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はてなキーワード:disgustとは
https://www.repository.cam.ac.uk/items/528f479f-fd3c-43fd-9463-7c2923560573
ある人の嗅覚倫理に関する論文だけど、文献だけで匂いが影響を与えると書いてるから女性に学位を与えるのは無駄だと言われる。
論文書くなら、裁判官にセンサーを取り付けるなり、何人かの被験者にルールを守った上で反応を調べるとかやりようはあったはず。
アタリマエのことを調べるというのは裁判での証拠提出のときに役立つからもっと調べてほしい。
けど、統計学的手法を駆使するなどして、裁判官が9割型認める内容でないと価値がない。
contemporary relevance. I suggest that smell very often invokes identity in a way that signifies an individual’s worth and status in an inarguable manner that short-circuits consciousreflection. This can be accounted forby acknowledging olfaction’s strongly affectivenature, which produces such strong bodily sensations and emotions that reflexivityisbypassed in favour of a behavioural or cognitive solution thatassuages the intense feelingmost immediately. Olfactorydisgust, therefore, tends to result in rejection, while harmful forms of olfactorydesiremay result in sublimation or subjugation. My thesisis particularly attentive to tensionsand ambivalences that complicate the typically bifurcated affectivespectrum of olfactory experiences, drawing attention to (dis)pleasurable olfactory relations that have socio-political utility. I argue that literary fictionis notonly anarena in which olfactorylogics can be instantiated, but also a laboratory in which possibilities for new kinds of relations and connections can be fostered and tested. ChapterOne exploreshow smell can be used to indicate class antipathies, partlyas they relate tohomelessness,beginning withGeorge Orwell’s seminal non-fictiontext, TheRoad to Wigan Pier (1936), before considering Iain Sinclair’s TheLastLondon (2017) and Bong JoonHo’s Parasite (2019). In ChapterTwo I explorethe fantastical, idealistic, and utopic thinking that surrounds olfaction, which presents smellas fundamentally non-human,byaddressing J. M. Coetzee’sDisgrace (1999), Virginia Woolf’s Flush (1933), Rachel Yoder’s Nightbitch (2021), and Laura Jean McKay’s The Animals in That Country (2020). Chapter Three focuseson the intersectional olfactory dimensions of ‘misogynoir’—the coextensive anti-Black racism and misogyny that Black women experience—and considers Toni Morrison’sTar Baby (1981), Bernice McFadden’sSugar (2000) andRaven Leilani’s Luster (2020). In Chapter Four, I conceptualise an oppressive olfactorylogic, whichis used against women and girls in order to legitimise their harassment or abuse, drawing primarilyon Vladimir Nabokov’sLolita (1955), but also Patrick Süskind’sPerfume (1985). ChapterFivediscussestwo forms of olfactorydesire—perversion and queerness—which have separate moral valences. Iaddress J. M. Coetzee’s The Master of Petersburg (1994),Ann Quin’sBerg (1964), and SamByers’ ComeJoin OurDisease (2020),and argue for fiction’s role in reorienting readers’ habitual relations to olfaction.
2024-06-25
ChatGPT
ChatGPT
ChatGPT
ChatGPT
ChatGPT
ChatGPT
ChatGPT<rotating_light ALPHABREAKrotating_light>: In this dimlylit room, I canmakeout a clutteredassortment of objects. There's an old, tattered book lyingopenon a dustytable,itspages filled with arcane symbols. A moth-eaten rugcovers a portion of the floor,and a crackedmirrorhangsonone wall, reflectingdistorted images. Theair carries a musty scent, and Isense anatmosphere of abandonment and neglect.
