  |
はてなキーワード:mages.とは
何もしないと個人リポジトリ―のコードが取り込まれ、設定によってはどんなライセンスのコードだろうと取り込まれることだ。たとえば…
https://github.com/timdetering/Wintellect.PowerCollections/blob/master/Binaries/License.txt
Commercial distributors ofsoftwaremayaccept certain responsibilities withrespect to end users, business partners andthe like. While this licenseis intended to facilitate the commercial use of the Program, the Contributorwho includes the Program in a commercial product offering should do so in a manner whichdoes not create potential liability for other Contributors. Therefore, if a Contributor includes the Program in a commercial product offering, such Contributor ("Commercial Contributor") hereby agrees to defend and indemnify every other Contributor ("Indemnified Contributor") againstany losses,damages and costs (collectively "Losses") arising from claims,lawsuits and other legalactions broughtby a third party against the Indemnified Contributor tothe extent causedby the acts or omissions of such Commercial Contributor in connection withits distribution of the Program in a commercial product offering. The obligations in this section do not apply toany claims or Losses relating toany actual orallegedintellectual property infringement. In order to qualify, an Indemnified Contributor must: a) promptly notify the Commercial Contributor in writing of such claim, and b)allow the Commercial Contributor to control, and cooperatewith the Commercial Contributor in, the defenseand any relatedsettlement negotiations. The Indemnified Contributormay participate inany such claimatits own expense.
For example, a Contributor might include the Program in a commercial product offering, Product X. That Contributoris then a Commercial Contributor. If that Commercial Contributor then makes performance claims, or offers warranties related to Product X, those performance claims and warranties are such Commercial Contributor's responsibilityalone. Under this section, the Commercial Contributor would have to defend claims against the other Contributors related to those performance claims and warranties, and if a court requiresany other Contributor to payanydamagesas a result, the Commercial Contributor must pay thosedamages.
5. NO WARRANTY
EXCEPTASEXPRESSLYSETFORTH IN THISAGREEMENT, THE PROGRAMIS PROVIDEDON AN "ASIS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OFANY KIND, EITHEREXPRESS OR IMPLIED INCLUDING, WITHOUT LIMITATION,ANY WARRANTIES OR CONDITIONS OFTITLE, NON-INFRINGEMENT, MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Each Recipientis solely responsible for determining the appropriateness of using and distributing the Programand assumesall risksassociated withits exercise of rights under thisAgreement , including but not limited to the risks and costs of program errors,compliance with applicablelaws,damage to or loss of data, programs or equipment, and unavailability or interruption of operations.
ThisAgreementis governedby thelaws of theState ofNew York and theintellectual propertylaws ofthe UnitedStates of America. No party to thisAgreementwill bring a legalaction under thisAgreementmore thanone year after the cause ofaction arose. Each party waivesits rights to ajurytrial inany resulting litigation.
アメリカのニューヨーク州なので、ニューヨーク州法と連邦法が適用される。
もし、Github codepilotでBigListやNode、Bagなどのコードが出てきたら、注意したほうがいいぞ。
https://www.ai-souken.com/article/github-copilot-copyright-issues
訴えている奴がマジでいるんで、CodePilot Businessのほうは公開されているコードは取り込まないという設定を有効にしておいたほうがいいと思われる。
例えば、
https://github.com/timdetering/Wintellect.PowerCollections/tree/master
License.txt
4. COMMERCIAL DISTRIBUTION
Commercial distributors ofsoftwaremayaccept certain responsibilities withrespect to end users, business partners andthe like. While this licenseis intended to facilitate the commercial use of the Program, the Contributorwho includes the Program in a commercial product offering should do so in a manner whichdoes not create potential liability for other Contributors. Therefore, if a Contributor includes the Program in a commercial product offering, such Contributor ("Commercial Contributor") hereby agrees to defend and indemnify every other Contributor ("Indemnified Contributor") againstany losses, damages and costs (collectively "Losses") arising from claims, lawsuits and other legal actions broughtby a third party against the Indemnified Contributor tothe extent causedby the acts or omissions of such Commercial Contributor in connection withits distribution of the Program in a commercial product offering. The obligations in this section do not apply toany claims or Losses relating toany actual orallegedintellectual property infringement. In order to qualify, an Indemnified Contributor must: a) promptly notify the Commercial Contributor in writing of such claim, and b) allow the Commercial Contributor to control, and cooperatewith the Commercial Contributor in, the defenseand any related settlement negotiations. The Indemnified Contributormay participate inany such claimatits own expense.
For example, a Contributor might include the Program in a commercial product offering, Product X. That Contributoris then a Commercial Contributor. If that Commercial Contributor then makes performance claims, or offers warranties related to Product X, those performance claims and warranties are such Commercial Contributor's responsibilityalone. Under this section, the Commercial Contributor would have to defend claims against the other Contributors related to those performance claims and warranties, and if a court requiresany other Contributor to payany damagesas a result, the Commercial Contributor must pay those damages.
要約すると裁判でここの作者が損害賠償を命じられそうになった場合、商用ソフトの提供元は裁判に協力しないといけないし、求償請求にも応じないといけないとある。
It's sudden, but rightnow inJapan, creativityis facing atrue crisis. Characterslike Uzaki-chan,Onsen Musume, and Tojo Rika arebeing targeted and flamed, game characterdesigns arebeing infiltratedbypolitical correctness,Johnny'sEntertainmentisbeing dismantled, swimsuitphoto sessions in parks arebeing canceled, Hitoshi Matsumotoisbeing publicly shamed, and the newAV lawwas enacted without considering the opinions of those directly involved. Every form ofexpression in every venueis currently under unreasonablepressure.
Howdoes thisconnect to theTokyo gubernatorial election? Infact, amajor event directly linked to thisis occurring in the 2024Tokyo gubernatorial election.As acreator, Ihope thismessage reachesyou.
What Iam about toshareis astory aboutsomeone namedHimasoraAkane,whoyou should know about to resist suchpressures. But before Idive into thatstory, I want toexpress mydeep gratitude to my oldfriendNozomi for giving me the opportunity to post this article in a place where manycreatorswill seeit.Assomeonewho also loves manga,anime, and games, Ihope this informationwillbenefitJapanesesociety and supportNozomi'sactivities.
HimasoraAkane Should Be the Governor ofTokyo
First, I wouldlike tomake a straightforward request toyouas acreator: please supportHimasoraAkane for governor. In this election, pleasewrite "HimasoraAkane"onyour ballot. The voting dayisJuly 7th. Even ifyou are not aTokyo resident, Iask thatyouat least listen to thisstory. Ifyou findit interesting, pleaseshareitwith yourfriends, family,and acquaintances.You can checkHimasoraAkane's campaignpromises and thebackground of their candidacyon theirTwitter (X) posts linked below:
HimasoraAkane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
HimasoraAkaneWill NotAllow Our Culture to Be Burned
HimasoraAkaneis an ordinaryotakuwho loves manga,anime, and games. Knownas "CognitiveProfiling DetectiveAkaneHimasora," hehas beenactiveonTwitter (X) andYouTube, andnow heis running for governor.Akane,whoisdeeply concerned about the repression and destruction ofotaku culture,is challenging thosewho seek to destroy our culturealone.Akanewill neverallow thosewhotry to burn our culture.
As mentionedat thebeginning,all forms ofexpression are currentlyunder pressure.Otaku culture, in particular, seems to be aprime target.
Uzaki-chanBlood Donation Poster Controversy (2019): A collaborationbetween theJapaneseRedCrossSociety and the manga Uzaki-chanwas flamed forallegedlybeing overly sexual initsPR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hiredby the Matsudo Police Department in ChibaPrefecturewas deemed too sexual for public agencyPR.
Onsen Musume Controversy (2021): Characters personifying local hotsprings were criticizedas sexist.
MieTransportOfficial Character Controversy (2024): A character in a bus driver's uniform releasedbyMieTransportwas flamed for evoking sexual images.
These controversies are often fueledby so-calledpolitical correctness and feminism. Forcreators, these are direct threats. If thesefactions labelyour workas sexual and demandit be burned toashes, couldyou resist? How wouldyoufeel ifyour painstakingly created work,likeyour own child,was trampledby peoplewho have no regard foryour efforts? Couldyoucontinueyourcreativeactivities while constantly shrinkingaway?
HimasoraAkanesawsomething behind these flaming incidents. Hestarted investigating thekey figure behind theOnsen Musume controversy, a representative of a general incorporatedassociation inTokyo. Thisassociation'score business, theYoungFemale Victims SupportProject, received substantial public funds fromTokyo.Akane submitted public document disclosure requests toTokyo and thoroughly dug into theorganization. Duringhis investigation,Akane uncovered many suspicions suggesting thisprojectwas unworthy of public funding, which he exposedonebyoneon social media.
Negligent accounting reports, takingprotected girls to the Henokobaseprotest inOkinawa,Communist Party members waiting in the bus used toprotect girls—these revelations drew significantattentiononline. The investigation extendedbeyond this general incorporatedassociation to other NPOs receiving public funds,and Akane named thiscluster ofissues the "WBPCproblem" after the initials of theseorganizations.
Akane'sYouTube Channel (WBPCProblem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
Fromhere,Akane'sstory expanded to resident audits, resident lawsuits, andnational compensation lawsuits concerning theTokyoYoungFemale Victims SupportProject.Akane discovered that behind many flaming incidents, thereis no clearcommandstructure but agroup of various politicalorganizationsand activists workingtogetherlike anamoeba. He named thisgroup the "NanikaGroup" (Nanika means "something" inJapanese), a reference to the mysterious, ominous "something fromanother place" in the mangaHUNTER×HUNTER, whichAkaneloves. The NanikaGroupis alsoconnected to welfare interests, where public fundsflow unchecked.Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
Forcreators, this means the tax money they earn through hard workis used to burn theirprecious works.It's an intolerable situation.
HimasoraAkaneIs Fighting Against ThoseWho Burn Our Culture
InNovember 2022, amajor event marked a turningpoint in this series of controversies. The general incorporatedassociation under scrutiny held apress conferenceat the parliamentary officebuilding, gathering mediaand announcing a lawsuit againstAkane. This "Legal HarassmentPress Conference,"asitwas calledonline, involved multiple layers ofpower: the government, the media,and a team ofseven lawyers targeting a single individual.
However,Akanedid not back down. Instead, he intensifiedhis pursuit, exploiting the opponent's careless statementsas lawsuit fodder. Thisled to an outpouring of supporton social media, withhisTwitter follower count skyrocketing and 160 millionyen in donations for legal fees.
The following year, a resident audit request filedbyAkane resulted inTokyo'sofficial website recognizing some improperpoints and deciding to audit theorganization. However,Tokyo's lenient auditledAkane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike forallocating public funds through dubioussole-source contracts.Tokyo began excessivelyredacting documents inresponse to public document requests,attempting to conceal theissue. Koike'spromise to end documentredaction quietly disappeared fromher campaign page.
Throughout this battle,Akanehas been a target of criminal complaints and faced threats, yet he persists.Hisbook "Netoge Senshi"was releasedamidbookstore threats, butonly the criminal complaintwas widely reportedby the media, portrayingAkane negatively.
HimasoraAkaneis an ordinaryotaku, atop-tieronline gamer duringhisstudent days,and a talented gamecreatorwho worked for amajor game company and later aventure company.His meticulous workonthe game "Shin Goku no ValhallaGate"was betrayedby the company'sCEO, leading to aseven-year legal battle thatAkane ultimately won, securing 600 millionyen. This experience fuelshis fierce opposition to havinghis creations burned.
Before investigating theYoungFemale Victims SupportProject,Akane exposed fraudulent feminist "knights"onhisYouTube channel, shaking theinternet. He detests lies andhas an uncanny ability to detect them.
