Slasher Movie killer in its natural habitat; stalking theFinal Girl.
Zombie movies are about groups: outside, the zombies are legion; inside, the humansstruggle to work together. Slasher movies are about individuals:one man is doing all the killing, and onlyone girl will outwit him and survive.
Near-indestructible serial killers stalking attractive young girls, a combination that allows for buckets of gore and enough flesh to titillate.
The killers, mostly driven byRevenge, areMade of Iron, at a minimum, and usuallyImplacable. Many are explicitly supernatural. All of them can appear and disappearas if by magic, and the corpses of their victims are equally elusive. A slasher killer can whisk away a full grown adult's corpse in seconds, leaving not a single drop of blood behind, or swiftly arrange all its victims in an elaborate tableau,without ever being seen lugging the dead bodies around. The more explicitly supernatural killers will have powers ranging fromSuper Strength (all the better topull victims through walls), the ability toappear in dreams and attack the dreamers, or other ghostly abilities.
Eventually, there will be only one girl left standing, theFinal Girl, normally the only "morally pure" member of the main cast. With considerable help from herdeath battle exemption, she will kill the killer.
Come the next sequel, it will be revealed that the killer was actuallyNot Quite Dead.
A subset of theHorror genre, although the schlockier examples replace suspense almost entirely with gore. They are often consideredB-movies. Early examples of the genre were heavily influenced by theGiallo films of Italian directors likeDario Argento,Lucio Fulci, and Mario Bava. The genre first became popular in the late '70s and early '80s, with the release of the three most iconic slasher flicks:Halloween,Friday the 13th, andA Nightmare on Elm Street. The genre would burn itself out in the late '80s, as the established franchises grew stale and the ripoffs grew more desperate. The slasher genre was revived in the mid-late '90s, when Wes Craven'sScreamsatirized the genre and became a hit. Once again, studios sought tocash in on the film's success, releasing their ownpost-modern, teen-focused slasher flicks. Today, the slasher genre may be entering a third wave, with the remakes ofHalloween,My Bloody Valentine, andFriday the 13th all being hits, a remake ofNightmare on Elm Street just arrived, and the backlash against thegore-driven "torture porn" that dominated horror inthis decade.
Keep in mind that, while every slasher movie features a serial killer or a spree killer, not every serial killer or spree killer movie is a slasher movie. Also note that a slasher film is quite different from aPsychological Thriller, which tends to emphasize theSympathy for the Devil part using aFreudian Excuse or two (and possibly a fewPet the Dog moments in the killer's favor), and de-emphasize theFinal Girl, oftenkilling off all characters.
Want to write your own slasher flick? We havea handy writer's guide for anybody looking to do just that.
Tropes applicable to the genre
Adults Are Useless: Parents, teachers, or any kind of authority figure are either blissfully unaware of what's happening or being obstructive and denying it. In the case of theNightmare on Elm Street series, they're almost villains themselves.
Police Are Useless: The cops, the guys we normally expect to be able to deal with the problem, are especially useless in these kinds of movies. As always,it's up to theFinal Girl to actually stop the killer.
Dark Secret: One of these lies at the core of most of these films, usually as the reason that the killer is on the rampage.
Deadly Prank: Some slasher movies have one of these as either a way one of the victims is killed or as the catalyst for the entire thing (seeUrban Legend for a recent example).
Death By Genre Savvy: Ran into the ground by lesser filmmakers whenScream made it popular, and mostly set aside during the age of Torture Porn.
Fan Service: One of the reasons why the genre became popular.
Final Girl: TheTrope Maker. The trope was named by Carol J. Clover in her examination of the genre.
Follow the Leader: These films tend to follow the path shown by the most successful entries.
Gorn: The name of the game in these movies (although some of the most famous examples, such asThe Texas Chainsaw Massacre andHalloween, are rather pointedlynot very explicit).
Hockey Mask and Chainsaw: Although in references to these films rather than in the actual films.
Maybe Magic, Maybe Mundane: Slashers tend to blur the line between fantasy and reality. Even if the killer is an explicitly normal human, his seemingly superhuman speed, strength, and stamina will rarely be given an explanation.
Men Are the Expendable Gender: Male deaths are usually sudden and without struggle; it's incredibly rare to have a chase scene with a male character being chased. And in 99% of slasher movies, being male is practically a death certificate, because no matter howToo Dumb to Live theFinal Girl is, shewill live despite being a complete moron (examples areFriday the 13th Part 3,The Strangers,Mother's Day (2011)).
Monster Misogyny: The other side of the coin. While men can and do die in these movies, the favorite victims of many slasher killers are women.
My Car Hates Me; If you're running from the killer, expect your car to let you down at the worst possible time.
Not Quite Dead: If a slasher movie goes into sequels, chances are this applies to the killer.