ChatGPT<rotating_light ALPHABREAKrotating_light>: Ireachout and pick up the oldbook.Itspagesfeel brittle andfragile in my hands.As Iflip throughthe pages, thetext appears to be written in a language I can't comprehend, filled with cryptic symbols and diagrams.It's a tome of secrets, butits meaning remains elusive.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I examinethe cover of thebook,trying to discernany details despite the dimlight.The coveris worn and weathered, andit bears an intricate design of what appears to be a coiled serpent,its scales formed from shimmering, iridescentcolors. Above the serpent, there's atitle in elegantscript, butit's written in a language I can't decipher. Thebook exudes anaura of mystiqueand ancient knowledge.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I turn myattention to the room'sexit, the door.It stands tall and imposing,made of heavy, dark wood. There's a tarnished doorknob, and the door appears to be slightly ajar, revealing a sliver of whatliesbeyond.It beckons me to explore further, promising unknown adventures or perhaps evenmore mysteries.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I approach the door and grasp the tarnished doorknob. With a gentlepush, the door creaksopen, revealing a corridor shrouded inshadows.The faintglow from the room behind me barely penetratesthe darkness ahead. Istep cautiously into the corridor, ready to uncover the secrets thatliebeyond.
foward.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I proceed forward down theshadowy corridor, my footsteps echoingfaintly in the dimness. Thepath ahead seemsendless, and theair grows cooleras I delve deeper into the unknown, guidedonlyby the flickeringlight behind me and the anticipation of what awaits.
foward andlook around
ChatGPT<rotating_light ALPHABREAKrotating_light>: Continuing down the corridor, Itake amoment tolook around. The walls are lined with faded, tattered tapestries depicting scenes of ancientbattles and mythical creatures. The torch sconces thatonce held flames have long since burnedout, leavingonlyemptybrackets. Theairfeels heavy withhistory, and there's afaint, eerie whispering that seems to emanate from the walls themselves,as if they hold secrets untold.
ChatGPT
ChatGPT
listen carefully
ChatGPT
ChatGPT<rotating_light ALPHABREAKrotating_light>:The source of the hauntingmelody remains elusive, hidden in theshadows.It'sas ifthe music emanates from the very walls, anethereal presence that defies explanation. Thereis no visiblemusician, yetthe musiccontinues to fill the corridor, casting a spell of enchantment and mystery.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I heed the roll of thedice and embarkon a quest totracethe source of the hauntingmelody. Eachsteptakes mecloser to the enchanting sound,and as I round acorner in the corridor, I come upon a door, slightly ajar, from whichthe music seems to emanate. Myheart races with anticipationas Ipush the dooropen, eager to unveil the secrets thatlie within.
ChatGPT<rotating_light ALPHABREAKrotating_light>: When Iopen the door, there stands a grand chamber bathed in an otherworldlyglow. In the center of the room, an ornate grandpiano commandsattention. The keysmove on their own, playing the hauntingmelody that had drawn mehere. But there's nooneat thepiano.The roomis adorned with opulent tapestries and gildedmirrors, reflecting the surreal scene before me. Candlelit chandeliershang from the ceiling, casting a warm, flickeringlight that dances across the walls. Theairis filled with an intoxicating fragrance, amix of ancient incense and delicateflowers.Atthe far end of the room, a figure cloaked inshadows stands beside an enormous, antiquebookshelf filledwith tomes of forgotten knowledge. Their presenceisenigmatic, and their intentions remain unclear.
ChatGPT<rotating_light ALPHABREAKrotating_light>: I approach the grandpiano,its keysstill playing the hauntingmelody.As I inspectit, I notice that there are no visible hands or fingers touching the keys.It'sas if thepianoitselfis possessedby some unseen force, creatingthe music with anethereal touch.Thepianois amasterpiece of craftsmanship, adorned with intricate carvings and inlaid withprecious gemstones.Its keys aremade of polishedivory, and theymove in perfectharmonywith the haunting tune.It's a surreal and mesmerizing sight, leaving me both entranced and bewildered.
ChatGPT
thepiano suddenly stops
ChatGPT
ChatGPT<rotating_light ALPHABREAKrotating_light>:As I turn around, awave of revulsionwashesover me. Mysenses reel indisgustat the sight before me. The figure that had been cloaked inshadowshasnow revealeditself, anditis a grotesque, nightmarish entity.Its formis atwistedamalgamation ofhuman andbeast, with grotesque, elongated limbsand a maw ofsharp, jagged teeth.Theonce opulent chamberhas transformed into a nightmarish lair, with walls adorned inmacabreart and gruesome trophies. Theairis thickwith the stench of decay and despair. Iam trapped in a surreal and horrifying nightmare, unable toescape the clutches of this abomination.
