrong isone of the novelist's most important duties, of course.
It is left to eachwriter, however, to decide upon the form in which he orshe will convey those judgments to others. I myself prefer to transform them into stories - stories thattend toward the surreal. Which iswhy I do not intend to stand before youtoday delivering a direct politicalmessage.
Please do
（K）I chose to speak to you rather than to saynothing.
Please do
11
（H）Please do, however, allow me to deliverone very personalmessage.
（K）Please do allow me to deliver amessage,one very personalmessage.
12
（H）Someone else will have to decide what is right and what is wrong; perhapstime or history will decide
（K）Someone else will have to decide what is right and what is wrong; perhapstime or history will do it
13
14
（H）This is not all, though.
（K）But this is not all.
15
（H）The System
（K）the System
16
（H）I fully believe it is the novelist’s job
（K）I truly believe it is the novelist’s job
17
18
19
20
（H）the peoplewho had died in thewar.
（K）the peoplewho had died in thebattlefield.
21
（H）individuals transcending nationality and race and religion,fragile eggs
（K）individuals transcending nationality and race and religion, and we are allfragile eggs
22
（H）and fromthe warmth we gain by joining souls together.
（K）and from our believing inthe warmth we gain by joining souls together.
23
（H）Iam grateful that my books arebeing read by people inmany parts ofthe world. And Iam glad to have had the opportunity to speak to you heretoday.
（K）Iam grateful that my books arebeing read by people inmany parts ofthe world. And I would like toexpress my gratitude to the readers inIsrael. You are the biggestreasonwhy Iam here. And I hope we are sharing something, something very meaningful. And Iam glad to have had the opportunity to speak to you heretoday. Thank you very much.
英語読みの読者が思い浮かべるのは、やはり''Hard-boiled Wonderland and the End ofthe World''（『世界の終りとハードボイルド・ワンダーランド』の英訳）になるでしょうか。パレスチナを念頭に置いて見ると、''The End ofthe World''の地図は強烈に感じるものがあります。私は主人公（＝作者）の選択と「卵の未来」について思いを馳せました（このような読みの良し悪しは脇に置きます）。
追記：
adfjpnさん訳へのリンクを追加
yu-kuboさん訳、m_debuggerさん訳、youghsoroさん訳へのリンクを追加
共同通信訳微修正版へのリンクと変更箇所の引用、蛇足としての感想を追加
maki555さん訳、Ryo-maさん訳、chorocoさん訳へのリンクを追加、蛇足部分の誤記を訂正、追記が増えたため見出し化
蛇足部分の訂正箇所
giantpandaさん訳、適当社長さん訳、細馬さん訳へのリンクを追加
付録IIhttp://anond.hatelabo.jp/20090302222413 を別に作成、リンクを追加
付録IIIhttp://anond.hatelabo.jp/20090303214139 を別に作成、リンクを追加
http://anond.hatelabo.jp/20090218005155
村上春樹：「常に卵の側に」(http://www.haaretz.com/hasen/spages/1064909.html ）でハアレツに寄せられたコメントの一部です。
http://www.haaretz.com/hasen/objects/pages/ResponseDetails.jhtml?resNo=4542207&itemno=1064909&cont=2
Title: ToMr. Murakami: a few words ofreply from anegg
Name: A Philosopher
City:State:
First, let me welcome you to the region. Second, I would like to disagree with you about your description of literatureas a skilful lie. A lie must, by definition, involve malice, deception, whereas literature is about imagination: there is no malice about that. Unfortunately, much of what you hear lately on internationalTV aboutIsrael are indeed lies, not even fiction. You say thatIsrael is the wall and the Palestinians are theeggs, just because we have Tanks. Youtend to forget that the Palestinians are part of more thanone billion Muslims inthe world, many ofwhom would like to get rid ofIsrael if they just could. You also forget that if the situation were reversed and the Palestinians were instead in possession of tanks, there wouldn`t be anyeggs left in the middle-east. The wall we build is exactly to protect us,aseggs, from the wolf lurkingoutside. And If the terrorists didn`t use their owneggsas shield, they wouldn`t break either. All the best toyou.