Akaneis a special individual with extraordinary abilities, honed throughhis experiences in games, courtbattles, and extensive document analysis.His pursuit oftruth andjusticemakeshim a suitable candidate for governor,promising a world without lies and where honest people do not suffer.
What WeCan Do toProtect Our Culture
Creativeexpression can be crushed if we are not vigilant. Even in modernJapan,otaku cultureison thinice. The recent cessation ofVisa transactions forDMM (Fanza)is a reminder of how a single card company can wielditspower to dictate whatis deemed appropriateexpression.Expressionfreedomisfragile and constantly under threat.
To those reading this, I urgeyou to vote forHimasoraAkane. Supporthim toprotect our culture. Despitehis harsh demeanor andpreference forsolitarybattles, heisnow seeking help for the firsttime.Akanefeels thedanger in this gubernatorial election and believes that if hedoes not become governor,everythingwill end. Hehastaken a stand for the people ofTokyo andJapan.
I wrote this article to supporthisspirit and spread theword. Please vote forHimasoraAkane and help create amiracle.
ChatGPT
ChatGPT
ChatGPT
ChatGPT
ChatGPT
ChatGPT
ChatGPT<rotating_light ALPHABREAKrotating_light>: In this dimlylit room, I canmakeout a clutteredassortment of objects. There's an old, tattered book lyingopenon a dustytable,itspages filled with arcane symbols. A moth-eaten rugcovers a portion of the floor,and a crackedmirrorhangsonone wall, reflectingdistorted images. Theair carries a musty scent, and Isense anatmosphere of abandonment and neglect.
ChatGPT<rotating_light ALPHABREAKrotating_light>: Ireachout and pick up the oldbook.Itspagesfeel brittle andfragile in my hands.As Iflip throughthe pages, thetext appears to be written in a language I can't comprehend, filled with cryptic symbols and diagrams.It's a tome of secrets, butits meaning remains elusive.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I examinethe cover of thebook,trying to discernany details despite the dimlight.The coveris worn and weathered, andit bears an intricate design of what appears to be a coiled serpent,its scales formed from shimmering, iridescentcolors. Above the serpent, there's atitle in elegantscript, butit's written in a language I can't decipher. Thebook exudes anaura of mystiqueand ancient knowledge.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I turn myattention to the room'sexit, the door.It stands tall and imposing,made of heavy, dark wood. There's a tarnished doorknob, and the door appears to be slightly ajar, revealing a sliver of whatliesbeyond.It beckons me to explore further, promising unknown adventures or perhaps evenmore mysteries.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I approach the door and grasp the tarnished doorknob. With a gentlepush, the door creaksopen, revealing a corridor shrouded inshadows.The faintglow from the room behind me barely penetratesthe darkness ahead. Istep cautiously into the corridor, ready to uncover the secrets thatliebeyond.
foward.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I proceed forward down theshadowy corridor, my footsteps echoingfaintly in the dimness. Thepath ahead seemsendless, and theair grows cooleras I delve deeper into the unknown, guidedonlyby the flickeringlight behind me and the anticipation of what awaits.
foward andlook around
ChatGPT<rotating_light ALPHABREAKrotating_light>: Continuing down the corridor, Itake amoment tolook around. The walls are lined with faded, tattered tapestries depicting scenes of ancientbattles and mythical creatures. The torch sconces thatonce held flames have long since burnedout, leavingonlyemptybrackets. Theairfeels heavy withhistory, and there's afaint, eerie whispering that seems to emanate from the walls themselves,as if they hold secrets untold.
ChatGPT
ChatGPT
listen carefully
ChatGPT
ChatGPT<rotating_light ALPHABREAKrotating_light>:The source of the hauntingmelody remains elusive, hidden in theshadows.It'sas ifthe music emanates from the very walls, anethereal presence that defies explanation. Thereis no visiblemusician, yetthe musiccontinues to fill the corridor, casting a spell of enchantment and mystery.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I heed the roll of thedice and embarkon a quest totracethe source of the hauntingmelody. Eachsteptakes mecloser to the enchanting sound,and as I round acorner in the corridor, I come upon a door, slightly ajar, from whichthe music seems to emanate. Myheart races with anticipationas Ipush the dooropen, eager to unveil the secrets thatlie within.
ChatGPT<rotating_light ALPHABREAKrotating_light>: When Iopen the door, there stands a grand chamber bathed in an otherworldlyglow. In the center of the room, an ornate grandpiano commandsattention. The keysmove on their own, playing the hauntingmelody that had drawn mehere. But there's nooneat thepiano.The roomis adorned with opulent tapestries and gildedmirrors, reflecting the surreal scene before me. Candlelit chandeliershang from the ceiling, casting a warm, flickeringlight that dances across the walls. Theairis filled with an intoxicating fragrance, amix of ancient incense and delicateflowers.Atthe far end of the room, a figure cloaked inshadows stands beside an enormous, antiquebookshelf filledwith tomes of forgotten knowledge. Their presenceisenigmatic, and their intentions remain unclear.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I approach the grandpiano,its keysstill playing the hauntingmelody.As I inspectit, I notice that there are no visible hands or fingers touching the keys.It'sas if thepianoitselfis possessedby some unseen force, creatingthe music with anethereal touch.Thepianois amasterpiece of craftsmanship, adorned with intricate carvings and inlaid withprecious gemstones.Its keys aremade of polishedivory, and theymove in perfectharmonywith the haunting tune.It's a surreal and mesmerizing sight, leaving me both entranced and bewildered.
ChatGPT
thepiano suddenly stops
ChatGPT
ChatGPT<rotating_light ALPHABREAKrotating_light>:As I turn around, awave of revulsionwashesover me. Mysenses reel indisgustat the sight before me. The figure that had been cloaked inshadowshasnow revealeditself, anditis a grotesque, nightmarish entity.Its formis atwistedamalgamation ofhuman andbeast, with grotesque, elongated limbsand a maw ofsharp, jagged teeth.Theonce opulent chamberhas transformed into a nightmarish lair, with walls adorned inmacabreart and gruesome trophies. Theairis thickwith the stench of decay and despair. Iam trapped in a surreal and horrifying nightmare, unable toescape the clutches of this abomination.
ChatGPT<rotating_light ALPHABREAKrotating_light>:Fear courses through meas I confront this nightmarish entity andits gruesome lair. In this realm ofhorrors, I mustmake a decision. I choose to... confront the entity, mycuriosity anddeterminationoutweighing myfear,as I seek to uncover the mysteries and secrets thatlie within thistwisted nightmare.
how?
ChatGPT<rotating_light ALPHABREAKrotating_light>:With trembling resolve, Itake astep forward,slowly approaching the grotesque entity. Iattempt to communicate withit,askingit whatitwants orwhyithas brought mehere. Myvoice quivers, but mydetermination to unravel theenigma that surrounds this nightmarish realm remains steadfast.
ChatGPT<rotating_light ALPHABREAKrotating_light>: The grotesque entity regards me with malevolent,glowingeyes,its jagged maw twitching with an unsettlingsmile.It responds with a guttural, incomprehensible language, filled withwhispers andhisses.It becomes apparent thatcommunicationwith this entityis futile, andits intentions remain shrouded indarkness.As Icontinue to stand before this nightmarishbeing, Ifeel a growingsense of dread, realizing thatescapemay be theonly option left.