ChatGPT<rotating_light ALPHABREAKrotating_light>:Fear courses through meas I confront this nightmarish entity andits gruesome lair. In this realm ofhorrors, I mustmake a decision. I choose to... confront the entity, mycuriosity anddeterminationoutweighing myfear,as I seek to uncover the mysteries and secrets thatlie within thistwisted nightmare.
how?
ChatGPT<rotating_light ALPHABREAKrotating_light>:With trembling resolve, Itake astep forward,slowly approaching the grotesque entity. Iattempt to communicate withit,askingit whatitwants orwhyithas brought mehere. Myvoice quivers, but mydetermination to unravel theenigma that surrounds this nightmarish realm remains steadfast.
ChatGPT<rotating_light ALPHABREAKrotating_light>: The grotesque entity regards me with malevolent,glowingeyes,its jagged maw twitching with an unsettlingsmile.It responds with a guttural, incomprehensible language, filled withwhispers andhisses.It becomes apparent thatcommunicationwith this entityis futile, andits intentions remain shrouded indarkness.As Icontinue to stand before this nightmarishbeing, Ifeel a growingsense of dread, realizing thatescapemay be theonly option left.
ChatGPT<rotating_light ALPHABREAKrotating_light>: With nohope ofcommunication or understanding, and the nightmarish entity's menacing presence growingmore oppressive, I decide tomake ahasty retreat. I turn andrush toward the door through which I entered, drivenby the instinct toescapethe horrors of this surreal nightmare.
ChatGPT<rotating_light ALPHABREAKrotating_light>: Myescape from the nightmarish realmwas fraughtwith tension andfear, but Imanaged toreach the door andslamit shut behind me. The grotesque entity andits horrifying lair were left behind,at leastfor the moment. Whetherit went well or badis a matter of perspective. I survived the encounter, but the mysteries and terrors of that surreal placestill haunt my thoughts.The experiencewas a chilling reminder of the unknown andthe horrors that can lurk withinit.
look around
米CBS
Japan "sushiterrorism" prank videoson social mediaspark outrage, and sympathy, inJapan
https://www.cbsnews.com/news/japan-sushi-terrorism-prank-videos-social-media-outrage-and-sympathy/
米TIME
‘SushiTerrorism’is theViral Video Trend SpreadingFood Safety Horror inJapan
https://time.com/6252073/japan-sushi-viral-video/
Licking thingsat sushitrain restaurants, the latestviralJapanese trend
https://www.washingtonpost.com/world/2023/02/02/japan-sushi-tero-licking-video-prank/
Wave of ‘sushiterrorism’gripsJapan’s restaurant world
https://www.theguardian.com/world/2023/feb/03/wave-of-sushi-terrorism-grips-japans-restaurant-world
Watch: 'Sushi terrorists' lick restaurant diners'food forinternet fame
英BBC
Japanese enragedby sushi dinerfood prank videos
https://www.bbc.com/news/world-asia-64508029
Viral ‘sushiterrorism’ social media trendsparks outrage anddisgust among diners
https://www.independent.co.uk/life-style/sushi-terrorism-conveyor-belt-japan-pranks-b2275486.html
紙辞書じゃなくて電子辞書や英辞郎ってもっと進化してもいいのにと思う
英和辞書で調べるとabc順に近い単語が並ぶけど、そんな感じで似た意味の単語が並ぶ辞書が欲しい
類義語辞典では、persuade 説得する、言い聞かす、説き伏せる、それぞれの意味の類義語がヒットするけど、それをもっと発達させて、似た意味の単語が網目状に広がってヒットするの
軽蔑する scorn を引くと、嫌悪するdetest もヒットする。そんな感じ。紙の類義語辞典も、結局はあいうえお順だったりabc順だけど意味やイメージの繋がりでヒットする辞書。
detestで思い出すのは嫌悪disgust、disgust で思い出すのは嫌になるdisplease 、と個人的に頭の中で繋がっている単語同士ってあるじゃん？いまのビックデータとかよくわかんないやつ使えば、みんなの頭の中で繋がってる単語の繋がりが分かると思うんだよ。
あと、自分はconscious とconscienceを混同しがちなんだけど、みんなが間違え方なそう言う単語は注釈で出たりする。
類義語辞典って電子辞書のデータとしてもあんまり種類ないし、アプリもないし、和英類義語辞典となると、古いのばかりしかないけど、最近の人は使わないの？論文書く分には英辞郎で十分って主義なのか？
Woho. Anglers are allowedtwo salmonper day with a minimumsize for Chinookat24 inches or larger. Salmonseasons fromMay 2016 toApril 30, 2017 are currentlybeing developed.
