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はてなキーワード:Nozomiとは
It's sudden, but rightnow inJapan, creativityis facing atrue crisis. Characterslike Uzaki-chan,Onsen Musume, and Tojo Rika arebeing targeted and flamed, game characterdesigns arebeing infiltratedbypolitical correctness,Johnny'sEntertainmentisbeing dismantled, swimsuitphoto sessions in parks arebeing canceled, Hitoshi Matsumotoisbeing publicly shamed, and the newAV lawwas enacted without considering the opinions of those directly involved. Every form ofexpression in every venueis currently under unreasonablepressure.
Howdoes thisconnect to theTokyo gubernatorial election? Infact, amajor event directly linked to thisis occurring in the 2024Tokyo gubernatorial election.As acreator, Ihope thismessage reachesyou.
What Iam about toshareis astory aboutsomeone namedHimasoraAkane,whoyou should know about to resist suchpressures. But before Idive into thatstory, I want toexpress mydeep gratitude to my oldfriendNozomi for giving me the opportunity to post this article in a place where manycreatorswill seeit.Assomeonewho also loves manga,anime, and games, Ihope this informationwillbenefitJapanesesociety and supportNozomi'sactivities.
HimasoraAkane Should Be the Governor ofTokyo
First, I wouldlike tomake a straightforward request toyouas acreator: please supportHimasoraAkane for governor. In this election, pleasewrite "HimasoraAkane"onyour ballot. The voting dayisJuly 7th. Even ifyou are not aTokyo resident, Iask thatyouat least listen to thisstory. Ifyou findit interesting, pleaseshareitwith yourfriends, family,and acquaintances.You can checkHimasoraAkane's campaignpromises and thebackground of their candidacyon theirTwitter (X) posts linked below:
HimasoraAkane (Tokyo gubernatorial candidate)
https://x.com/himasoraakane/status/1804846779399324095
HimasoraAkaneWill NotAllow Our Culture to Be Burned
HimasoraAkaneis an ordinaryotakuwho loves manga,anime, and games. Knownas "CognitiveProfiling DetectiveAkaneHimasora," hehas beenactiveonTwitter (X) andYouTube, andnow heis running for governor.Akane,whoisdeeply concerned about the repression and destruction ofotaku culture,is challenging thosewho seek to destroy our culturealone.Akanewill neverallow thosewhotry to burn our culture.
As mentionedat thebeginning,all forms ofexpression are currentlyunder pressure.Otaku culture, in particular, seems to be aprime target.
Uzaki-chanBlood Donation Poster Controversy (2019): A collaborationbetween theJapaneseRedCrossSociety and the manga Uzaki-chanwas flamed forallegedlybeing overly sexual initsPR illustration.
V-Tuber Traffic Safety Video Controversy (2021): A V-Tuber hiredby the Matsudo Police Department in ChibaPrefecturewas deemed too sexual for public agencyPR.
Onsen Musume Controversy (2021): Characters personifying local hotsprings were criticizedas sexist.
MieTransportOfficial Character Controversy (2024): A character in a bus driver's uniform releasedbyMieTransportwas flamed for evoking sexual images.
These controversies are often fueledby so-calledpolitical correctness and feminism. Forcreators, these are direct threats. If thesefactions labelyour workas sexual and demandit be burned toashes, couldyou resist? How wouldyoufeel ifyour painstakingly created work,likeyour own child,was trampledby peoplewho have no regard foryour efforts? Couldyoucontinueyourcreativeactivities while constantly shrinkingaway?
HimasoraAkanesawsomething behind these flaming incidents. Hestarted investigating thekey figure behind theOnsen Musume controversy, a representative of a general incorporatedassociation inTokyo. Thisassociation'score business, theYoungFemale Victims SupportProject, received substantial public funds fromTokyo.Akane submitted public document disclosure requests toTokyo and thoroughly dug into theorganization. Duringhis investigation,Akane uncovered many suspicions suggesting thisprojectwas unworthy of public funding, which he exposedonebyoneon social media.
Negligent accounting reports, takingprotected girls to the Henokobaseprotest inOkinawa,Communist Party members waiting in the bus used toprotect girls—these revelations drew significantattentiononline. The investigation extendedbeyond this general incorporatedassociation to other NPOs receiving public funds,and Akane named thiscluster ofissues the "WBPCproblem" after the initials of theseorganizations.
Akane'sYouTube Channel (WBPCProblem Playlist)
https://www.youtube.com/playlist?list=PLI5gTciLKtAXRyzv9j5FiNMcc8eoEBbMN
Fromhere,Akane'sstory expanded to resident audits, resident lawsuits, andnational compensation lawsuits concerning theTokyoYoungFemale Victims SupportProject.Akane discovered that behind many flaming incidents, thereis no clearcommandstructure but agroup of various politicalorganizationsand activists workingtogetherlike anamoeba. He named thisgroup the "NanikaGroup" (Nanika means "something" inJapanese), a reference to the mysterious, ominous "something fromanother place" in the mangaHUNTER×HUNTER, whichAkaneloves. The NanikaGroupis alsoconnected to welfare interests, where public fundsflow unchecked.Akane called this phenomenon "Public Fund Chu-Chu" (siphoning).