題：村上さんに卵からいくつかの回答
まずは、中東までご苦労さまでした。で、技巧に富んだ嘘として文学を称された件については賛成できません。嘘とはその定義によれば、悪意やごまかしを含んでいるのに対し、文学は想像力に関するものであり、悪意はありません。不幸にもイスラエルに関してあなたが国際報道で目にしたことはまったくの嘘であり、創作でさえありません。イスラエルは壁でパレスチナは卵だとおっしゃられますが、たまたま戦車が私たちにあっただけです。お忘れのようですがパレスチナは10億以上の人口を抱えるイスラム世界の一部です。その多くがもし可能ならイスラエルを消滅させたいと願っています。逆の立場で考えればパレスチナ人が戦車を持ったら中東から卵は消え去る事も思い出して下さい。外をうろつく狼から身を守るためだけに私たちは壁を作ったのです。テロリストが自分のところの卵を人間の盾に仕立てなければ、割れることもなかったでしょう。
http://www.haaretz.com/hasen/objects/pages/ResponseDetails.jhtml?itemno=1064909&resNo=4543094
Title: Like Quixote tiltingat windmills
City: BarcelonaState:
I don`t doubt that this fellow`s books may be addictive, but I do doubt the value of getting hooked on stories that are all, apparently,based on a false ontology ofthe worldbeing clearly divided into "walls" and "eggs."As talkback #1 pointsout, even tank-drivers have their fragility, and to deny their humanity by summarily labeling them "walls," and considering them to be part of some chimerical menacecalled "the system," is to paint a thin veneer of chivalry over arottenbase of moral recklessness.
What`s been going on in Sderot over the last several years? Have Gazans, driven to desperation by the evil system-monster, been left with no option but totoss theireggs against the walls thatsurround them? Is it evil for people on the receiving end to retreat untobomb-shelters (aka "walls") against which theseeggscan`t help but break?
Mr. Murakami, walls don`t breakeggs unless there is someone throwing thoseeggs.
題：まるでドンキホーテ
彼の本がやみつきになるのは私も否定しないが、与太話、明らかに間違った本体論、つまり「壁」と「卵」とに世界を分類するというのは何の意味もない。1番目のコメントが指摘するように戦車の兵士だって（卵のように）壊れやすい。あっさり彼らを「壁」とひとくくりして、「システム」という名のでっちあげた脅威にしたてるなんて、わけわからん理由で廃屋に挑む騎士のようなもんだ。スデロット（Sderot）でここ何年もなにが起きている？ガザの連中は悪のシステムモンスターのせいでやけっぱちのやけくそで自分とこの卵をぐるりと囲む壁に投げつけたというのだろうか？シェルターに追いつめられた（これも「壁」だよね、卵は仕方なしに投げつけられて壊れる）人々が邪悪だって？村上さん、誰かが卵を投げなければ壁は卵を壊さないんだよ。
http://www.haaretz.com/hasen/objects/pages/ResponseDetails.jhtml?itemno=1064909&resNo=4543134
City: AmsterdamState:
bit folish to say that the only option is that the hurt civilians are theeggs and theisraeli tank andbombs are the wall. Never thought that theisrael people are theeggs in a small basketcalled eretz jisrael which issurrounded by a rather large muslim wall?
No fiction heremr , just hard facts.
Kind regards from the Netherlands
題：壁と卵
負傷した人々が卵でイスラエルの戦車や爆弾が壁だとしか言えないなんてちょっとまぬけだね。もっと大きいムスリムの壁に包囲されたイスラエルの地（eretz jisrael）という小さなかごにいる人たちが卵だって考えなかったのかね？フィクションじゃないよ、ちゃんとした事実だ。
http://www.haaretz.com/hasen/objects/pages/ResponseDetails.jhtml?itemno=1064909&resNo=4543210
Title: re #5
Name: B
I get where you`re coming from because I`m tired of utopian solutions from dreamers inEurope.
But I believe Murakami is aguywho also understands the tank driver and ourkids in Sderot.I know we`re not used to having media acknowledge our citizensas people, so we get defensive, but I giveMr. Murakami thebenefit of the doubt.
Fromhis speech I feel he`s criticizing the entire system thathas our neighbors trying to destroy us in the first place andthe world legitimizing it and thecommon acceptance of boycottingIsrael because it`s the in thing to do. Thisguy is acknowledging our fight to overcome thisas individuals andas societies.
Thisguy is deeper than our critics fromEurope, and thisguy is a novelist, not a critic.