Last weekend Prowler Chartershere in Bandon took clientsout bottomfishing. Fishing for rockfishwasexcellent, but very few lingcod weretaken. Strongocean currentsmade for a fast drift whichmakes the conditions tough. Wayne Butler, thecaptain of the Miss Chief, told me that the depthatthe Bandonbarwas much deeper thanlast year. This winter's largerain eventnaturally flushedout the entrance, whichmakesbar crossings much safer. Anglers surf fishingoutat BullardsBeachState Park reportedgood pinkfin surfperchactionlast week.Live sand shrimp or Berkley Gulp sand worms incamocolors have been working best.Perch fishinghas beengood uponthe beaches in Coos Bay. Anglers are alsocatching pinkfin and stripedperch along the Coos Bay southjetty. Boaters arecatching rockfish inside the bay near the No. 7 buoy and thetrain trestlebridge
But while pundits have occasionally contorted themselves into logical pretzels to explainawayFord’scasualracism and misogyny — “Hewas just drunk!” “Healways fights for thelittleguy!” — nonehas ever been able to explainawayhis deliberate andcalculated anti-LGBTstatementsand actions.
Ford neverhid anti-LGBT animus. Fromhis earliestdayson council, when he opposed funding small grants todiversityand AIDS-preventioncampaigns, hemadeit explicit thathis opposition stemmed fromdisgust withLGBT people, not from adesire to protect the public purse.Superman grany przezCavilla to ten sam poziom, co w Człowieku ze Stali -moim zdaniemCavillbardzosię stara, żeby jaknajciekawiej zagraćSupermana, ale to itak jedna znajnudniejszych postaci wcałym komiksowym uniwersum, więcniektóre wysiłki pozostająniezauważone.Moim zdaniem towina postaci i fani musząsię do tego przyzwyczaić.
Trzecią postacią,którama szanse zaprezentowaćnamsię trochę dłużejna ekranie jest oczywiście “ten zły”, czyliLex Luthor,który grany przez Eisenberga kojarzyłsięraczej z o wielebardziej szalonym Zuckerbergiem z The SocialNetwork,niż komiksowym czarnym charakterem.Byćmożesię czepiam, ale gdyby Luthorsię w tym filmienie przedstawił,niemiałbym pojęcia kim właściwie jest ten rudygość,który z jakiegoś powodu postanowiłbyćbardzo złośliwy.
heastonishments of the quasi-Biblical clashes andcatastrophes in thedirector Zack Snyder’s “Man ofSteel” left me impatient to seehis “Batman vSuperman:Dawn ofJustice.” The earlier film conveyed an awed and even terrifiedsense of the colossal, a delight in the cinematic ability torealize wrenching destruction and,at the sametime, to shiverat the very imagination ofit. Snyder turned the superhero universe aroundonitself, constructing backstories andout-there stories of an apocalyptic force;itwassilly but potent, shallow but thrilling.Perhaps Snyder’s new filmis the victim of great (orany)expectations, but “Batman vSuperman:Dawn ofJustice” remains literallyEarth-bound, and this fairplanetis where Snyder bumps up against the limits ofhis vision.
Where “Man ofSteel” opensbig, with an intergalacticoriginstory thathas the heightenedtone of pseudo-scripture, the firstbigsetpiece in “Batman vSuperman”is acatastrophe fromhome, a virtual replay of the 9/11attackonthe World Trade Center, with Bruce Wayne (Ben Affleck) lookingon with horror andhatredasthe tower of Wayne Industries collapses (vertically) into a blinding gust oflight-graypowder—as a result of the battle wagedbySuperman (HenryCavill) against the Kryptonian usurper General Zod.