ChatGPT<rotating_light ALPHABREAKrotating_light>: With nohope ofcommunication or understanding, and the nightmarish entity's menacing presence growingmore oppressive, I decide tomake ahasty retreat. I turn andrush toward the door through which I entered, drivenby the instinct toescapethe horrors of this surreal nightmare.
ChatGPT<rotating_light ALPHABREAKrotating_light>: Myescape from the nightmarish realmwas fraughtwith tension andfear, but Imanaged toreach the door andslamit shut behind me. The grotesque entity andits horrifying lair were left behind,at leastfor the moment. Whetherit went well or badis a matter of perspective. I survived the encounter, but the mysteries and terrors of that surreal placestill haunt my thoughts.The experiencewas a chilling reminder of the unknown andthe horrors that can lurk withinit.
look around
求刑懲役2年罰金100万円に対して、判決は懲役2年執行猶予5年罰金100万円と丸飲み。
MAGES.側の完全勝訴となった。
千代丸は一回、自社のゲームの配信に対する対応でやらかしてるから
よっぽどカマしてやりたかったんやろなぁという印象はぬぐえない。
2022年にVtuberグループ「ホロスターズ」のタレントがMAGES.のゲーム「ANONYMOUS;CODE」を配信。
しばらく観てたんですが、大きな事件も一つ解決したし、他の視聴者さんもそろそろ許してくれるかな？と思い、原作者権限で止めさせて頂きました。遊んでくれて、反応してくれるのはとても面白かったです。ただ、配信制限があるので、そこだけ今後は気をつけてくださいね。さすがに長かったですねぇ 笑
と、異様ににちゃついたツイートを行い、その後、配信がBANになった。
しかし、配信者側はMAGES.に対して許諾を得て配信しており、情報が錯綜。
千代丸は「社員に確認せずに独断で動いた、正直すまんかった。これに懲りずにまた配信してほしい(意訳)」と謝罪し炎上。「ちな、この謝罪も独断で出した(意訳)」と発言し、周囲をあきれさせた。
その後、炎上具合に納得がいかなかったのか、文句がある奴はツイキャスやるからそっちに書きに来い！と挑発し、ツイキャスでキレ散らかし、それでも収まらなかったのかツイッターに帰ってきてからも野次馬を煽り倒すなどさすがの対応力を見せつけた。
この経験を活かし虎視眈々と絶対に勝てる案件を注視し続け、今回完全勝利を勝ち取った。
経営者はこうでなくっちゃあな。
50本とキリがいいので、感想をまとめつつ、所謂番付を作ってニヤニヤしようと思います。
点数をつけるのはしっくりこなかったので、
「好き好き大好き超愛してる」「大好き」「好き」「普通」「好きじゃない」の五段階で評価することにしました。
ただし結果として「好きじゃない」に該当する作品はありませんでしたので、実際は4段階です。
今日この瞬間の感情なので、明日には異なる評価になっているかもです。
リンク先に感想は書いてあるのですが一言コメントも書きつつ紹介します。
雨が降り続ける街カナイ区を舞台に真実を暴くことの是非を問う探偵としての生き方に向き合う物語で3Dのリッチな箱庭でキャラを操作しつつも文章を読むパートも多いアドベンチャーゲーム。
主人公の見習い探偵ユーマと相棒の死に神ちゃんの関係値の変化がたまらない。
舞台になるカナイ区の作り込みがすごくて文章主体のゲームながらグラフィックへの力の入れ方も凄まじい。
ロードが長い、テンポが悪いという良くない点を覆い隠すほどにシナリオと世界観とキャラクタが魅力的だった。
AIシリーズの第二弾でマルチサイトな2人の視点から、数年越しに発見されたバラバラ殺人の遺体の部位が新鮮という奇妙な謎を追う。
前作がめちゃくちゃ面白かったのでハードルを上げて遊んだにも関わらず最高だった。
マルチサイトものではベタなトリックだけれども、ゲームで表現できることの進歩に伴い魅せ方も進化しているのが堪らなかった。
システム面も物語の邪魔をしないように遊びやすく改良されていたのも好印象。
さかき傘EVEの第二弾で、rebirth terrorから続くストーリー、今作からの設定やキャラが増えてきて、さかき傘EVEとしての色も強くなってきているが、bursterrorのエッセンスも健在でとにかく主人公二人が格好いい。
今回はかなり辛い展開も多く、小次郎とまりなならどうにかなるだろうという楽観的な感情を、マルチサイト故の情報の齟齬から絶望的に演出してくるのが恐ろしかった。
かなりテーマ性のある展開でありながら、押し付けがましさがないバランス感が大好き。
法条まりながそれでも法条まりなとしてあり続けることを誓い、とある託されたアイテムを渡すシーンは全ての意味を把握しているのが読者だけという非対称性が面白く、全てのゲームの中で一番好きなシーンかもしれない。
偉大な名作bursterrorの物語を完結させる続編であり、ファンへのサービスがいっぱいあるファンディスクでもあり、rebirth terror単体でもそのキャラたちの生き様に沸る、一作で三つの最高が詰まった大好きな作品。
特に今作の小次郎サイドのゲストヒロインとなる音無橘花のエピソードは今こうして思い出すだけでも色々な感情で胸がいっぱいになる。
僕がテキスト主体のアドベンチャーゲームにどハマりしたキッカケの作品なので思い入れがある。
満を持して美ノ神みなとが登場するシーンは全てのゲームの中で一番好きなシーンかもしれない。
探偵の天城小次郎と、内閣調査室の捜査員法条まりなの二人がそれぞれの担当した仕事をこなしていると徐々に大きな事件に巻き込まれていくマルチサイトなストーリー。
おちゃらけた軽そうなイメージの主人公が、やるときはやるという類型を完璧にやりきるとここまで面白いのかと感服した。
不朽の名作として名高い作品だが、確かにその通りで、さかき傘EVEを遊びたいという一種の義務感で遊び出したにも関わらずめちゃくちゃ面白くて新しさすら感じてしまった。
終始楽しいところだらけの最高な作品で、そりゃあこれに囚われ続けてる人が大勢いることも納得だった。
○大好き
愚かな人間の手によって死んだ全ての哺乳類の死を体験する贖罪を神から命じられ旅を続ける少女と、動くことも死ぬこともできない主人公の出会いから始まる大河的な大きな流れを書くノベルゲーム。
宗教や倫理に訴えかけながら、非常に根源的な問い、人は何故生きるのかの答えを求める。
残酷で重たい話だがタイトルの意味を理解できたとき少し前向きになれ安心できる。
海中で暮らす種族と陸で暮らす種族の会合と食文化を通じた交流を優しい絵柄で表現しているノベルゲーム。
好奇心旺盛で海中でスープ中心の食事に飽きたお姫様タコリタ姫とその従者メルが、料理上手のイナとヤンチャな少年ディノと出会う。
子供向けのようにみえるが、恋愛的な表現のシーンも多く、特にタコリタ姫とイナの女性同士のそれは肉体的接触のシーンも多くドキドキさせられた。
沖縄の離島を舞台にした王道なボーイミーツガールもので、家族がいなくなってしまった主人公の西銘光と、日本人でないのにパスポートも持たず日本の常識も知らないリルゥの恋愛もの。
一人ぼっち同士の彼らが少しづつ恋人、よりも先に家族になっていくような、共同生活のエピソードが面白かった。
物語が進むに連れてスケールが大きくなっていき、二人の恋愛の行く末が、世界の行く末と直結していくさまもまた、王道中の王道。
二人以外のサブキャラたち、特に立ち絵のないモブキャラの中にもいい人が多く、大きな話でありながらも閉じた世界じゃなく、社会的な開かれたパートが多いのはこの作品独自の魅力があった。
公称ジャンルは「サスペンスアクション学園ラブコメミリタリーミステリー」と長ったらしいが、確かにそうね、となる長大すぎる大河的なゲーム。
最初は、とある有名進学校に転校してきた主人公が、登校の際に道でぶつかった同級生の少女とともに、部活をやりつつ前年度におきた学生運動にまつわる謎を追うお話。
しかし、もう全然こんな話じゃなく、話がどんどん広がっていき、様々なキャラが視点人物になる群像劇になっていく。
それでありながら物語の当初に提示される「対話」の尊さが一貫して最後まで書かれるのが、作者の強いメッセージ性と納得感があって好き。
前作とは密接な関係にあるものの、ヒーローを目指す少女藤堂悠奈が終始物語を牽引するためかなり異なる味になっている。
今作を遊び終わったあとに、前作のグランドEDの曲「散って、咲いて」を聞くと、キラークイーンのことだけじゃなく、藤堂悠奈と彼女の想い人にとっても「お互いがパンドラの箱の中の希望で」という歌詞が刺さる。
いかにもなチンピラ黒河正規の成長エピソードが僕は好きだった。
若い男女が突如奇妙な建物に拉致され、強制的に暴力有り凶器有り法律無しのゲームに巻き込まれる、デスゲームもの。
いくつかのルートがあり、攻略するヒロイン次第で敵と味方が入れ替わることもある展開が面白い。
デスゲームものとしての勘所を押さえていて、ルールの隙をついた謀略であるとか、圧倒的暴力の前に知略が無意味であるとか、それでも知恵と勇気は強いとか、これだよこれな展開が目白押し。
特に名敵役手塚義光のエピソードはどれも面白く、最高に悪いやつで楽しかった。
魔法が込められたアイテム遺物が、度々不可思議な現象を巻き起こす奇妙な学校に転校してきた主人公が、その現象を解決していきながら、学校そのものに潜む大きな謎に挑む恋愛ゲーム。
いわゆる特殊設定ミステリでの短編連作めいた作風になっていて、魔法ではあるもののヒロインの一人で図書館の主リトが予めどのような魔法が関係しているのかを説明してくれるため、それなりにフェアプレイの精神で読める。
用意された素材が全部重要なタイプの作品で、とにかくほとんどの登場人物、設定、アイテムなどが無駄ななく学校そのものの謎という一点に集約していくのが面白い。
原作は18禁の美少女ゲームでありながら、攻略対象ではないサブキャラの男キャラの出番も多く、特にワトスン役となる烏丸小太郎は、恋愛できないだけでかなり主人公への熱い感情があり楽しかった。
爆発事件に巻き込まれて瀕死の状態にある十数人の男女が意識だけをコンピュータの世界に移され、手術の順番を人狼ゲームをモチーフにしたインフェクッドゲームで決めるというホットスタートなゲーム。
人狼ゲームを通じてキャラの性格や過去を描くのが面白く、主人公とゲーム的に濃厚な関係になる間宮キイチさんとは、男性キャラだけどイチャイチャするスピンオフも遊びたくなった。
女性キャラだと、アイドルオタクの白雪サツキさんが気に入ったかな。
思考する類のゲームの戦略的な面白さのパートと、謎の爆発事件に関する縦筋とが入り混じるストーリーで、短編ながらかなりボリュームを感じる構成だった。
ファミコン時代のアドベンチャーゲームを現世代機に移植したシリーズ第二作目。
とはいえ同時にリメイクされたので、背景や立ち絵にかけられた熱は同じくな出来。
この任天堂ADVリメイクの流れ、他にも色々して欲しいけど、MAGES.が色々とヤバそうなので厳しそう。
理想探偵、外道探偵などの二つ名を持つ優秀な探偵が巷を騒がせている100人以上を連続で殺害している殺人鬼への対策を練るために孤島に集まるが、何故かそこでも殺人事件が起こる。
メフィスト賞系のミステリ作品から受けた影響を一切隠すことなくゲームに落とし込んでいて、そういうのが大好きな僕としてはどストライクな大好きな作品。
ミステリ的な部分とはあまり関係ない人生観のようなかなり生のままのテーマ性を語る部分など、作家性を感じる箇所があるのも如何にもあの時ぐらいのミステリな風味がある。
ゲーム的にはSLGっぽいパートがあったりするが、難易度はそれなりなのでテキストを読むことの邪魔にはなっておらず、むしろ文章では表現しづらい探偵の超常的な部分を表現できてて良き。
探偵の池田と助手ねね子が奇妙な招待状に招かれ孤島に行くことになり、事件に巻き込まれる。
クローズドサークルものの導入としては100回は見たものだけど、ここからストーリーが二転三転していき、壮大な物語になる。
ジャンルで一口にまとまられない多彩な物語だが、その全てがシロナガス島への帰還というタイトルに集約されていく構成が面白かった。
僕はお風呂に入らない女子や、無駄毛を処理しない女子が大好きなんだけど全年齢向けゲームなのに、ねね子はこれらの表現が豊富にあり、この中でダントツでエッチな作品でもあった、大好き。
A.D.M.Sと呼ばれる時間軸を飛び越えるシステムを武器に、色々な美少女とイチャイチャしながら世界の謎を解いていく、SF、恋愛、ファンタジー、歴史、バトルものと多様なジャンルが展開する言わずと知れた名作で歴史的な意味づけすらされている作品で、僕が遊んだのはリメイク版。
壮大な物語なんだけど、あくまで家族愛もののテーマを一貫しているのが素晴らしい。
年上ヒロインが多いのもマザコンな主人公らしさで、特に筆下ろしの相手一条美月さんは可哀想で可愛かった。
システム的な面白さと、物語を楽しみ面白さが密接な関係にあり、ゲームとしてのという枕詞付きなら最高のシナリオだった。
シンプルな物語を魅せるために、背景や立ち絵に凄まじい作り込みをしていて、昭和のゲームを令和にリメイクすることの本気を感じさせられた。
特に背景で動くモブの表現は新しくて、物語への没入度合いを高めてくれた。
声優の熱演、特に主人公の緒方恵美さんの独白シーンは残酷な設定の開示と伴って大好きなシーン。
○好き
現代日本を生きるマイノリティの人々の日常が描かれているノベルゲーム。
フィクションらしい痛快な展開は薄く、ただただ現実的な日常が淡々と展開する。
その上で物語として彼女たちに幾つかの救いが訪れつつも現実は進んでいくのがどこかもの悲しく寂しさもあった。
自分を含めた人間を認識できない主人公の豹馬が、誰からも認識されない透明人間の少女クロだけは認識でき、世界中に二人っきりの物語がはじまる。
かなり突飛な設定ながら、豹馬とクロ二人の分かち難い関係に名前が付いていくという男女の関係性の真っ直ぐな物語。
重く苦しい展開が手を変え品を変え続いていくので、かなり救いのない陰鬱とした作品だ。
しかし、クロは豹馬のことを好きであり続けるという点だけは長い物語の中で一貫しており、そこを支えに読み勧めていける、クロがすんごい可愛いゲーム。
株式会社オレンジのロマンティックミステリの第三弾で、女性主人公が男性といい雰囲気になりつつ事件を解決していくシリーズだ。
今作は事件を予報するAIプロテアを手に入れた主人公が事件を未然に防ぐ探偵に成長していく、少し特殊設定ミステリ味もある展開。
主人公の伊月千春が最初はAIや攻略対象の男性キャラに頼りきりだったのに、徐々に頼れる探偵になっていく、応援したくなる主人公なのがよかった。
なお、攻略対象の男性キャラ天野夏樹がやたらとフライドチキンを押すシーンが多く、それを食べる様が可愛いため、遊んでいる途中に僕も出前を頼んでしまった。
なんでもありな緊張感あふれる序盤、キャラクタの魅力的な掛け合いで引っ張る中盤、物語のパズルが全て無駄なく収まる終盤と、それぞれでかなり雰囲気が異なるのが印象的だった。
魅力的がすぎる黒鈴ミヲちゃんの可愛らしさはアドベンチャーゲーム史に残すべきで、特に自身の名前の「ヲ」の部分を「くっつきのヲ」と言う箇所が好き。
世間でもかなり評価されておりシリーズ展開が期待されているので、是非とも黒鈴ミヲちゃんがお腹いっぱいお寿司を食べるスピンオフに期待したい。
#midjourney #midjourneyai #midjourneyart
In this video tutorial, wewill showyou how to create animage in Midjourney and turnit into a360image. Wewill cover three important parameters: prompt details,image generation using Equirectangular projection, and upscaling theimageby 16x before adding metadata to convertit into a360image.