Reactionary Fantasy: Many '80s slasher movies, underneath all the R-rated bloodshed and raunchiness, had a very socially conservative view of teenage culture, usually expressed by ensuring that those teenagers intodrinking, partying, doing drugs, rock music, etc.—basically, those who "rebelled" in any way against society—were the ones who got killed. TheFinal Girl was nearly always theToken Wholesome virgin. Later films, however, tended to subvert, parody and/ordeconstruct these aspects more often than they played them straight.
Red Shirt: Yes, even in these. Before the main cast gets it, several minor (and usually unnamed) characters will get it early on.
Shaggy Dog Story/Shoot the Shaggy Dog: The surviving protagonists generally don't get any reward for their trials. Oftentimes, their victories over the killers are completely undone inSequel Hooks, even if the given movie doesn't have a planned sequel yet.
Slashers Prefer Blondes: Blonde girls in slasher films tend to get offed a lot, usually with more elaborate deaths. TheFinal Girl is almost always brunette, in contrast to the blonde. Though of course there are exceptions.
Small Reference Pools: Judging by the number of parodies that feature hockey masks andchainsaws, it's as ifFriday the 13th andThe Texas Chainsaw Massacre were the only slasher flicks ever made.
Sudden Sequel Death Syndrome:Final Girls of previous movies who sign on for sequels are especially at risk of dying, usually very early on in the movie. The Final Girl of the originalFriday the 13th was famously the very first victim of Jason Voorhees.
Too Dumb to Live: Some victims just might not be particularlyGenre Savvy, but the first victim is usually in a class of his/her own.
April Fool's Day—For April Fool's Day weekend, a group of friends decide to party on a remote island mansion, but a killer starts taking them out one by one. Had a 2008 redo often considered the absolute worst of the modern remakes.
Bloody Moon—Man returns from a sanitarium and soon murders start to occur.
Blood Night: The Legend of Mary Hatchet—High school students celebrating a local pseudo-holiday dubbed "Blood Night" find themselves being killed off, possibly by the very urban legend figure whose infamy they are commemorating.
Don't Open Till Christmas—It's Christmastime in London, but a serial killer is prowling the streets, knocking off men who happen to be dressed like Santa Claus.
The Dorm That Dripped Blood—College students cleaning out a condemned dormitory get bumped off by a mysterious assailant.
Dr. Giggles—The maniac son of aDeadly Doctor escapes from a mental asylum and poses as a doctor for bloody revenge on the townspeople who killed his father.
Dream Home—Woman finds out that she can't afford a new apartment due to hike in stock market. She is P.O.'d and starts killing other people in the building.
Easter Bunny, Kill! Kill!—The tormentors of a disabled child are gorily disposed of by a killer in an Easter Bunny mask.
Evil Laugh—Med-students are killed in an ex-orphanage.
Friday the 13th—One of the movies often named as theTrope Codifier. The first movie had more in common with the Italiangiallos, with the identity of the killer kept a secret until the end, then later installments took the genre into straight-out fantasy. Created the second of the big slasher icons: Jason Voorhees.
The Funhouse—A carnival darkride takes a turn to deadly when teens witness a murder.
Hell Night—Initiation goes haywire when it turns out the house where it's going on has a killer in it.
High Tension—Brutal French gorefest involving two women being pursued by a maniac.
Home Sweet Home --Maniacal addict embarks on a killing spree, eventually ending up at the secluded home of a family in the middle of celebratingThanksgiving.
Hospital Massacre—A psycho stalks the woman who spurned him years ago through a hospital on Valentine's Day.
House of Wax—The 2005 remake, to be more specific. Notable for having Paris Hilton as one of the victims.
The House on Sorority Row—After covering up theaccidental death of their house mother, a group of sorority girls begin to be picked off a killer wielding the dead woman's signature walking stick.
Humongous—Bunch of kids are stranded on an island inhabitated by a deformed killer.
The Mutilator—Students on fall break are hunted by the main character's insane father.
My Bloody Valentine—Killer wearing a miner's outfit terrorizes small town. Got 3D remake in 2008.
My Soul to Take—Dead killer's soul went into the body of a child born the night he was killed. His son either is that child, or has to stop him.
New Year's Evil—Punk icon is harassed by a caller who claims he will murder a person every time the clock strikes twelve in a different time zone.
A Nightmare on Elm Street—Popularized the supernatural slasher movie by introducing a killer who stalked his victims through their dreams. The killer in question, Freddy Krueger, was the last of the great slasher icons to come about.
Pieces—Little boy murders his mother when she freaks out after finding hisPorn Stash. 40 years later, killer with a chainsaw emerges to terrorize a college campus.
The Pool—Graduation party at a swimming hall goes awry.
Stage Fright Aquarius—Bunch of actors find themselves locked up inside a theater with a maniac wearing an owl's head. Made in Italy, combining the slasher with theGiallo.
The Stepfather --Bluebeard offs families who fail to live up to his expectations, and also kills anyone else who gets in his way.