Forcreators, this means the tax money they earn through hard workis used to burn theirprecious works.It's an intolerable situation.
HimasoraAkaneIs Fighting Against ThoseWho Burn Our Culture
InNovember 2022, amajor event marked a turningpoint in this series of controversies. The general incorporatedassociation under scrutiny held apress conferenceat the parliamentary officebuilding, gathering mediaand announcing a lawsuit againstAkane. This "Legal HarassmentPress Conference,"asitwas calledonline, involved multiple layers ofpower: the government, the media,and a team ofseven lawyers targeting a single individual.
However,Akanedid not back down. Instead, he intensifiedhis pursuit, exploiting the opponent's careless statementsas lawsuit fodder. Thisled to an outpouring of supporton social media, withhisTwitter follower count skyrocketing and 160 millionyen in donations for legal fees.
The following year, a resident audit request filedbyAkane resulted inTokyo'sofficial website recognizing some improperpoints and deciding to audit theorganization. However,Tokyo's lenient auditledAkane to file a resident lawsuit. Suspicion also turned towards Governor Yuriko Koike forallocating public funds through dubioussole-source contracts.Tokyo began excessivelyredacting documents inresponse to public document requests,attempting to conceal theissue. Koike'spromise to end documentredaction quietly disappeared fromher campaign page.
Throughout this battle,Akanehas been a target of criminal complaints and faced threats, yet he persists.Hisbook "Netoge Senshi"was releasedamidbookstore threats, butonly the criminal complaintwas widely reportedby the media, portrayingAkane negatively.
HimasoraAkaneis an ordinaryotaku, atop-tieronline gamer duringhisstudent days,and a talented gamecreatorwho worked for amajor game company and later aventure company.His meticulous workonthe game "Shin Goku no ValhallaGate"was betrayedby the company'sCEO, leading to aseven-year legal battle thatAkane ultimately won, securing 600 millionyen. This experience fuelshis fierce opposition to havinghis creations burned.
Before investigating theYoungFemale Victims SupportProject,Akane exposed fraudulent feminist "knights"onhisYouTube channel, shaking theinternet. He detests lies andhas an uncanny ability to detect them.
Akaneis a special individual with extraordinary abilities, honed throughhis experiences in games, courtbattles, and extensive document analysis.His pursuit oftruth andjusticemakeshim a suitable candidate for governor,promising a world without lies and where honest people do not suffer.
What WeCan Do toProtect Our Culture
Creativeexpression can be crushed if we are not vigilant. Even in modernJapan,otaku cultureison thinice. The recent cessation ofVisa transactions forDMM (Fanza)is a reminder of how a single card company can wielditspower to dictate whatis deemed appropriateexpression.Expressionfreedomisfragile and constantly under threat.
To those reading this, I urgeyou to vote forHimasoraAkane. Supporthim toprotect our culture. Despitehis harsh demeanor andpreference forsolitarybattles, heisnow seeking help for the firsttime.Akanefeels thedanger in this gubernatorial election and believes that if hedoes not become governor,everythingwill end. Hehastaken a stand for the people ofTokyo andJapan.
I wrote this article to supporthisspirit and spread theword. Please vote forHimasoraAkane and help create amiracle.
Digital Single
PlanningDirector : Motoki Ohmori
Producer：Akinori Sasaki
Ape：
GENKI(Super SHIMADA Brothers),TAKA(TAKA & Tossy), Tossy(TAKA & Tossy),
SHOOT(Super SHIMADA Brothers), SENA, TOSHIKI
Cinematographer：Koretaka Kamiike
1st Camera Assistant：Yoshihiro Hatae
2nd Assistant Camera：Yuto Mori
3rd Assistant Camera：Fumiya Kinjo(imura office inc.)
4th Shuta Nagai
LightingDirector：Motoki Tanaka
1st Lighting Assistant：NodokaTakayabu
2nd Lighting Assistant：Akito Saito,Takahiro Shiba, Haruka Koshino,Akira Nishimoto, Yukinori Suda,Miyuki Kawajiri,Shun Tanaka
Production Designer：Hiroki Akimoto
Stage setting：Hiroshi Takizawa
Decoration：ToshihikoAbe,Kouichi Hayashi,Mio Shibata
Landscaping：Taishiro Ishigaki
Diorama：ShinnosukeWada(HEDGEHOG)
Casting：Tossy(TAKA & Tossy)
Stylist Assistant :Minori Ogawa,Go Kasuya
Artist Costume Production :DaisukeMatsubara(OfficeMatsubara)
Hat Production：Haruyo Inadome(Atelier Inadome)
Hair：Masahiko Fukuda
Hair-Makeup Assistant：Homma Aoi, ShiraiNene
Ape Costume Designer :Ryosuke Nakagaki
Specialmakeup artist：Kenji Sato
Specialmakeup artist Assistant :Ryosuke Dobashi, Sasaka Inoue,Luna Imanishi,Materu Takizawa
Colorist：Haruka Okutsu(imura office inc.)