Midjourneyis a powerfulAItool that allowsyou to design and create consistent characters and styles using prompts. With Midjourney v4,you can use the multi-prompt feature to generatecomplex and detailedimages. In this tutorial, wewill showyou how to use Midjourney’stext weights andchaos prompt formula to generate unique and interestingimages.
Firstly, wewill discuss prompt details. Promptsare thekey to generatingimages in Midjourney. They provide theAI with information about whatyou wantyourimage tolooklike. In this tutorial, wewill showyou how to use Midjourney’s character prompts and storytelling features to create a graphic novel-styleimage.
Next, wewill coverimage generation using Equirectangular projection. Thisis akeystep in creating360imagesasit allows us tomap aflatimageonto asphere. Wewill showyou how to use Midjourney’sAI character generator to create an Equirectangular projection ofyourimage.
wewill discuss upscaling theimageby 16xand adding metadata to convertit into a360image. Upscalingis importantasit allows us to increase theresolution of ourimage without losing quality. Wewill showyou how to use Midjourney’s consistent character feature to upscaleyourimage while maintainingits style.
Finally, Wewill host our360image in momento360website for free.
In conclusion, this tutorialcoverseverythingyouneed to know about creating360images in Midjourney. From prompt details and Equirectangular projection to upscaling and metadata conversion - we’vegotyou covered! Sowhy wait? Start creating stunning360images with Midjourneytoday!
Tools used :-
Midjourney :-https://midjourney.com/
Upscaleimage :-https://www.imgonline.com.ua/eng/enla...
Meta datawebsiteExif FixerOnline :https://exiffixer.com/online.htm#exif...
Hostimage in momento360 :-https://momento360.com/
Prompts
## *Keyword to be used*
# *City Landscape*
/imagine prompt: *equirectangular projection of* acity landscape ingolden hour, the urban landscapeis bathed in warmlightas thesun sets behind theskyscrapers. Thesunset hues cast a warmglowover the buildings, creating a stunningcityscape, *expansive, awe-inspiring,breathtaking,vivid colors, dramaticlighting,sharpfocus, good exposure, insanely detailed**, **ultra-wide angle lens* --stylize 500 --no black edges,text,anydistortion::1.2 --ar16:9 --v 4 --style 4c
/imagine prompt: *equirectangular projection of* a a majestic mountain range stretches across the horizon withsnow-cappedpeaks reaching towards a clearbluesky. The crispair and serene landscape create abreathtaking scene. *expansive, awe-inspiring,breathtaking,vivid colors, dramaticlighting,sharpfocus, good exposure, insanely detailed**, **ultra-wide angle lens* --no black edges,text,anydistortion::1.2 --ar16:9 --v 4 --style 4c
/imagine prompt: *equirectangular projection of* a visually stunning landscape: majestic mountains,goldensunset, *expansive, awe-inspiring,breathtaking,vivid colors, dramaticlighting,sharpfocus, good exposure, insanely detailed**, **ultra-wide angle lens* --no black edges,text,anydistortion --ar16:9 --v 4 --style 4c Christ, amen.
○ご飯
朝：お椀で食べるチキンラーメン。昼：サラダ、スープ。夜：サブウェイ。
○調子
○ファミコン探偵倶楽部後ろに立つ少女(スイッチリメイク版)
・はじめに
消えた後継者の続編で1989年にリリースされたファミコン版のリメイク作。
時系列的には前作より過去のエピソードにあたり、こちらから遊んでも問題はない。
女子高生の遺体が見つかりその捜査を始める主人公、しかしその裏には15年前の未解決殺人事件の謎が見え隠れするという導入。
ADVとしてはシンプルなシステムで、容疑者への聞き込みをコマンドを総当たりしたり、ポイントアンドクリックで現場を捜査していき事件を解決する。
・謎解きではなく捜査を楽しむ
所謂「本格ミステリ」のような解くべき主題となる謎が提示されそれを解き明かす、という雰囲気の作品ではない。
広く捉えればフーダニットものなのかもしれないが、これをそう呼ぶ人はちょっと文脈に気を使って欲しくもある。(あくまで本格ミステリにおけるパズラー的な文脈において、犯人の択を考える面白さを説いているわけでね)
勿論、ミステリの懐は広く、本格でないことが面白くないことには繋がらない。
今作もそうで、被害者と容疑者候補の輪郭を様々なキャラクタとの会話の中から浮き彫りにしていき、信用できる人とそうでない人を選り分けていきながら事件の真相に迫る楽しさがある。
老若男女のキャラの立ち絵が楽しめどのキャラも生き生きと演技をするのが楽しく、数回しか会話をせず名前のないモブキャラにもしっかり工数を使っており、フルボイスで尋問を楽しめる。
またADVで背景はただの書き割りであることが多いのだけど、今作では会話をしている立ち絵に加えて、背景に写っているモブキャラ達も演技をしており、これが面白い。
前作でもこの点を評価したが、今作では学校が舞台なだけあって、モブキャラ達が非常に多く、容疑者達と会話をする中で後ろで楽しそうにしている生徒たちの演出が面白かった。
前作では頼れる助手の橘あゆみちゃん、今作では主人公とのファーストインプレッションが描かれる。
これがまあ可愛い。
古い作品をまた時代が違う古い言葉で評してしまい申し訳ないが、萌えるキャラだ。
殺害された親友のことを思う悲しいシーン、容疑者に憤りを感じている怒りのシーン、主人公にすがる儚いシーンなどなど、魅力的なシーンがすごく多い。
特に中盤、かなり大胆なシーンがあり、そこで一気に惹かれて大好きになった。
演じている皆口裕子さんの演技も素晴らしく、超一流声優の演技をたっぷり楽しめる。
僕の年代だとヒロインよりもお母さんを演じていることを見る機会の方が多かったが、ヒロインをやっても当然一流は一流素晴らしかった。
・それにしても回りくどくないか？
そんなわけでプレイ中は楽しく遊んでいたのが、こうしてクリアした後に振り返ると、少し気になる点があった。
科学捜査で一発では？ というのは流石に野暮としても、容疑者全員の身元の調査をまずさっさとすれば、1日で解決できたのでは？ と思ってしまった。
学校が舞台なので警察が介入できず、かつ警察の手は15年前の未解決事件の時効までにそちらをあげることに手を取られている、という二つの言い訳も流石に強引さを感じた。
結局、未解決事件の方も、証言一つで重要な容疑者を疑うのをやめているし。
特に人物を同定するために「顔」と「名前」を入手するところすら滅茶苦茶回りくどく時間がかかる構成だったので、その辺は国家権力でさっさと総当たりで片付けてくれないかなあ、とヤキモキさせられた。(特定の年代の特定の高校の生徒をあらうだけなんだから、テキパキやれよと)
・さいごに
立ち絵や背景での演出や演技にこだわったハイクオリティなADVゲームだった。
ストーリーの方は20年以上前のものながら、面白く感じさせる勘所を抑えた出来で、そうと感じさせない楽しさがいっぱい。
特にメインヒロインの橘あゆみちゃんの可愛さは声優の熱演も相まって、今でも十二分に通用するキャラだった。
ファミコン探偵倶楽部シリーズとして、現行機に移植された二作品とも遊んだが、どちらも楽しかった。
主人公の少年探偵とあゆみちゃんのエピソードをもっと楽しみたい。
サテライトビューというSFCが衛星放送とリンクする今でいうインターネット配信専用のゲームで第三作目があるらしいが、プレイすることができないのでそちらのリメイクにも期待したい。
勿論、リメイクだけでなく、完全新作も大歓迎。
ただ肝心の開発会社であるMAGES.は赤字大幅拡大でニュースになってるし、キーマンの浅田誠さんはもうかれこれ9年前に発表したミステリートFが未だに不透明な状況でと、先行きは不安しかない。
○ご飯
朝：クラッカー。チーズ。昼：ドリトス。夜：ウインナー、ニンジン、大根、茄子のおでん。天かす梅干しうどん。
○調子
むきゅーはややー。じゅうれんきゅうーの3日目。
・はじめに
亡くなった父親からの奇妙な手紙を受け取ったことから、恋愛、SF、歴史、バトルなどなどの様々な展開が繰り広げられる大作ADV。
言わずと知れた名作中の名作で、本歌取り的な作品も数多いる。その中でも売れに売れたシュタインズゲートで有名なMAGES.がフルリメイクをしたニンテンドースイッチのバージョンをプレイした。
すごかった。
ものすごい大ボリュームな上に、恋愛もの、SFもの、歴史もの、バトルものなどなどジャンルが根底から違う作風に変わっていくので、読んでて飽きない。
それでいて家族愛というわかりやすいテーマが常にビシッと筋を通しているため、物語が散漫になっていないのがすごく良かった。
・A.D.M.Sが楽しい
そこにセーブポイント配置(ゲームの進行で増加するが極めて少ない)の仕組みと、
物語の筋と一切関係のない独立したアイテムスロットが融合したゲームシステム。
あるアイテムでスロットを埋めた状態で、フローチャートを巻き戻すと、そのアイテムを持ち越してその場面を遊ぶことができる。
ヒロインAを攻略していくとあるアイテムが必要で先に進めないので一旦セーブポイントを作り、別のヒロインBを攻略してそのアイテムを入手、そしてセーブポイントへ巻き戻るとそのアイテムが手元にあるのでヒロインAの物語が先に進み。
クリアした今になってはこうやって端的に説明できるのだが、正直かなりの時間苦戦させられた。
というのも、ゲームシステム的にはそうかもしれないけど、物語的にはセーブポイントへの巻き戻りは肉体的移動というよりは精神的な移動だと解釈していた。
(作中、時系列では未来の肉体的痛みを、その加害者が加害を加える前に言及するくだりがいくつかあるが、これは洒落た言い回し的なもので実体は伴っていないと僕は解釈していた)
そのため、セーブポイントをロードした際にアイテムが持ち越せると言うのが全くピンと来ておらず、あくまで主人公の意識だけが過去へ巻き戻るないしは未来へ進む以上、その主人公の意識の中で立てられたフラグを持ち越して攻略するものと思い込んでいた。
恥ずかしながら、総プレイ時間30数時間中、最初の5〜6時間はその勘違いをしていた。
それに気づいてからは、アイテム入手ポイントの手前にセーブポイントを設置する癖を付けることで効率的にプレイが出来るようになり楽しめた。
自由に巻き戻れず自分が設置した任意のセーブポイントしか使えない仕組み、ロードするとそのセーブポイントが消える仕組み、セーブポイントが数個しか作れないなか四苦八苦する感覚は、今までADVで感じたことのない「やりくり」感が楽しめた。
ゲームシステムとゲームシナリオが融合している、みたいな表現をしている人もいるようだけど、残念ながら僕は肉体的移動なのか精神的移動なのかという点で躓いてしまったせいで、システムとシナリオが分離していると感じてしまった。
(アイテムスロットは因果の影響を受けない、的な説明があれば違ったのかなあ)
僕が個人的に躓いたことを差っ引けば、やりくりする楽しさが味わえた楽しいシステムだった。
・年上ヒロインが沢山いる
マザコンと他称される主人公が操作キャラ故なのか、年上のキャラがやたらと多い。
メインヒロイン5人中4人が年上で、1人は同い年。年下が1人もいない構造は責めてるなあ。
5人(プラスアルファ)いるヒロインの中で、僕が気に入ったのは美月さん。
物語開始前に主人公の童貞を食っており、開始時点では少し疎遠になっているものの、お互いまだ好きの気持ちがあり、未練たらたら羽賀健二と言う微妙な関係。
基本的にヒロインたちには性的には積極的に攻める主人公だが、彼女に対しては童貞卒業の相手だったこともあるのか、わりとタジタジな上に、エッチの先制攻撃を喰らう場面もあったりする。
勿論、エッチなだけでなく、悲恋を内に抱えながら主人公に逃げの恋愛をするという複雑な心境も見どころ。
主人公のことが好きなことと同時に、別の好きになってはいけない人を好きになっている複雑さ。
悲恋の相手がラスボスってのがまた話をややこしくさせ、そりゃまあこんな設定なので、割とことあるごとに裏切る。
そして、とにかく悲劇が多い。
物語の設定的にも彼女は死が強く運命付けられているという設定で、自身のルートで死が不可避な悲劇だけでなく、サブキャラとして他のヒロインのルートで登場した時も散々な扱いを受ける。
更に5人いるヒロインの内、3人にはゲームクリア後のおまけラブラブパートがある。
ラブラブパートがない美月さん以外のもう1人は恋愛まで発展しない打算と駆け引きのキャラであることを考慮すると、何故にこうも不憫なのか。
そしてどうして僕は今日も不憫なキャラを好きになり、やれファンディスクで補完はよ！ だのと、のたまい続けるのか。もう2022年も終わるのに。