In Norwegian Wood he painted a really accurate picture of some self-righteous university organizations, quite similar to many of our critics. All I`m saying is before dismissinghim or arguing, see that he`s not picking fights or sides.. besides useggs
ヨーロッパの連中が言うユートピア的解決にはもう飽き飽きしちゃうよね。
村上は戦車の兵士やスデロットの子供たちも理解していると思う。メディアはぼくらを人間あつかいしないから、防戦一方だけど。でも村上さんに対して性急な判断は控えたい。ぼくらのご近所さんがイスラエルを破壊しようとしている事、世界がそれを正当化しようとしている事、イスラエルボイコットの考えが一般化する事を強制するシステム全体を非難しているようにぼくには思えた。こいつは僕らの戦いが個人として、社会として克服されるって事を知ってる。
ヨーロッパの評論家よりずっとわかってるし、彼は小説家であって評論家じゃない。
ノルウェイの森に出てくる独善的な学生運動家は評論家連中みたいで、きっちり描かれている。彼のことをくさす前に、論争を挑んだり一方の側につくつもりがないのを理解しないと。
http://anond.hatelabo.jp/20090218005155
お疲れ様です。個人的に気になったところ、瑣末なものばかりですみませんが、いくつか述べさせて下さい。
（元増田訳）どうしてこんな事がまかり通っているかって？答えを述べさせていただきます。
（私案）どうしてこんな事がまかり通っているかって？
答えを述べさせていただきます。
＜段落の追加＞
（元増田訳）おびき出して尻尾をとらえようとするのです。で、とりかかるためにまずは、
（私案）おびき出して尻尾をとらえようとするのです。ほんとうの事を創作の場所まで運び、創作のかたちへと置き換えるのです。で、とりかかるためにまずは、 try to grabits tail by luring thetruth fromits hiding place, transferring it to a fictional location, and replacing it with a fictional form. In order to accomplish this,
＜語句脱漏の補足＞
（私案）重要な条件 an important qualification
＜訳語の提案＞
（私案）ガザに怒りを撒き散らした that was raging in Gaza
＜訳語の提案＞
（元増田訳）私ですが、超現実的になりがちな形に移し替えるのを好みます。
（私案）私自身は、超現実的なものになりがちですが、物語の形に移し替えるのを好みます。 I myself prefer to transform them into stories - stories thattend toward the surreal.
＜訳文の調整の提案＞
（元増田訳）メモ書きして壁に貼るほどのものではないです。どちらかというと、心のなかにくっきりと刻みこまれているたぐいのものです。
（私案）メモ書きして壁に貼るようなことはしたことがありません。それは私の心の壁にくっきりと刻み込まれているのです。 I have never gone so faras to write it on a piece of paper and paste it to the wall: Rather, it is carved into the wall of my mind
＜訳文の調整の提案＞
（元増田訳）だれか他の人が何が正しく、何がまちがっているのか決める必要があるのなら、それはたぶん時と歴史が決めるのでしょう。
（私案）何が正しく、何がまちがっているのかを決める必要がある人もいるのでしょうが、決めるのは時間か歴史ではないでしょうか。 Someone else will have to decide what is right and what is wrong; perhapstime or history will decide.
＜訳文の調整の提案＞
（元増田訳）たいていの場合、
（私案）ある場合には、 In some cases,
＜訳語の提案＞
（私案）「システム」 The System
＜訳語の提案＞
（元増田訳）ときどき勝手に私たちを殺したり殺し合うようしむけます。
（私案）ときにはそれ自身がいのちを帯びて、私たちを殺したり殺し合うようしむけます。 sometimes it takes on alife ofits own, and then it begins to kill us and cause us to kill others
＜訳文の調整の提案＞
（私案）個人の生の尊厳を一番上まで引き出し、 that is to bring the dignity of the individual soul to thesurface （soulをどういうニュアンスで使っているのか、正直よくわからないです。尊いものとしているのは確かですが）
＜訳語の提案＞
（元増田訳）生と死の物語であったり愛の物語であったり悲しみや恐怖や大笑いをもたらす物語を書く事によってなされます。だから日々私たち小説家はまったくの深刻さを創作と混ぜ合わせてやりくりしているのです。
（私案）生と死の物語や愛の物語、人々が声を上げて泣き、恐怖に身震いし、体全体で笑うような物語を書く事によってなされます。だから日々私たち小説家は、徹頭徹尾真剣に、創作をでっちあげ続けるのです。 stories oflife anddeath, stories oflove, stories thatmake people cry andquake withfear and shake with laughter. This iswhy wego on, day after day, concocting fictions with utter seriousness.