Online Editor：Toyokazu Tanno
Assistant Editor：Akinobu Kurozumi, Yunosuke Miyagawa, Ayako Nakazono
Visual Effect：Simon Nagaike
ProductionManager：Miri Yatsuzuka,Daichi Koike,Ryota Teragaki,Koki Mugii, Miu Hosoi
Production：SHOWTiME INC.
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【コカ･コーラ】 CokeSTUDIOMrs. GREEN APPLE TVCM「魔法のはじまり」篇 15秒Coca-ColaTVCF
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Mrs. GREEN APPLEOfficial Website
Mrs. GREEN APPLEOfficialYouTube
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Mrs. GREEN APPLEOfficialInstagram
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Digital Single
PlanningDirector : Motoki Ohmori
Producer：Akinori Sasaki
Ape：
GENKI(Super SHIMADA Brothers),TAKA(TAKA & Tossy), Tossy(TAKA & Tossy),
SHOOT(Super SHIMADA Brothers), SENA, TOSHIKI
Cinematographer：Koretaka Kamiike
1st Camera Assistant：Yoshihiro Hatae
2nd Assistant Camera：Yuto Mori
3rd Assistant Camera：Fumiya Kinjo(imura office inc.)
4th Shuta Nagai
LightingDirector：Motoki Tanaka
1st Lighting Assistant：NodokaTakayabu
2nd Lighting Assistant：Akito Saito,Takahiro Shiba, Haruka Koshino,Akira Nishimoto, Yukinori Suda,Miyuki Kawajiri,Shun Tanaka
Production Designer：Hiroki Akimoto
Stage setting：Hiroshi Takizawa
Decoration：ToshihikoAbe,Kouichi Hayashi,Mio Shibata
Landscaping：Taishiro Ishigaki
Diorama：ShinnosukeWada(HEDGEHOG)
Casting：Tossy(TAKA & Tossy)
Stylist Assistant :Minori Ogawa,Go Kasuya
Artist Costume Production :DaisukeMatsubara(OfficeMatsubara)
Hat Production：Haruyo Inadome(Atelier Inadome)
Hair：Masahiko Fukuda
Hair-Makeup Assistant：Homma Aoi, ShiraiNene
Ape Costume Designer :Ryosuke Nakagaki
Specialmakeup artist：Kenji Sato
Specialmakeup artist Assistant :Ryosuke Dobashi, Sasaka Inoue,Luna Imanishi,Materu Takizawa
Colorist：Haruka Okutsu(imura office inc.)
Online Editor：Toyokazu Tanno
Assistant Editor：Akinobu Kurozumi, Yunosuke Miyagawa, Ayako Nakazono
Visual Effect：Simon Nagaike
ProductionManager：Miri Yatsuzuka,Daichi Koike,Ryota Teragaki,Koki Mugii, Miu Hosoi
Production：SHOWTiME INC.
https://www.coca-cola.com/jp/ja/brand...
【コカ･コーラ】 CokeSTUDIOMrs. GREEN APPLE TVCM「魔法のはじまり」篇 15秒Coca-ColaTVCF
https://www.youtube.com/watch?v=qk0vg...
【コカ･コーラ】 CokeSTUDIOMrs. GREEN APPLE TVCM「CokeSTUDIO魔法のはじまり」篇 225秒メイキング特別映像Coca-ColaTVCF
https://youtu.be/ywkMu0kj_Fg?si=kjVt5...
Mrs. GREEN APPLEOfficial Website
Mrs. GREEN APPLEOfficialYouTube
https://www.youtube.com/@MrsGREENAPPL...
Mrs. GREEN APPLEOfficialInstagram
https://www.instagram.com/mgaband/?hl=ja
Mrs. GREEN APPLEOfficialTikTok
https://www.tiktok.com/@mga_band_offi...
#CokeSTUDIO
#MrsGREENAPPLE
Digital Single
PlanningDirector : Motoki Ohmori
Producer：Akinori Sasaki
Ape：
GENKI(Super SHIMADA Brothers),TAKA(TAKA & Tossy), Tossy(TAKA & Tossy),
SHOOT(Super SHIMADA Brothers), SENA, TOSHIKI
Cinematographer：Koretaka Kamiike
1st Camera Assistant：Yoshihiro Hatae
2nd Assistant Camera：Yuto Mori
3rd Assistant Camera：Fumiya Kinjo(imura office inc.)