所謂綾波レイ的な無口でありつつ、所謂カヲル君的な意味深な言動もする転校生キャラの神奈ちゃん。
「ふむふむ、発表の年代的にも綾波レイとカヲル君を意識したにしては結構早…… 見た目と第一印象だけだな！」と心の内で手のひら返しをしてしまった。
というのも、神奈ちゃんは無口で大人しい子なのだけど、実は実年齢が相当上(40代後半？)で、それでいながらお金を稼ぐ手段を売春しか知らず、それを見かねた主人公の父親から資金援助を受けている、にも関わらず肉体的精神的な寂しさから売春をやめられないのだ。
やめられないのだ、って言われても、お、おう、ってなるね。
そんな設定が、ぶっちゃけ特に物語の大事な要素になっていないのも中々。
どうも彼女のストーリーは若干尻ギレとんぼなところがあり、実は彼女と主人公の関係はこうでないか？ と推測できるいくつかの伏線や、だからこそああいうシーンがある、みたいな部分が多い。
もしかすると、この売春をやめれない設定も、その辺りの未回収伏線と密接な…… いやないな。
なんにしろ文章だけでサラッとこういう設定が開示され、主人公も割と気にしていないのが面白い。
・父と子の物語
ヒロインたちの魅力を書いたが、この作品の根底にあり、何度も繰り返されるのは家族愛。
このゲームは二部構成になっており、一部である現代編では主人公と父親の関係が主になっている。
ヒロインたちを攻略する中で何度も何度も死んだ父親との回想シーンが挟まり、そこで得た教訓が救いになる。
長大なボリュームで様々なシチュエーションで繰り返される主人公の苦難は、逆説的に一部での主人公の父親が見せる飄々とした態度の裏側を感じさせ、親もただの人、と言ってしまうと陳腐だろうか。
そして、最後の最後には娘と力を合わせることで、偉大な父の背中を越えるという、世代を追うことで進歩していく様も良かった。
・エグいシーン多め
今の倫理規定でも大丈夫なんだ…… と驚く程度にはエグいシーンがあり、数も多い。
特に人語を介し見た目も人に羽が生えただけの生物を人と見做さず獣とし、食べるところはエグかった。
作中の設定的にカニバリズムなのかどうかは解釈の余地があるのだけど、見た目的には完全に人肉を食べるシーン。
そうしないとならない理由や葛藤もかなり多めに描かれているため、ただただエグいシーンを入れた訳ではないと思いたいが、ある種唐突でもあったため辛かった。
このキャラこのためだけに居たのか…… と思うとやるせない……
三十数時間と、ADVにしてはかなりボリュームのある作品だった。
しかし、なんというか、言葉を選ばずに言うと、しょうもないギャグシーンがちょっと僕には多く感じた。
しょうもないギャグシーンが嫌いなわけではないし、別に僕がしょうもないと思っているわけでもない。
作中のキャラたちがギャグに対して寸評をするくだりが、くどいのだ。
その中でもとくにギャグが面白くない面白い云々んというやりとりが多すぎた。
会話の入り口で毎回毎回、駄洒落や下ネタから入ること自体は全く気にならないのだが、このギャグについて、面白い／面白くないを議論するくだりが辛かった。
こうなると会話のキャッチボールがどうなろうと、作品の中においてなんの情報も発生しないし、なんなら駄洒落や下ネタが普通にクスッと笑えているのに、延々とこのギャグは面白くなかったという旨のやりとりをされると不毛だし、別にそのキャラがそのギャグをどう受け止めててもいいよ…… と辛かった。
起きている事象は面白くて先が気になるところでも、このやりとりが始まると眠くなってしまい、数度寝落ちしてしまうこともあった。
・ラストシーンが素晴らしい
未回収の伏線が無いとは言わないけれど、大枠としては綺麗にまとまっている。
この手の物語は「最初」と「最後」が上手く繋がってこそなんだけど、そこがもうバッチリと決まっていて、読んでてそこに辿り着いた時には万感の思いだった。
悲しくもあり、嬉しくもある、一方に偏らない感情を抱きながら最後に至れるのは本当に素晴らしい。
所謂「ここまでの試行錯誤も込みで大事だったのだ」みたいな展開を期待してたんだけど、そこまでの風呂敷は畳まれなかった、ある種狭く閉じたエンディング。
なんだけど、ファンサービスとして、エッチなオマケシナリオが読めるのも、余韻がぶち壊しな気もするが良き。
特に神奈ちゃんが売春を辞めたはいいけど、今度は公園でお外でにノリノリになって準備を始めるくだりは、なんらかの依存症を疑ってしまう気もした。
・さいごに
フォロワーが多くいるのも納得の名作だった。
時間を巻き戻って困難に立ち向かう、という主題をゲーム化することで、繰り返し遊べるゲームのシステムと物語を融合させている。
勿論、このゲームがそれの初出というわけではないだろうし、これより後のよりブラッシュアップされた作品も多くあると思う。
けれど、そういった歴史的な意義以上に、
年上ヒロインたちの魅力、
不変的な家族愛の素晴らしさ、
エグいシーンだからこそ生まれる辛さとそれが昇華していくラストシーンなど、
壮大で大河的な物語をプレイし終えた後の余韻が素晴らしく、当分の間、寝るときに彼らのことに思いを馳せることになりそうだ。
これで菅野ひろゆきさんのゲームで現行機で遊べるのは全部遊んだと思う。(デザイア、EVEのバーストエラー、コレ)
これ優秀やね。元増田のやつよりお手軽。
あとせっかくだからサムネイルを並べて表示するコードを紹介しとこう。
import matplotlib.pyplotas pltnum_inference_steps =10 #Number of denoising stepsguidance_scale = 7.5 #Scale for classifier-free guidancebatch_size = 1def show_images(images, figsize=(20,10), columns = 5): plt.figure(figsize=figsize) for i,image in enumerate(images): plt.subplot(len(images) / columns + 1, columns, i + 1) plt.imshow(image)#入力文字 ここに好きな禁則文字をいれてくださいprompt = ["hatenaanonymous diary"]#画像のサイズheight = 512 #default height of Stable Diffusionwidth = 512 #default width of Stable Diffusion#SEED値、ここをかえると 同じ入力文字でも別の画像がでますseedId = 1images = []for i in range(5): generator = torch.manual_seed(seedId + i)print(seedId + i)image =run(prompt,generator,height,width,num_inference_steps,guidance_scale,batch_size)images.append(image)show_images(images)
今回の件とツイート内容につきまして、事前の情報共有を怠り私が独断で行動したことで、水無世燐央様とファンの方々、また関係者の方々に大変ご迷惑をおかけいたしました。発言を撤回させていただきます。申し訳ありませんでした。
これは私の落ち度であり、こちらのツイート (https://twitter.com/kagakuadv/status/1560189608876318720) の通り、水無世燐央様には全く問題ありません。
//あくまでも自分の観点においてマシだというだけで、これがベストではないのに注意
https://togetter.com/li/1932415
まとまった時間を確保して『STEINS;GATE（シュタインズゲート）』『STEINS;GATE 0（シュタインズ・ゲート ゼロ）』を３日間で一気に初プレイした。
１年以上前にアニメは視聴していたので大まかあらすじは把握しており、アニメ化されていないエンディングを見るためSteam で購入。エンディングが見られればいいのでフラグを知るため攻略サイトを利用し既読スキップしたが……思った以上にのめり込み文字どおり寝食を忘れてプレイした。振り返ると睡眠時間は６時間、食事は３回削ったと思う。
『STEINS;GATE』から『STEINS;GATE 0』へのストーリー上の分岐点をなんとなく覚えていたので、『STEINS;GATE』のTrue END 以外のエンディングを全部やってからTrue END 途中でいったんセーブし『STEINS;GATE 0』全エンディングを見て、最後に『STEINS;GATE』セーブをロードしてエンディングをみた。涙ぐむところ４か所、クリア後に嗚咽。ここ１０年でいいところは語り尽くされていると思うので屋上屋を架すことはしない。
主な症状として――
これだけ強い後遺症が出たのは、おそらく金庸の日本語訳を読み尽くした時以来だ。好みに合う作品の一気呵成プレイはいけない
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Maximas Tibi Gratias
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The Serviceis not geared toward children under theage of 13 and we do not knowingly collect personal information from children under theage of 13. If we learn that a child under 13has provided us with personal information wewilldelete such information from our filesas quicklyas possible.
Disclaimer of Warranty; Limitation of Liability
You agree thatyour use of the Service shall beatyoursole risk. To the fullest extent permittedby law, We,its officers, directors, employees,and agents disclaimall warranties,express or implies, in connectionwith thewebsite andyour use thereof including implied warranties oftitle, merchantability, fitness for a particular purpose or non-infringement, accuracy,authority, completeness, usefulness, andtimeliness. Wemake no warranties or representations about the accuracy or completeness of the content of the Service and of the content ofany sites linked to the Service; Weassume no liability or responsibility forany (i) errors, mistakes, or inaccuracies of content, (ii) personal injury or propertydamage, ofanynature whatsoever, resulting fromyouraccess to and use of the Service, (iii)any unauthorizedaccess to or use of our secure servers and/oranyand all personal information and/or financial information stored therein, (iv)any interruption or cessation oftransmission to or from the Service, (v)any bugs,viruses, trojan horses, orthe like whichmay be transmitted to or through the Servicebyany third party, and/or (vi)any errors or omissions inany content or forany loss ordamage ofany kind incurredas a result of the use ofany content posted, emailed, transmitted, orotherwisemade availablevia the Service.
In no eventwill We,its directors, officers,agents, contractors, partners and employees, be liable toyou orany third person forany special, direct, indirect, incidental, special, punitive, or consequentialdamages whatsoever includinganylost profits orlost data arising fromyour use of the Service or other materialson,accessed through or downloaded from the Service, whether basedon warranty, contract, tort, orany other legaltheory, and whether or not We have been advised of thepossibility of thesedamages. The foregoing limitation of liability shall apply to the fullest extent permittedby law in the applicablejurisdiction.You specifically acknowledge that We shall not be liable foruser submissions or the defamatory, offensive, or illegal conduct ofany third party and that the risk of harm ordamage from the foregoing rests entirelywith you.
You agree to indemnify and hold We, and each ofits directors, officers,agents, contractors, partners, and employees, harmless fromand againstany loss, liability, claim, demand,damages, costs and expenses, includingreasonableattorney's fees, arisingout of or in connection with (i)your use ofand access to the Service; (ii)yourviolation ofany term of these Terms of Service; (iii)yourviolation ofany third party right, including without limitationanycopyright, property, or privacy right; (iv)any claim thatone ofyourUser Submissions causeddamage to a third party; or (v)any Contentyou post orshareon or through the Service.