＜訳文の調整の提案＞
（私案）人種 race
＜訳語の提案＞
（元増田訳）唯一無二なるものを断固として信じ、自分自身と他者のかけがえのなさを信じ、
（私案）自分自身と他者の生が唯一無二であり、かけがえのないものであることを信じ、 from our believing in the utter uniqueness and irreplaceability of our own and others' souls
＜訳文の調整の提案＞
（元増田訳）暖かみによってもたらされなければなりません。ちょっと考えてみて下さい。
（私案）暖かみによってもたらされなければなりません。
ちょっと考えてみて下さい。
＜段落の追加＞
ご覧の通り、訳文の調整の提案は、元の訳をかなり利用させて頂きました。村上春樹作品を読んでいたのはかなり昔のことになりますし、翻訳の経験も多くはないので、提案の質の低さについてはご容赦下さい。
追記： id:le-matin さん（ http://d.hatena.ne.jp/le-matin/20090217/p1 ）より抜粋である事を明記した方がいいと助言を頂きました。ありがとうございます。
これを受けて、明らかな間違いの修正及び説明の追加、変更を加えさせて頂きました（2月17日 20:00）
共同通信とエルサレムポストが一番網羅的ですが、どの記事も講演すべてを収めていないものと思われます。ご留意下さい。
共同通信：
特記すべき点として、戦車・ロケット弾・白リン弾といった具体的な「得物」にふれています。他のニュースソースではまだ確認できていません。
http://www.chugoku-np.co.jp/NewsPack/CN2009021601000180_Detail.html/
http://www.sponichi.co.jp/society/flash/KFullFlash20090216041.html/
http://sankei.jp.msn.com/culture/academic/090216/acd0902161022003-n1.htm/
日テレ：
http://www1.ntv.co.jp/news/wmtram/dw/ng.html?m_url=090216039&n_url=129212/
i chose to come here rather than stay away. rather i chose speak rather thannothing....
フジ：
http://www.fnn-news.com/news/headlines/articles/CONN00149487.html/
i chose to see for myself rather than not to see. ... like novelist opposite....
TBS:
http://news.tbs.co.jp/newseye/tbs_newseye4063622.html/
whether this to create impression i supportedone side in theconflict and that i endorsed the policy of a nation that chose to unleashits overwhelming militarypower...
（はたしてこれが紛争当事者の一方に付く印象を与えるのか、圧倒的な軍事力で苦しめる選択をした国家の政策を裏打ちするものになるのか・・・）
NHK:
http://www3.nhk.or.jp/news/t10014185071000.html/
I asked myself whether travelling toisraelat atimelike this and accepting a literary prize is a proper thing to do, theycan not genuinly trustanything that theyhaven't seen on their own eyes or touched with their own hands...
http://www.japantoday.com/category/features/view/haruki-murakami-wins-jerusalem-prize/
（村上氏の発言のみ抜粋）
"sometimes takes on alife ofits own and it begins to kill us and cause us to kill others coldly, efficiently and systematically."
"We are allfragile eggs faced with a solid wall called the system....To all appearances, we have no hope...the wall is too high and too strong...If we have any hope of victoryat all, it will have to come from our utter uniqueness"
"Each of us possesses a tangible living soul. The systemhas no such thing. We must not allow the system toexploit us"
「時にはそれ自体が自らの生命を受け、私たちを殺し始め、私たちが他者を殺すよう冷酷に、効率的に、システマティックにけしかけます」
「私たちはシステムと呼ばれる堅固な壁を前にする壊れやすい卵です・・・・壁は高く、強すぎます・・・それでも望みを抱くのなら、勝利は私たちがそれぞれ唯一無二である事からやってこなければなりません」