4th Shuta Nagai
LightingDirector：Motoki Tanaka
1st Lighting Assistant：NodokaTakayabu
2nd Lighting Assistant：Akito Saito,Takahiro Shiba, Haruka Koshino,Akira Nishimoto, Yukinori Suda,Miyuki Kawajiri,Shun Tanaka
Production Designer：Hiroki Akimoto
Stage setting：Hiroshi Takizawa
Decoration：ToshihikoAbe,Kouichi Hayashi,Mio Shibata
Landscaping：Taishiro Ishigaki
Diorama：ShinnosukeWada(HEDGEHOG)
Casting：Tossy(TAKA & Tossy)
Stylist Assistant :Minori Ogawa,Go Kasuya
Artist Costume Production :DaisukeMatsubara(OfficeMatsubara)
Hat Production：Haruyo Inadome(Atelier Inadome)
Hair：Masahiko Fukuda
Hair-Makeup Assistant：Homma Aoi, ShiraiNene
Ape Costume Designer :Ryosuke Nakagaki
Specialmakeup artist：Kenji Sato
Specialmakeup artist Assistant :Ryosuke Dobashi, Sasaka Inoue,Luna Imanishi,Materu Takizawa
Colorist：Haruka Okutsu(imura office inc.)
Online Editor：Toyokazu Tanno
Assistant Editor：Akinobu Kurozumi, Yunosuke Miyagawa, Ayako Nakazono
Visual Effect：Simon Nagaike
ProductionManager：Miri Yatsuzuka,Daichi Koike,Ryota Teragaki,Koki Mugii, Miu Hosoi
Production：SHOWTiME INC.
https://www.coca-cola.com/jp/ja/brand...
【コカ･コーラ】 CokeSTUDIOMrs. GREEN APPLE TVCM「魔法のはじまり」篇 15秒Coca-ColaTVCF
https://www.youtube.com/watch?v=qk0vg...
【コカ･コーラ】 CokeSTUDIOMrs. GREEN APPLE TVCM「CokeSTUDIO魔法のはじまり」篇 225秒メイキング特別映像Coca-ColaTVCF
https://youtu.be/ywkMu0kj_Fg?si=kjVt5...
Mrs. GREEN APPLEOfficial Website
Mrs. GREEN APPLEOfficialYouTube
https://www.youtube.com/@MrsGREENAPPL...
Mrs. GREEN APPLEOfficialInstagram
https://www.instagram.com/mgaband/?hl=ja
Mrs. GREEN APPLEOfficialTikTok
https://www.tiktok.com/@mga_band_offi...
#CokeSTUDIO
#MrsGREENAPPLE
これ明日海りお氏のときはどんな風に書いてあったのか誰かご存知だったら教えてほしい
4月に宝塚歌劇団を卒業する雪組トップスター望海風斗。歴代屈指のシンガーでもある望海の2005年から直近までの歌唱曲を網羅した4枚組CD-BOXが1月29日に発売される。
裏切者は許さない、正義、革命、粛清、死を以って償いを…など、鉄の掟の中に厳しく生きる男が滲ませる情や深い愛を表現すると右に出る者がいない望海だが、この度も厳しい男の歌がふんだんに含まれている。しかし、それにとどまらず、ショーで披露したムーディーで小粋なスタンダードナンバー、ロマンチックなデュエット曲も収録されていて、望海の歌唱で曲の素晴らしさを改めて見直すほどだ。
2005年『マラケシュ・紅の墓標』新人公演のソロから始まるDisc 1は、新人公演、バウ公演やスカイ・ステージ出演を含む花組時代の曲で構成される。地道に努力を重ねてひたすら舞台を務める発展さなかの時代と言えようか。その努力が実り、バウ初主演の『VictorianJazz』の頃には、発声、間合い等、今に劣らぬ見事な歌唱を披露している。
（中略）
Disc 3は2017年末の大劇場でのお披露目公演『ひかりふる路 〜革命家、マクシミリアン・ロベスピエール〜』の感動的な主題歌に始まり、2020年初春の大作『ONCE UPON ATIME IN AMERICA』までの、相手役に真彩希帆を迎えたトップ時代の曲が並ぶ。宝塚愛を根底に真摯に重ねた努力の結晶である望海のソロ歌唱に加え、固い信頼と、音楽で結ばれた真彩との息の合ったデュエットはまさに天上の声。
（中略）
望海の舞台を見ていると、そのエネルギーに感応して涙が出るという人がいる。見る人に楽しんでほしいと願うサービス精神は究極のエンターテイナーの証。色があり、艶があり、華がある、望海風斗の集大成CD-BOX4枚組。ぜひ聴き惚れて、酔いしれていただきたい。