General
Byvisiting or using the Service,you agree that thelaws ofUK, without regard to principles ofconflict oflaws and regardless ofyour location,will govern these Terms of Serviceand any dispute ofany sort that might arisebetweenyou and us.
Contacting Us
Ifyou haveany questions about these Terms of Service, please contact usat reposting23334.contact@gmail.com
## Accepting the Terms and Privacy Policy
These Terms of Service ("Terms") are a legalagreementbetween we andyou ("you").By installing or usinganyapplication ("Service")you agree to be boundby these Terms.Byaccessing or using the Service,you agree thatyou have read, understood,and accept to be boundby the Terms. We reserve the right, initssole discretion, to modify or revise these Termsatanytime, andyou agree to be boundby such modifications or revisions. Ifyou do not agree to the Terms, do not use the Service.
Users are responsible for periodicallyviewing the Terms.Your continued use of the Service after achange or updatehas beenmadewill constituteyour acceptance to the revised Terms. Ifyou do not agree to the Termsyouronly remedyis to discontinueyour use of the Service and cancelany accountsyou havemade using the Service.
We reserve the right to refuseanyuseraccess to the Services without notice foranyreason, including, but not limited to, aviolation of the Terms.
You represent thatyou are 13 years old or older. Ifyou arebetween theages of 13 and 18,you represent thatyour legal guardianhasreviewedand agrees to the Terms.
##Intellectual Property/Ownership
All materials that are part of the Service (including, but not limited to,designs,text, graphics, pictures,video, information,applications,software,music, sound and other files, and their selectionand arrangement) are protectedby law from unauthorized use.
We grantyou a personal, non-exclusive, non-transferable, revocable, limitedscope license to use the Servicesolely for the purpose ofviewing and using the applicable Services and for no other purpose whatsoever.Your license to use the Servicesis limitedby these Terms.
You agree thatyou arewillingly publishing the contenton the Service using technology and tools providedby us.You understand and agree thatyoumay not distribute, sell, transfer or license this content and/orapplication inany manner, inany country, oronany socialnetwork oranothermedium withoutthe explicit written permission of us. We reserve the right to remove and permanentlydeleteanyUser Content from the Service with or without notice.
You agree thatallyourcommunicationswith theCommunication Channels are public, and thusyou have no expectation of privacy regardingyour use of theCommunication Channels. Weis not responsible for information thatyou choose toshareon theCommunication Channels, or for the actions of otherusers.
Privacy and Protection of Personal Information
By using the Service,you agree to the collection and use ofyour personal informationasoutlined in this Privacy Policy. Wemay amend the Privacy Policy fromtime totime, and we encourageyou to consult the Privacy Policy regularly forchanges.
Acookieis a small data file that we transfer toyourcomputer’s hard disk, generally to quickly identify auser'scomputer and to "remember" things about theuser'svisit, suchasyour preferences or ausername andpassword. The Service sendscookies toyourcomputer whenyouaccess orview the content of us. The information contained in acookiemay be linked toyour personal information for purposes suchas improving the quality of our service, tailoring recommendations toyour interests, and making the Service easier to use.You can disablecookiesatanytime, althoughyoumay not be able toaccess or use features of the Service.
Third-Party Advertising Companies
Wemay use third-party advertising companies to serve adson the Service. We do not provideany personal information to third-party advertising companieson a non-aggregate basis. Our system and the third-party advertising technologymay use aggregate information, non-personal information, Ourcookiesonyour harddrive andyour use of the Service to target advertisements. In addition, advertisersmay use other third-party advertising technology to target advertisingon other sites. If advertisements are served toyou, a unique third-partycookie orcookiesmay be placedonyourcomputer. Similarly, third-party advertising companiesmay provide us withpixel tags (also called “clear gifs” or “beacons”) to help manage and optimizeonline advertising. Beaconsenable us to recognize abrowser’scookie when abrowservisits the siteon whichis a beaconis located, and to learn which banner ads bringusers to a given site.
Changing or DeletingYour Information
Youmayreview, update, correct ordeleteany personal informationby changing the applicable information inyourprofile pageonFacebook and/oranother socialnetwork (s). Ifyou completelydeleteall this information,your accountmay become deactivated. Ifyou wouldlike us todeleteyour record in our system, please contact us and wewillattempt to accommodateyour request if we are not legally obligated to retain the record.
Security
We have put in placereasonable technical and organizational measures designed to secureyour personal information from accidental loss and from unauthorizedaccess, use, alteration or disclosure. However, we cannot guarantee that unauthorized third partieswill never be able to overcome those measures or useyour personal information for improper purposes. Also pleasenote that email and messaging systems are not considered secure, so we discourageyou from sending us personal information through thesemediums.
Policy Regarding Children
The Serviceis not geared toward children under theage of 13 and we do not knowingly collect personal information from children under theage of 13. If we learn that a child under 13has provided us with personal information wewilldelete such information from our filesas quicklyas possible.
Disclaimer of Warranty; Limitation of Liability
You agree thatyour use of the Service shall beatyoursole risk. To the fullest extent permittedby law, We,its officers, directors, employees,and agents disclaimall warranties,express or implies, in connectionwith thewebsite andyour use thereof including implied warranties oftitle, merchantability, fitness for a particular purpose or non-infringement, accuracy,authority, completeness, usefulness, andtimeliness. Wemake no warranties or representations about the accuracy or completeness of the content of the Service and of the content ofany sites linked to the Service; Weassume no liability or responsibility forany (i) errors, mistakes, or inaccuracies of content, (ii) personal injury or propertydamage, ofanynature whatsoever, resulting fromyouraccess to and use of the Service, (iii)any unauthorizedaccess to or use of our secure servers and/oranyand all personal information and/or financial information stored therein, (iv)any interruption or cessation oftransmission to or from the Service, (v)any bugs,viruses, trojan horses, orthe like whichmay be transmitted to or through the Servicebyany third party, and/or (vi)any errors or omissions inany content or forany loss ordamage ofany kind incurredas a result of the use ofany content posted, emailed, transmitted, orotherwisemade availablevia the Service.
In no eventwill We,its directors, officers,agents, contractors, partners and employees, be liable toyou orany third person forany special, direct, indirect, incidental, special, punitive, or consequentialdamages whatsoever includinganylost profits orlost data arising fromyour use of the Service or other materialson,accessed through or downloaded from the Service, whether basedon warranty, contract, tort, orany other legaltheory, and whether or not We have been advised of thepossibility of thesedamages. The foregoing limitation of liability shall apply to the fullest extent permittedby law in the applicablejurisdiction.You specifically acknowledge that We shall not be liable foruser submissions or the defamatory, offensive, or illegal conduct ofany third party and that the risk of harm ordamage from the foregoing rests entirelywith you.
You agree to indemnify and hold We, and each ofits directors, officers,agents, contractors, partners, and employees, harmless fromand againstany loss, liability, claim, demand,damages, costs and expenses, includingreasonableattorney's fees, arisingout of or in connection with (i)your use ofand access to the Service; (ii)yourviolation ofany term of these Terms of Service; (iii)yourviolation ofany third party right, including without limitationanycopyright, property, or privacy right; (iv)any claim thatone ofyourUser Submissions causeddamage to a third party; or (v)any Contentyou post orshareon or through the Service.
General
Byvisiting or using the Service,you agree that thelaws ofUK, without regard to principles ofconflict oflaws and regardless ofyour location,will govern these Terms of Serviceand any dispute ofany sort that might arisebetweenyou and us.
Contacting Us
Ifyou haveany questions about these Terms of Service, please contact usat reposting23334.contact@gmail.com
## Accepting the Terms & Privacy Policy
These Terms of Service ("Terms") are a legalagreementbetween we andyou ("you").By installing or usinganyapplication ("Service")you agree to be boundby these Terms.Byaccessing or using the Service,you agree thatyou have read, understood,and accept to be boundby the Terms. We reserve the right, initssole discretion, to modify or revise these Termsatanytime, andyou agree to be boundby such modifications or revisions. Ifyou do not agree to the Terms, do not use the Service.
Users are responsible for periodicallyviewing the Terms.Your continued use of the Service after achange or updatehas beenmadewill constituteyour acceptance to the revised Terms. Ifyou do not agree to the Termsyouronly remedyis to discontinueyour use of the Service and cancelany accountsyou havemade using the Service.
We reserve the right to refuseanyuseraccess to the Services without notice foranyreason, including, but not limited to, aviolation of the Terms.
You represent thatyou are 13 years old or older. Ifyou arebetween theages of 13 and 18,you represent thatyour legal guardianhasreviewedand agrees to the Terms.
##Intellectual Property/Ownership
All materials that are part of the Service (including, but not limited to,designs,text, graphics, pictures,video, information,applications,software,music, sound and other files, and their selectionand arrangement) are protectedby law from unauthorized use.
We grantyou a personal, non-exclusive, non-transferable, revocable, limitedscope license to use the Servicesolely for the purpose ofviewing and using the applicable Services and for no other purpose whatsoever.Your license to use the Servicesis limitedby these Terms.
You agree thatyou arewillingly publishing the contenton the Service using technology and tools providedby us.You understand and agree thatyoumay not distribute, sell, transfer or license this content and/orapplication inany manner, inany country, oronany socialnetwork oranothermedium withoutthe explicit written permission of us. We reserve the right to remove and permanentlydeleteanyUser Content from the Service with or without notice.
You agree thatallyourcommunicationswith theCommunication Channels are public, and thusyou have no expectation of privacy regardingyour use of theCommunication Channels. Weis not responsible for information thatyou choose toshareon theCommunication Channels, or for the actions of otherusers.
Privacy and Protection of Personal Information
By using the Service,you agree to the collection and use ofyour personal informationasoutlined in this Privacy Policy. Wemay amend the Privacy Policy fromtime totime, and we encourageyou to consult the Privacy Policy regularly forchanges.
Acookieis a small data file that we transfer toyourcomputer’s hard disk, generally to quickly identify auser'scomputer and to "remember" things about theuser'svisit, suchasyour preferences or ausername andpassword. The Service sendscookies toyourcomputer whenyouaccess orview the content of us. The information contained in acookiemay be linked toyour personal information for purposes suchas improving the quality of our service, tailoring recommendations toyour interests, and making the Service easier to use.You can disablecookiesatanytime, althoughyoumay not be able toaccess or use features of the Service.
Third-Party Advertising Companies
Wemay use third-party advertising companies to serve adson the Service. We do not provideany personal information to third-party advertising companieson a non-aggregate basis. Our system and the third-party advertising technologymay use aggregate information, non-personal information, Ourcookiesonyour harddrive andyour use of the Service to target advertisements. In addition, advertisersmay use other third-party advertising technology to target advertisingon other sites. If advertisements are served toyou, a unique third-partycookie orcookiesmay be placedonyourcomputer. Similarly, third-party advertising companiesmay provide us withpixel tags (also called “clear gifs” or “beacons”) to help manage and optimizeonline advertising. Beaconsenable us to recognize abrowser’scookie when abrowservisits the siteon whichis a beaconis located, and to learn which banner ads bringusers to a given site.
Changing or DeletingYour Information
Youmayreview, update, correct ordeleteany personal informationby changing the applicable information inyourprofile pageonFacebook and/oranother socialnetwork (s). Ifyou completelydeleteall this information,your accountmay become deactivated. Ifyou wouldlike us todeleteyour record in our system, please contact us and wewillattempt to accommodateyour request if we are not legally obligated to retain the record.