「私たちそれぞれが形ある生きる存在です。システムにはそんな物はありません。システムが私たちを食い物にするのを許すわけにはいかないのです」
Gurdian（イギリス）
賞金が1万ドルであること、親パレスチナグループより受賞を辞退するよう働きかけがあった点についてふれています。
http://www.guardian.co.uk/books/2009/feb/16/haruki-murakami-jerusalem-prize/
Ha'aretz（イスラエル、ヘブライ語新聞メイン、英語と併売）
受賞理由と村上作品について。スピーチ内容については言及なし。
http://www.haaretz.com/hasen/spages/1064160.html/
http://www.jpost.com/servlet/Satellite?cid=1233304788868&pagename=JPost%2FJPArticle%2FShowFull/
（以下記者自身の記述を含め、だいたい訳しています。"the lucid wisdoms inhis novelstend to come from acquaintances of the protagonist"の訳については全く自信がありません）
「イスラエルは卵じゃない」
わかりにくい？ 日本のベストセラー作家である村上春樹から聞く事になる説明としてはこれが唯一のものだろう。まさしく村上のスタイルであり、さらにどことなく曖昧である。
時差ボケ、政治的論議、マスコミの群れに逆らって日曜に彼は受賞のためやってきた。
シモン・ペレス大統領とエルサレム市長であるニル・バルカトを脇に従え、落ち着いた態度で彼は賞を受け取った。壇上で一人、フラッシュを浴びる事もなく彼は本題にかかった。
「ついにエルサレムに来ました。小説家として、嘘の紡ぎ手としてここにいます」
「小説家だけが嘘つきなわけではないです。政治家も（大統領、失礼）外交官も嘘をつきます。しかし小説家とその他の人々を分け隔てるものがあります。私たち小説家は嘘つきの嫌疑で訴えられる事はありません。賞賛を受けるのです。嘘が大きければ、またより高い賞賛を受けることになります」
「私たちのつく嘘とその他の嘘の違いとはすなわち、私たちの嘘が真実をもたらすという点です。総体をもって、真実を把握するのは難しい事です。だから私たちは真実を創作の領域に落とし込みます。しかしなによりも、私たちの中に潜む真実がどこにあるのか明らかにしなくてはなりません」
「私は今日、真実を語ります。1年のうちに真実を語るのは数日しかありません。今日がその1日です」
彼の小説は超現実的かつ想像力にあふれたもので、しばしば突拍子もないところまで話が進む。彼の本を読むのはピカソの絵画を見るようなものだ。普通の状態から離れる事を必要とされ、村上の世界では事物や出来事は彼固有のロジックに落ち着きどころを見いだす。
しかし彼の小説の根底にはロジカルなカオスとはまったく対称的な個人がいる。非常に人間的で、自己に目覚めた慎ましやかな個人だ。すなわちその個人の内的格闘は我々のものと同じなのだ。
村上を受賞者に選んだ選考は速やかに満場一致のうちに終わった。普遍的ヒューマニズムと現存する回答困難な問題との取り組みが（受賞理由として）引き合いに出された。しかし審査をめぐる論議はほとんど起こらなかったが、村上自身は受賞について複雑な心境だった。
「受賞の意志を打診されましたが、ガザでの戦闘の件があり、訪問を取りやめるよう警告がありました。私は自問しました。はたしてイスラエルを訪問するのが適切な事なのかと？一方の側を支援する事にならないか？」
「ちょっと考えを巡らしました。で、来ようと決めたわけです。大抵の小説家のように、言われたのとはきっちり反対の事をするのが好きです。それが小説家として、私の根底にあります。自分の目で見ず、自分の手で触れないものを小説家は信用しません。だから私は見る事にしました。なにも言わないよりはここでしゃべることにしました」
「ここに私が来て、言いたかった事があります」
すると村上は主要人物の仮面を脱ぎ捨て、端役へと回った（彼の小説では明確な啓示はしばしば主人公の奪還から立ち現れる）。発言は明快で、再考の余地はなかった。曖昧さのための時間はなかった。
「固く高い壁があり、卵が壁に打ち壊されるなら、壁がどんなに正しく卵がどんなに誤っていても私は卵の側に立ちます」
「どうしてなのか？私たちそれぞれは卵であり、壊れやすい卵にくるまれた唯一無二の存在だからです。私たちそれぞれは高い壁を前にしています。高い壁とはシステムです。それは通常では個人として受け入れがたいものを私たちに強います」
「私が小説を書く理由はただ一つです」続く彼の声音は控えめで、誠実な響きがある。
「すなわち個人が持つ唯一無二の神聖さを描く事です。唯一無二なるものを満足させる事です。システムが私たちをめちゃくちゃにするのを防ぐ事です。だから私は生と愛について物語を書きます。人々を笑わせ、泣かせます」
「私たちは皆人間であり、個人であり、壊れやすい卵です。壁を前にして、望みは失われます。高く、暗く、冷たすぎるのです。暖かみと力のために、私たちの存在を一つにして壁と戦わなくてはなりません。システムが私たちをコントロールするのを許してはいけません。私たちが何者であるか、決めさせてはいけません。システムを作り上げたのはは私たちですから」
村上は読者への感謝の言葉で締めくくった。受賞のために人前に出る習慣のない人物としては、本当に特別な事だ。
「イスラエルの皆さん、私の本を読んでくれて感謝します。意義ある何かを共有できればと願う次第です。あなたが私がここにいる最大の理由なのです」
Celui où savait, l'estimation déjà déjà pensée s'il y avait beaucoup il, mais j'ai éprouvé règleetun viol le passé.
