Rating:8.5
Approval:92.8% (2 votes)
I like epic fantasy, dragons, wizards, and knights and stuff. If there is good action and interesting characters, I like it a lot more. And then this baby pops up, with a really dark, violent and erotic take, instantly hooking me with its aesthetics. It had medieval kingdoms, big swords, frenzied warriors, gore, nude, sex, intrigue, betrayal, demons, a quest for vengeance, and an ending that was screaming for a sequel. Why shouldn’t I like it? It remains to this day as the top Dark Fantasy anime and the main inspiration for Dark Souls. Here is the rundown of all the things I liked.
1) The pilot episode. It ain’t shitting around with a slow build up. It begins at a point in the future (a flash forward) where the lead character is already somehow betrayed and mutilated by his best friend, and he is on a quest to kill the sucker. The very first episode tells you with a scene from the future how the world became a dark and morbid place, where the people live in fear and demons have crawled in powerful positions of authority, toying sadistically with innocents. It is an extremely powerful plot device to hook you for what is to come (but didn’t). Many later anime used the fast forward gimmick; from Gungrave and Gai-Rei Zero all the way to Boruto. It may not feel so special today but back then it was the first time I got to experience it and I loved it.
The second episode is the story told from the start, as we gradually see how the protagonist grows up in the battlefield, gets more powerful, wields bigger swords (I mean, REALLY bigger swords), how he makes allies, friends, lovers, and enemies. You already know how all that will have a bad outcome because of the pilot episode so you are interested to see how it happened. It was an amazing way to attract the viewer with this sort of glimpse to the future for two reasons. First, if the lead and his enemies were so powerful from the start, chances are you would be bored with the series fast. There wouldn’t be room for improvement or change in general. Showing how strong he will eventually become and then flashbacking to the past, means you have all the reason to expect something good in the end despite how weak he appears to be at first. Second, one would be fooled to think the show doesn’t have major battles or much of a grim story if the pilot episode didn’t offer a glimpse to the future, and it was starting straight from the beginning.
2) Gore, splatter, nude and sex. This almost goes without needing an explanation. Sex and violence always sell and this anime has buckets of it. Sounds like brain-dead superficial entertainment, but unlike most shows Berserk is only using them as attraction and not as definition. Such elements become part of the themes and the plot instead of being there as edgy nonsense. There is also close to no silly comedy for deflating the grim atmosphere as most anime tend to do (Akame ga Kill, Goblin Slayer, Hell’s Paradise). Plus, it uses a form of violence that is quite appealing to me; sword-to-sword battles between frenzied armoured warriors. Using magic or lasers just doesn’t look raw enough, because it’s long-ranged and comes off as special effects and CGI.
3) Interesting characters. You gradually see them revealing all their inner thoughts to you, their pasts, their goals, their desires and hopes. You see them getting beaten, learning from their mistakes, maturing, becoming broken by betrayal and coming out more crazy than what they already were. Shows which do that in such a degree AIN’T that many. Plus, the aforementioned violence is used to bring out their weak side and inner thoughts, something which other anime like Hellsing or Devil May Cry don’t and have their leads in a permanently frozen state of brainless battle-frenzied euphoria, flat as pancakes and with no room for change.
What is also very interesting is how each one, despite his prowess in battle, is still limited to a certain role, even if he or she would rather be something entirely different. Basically, they can’t use violence to fix their issues, an antithesis to the logic of Dragonball. Guts never manages to live a peaceful life, as he is constantly thrown in battles he can’t escape from and is addicted to mayhem. Griffith never manages to fulfil his quest to gain his own kingdom, without constantly having to sacrifice more and more of his humanity, to the point he stops being humane just to get an impersonal piece of land. And Caska, no matter how much she tries to be an independent woman, who can fend off herself and protect Griffith, eventually her own body limits her to the role of support and a target of lust by many horny men. All that are rarely seen in other shows, which follow the very simplistic view of “You can be anyone you want and achieve anything you want if you really believe in it and work hard.” There is no limitation there and as such those characters are never defined by what they can never be. Some things are simply not as easy for some as they are for others, purely because of body restrictions or lack of charisma and/or talent. Sounds depressing but it is true and this anime had the guts (bad pun) to admit it, creating a wonderful set of main leads in the process.
4) Political power struggles. The show is not centered on a team of warriors, strolling a generic kingdom and doing stand-alone missions. The world they live in has affected them and is affected back by them, all part of Griffith’s goal to leave his mark on the world by getting his own kingdom. Along the way many aristocrats get annoyed by his continual successes and fearing their power getting stolen attempt to assassinate him. And he reacts by plotting his own assassinations. All of which happen in secrecy, while the kingdom is at war with its neighbours. So it is not a story about a few brave warriors protecting their good homeland by invading monsters; it is a war of political agendas between local kings for whom gets to have all the land for himself. And not only that; it is also about the internal double crossing the aristocrats do to one another every time one wants to steal the glory from the other. This double battlefield, the external and the internal, adds a layer that is lacking from most shows. And yes, it was not unique to Berserk, since Rose of Versailles and Legend of Galactic Heroes also had that and it’s why they are top material in their respective genres (period drama and space opera). And I know many are going to mention Game of Thrones or Breaking Bad as series that did the same in a far more elaborate way. They came afterwards, and were not animated. I am talking about the anime at the time it came out, dammit!
5) Amoral take on humanity. Religion is a topic usually ignored in anime, or when it’s used it’s just for having one-dimensional bad guys. Berserk takes it a bit further and has the demons being former humans who gave in to their dark desires. Ideals and hopes are mocked as means to control the weak, while ambitious leaders commit all sorts of crimes behind everyone’s back. I really liked how monsters are not treated as generic incarnations of evil or plain misguided mortals; they are shown to be the pure form of ambition liberated by the constraints of morality, emotions and ideals.
6) Psychological symbolisms and imagery. Many parts of the show, usually those involving demons, are full of WTF sceneries, all of which have to do with basic carnal desires and fears. Unlike most shows with demonic dimensions, which are nothing but generic depictions of torture of the damned, here all the monsters and their Eclipse world are directly attributed to their personalities having been given in completely to their desires. The characters are not scared of getting crazy because of them. Heck, they are mostly terrified of becoming like that as well. Not because it is bad or wrong, but because it feels inappropriate for any human being to end up like that. Which is again very interesting as a concept.
7) Cliffhanger ending. This is a part most hate about the show, as it ends in the most exciting and agonizing way possible. Ιn reality, it was the best trick to make people go read the manga just to see what happens next. So yes, it is a very smart way to promote the manga version, and even making it necessary to read it from the beginning, since many things were taken out or were changed.
8) Sound. The music score is blood boiling pieces of grudge rock and orchestrated epic music. The characters have appropriate voice actors with no stupid pitches in voice. Even the sound effects were on point, as simple as they may have been.
As for the negatives, most will point out at the artwork and the animation. The budget wasn’t the best, thus they were cutting a lot of corners when it came to battle choreography and background details. There are moments they just slapped a static manga panel with a few rough color overlays and called it a day. It’s still very effective as an image that transmits raw emotions, but not as a motion that is supposed to show things... moving.
Anything else? Not really; that is the only real negative and not even that is that bad. Berserk rightfully deserves a place in the hall of fame in its genre. Nothing ever came close to what it achieved in a few dozen episodes. Not even the rather similar and far more polished Vinland Saga (which became some boring farmland drama).