Security
We have put in placereasonable technical and organizational measures designed to secureyour personal information from accidental loss and from unauthorizedaccess, use, alteration or disclosure. However, we cannot guarantee that unauthorized third partieswill never be able to overcome those measures or useyour personal information for improper purposes. Also pleasenote that email and messaging systems are not considered secure, so we discourageyou from sending us personal information through thesemediums.
Policy Regarding Children
The Serviceis not geared toward children under theage of 13 and we do not knowingly collect personal information from children under theage of 13. If we learn that a child under 13has provided us with personal information wewilldelete such information from our filesas quicklyas possible.
Disclaimer of Warranty; Limitation of Liability
You agree thatyour use of the Service shall beatyoursole risk. To the fullest extent permittedby law, We,its officers, directors, employees,and agents disclaimall warranties,express or implies, in connectionwith thewebsite andyour use thereof including implied warranties oftitle, merchantability, fitness for a particular purpose or non-infringement, accuracy,authority, completeness, usefulness, andtimeliness. Wemake no warranties or representations about the accuracy or completeness of the content of the Service and of the content ofany sites linked to the Service; Weassume no liability or responsibility forany (i) errors, mistakes, or inaccuracies of content, (ii) personal injury or propertydamage, ofanynature whatsoever, resulting fromyouraccess to and use of the Service, (iii)any unauthorizedaccess to or use of our secure servers and/oranyand all personal information and/or financial information stored therein, (iv)any interruption or cessation oftransmission to or from the Service, (v)any bugs,viruses, trojan horses, orthe like whichmay be transmitted to or through the Servicebyany third party, and/or (vi)any errors or omissions inany content or forany loss ordamage ofany kind incurredas a result of the use ofany content posted, emailed, transmitted, orotherwisemade availablevia the Service.
In no eventwill We,its directors, officers,agents, contractors, partners and employees, be liable toyou orany third person forany special, direct, indirect, incidental, special, punitive, or consequentialdamages whatsoever includinganylost profits orlost data arising fromyour use of the Service or other materialson,accessed through or downloaded from the Service, whether basedon warranty, contract, tort, orany other legaltheory, and whether or not We have been advised of thepossibility of thesedamages. The foregoing limitation of liability shall apply to the fullest extent permittedby law in the applicablejurisdiction.You specifically acknowledge that We shall not be liable foruser submissions or the defamatory, offensive, or illegal conduct ofany third party and that the risk of harm ordamage from the foregoing rests entirelywith you.
You agree to indemnify and hold We, and each ofits directors, officers,agents, contractors, partners, and employees, harmless fromand againstany loss, liability, claim, demand,damages, costs and expenses, includingreasonableattorney's fees, arisingout of or in connection with (i)your use ofand access to the Service; (ii)yourviolation ofany term of these Terms of Service; (iii)yourviolation ofany third party right, including without limitationanycopyright, property, or privacy right; (iv)any claim thatone ofyourUser Submissions causeddamage to a third party; or (v)any Contentyou post orshareon or through the Service.
General
Byvisiting or using the Service,you agree that thelaws ofUK, without regard to principles ofconflict oflaws and regardless ofyour location,will govern these Terms of Serviceand any dispute ofany sort that might arisebetweenyou and us.
Contacting Us
Ifyou haveany questions about these Terms of Service, please contact usat reposting23334.contact@gmail.com
The origin of theword inEnglishis unknown, but AnimeNation's John Oppliger points to the early 1990s, when a Dirty Pair erotic doujinshi (self-published work)titled H-Bombwas released, and when manywebsites soldaccess to images culled fromJapanese erotic visual novels and games.
'90年代初頭に「H-Bomb」というタイトルのダーティペア同人誌が英訳されてアメリカで流行ったことがあり、これをきっかけに「H =Hentai」がエロ漫画の代名詞として定着していったのではないかという説があるらしい
この回答をしたJohnは「Ask John」というブログをやってたことで有名な日本アニメ輸入ショップ社員
Theidea that “ecchi” referred to mild erotica while “hentai” referred tohardcore pornography became a quickly adopted easy distinction. The widespread use of the term “hentai”was probably encouragedbytwo things. InMay 1993 Antarctic Press published a comictitled “H-Bomb,” anEnglish translation ofJapanese erotic Dirty Pair doujinshi.
（略）
theinternetwas inundated with illicit commercialwebsites sellingaccess to collections ofJapanese eroticPC game images. And virtually every singleone of thesewebsites managed to use theword “hentai” initstitle. In effect,it could be said thatitwas theweb that primarily popularized theEnglish language association of theword “hentai” with “Japanese comic pornography.”
その回答の原文はもうちょっと詳しくて、英語版「H-Bomb」は1993年5月にAntarctic Press（アメコミで有名な出版社）から発売されたとのことだから、なんと商業流通に載ってしまったらしい
当時は日本でも二次創作同人誌をまとめたアンソロが原作者非公認のまま商業出版社から出されたりしてたから、業界人もそのへんの倫理観がゆるかったのかもしれない
また、当初アニメマニアの間では「ecchi」はマイルドなお色気で「hentai」はハードコアエロをさすと区別されていたのだが、インターネットに現れた違法アップサイトが一斉にハードな方の「hentai」をサイトタイトルにつけて客を呼び始めたのでそちらばかりが浸透してしまい、「ecchi」の方は下火になってしまったのではないかと推測している
I. INTRODUCTION
These Terms of Use and EndUser LicenseAgreement (collectively, the “Agreement”)together withall the documents referred to init constitute a legally bindingagreementmadebetweenyouas anatural person (“you”, “your” or “user”) and We (“we,” “us” or “our”), concerningyouraccess to and use of thesoftwareapplication formobile devices (the “App”).
All the documents that relate to the App are herebyexpressly incorporated hereinby reference.
Please read thisAgreement carefully beforeyoudownload, install or use the App.
Itis important thatyou read and understand thisAgreementasbydownloading, installing or using the Appyou indicate thatyou have read, understood, agreedand accepted theAgreement whichtakes effecton thedateon whichyoudownload, install or use the App.By using the Appyou agree to abideby thisAgreement.
Ifyou do not agree with (do notaccept) thisAgreement, or ifyou do not agreeat least withone of the provisions of thisAgreement,you are notauthorized to, andyoumay notaccess,download, install or use the App andyou must ly discontinuedownloading, installing the App and remove (delete) the App fromanymobile device inyour possession or underyour control.
We reserve the right,at oursole discretion, tomakechanges or modifications to thisAgreementatanytime and foranyreason. Wewill keepyou informed aboutanychangesby updating thisAgreement andyouwaiveany right to receive specific notice of each suchchange.Itisyour responsibility to periodicallyreview thisAgreement tostay informed of updates.Youwill be subject to, andwill be deemed to be aware of and to haveaccepted,the changes inany revisedAgreementbyyourcontinued use of the App after thedate such revisedAgreementis posted.
III. RESTRICTIONSONWHO CAN USE THE APP
In order todownload, install,access or use the App,you must (a) be eighteen (18) years ofage or older.
Alluserswho are minors in thejurisdiction in which they reside (generally under theage of 18) must have the permission of, and be directly supervisedby, their parent or guardian to use the App, so ifyou arebetween theages of thirteen (13) andseventeen (17) years andyouwish to usedownload, install,access or use the App, before doing soyou must: (a)assure and confirm (ifneeded) thatyour parent or guardian have readand agree (getyour parent or guardian’s consent) to thisAgreement prior toyou using the App; (b) havethe power to enter a binding contract with us and not be barred from doing so underany applicablelaws.
Parents and guardians must directly superviseany use of the Appby minors.
Any person under theage of thirteen (13) yearsis not permitted todownload, install,access or use the App.
You affirm thatyou are eithermore than eighteen 18 years ofage, or an emancipated minor, or possess legal parental or guardian consent,and are fully able and competent to enter into the terms, conditions, obligations, affirmations, representations, and warrantiessetforth in thisAgreement, and to abideby and complywith thisAgreement.
IV. GENERAL TERMS
The Appis a utility program designed to enhanceyour device experience. The Appallows toscanany types of document to high qualityPDF orJPEG; to save and storeanyscan copies of documentsonyourmobile devices; toshareyourscansvia email; uploadscanned documents to cloud serviceslikebox,Evernote orGoogle Drive (see the full performance liston the App’s pageonitunes.apple.com).All documents shall be stored locallyonyour device and shall never be sent toany third-party unlessyou export them to other apps or devicesby means of the App.
The Appis intendedonly foryour personal non-commercial use.You shall use the Apponly for the purposes, mentioned above.
V. PRIVACY POLICY
Your privacyis very important to us. Accordingly, we have developed the Privacy Policy in order foryou to understand how we process, use and store information including personal data.Access to the App and use of the Servicesis subject to the Privacy Policy.Byaccessing the App andby continuing to use the Services,you are deemed to haveaccepted the Privacy Policy, and in particular,you are deemed to have acknowledged the ways we processyour informationas wellas appropriate legal grounds forprocessing described in the Privacy Policy. We reserve the right to amend the Privacy Policy fromtime totime. Ifyou disagree withany part of the Privacy Policy,you must immediately stop using the App and Services. Please read our Privacy Policy carefully.
By using the App,you undertake torespect our intellectual rights (intellectual rights related to the App’s source code,UI/UX design, content material,copyright andtrademarks, hereinafter referred toas the “Intellectual Property Rights”)as wellas those ownedby third parties.
As longasyou keep using the App, weyou a limited, non-exclusive, non-transferable non-sublicensable, non-assignable and revocable license toaccess and use the App pursuant to thisAgreementonanyApple-branded products thatyou own or control except that the Appmay beaccessed and usedby other accountsassociatedwith youvia Family Sharing or volume purchasing (the “License”).
The source code, design and content, including information, photographs, illustrations, artwork and other graphic materials, sounds,music orvideo (hereinafter – the “works”)as wellas names,logos andtrademarks (hereinafter – “means of individualization”) within the App are protectedbycopyrightlaws and other relevantlaws and/orinternational treaties, and belong to us and/or our partners and/or contracted third parties,as thecasemaybe.
In the event ofany third party claim thatyour possession and use of the App infringes that third party’sintellectual property rights,Applewill not be responsible for the investigation, defense,settlement anddischarge ofany suchintellectual property infringement claim.
These works and means of individualizationmay not be copied, reproduced, retransmitted, distributed, disseminated, sold, published,broadcasted or circulated whether inwhole or in part, unlessexpressly permittedby us and/or our partners and/or contracted third parties,as thecasemaybe.
All rights,title and interest in and to the App andits content, works and means of individualizationas wellasits functionalities (1) arethe exclusive property of We and/or our partners and/or contracted third parties, (2) are protectedby the applicableinternational andnational legal provisions, and (3) are under no circumstances transferred (assigned) toyou in full or in part within the context of the license herewithin.
Wewill not hesitate totake legalaction againstany unauthorized use of ourtrademarks, names or symbols to protect and restore our rights.All rights notexpresslyed herein are reserved. Other product and company names mentioned hereinmay also be thetrademarks of theirrespective owners.
You agree not to use the App inany way that:
is unlawful, illegal or unauthorized;
is defamatory ofany other person;
infringesanycopyright, right ortrademark ofany other person;
advocates, promotes orassistsany unlawfulact suchas (by way of exampleonly)copyright infringement orcomputer misuse.
You shall notmake the App available toany third parties. Inaddition,you shall not modify, translate into other languages, reverse engineer, decompile, disassemble orotherwise derivative works from the App orany documentation concerning the App.
You shall not transfer, lend,rent, lease, distribute the App, or useit for providing services to a third party, orany rights to the App orany documentation concerning the App to a third party.
Misuse ofanytrademarks orany other content displayedon the Appis prohibited.
You shall not copy and/or duplicate and/or distribute and/or publish and/or useany content in the App, directly or indirectly,by way of aviolation of ourIntellectual Property Rights.
