It has become common in the past few decades to make updated versions of older films. This can be done for several reasons: the director may be a fan of the original work, the studios may want tocapitalize on nostalgia, or the writers may want to approach the original plot from a different angle. A movie is not a remake if it is based on the same source as an earlier film, such as the 1967 and 1998 versions ofDoctor Doolittle, which were both based on the book series.
Remakes are also similar toContinuity Reboots, and there is occasionally some overlap. However, one of the key differences between a straight remake and aContinuity Reboot is that anything can be remade, but only a long-running series can berebooted.Retool is also often congruent with bothContinuity Reboots and remakes.
The 1961Parent Trap already was the third adaptation of the same book, Erich Kästner'sDas doppelte Lottchen, and thus can itself legitimately be described as aForeign Remake.
The 2007 version ofSleuth. Notable in that it kept one of the original leads, but in the opposite role.
The 1982 version ofThe Thing, which is also more loyal to the book (Who Goes There?) than the original film,The Thing From Another World.
An unusual triple threat: Leo McCarey'sLove Affair (1939), starring Irene Dunne and Charles Boyer, was remade (by Leo McCarey) asAn Affair to Remember (1957) with Deborah Kerr andCary Grant, which was remadeagain (by a different director) asLove Affair (1994) with Annette Bening and Warren Beatty. Ironically,An Affair to Remember is regarded as the best of the three, which has led to a general assumption thatAn Affair to Rememberwas the original.
Heaven Can Wait (1978) was a remake of the 1941 filmHere Comes Mr. Jordan, and itself was remade in 2001 asDown to Earth. It has nothing to do with the 1943 filmHeaven Can Wait (directed byErnst Lubitsch).
Many people don't realize that the 1941 versionThe Maltese Falcon is actually a remake of a film made ten years prior.
The 1939The Wizard of Oz was a remake of a version made in 1925, which also wasn't the first Oz film. There weretwo silent-era versions of Oz. The earliest one can be viewedhere.
In the 70's, we would haveThe Wiz and later,The Muppets made their own version. Both involved veteran MuppeteerFrankOz.
The 1983 version ofScarface is also a little better known than the 1932 version. And that one is probably better known than the version made in 1928.
A good chunk of HispanicSoap Operas are either remakes of previous soaps (TV or radio) or adaptations of famous romantic books. One example who combine both is the famed "Corazón Salvaje" (title translates toSavage Heart), who began as a romantic novel, then was adapted as a soap inThe Sixties, then later as a movie inThe Seventies, and then again as a soap inThe Nineties who unusually for the trope was claimed as the better version of them all.
Game shows do this all the time. The best ones came during the '70s and '80s, whereThe Match Game becameMatch Game '7x,The Price Is Right evolved intoThe (New) Price Is Right,Pyramid kept climbing in dollar amounts, andPassword would becomePassword Plus and laterSuper Password. There were numerous "Same shows, new hosts" examples as well, such asFamily Feud (Richard Dawson, then Ray Combs) andCard Sharks (Jim Perry, then Bob Eubanks). More recent revivals tend to fall a bit flat by comparison (Match Game '98 with Michael Burger,Card Sharks '01...just,Card Sharks '01,Family Feud with pretty much everyone since Ray Combs—even an aged Richard Dawson—until John O'Hurley came along, andPyramid with Donny Osmond).
The playThe Front Page by Hecht and MacArthur was first adapted into a movie in 1931, starring Adolphe Menjou and Pat O'Brien. Howard Hawks remade it in 1940 asHis Girl Friday with Cary Grant and Rosalind Russel, gender-flipping the role of reporter Hildy Johnson. In 1974 Billy Wilder flipped Hildy Johnson's gender back to male in his screen adaptation with Jack Lemmon and Walter Matthau. Then in 1988 Ted Kotcheff remade it for the satellite television age with Burt Reynolds and Kathleen Turner, flipping Hildy back to female.
The two Peter CushingDoctor Who films of the mid-1960s are remakes of TV scripts (The Daleks andThe Dalek Invasion of Earth), one of the many reasons they aren't canon.
Nightwatch, a remake of the Danish filmNattevagten.
Jungle 2 Jungle, a remake of the French filmUn indien dans la ville.
The Point of No Return, a remake of the French filmNikita.
Some Like It Hot, an elaborated remake of the 1951 West German filmFanfaren der Liebe.
Taxi, the 2003 remake of the French original.
Father's Day, the 1997 remake of the French filmLes Compères
The Departed, a remake of the Hong Kong movieInfernal Affairs
The 2010 remake of the 2007 movieDeath At a Funeral. Bizarrely unneeded, as the original came out not even three years before the film was made, has one of the same actors returning for the same character, and is exactly the same in every way except the characters are black.
The Debt, a 2011 remake of the 2007 Israeli film by the same name.
Just Visiting, a remake of the French filmLes Visiteurs.
Welcome to Collinwood, the 2002 remake of the Italian filmI soliti ignoti, withGeorge Clooney reprisingTotò's role. The same film was also remade earlier with Louis Malle'sCrackers (1984).
King Kong vs. Godzilla is basically a remake of the original Kong for about 2/3 of the movie. The only difference is that he goes on to fight Godzilla and doesn't die in the end.
There was a Japanese remake ofKing Kong, which was the firstKaiju film. It was titledKing Kong Appears in Edo. Sadly, this movie is lost.
There was a joint US/Korean production calledA.P.E., which is famous for featuring the mom fromGrowing Pains and a giant monkey giving thefinger to the military.
There is a Greek remake ofKing Kong as well.
Live-Action TV
NBC'sThe Office is the Americanized version of the BBC series. Well at least it didn't end up like theirCoupling...
American Idol and its counterpartCanadian Idol are actually the US and Canadian versions of the hit British talent show,Pop Idol. This applies to any other show with the title*Insert Nationality Here* Idol.
Traffic was originally an English TV miniseries, remade as aFilm Of The Series, which in turn was made into another US TV series.
Snavely was an attempt to make an Americanized version ofFawlty Towers — starringHarvey Korman, no less — that died a quick and well-deserved death.
There was another attempt to remake it withBea Arthur as the gender-swapped version of John Cleese's character.
The Magnificent Seven is a remake of the Japanese filmSeven Samurai, which was then remadeIn Space asBattle Beyond the Stars, remadeand computer animated asA Bug's Life, then remadeyet again as the animeSamurai Seven.
There has been talk of an live-actionCowboy Bebop movie, to star Keanu Reeves, since the early-2010s. As of the end of 2018, nothing has come of it.
Airplane!! takes its plot and much of its "straight" dialogue from the 1957 dramaZero Hour!.
The novelBeau Geste was adapted to film in 1926, 1939 and 1966. In 1977 a parody titledThe Last Remake of Beau Geste was made. The title became not entirely true, because BBC made a television version in 1982.
Don Bluth's 1997Anastasia is officially aDisneyfication/fantasticization of the 1956 Ingrid Bergman film (itself a play adaptation).
Fox specifically presented him with a list of works they owned the rights to that he could adapt. It boiled down to this orMy Fair Lady.
Last Man Standing is a remake of a remake, being a remake of aFistful of Dollars which was a remake ofYojimbo
Gus Van Sant'sPsycho was, save for a gratuitous scene of Mister Bates...misterbating (sorry), and a couple scattered lines of dialogue, a shot-for-shot remake of the Hitchcock original.
If you'll believe it, a group of teenagers did a shot-for-shot remake ofRaiders of the Lost Ark in the 80s. It's really awesome.