Une personne détruite le caractèrepar lui a associé àun certain groupe religieux pour le manquer.
Pas volonté, je devais chanterpar qu'événements depuis que j'étais jeune.
S'il ne faitpas donc il, j'attrape les cheveux à luiet il esttraîné autouret il esttouchéun corpsetla raison est parce que j'ai été emmené àla placepar force.
J'étais violent.
Ses yeux tels que le serpent qui a toujours stagné m'ont raidi.
Il n'y avait personne pour appeler aide.
Non, mêmela voix n'estpas sortie.
Il ne s'estpas produit à mots devant être dits pour "l'aider."
Vous deviez le suivre.
En d'autres termesla musique étaitpasun outil de fortuneun rêve pourmoi.
S'il chante tranquillement,la raison est parce que c'était capable de s'échapperau moins de peuretviolence dans ce temps.
Là n'apas n'avait pensé qu'une chanson était une fois agréable simple.
Son corps ne comprenaitpas ce qui avait lieu.
Dans les jours de 14 ans, il étend enfinau viol.
Je pensais que je "étais sur"au moment.
Là n'ayezpas besoin d'êtrela chose qui oublie le jour avecces yeux partout dansla vie de M..UN.
Je décide d'apprendre ..... maintenant audacieusement.
Comme pourla peur pour M..UN,pas seul le corps mais aussi le coeur a été taché avecnoir dansla substitution pour désespoiret haine après le jour.
Seulementla mémoire du jour a été laissée hors de mon esprit que je ne peuxpas endurer en quelques minutes.
La mémoire d'un jour a envahi pour le cauchemar du seul jour après jour lorsque je suis venu d'âgeetmarié a raniméet il est devenu difficile de vivre dansla paix.
C'est effrayant de sortir àunmariet je suis encore désolé pourunmari.
Je qui était faible a choisi le divorce que maintenantet s'est échappé dela place.
Alors je passe les temps cassés.
Il y ala colère intenseet désespère enmoi.
Je comprends comment long je qui estun tel être humain devenu les apparences laides.
Je n'avaispas le pouvoir de résister ce jour sans l'existence dela voix élevé.
Une voix n'estpas sortie.Ce n'étaitpas capable de bouger.
Mais je l'observe quand donc j'étais maintenant.
Il a été étendu dans le désespoiret le légitime défense égal apu tuerun envahisseur si j'avais le tel pouvoir.
La colère intense comme lui a ruisselé en bas mon corps.
J'ai été assassiné quandet n'étaitpas étrange l'un ou l'autreet n'étaitpas étrange même si je vous avais assassinés.
Mais heureusement l'envahisseuretmoi n'avionspas de capacité.
J'étais à une perte beaucoup de fois.
Est-ce que vous confesserez?
Je l'ai maintenant reconnu quand a reçu si j'avais confessépar ce réglage lorsque c'était des coups de pub.
J'aieu envie de devenir une personne couvert de coups de pub, avidité pour célébrité, avidité pour l'argent, une telle chose.
Il a besoin de nila célébrité ni l'argent.
Il y a quelquefois une personne pour aller évaluerla sympathie, mais n'achètepas de chose.
Il y avait les temps durs, mais il ne peutpas y avoirla chose que je pensais que je me suis senti désolé pour héroïne... dela tragédie, soi.
fromnow on I try to write down my diary here everyday because I want to improve my English skill.
Today I talked with myfriend, eating lunch. He majors in comparative literature.
I didn't know how Ican say "hikaku bungaku" in English. So I askedhim how Ican say it in English, then he answered "youcan say comparative literature."
I had noidea what it is like because I don't know much of it.So I wanted to askhim about that.
But he hadlittletime to explain that, for he had to attend the intermediate presentation of the papers,or "chukan happyo".
he complained about the presentation because hecan't get enough "constructive" opinions.
"Generaly speaking, the professors in Japanese univ aren't interested in education." ,I said.
"Yeah, theytend to give critical opinions rather than constructiveone", he said.
He also told me that that'sone ofthe reason he prefers writing feedbacks rather than speakingone.
ああ疲れた。間違ってるところとかあったら訂正ヨロ
ちなみに大学生です。