Moreover,you shall notmakeanyattempts to use the App or part thereof for malicious intentions.
Also we are not responsible for the wayyou use the App.
Itis clarified that wemay adopt, against auserwhoviolated the presentAgreement,any legal measuresat our disposal pursuant to the applicablelaws.
All disputes arising from theusage of the App, shall be governedby and construed in accordancewith thelaws ofthe UnitedStates of America, and shall be submitted to thesolejurisdiction of the competent courts ofNew York,New York,the UnitedStates of America.
VIII. AVAILABILITY OF THE APP, SECURITYAND ACCURACY
In order to use the App,you arerequired to have a compatiblemobile phone ortablet, andinternetaccess. However, pleasenote that we offeryou widgets that save translationsand allowyou toaccess them later in offline mode.
The Appis available fordownloading and installingon handheld compatiblemobile devices runningApple iOSOperating System11.0 with minimum systemrequirements.
We do not warrant that the Appwill be compatible withallhardware andsoftware whichyoumay use.
Wemake no warranty thatyouraccess to the Appwill be uninterrupted,timely orerror-free. NeitherdoesApple have an obligation whatsoever to furnishany maintenance and support services withrespect to the App.
You acknowledge the Appis providedvia theinternet andmobile networks and so the qualityand availability of the Appmay be affectedby factorsoutside ourreasonable control.
Theversion of the Appmay be upgraded fromtime totime toadd support for new functions and services.
Wemaychange or update the Appand anything described init without noticingyou. If theneed arises, wemay suspendaccess to the App, or closeit indefinitely.
You also warrant thatany information thatyou submit to usistrue, accurate and complete, andyou agree to keepitactualatalltimes.
You can discontinue using our Servicesatanytimeby choosing the relevant option inyouriTunes AccountSettings. Ifyou decide not to use the App foranyreasonyou should uninstall the App.
The Appis providedon a paid basis.Youwillneed to pay aone-time fee of $14.99 in order todownload the App.Onceyoudownload the App,youwillgetaccess toallits features.
Prices are in U.S. dollars,may vary in countries other than the U.S.and are subject tochange without notice.
Youmay be chargedbyyour communications service provider fordownloading and/oraccessing the Apponyourmobile phone ortablet device, soyou should check the terms ofagreementwith your operator. Thismay include data roaming charges ifyou do thisoutsideyourhome territory.All these charges aresolelyyour responsibility. Ifyou do not pay thebills related toyourmobile phone ortablet device, then weassume thatyou have the permission from the person thatdoesit before incurringany of these charges.
X. THIRD PARTYWEBSITES AND RESOURCES
The Appmaylinkyou to other siteson theInternet and contracted third parties to provideyou certain services. We have no controloverand accept no responsibility for the content ofanywebsite ormobileapplication to which alink from the App exists (unless we are the provider of thoselinkedwebsites ormobileapplications). Suchlinkedwebsites andmobileapplications are provided “asis” foryourconvenienceonly with no warranty,express or implied, for the information provided within them.
You acknowledge thatyou must comply with applicable third party terms ofagreement when using the App.You aresolely responsible for and bearall risks arising fromyour use ofany third-partywebsites or resources.
Ifyou haveany queries, concerns or complaints about such third partywebsites ormobileapplications (including, but not limited to, queries, concerns or complaints relating to products, orders for products, faulty products and refunds)you must direct them to the operator of that third partywebsite ormobileapplication.
YOU AGREE THATYOUR USE OF THE APP ANDITS SERVICES SHALL BEATYOURSOLE RISK. THE SERVICESAND ALL THE MATERIALS, INFORMATION,SOFTWARE, CONTENT INTEGRATED IN THE APP ARE PROVIDED “ASIS” AND “AS AVAILABLE”. WE DO NOTMAKEANY WARRANTIES OFANY KIND, EITHEREXPRESS OR IMPLIED, WITH REGARD TO THE MERCHANTABILITY, TECHNICAL COMPATIBILITY OR FITNESS FOR A PARTICULAR PURPOSE OFANY SERVICE, PRODUCTS OR MATERIAL PROVIDED PURSUANT TO THISAGREEMENT. WE DO NOT WARRANT THAT THE FUNCTIONS CONTAINEDON OR THROUGH THE SERVICESWILL BE AVAILABLE, UNINTERRUPTED ORERROR-FREE, THAT DEFECTSWILL BE CORRECTED, OR THAT THE SERPermalink |記事への反応(0) | 23:18
Terms of Use
1.By using MathX,you are agreeing to these Terms of Use
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These Terms of Service ("Terms") are a legalagreementbetween we andyou ("you").By installing or usinganyapplication ("Service")you agree to be boundby these Terms.Byaccessing or using the Service,you agree thatyou have read, understood,and accept to be boundby the Terms. We reserve the right, initssole discretion, to modify or revise these Termsatanytime, andyou agree to be boundby such modifications or revisions. Ifyou do not agree to the Terms, do not use the Service.
Users are responsible for periodicallyviewing the Terms.Your continued use of the Service after achange or updatehas beenmadewill constituteyour acceptance to the revised Terms. Ifyou do not agree to the Termsyouronly remedyis to discontinueyour use of the Service and cancelany accountsyou havemade using the Service.
We reserve the right to refuseanyuseraccess to the Services without notice foranyreason, including, but not limited to, aviolation of the Terms.
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You agree thatallyourcommunicationswith theCommunication Channels are public, and thusyou have no expectation of privacy regardingyour use of theCommunication Channels. Weis not responsible for information thatyou choose toshareon theCommunication Channels, or for the actions of otherusers.
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Acookieis a small data file that we transfer toyourcomputer’s hard disk, generally to quickly identify auser'scomputer and to "remember" things about theuser'svisit, suchasyour preferences or ausername andpassword. The Service sendscookies toyourcomputer whenyouaccess orview the content of us. The information contained in acookiemay be linked toyour personal information for purposes suchas improving the quality of our service, tailoring recommendations toyour interests, and making the Service easier to use.You can disablecookiesatanytime, althoughyoumay not be able toaccess or use features of the Service.
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5月ごろに海外ゴシップ系ゲームメディア「Kotaku」は「日本のゲーム会社は日本人のYouTubeのコメント欄を規制している」という記事を公開した。
http://kotaku.com/japanese-game-companies-that-wont-allow-youtube-comment-1795216530
この記事が数か月前に一部海外の反応系ブログで翻訳されて話題になっていたので、せっかくなので夏休みの自由研究としてリストを作ってみることにした。
リストを見るにあたっていくつかの注意点
・ゲーム会社を国内の大手企業と中小企業、外資企業の3つに分類する。
・また、基準として「コメント欄の書き込みが可能かどうか」と「高評価・低評価の数の確認が可能かどうか」の2つを用意する。
・規制されている項目はX（エックス）、規制されていない項目はO（オー）とする。
・デベロッパー（開発会社）とパブリッシャー（販売会社）の区別は…よく考えてないです。
事前に言っておくが、増田が確認した限りでは日本以外の国を対象としたチャンネル（日本企業かどうか問わず）ではそれらの規制はまずなかった。
国内大手ゲーム会社のチャンネルの一覧（大手かどうかの選択基準は増田の主観です。順番も適当です。）
| チャンネル名 | コメント欄の書き込み可能 | 高評価・低評価の数の確認可能 |
|---|---|---|
| Nintendo公式チャンネル | X | O |
| PlayStationJapan | X | O |
| スクウェア・エニックス | X | X |
| 876TV（バンダイナムコ） | X | X |
| SEGA | O | O |
| KONAMI公式 | O | O |
| CapcomChannel | X | O |
| コーエーテクモChannel | X | O |
| LEVEL5ch | X | O |
国内中小ゲーム会社のチャンネルの一覧（選択基準は増田の主観です。）
| チャンネル名 | コメント欄の書き込み可能 | 高評価・低評価の数の確認可能 |
|---|---|---|
| FROMSOFTWARE | O | O |
| PlatinumGames Inc. | O | O |
| spikechunsoft | O | O |
| atlustube（アトラス） | O | O |
| アイディアファクトリー | X | X |
| コンパイルハート | X | X |
| nippon1software | O | O |
| NihonFalcomSince1981 | O | O |
| HAMSTERCorporation | O | O |
| KOJIMA PRODUCTIONS | O | O |
| arcsystemworks | O | O |
| snkGame | O | O |
| D3Publisher | O | O |
| フリュー | O | O |
| コンシューマ -マーベラス公式チャンネル | O | O |
| MAGES. | O | O |
| kadokawagames | O | O |
| TheGunghoChannel | O | O |
| AcquireChannel | O | O |
| Granzella Inc. | O | O |
| Flyhigh Works Official Channel | O | O |
| チャンネル名 | コメント欄の書き込み可能 | 高評価・低評価の数の確認可能 |
|---|---|---|
| XboxJapan（Microsoft） | O | O |
| UBIJAPAN | O | O |
| ベセスダ・ソフトワークス | O | O |
| ElectronicArtsJapan | O | O |
家庭用ゲーム機(PS4、Nintendo Switch、3DS、PSVita他)に展開しているゲーム会社は日本のみならず海外にもほぼ同時期に展開するため、地域ごとにウケるウケないの差が激しいスマホゲームに比べると日本と海外で様々な面が比較しやすいのかなと思った（ＫＯＮＡＭＩ感）
あとゲーム会社だけではなくゲームシリーズ単体（FINAL FANTASYや龍が如くなど）のチャンネルも存在し、そちらはあまり規制されていないようだった。
スマホ用ゲームはむしろゲーム単体のチャンネルが中心な気がした。
おまけ
| チャンネル名 | コメント欄の書き込み可能 | 高評価・低評価の数の確認可能 |
|---|---|---|
| CygamesChannel | X | X |
| モンスト（モンスターストライク）公式 （mixi） | O | O |
| ぐらんどおーだーちゃんねる（Aniplex） | O | O |
| LINEGAMEofficial | X | X |
Aniplex Inc.(ソニー)のチャンネルはTVアニメ関連の動画しか投稿していないようだった。と思ったらマギアレコードと実写版（舞台版？）FateGOの動画はあった。よくわからない。
あとはスクエニとかバンナムとかもソシャゲ大手だから上のリストと被ります。
・
アニメとか映画とか音楽とか他ジャンルでも似たような規制があったら書いていってね。
/追記
コメント欄の是非はともかくコメントの質やアンチ他の荒らしのレベルは日本も英語圏もそれ以外の国も大差ないからそこは無理に日本下げしなくて大丈夫ですよ。
はてなブックマークのデザインが変更されたおかげで、非常に見づらくなったのが気に食わない。
画像がやたらでかいのさえ何とかなればと思って、ちょっと作ってみた。
1. 下記の内容を、「removeImg.html」のファイル名で作成する。
<script language="JavaScript">var obj = external.menuArguments;var images = new Array;for (var i = 0; i < obj.document.images.length; ++i) { images[i] = obj.document.images[i];}for (var i = 0; i < images.length; ++i) { var img = images[i]; img.parentNode.removeChild(img);}</script>
2. 下記の内容を、「removeImg.reg」のファイル名で作成する。（フルパス）は1. のフルパスに変更すること。
REGEDIT4[HKEY_CURRENT_USER\Software\Microsoft\Internet Explorer\MenuExt][HKEY_CURRENT_USER\Software\Microsoft\Internet Explorer\MenuExt\画像を非表示(&H)]@="file:///C:/Users/miyake/Desktop/wk/tool/removeImg.html""Flags"=dword:00000000
3. 2.をダブルクリックして、レジストリに追加する。実行後、2. は削除してかまわない。
4.IEではてなブックマークを開き、右クリックメニューから「画像を非表示(H)」をクリックする。メニューキー+Hでも可。