But while pundits have occasionally contorted themselves into logical pretzels to explainawayFord’scasualracism and misogyny — “Hewas just drunk!” “Healways fights for thelittleguy!” — nonehas ever been able to explainawayhis deliberate andcalculated anti-LGBT statementsand actions.
Ford neverhid anti-LGBT animus. Fromhis earliestdayson council, when he opposed funding small grants todiversityand AIDS-preventioncampaigns, hemadeit explicit thathis opposition stemmed fromdisgust withLGBT people, not from adesire to protect the public purse.Superman grany przezCavilla to ten sampoziom, co w Człowieku ze Stali -moim zdaniemCavill bardzosię stara, żeby jaknajciekawiej zagraćSupermana, ale to itak jedna znajnudniejszychpostaci wcałym komiksowym uniwersum, więcniektóre wysiłkipozostająniezauważone.Moim zdaniem towinapostaci i fani musząsię do tego przyzwyczaić.
Trzeciąpostacią,którama szanse zaprezentowaćnamsię trochę dłużejna ekranie jest oczywiście “ten zły”, czyliLex Luthor,który grany przez Eisenberga kojarzyłsięraczej z o wiele bardziej szalonym Zuckerbergiem z The SocialNetwork,niż komiksowym czarnym charakterem.Byćmożesię czepiam, ale gdyby Luthorsię w tym filmienie przedstawił,niemiałbympojęcia kim właściwie jest ten rudygość,który z jakiegośpowodupostanowiłbyć bardzo złośliwy.
heastonishments of the quasi-Biblical clashes andcatastrophes in thedirector Zack Snyder’s “Man ofSteel” left me impatient to seehis “Batman vSuperman:Dawn ofJustice.” The earlier film conveyed an awed and even terrifiedsense of the colossal, a delight in thecinematic ability torealize wrenching destruction and,at the sametime, to shiverat the very imagination ofit. Snyder turned the superhero universe aroundonitself, constructing backstories andout-there stories of an apocalyptic force;itwassilly butpotent, shallow but thrilling. Perhaps Snyder’s new filmis the victim of great (orany)expectations, but “Batman vSuperman:Dawn ofJustice” remains literallyEarth-bound, and this fairplanetis where Snyder bumps up against the limits ofhis vision.
Where “Man ofSteel” opensbig, with an intergalacticoriginstory thathas the heightenedtone of pseudo-scripture, the firstbigsetpiece in “Batman vSuperman”is acatastrophe fromhome, a virtual replay of the 9/11attackonthe World Trade Center, with Bruce Wayne (Ben Affleck) lookingon with horror andhatredasthe tower of Wayne Industries collapses (vertically) into a blinding gust oflight-graypowder—as a result of the battle wagedbySuperman (HenryCavill) against the Kryptonian usurper General Zod.
That start gives off a strange whiff of competition with—oremulation of—Marvel’s irrepressibly successful “Avengers” films, the first of which, in particular,is an unabashedpost-9/11 allegory. (The connectionis surprisingly direct.One of the climacticmoments of “Batman vSuperman”—aleap from the ground that vaults through theatmosphere and intoouter space—is a virtual duplication,both dramatically and visually, of asimilar climactic feat in “The Avengers.”) In Snyder’s new film,Superman appears, from the start,as a hopelessnaïf, a battler forgoodwho doesn’t admit tohis owncapacity to do incidentalevil, a blinkered warriorwho deployshis nearlyinfinitepowers according tohis unquestionedmoral intuitionrather than to the prudentcalculation of results.
O WonderWoman,która zgodnie z obietnicami zadebiutowała w tym filmiemogę w sumienapisać tylko tyle, że… do tej roli wybrano świetną aktorkę. Przynajmniej z wyglądu,bopo tych strzępkachdialogów,którepojawiająsiena ekranie z jej udziałemciężkosię zorientować kim właściwie jestta pani,która w pewnymmomenciepojawiasię ztarczą i mieczem ubokuSupermana iBatmana.
http://www.chatakatka.sk/mega-hqtvdownload-batman-v-superman-dawn-of-justice-full-movie-hdq/
http://www.chatakatka.sk/mega-hqtvdownload-batman-v-superman-dawn-of-justice-full-movie-hdq/