Pre-'70s and '80s movies (but there are some recent examples as well) which contain some of the elements familiar to the genre. These are mostly made ofSerial Killer andGiallo movies.
10 to Midnight (1983):Dirty Harry meetsFriday The 13th.
The Bird with the Crystal Plumage (1970): Influential film by famed Italian horror directorDario Argento, who made his debut here. By this film, most of the tropes were in place, although the term "slasher flick" didn't exist yet, and the plot and characters were more akin to those in a usual whodunit.
Dementia 13 (1963): An early predecessor to the genre featuring an axe-weilding killer, notable for being an early work of director Francis Ford Coppola.
WebsiteHysteria Lives! has a fairly decent list (with reviews and kill lists) of a number of these.
Lost Signal (2007): A slasher-less slasher, featuring a drugged out of their mind teenaged couple wandering through the wilderness in the dead of night, convinced someone or something is after them.
Maniac (1980): Contains a killer who slashes (and shoots) people with a variety of different things, but tends to the much bleaker side of things. The killer is the main character and suffers from mental illness that neither turns him into a mindless silent bogeyman nor a wisecracking sadist, you don't root for anyone to die, and the final girl's big fight against the killer has her stab him once and run like hell away. The killer does not pursue her for long.
Psycho (1960): Has very few of the associated tropes and is more akin to a typicalSerial Killer movie.
Peeping Tom (1960): Same thing asPsycho. As you can see, they even were released on the same year.
Pumpkinhead (1988): Features the usual tropes and trappings of the slasher genre, though the villain is a giant monster.
Silent Night Bloody Night (1974): Although it predates the recognition of the genre, it does have some elements in common with it.
The Terminator (1984): The first film definitely has elements of the genre. Though the sequels are straight action movies.
The Texas Chainsaw Massacre (1974): One of the first well-known ones to use aFinal Girl (though notthe first, that would be the 1972 Italian slasherTorso), possibly the first to "monsterize" the killer by portraying him as more beast than man. Also responsible for the stereotype of slasher villains wielding chainsaws. One of the twoTrope Makers for the genre, the other beingBlack Christmas.
True Crime movies (usually the poorly made ones, such asNightstalker orKemper: The Co-ed Killer) can sometimes give off distinctive slasher film vibes.
Cry Wolf is worthy of mention here for being a "faux-slasher".Only two people die in the entire movie. I'm not saying who.
Andneither of them really dies in a particularly brutal fashion as has become accustom to the genre.
Hunter: The Vigil has...Slashers, who are people influenced by the supernatural into becoming perfectSerial Killers. They range from Rippers, who have abnormal, but still theoretically possible abilities, to Scourges, who are obviously supernatural. The types are:Avengers &Legends,Brutes &Masks,Charmers &Psychos,Freaks &Mutants, andGeniuses &Maniacs. It is possible, though difficult, to play one as a Type IV or VAnti-Hero, targeting people, or supernatural beings, who deserve it.
Tucker and Dale vs. Evil parodies the 'degenerate hillbilly' variation on this genre by flipping it; the two main characters are a pair of sweet-natured but not very bright hillbillies who, through abunch of misunderstandings, are mistaken for psycho killers by a group of college students camping in the woods.Very Gory Hilarity Ensues.
Clock Tower, released in 1995, while a game, is very similar to a slasher movie. You've got your near-indestructible slasher villain who murders young women off-screen. A movie in and out ofDevelopment Hell is being made.
The"Weird Al" Yankovic song "Nature Trail To Hell" is a parody of these sorts of movies.
Scary Movie parodies the genre, mostlyScream andI Know What You Did Last Summer. Its sequels venture into other genres.
Unmasked Part 25 is an existential British satire of theFriday the 13th series, in which a deformed slasher named Jackson tries to leave his life of meaningless slaughter for his love of a beautiful blind woman. It's somewhat reminiscent ofThe Toxic Avenger.
The comedy filmPsycho Beach Party is a homage to the old slasher movies and beach movies from the 60s.
The music video for E-Type's "Angels Crying" is based around slasher movie tropes.
There was aNike commercial were a sporty female outran the chainsaw-toting psycho during a chase scene. Some of the viewersmissed the positive message and it eventually got banned.
Boy Meets World did an episode that parodied slasher movies. It involved the main characters getting killed off one by one by masked killer while trapped in detention after school (it wasAll Just a Dream, of course). The episode came out during the revitalization of the genre in the late '90s and even guest-starredJennifer Love Hewitt who had recently starred inI Know What You Did Last Summer.
Where The Bodies Are Buried and sequels byKim Newman, are about a series of slasher movies of the same name, whose slasher, Rob Hackwill, has a nasty habit ofbecoming real.
The genre is played with Andrea Mouse-themed storylines fromHorndog. Given the comic'sstyle, it tee-totals between straight example andAffectionate Parody.
Camp Cuddly Pines Powertool Massacre, a porno-slasher notable for sharing its set withHatchet.