| The Crow | |
|---|---|
 Theatrical release poster | |
| Directed by | Alex Proyas |
| Screenplay by | |
| Based on | The Crow byJames O'Barr |
| Produced by | |
| Starring | |
| Cinematography | Dariusz Wolski |
| Edited by |
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| Music by | Graeme Revell |
Production companies |
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| Distributed by | |
Release date |
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Running time | 102 minutes |
| Country | United States |
| Language | English |
| Budget | $23 million[1] |
| Box office | $94 million[2] |
The Crow is a 1994 Americansupernatural[3]superhero film[4][5][6] directed byAlex Proyas and written byDavid J. Schow andJohn Shirley, based on the1989 comic book series byJames O'Barr. It starsBrandon Lee in his final film role, asEric Draven, a rock musician who is resurrected from the dead to seek vengeance against the gang who murdered him and his fiancée.
Lee was fatally wounded by aprop gun during filming. As he had finished most of his scenes, the film was completed through script rewrites, a stunt double and digital effects.[7] After Lee's death,Paramount Pictures opted out of distribution and the rights were acquired byMiramax Films. The film is dedicated to Lee and his fiancée, Eliza Hutton.
The Crow premiered inSanta Monica on May 10, 1994, and was released in the United States on May 13, 1994, byDimension Films. The film received positive reviews for its style and Lee's performance.[8] It grossed $94 million on a $23 million budget and has gained acult following. The success led tothree sequels,a television series, anda 2024 reboot, all of which failed to replicate the first movie's success.
OnDevil's Night, in a crime-ravaged and decrepitDetroit, a young woman, Shelly Webster, is raped and seriously wounded while her rock musician fiancé Eric Draven is shot and thrown to his death from the window of their loft apartment. Police Sergeant Albrecht comforts Sarah, a young girl the pair cared for due to her absent mother, and accompanies Shelly to the hospital, but she eventually dies from her injuries. A narration states the legend of acrow that carries souls to the land of the dead; if the person died in tragic circumstances, the crow can resurrect their restless spirit to set things right.
One year later, Eric is resurrected by a crow. Disoriented and distressed, Eric returns to his ravaged loft apartment and experiences flashbacks of the murders: A gang of men—Tin Tin, Funboy, T-Bird, and Skank—targeted the pair because they were protesting forced evictions in their apartment building which the gang's leader, ruthless crime boss Top Dollar, intended to seize. Realizing that any injuries he suffers areimmediately healed, Eric dons black-and-white face paint and sets out to avenge himself and Shelly, guided by the crow.
The crow leads Eric to Tin Tin, whom Eric stabs to death. He next travels to the pawn shop where Tin Tin had pawned Shelly's engagement ring. Eric recovers the ring and blows up the shop, but spares the owner, Gideon, so he can alert Top Dollar's men that Eric is coming for them. Albrecht begins investigating the apparent vigilante disturbances while Eric finds Funboy taking drugs with Sarah's estranged drug addict mother, Darla. He gives Funboy a fatal overdose and purges the drugs from Darla's body, telling her that Sarah needs her.
Eric visits Albrecht and confirms his suspicions regarding the vigilante's identity. Albrecht tells Eric that he stayed with Shelly until she died, witnessing the thirty hours of suffering she experienced. Eric touches Albrecht, absorbing the pain Shelly felt. Eric next targets T-Bird, killing him in an explosion. The following morning, Sarah and Darla reconcile and Sarah reunites with Eric at his apartment. That evening, Top Dollar holds a meeting with his associates to discuss his plans to burn the city to the ground on Devil's Night. Eric arrives for Skank but a gunfight erupts, ending with Eric throwing Skank from a window to his death and Albrecht assisting Eric in escaping from the pursuing police. Top Dollar, his lover and half-sister Myca, and his right-hand man Grange escape. Myca correctly hypothesizes that the crow is the source of Eric's immortality.
Satisfied with his vengeance, Eric gifts Shelly's engagement ring to Sarah and returns to his grave. Grange abducts Sarah as she is walking home and takes her to an abandoned church with Myca and Top Dollar, who takes Shelly's ring. Eric is alerted to her plight by the crow and rushes to rescue her, but he is ambushed by Grange who wounds the crow, rendering Eric vulnerable. Albrecht arrives and kills Grange, while Myca attempts to take the crow for its immortality; it claws her eyes out, causing her to fall to her death from the bell tower. Top Dollar retreats to the church roof with Sarah, where he fights and badly wounds Eric. Eric transfers Shelly's pain into Top Dollar, causing him to stumble off the roof and be fatally impaled on agargoyle.
Sarah and a wounded Albrecht are recovered from the church, while a pained Eric goes to Shelly's grave where her spirit arrives to comfort him and return his body to rest. Sometime later, Sarah visits the graves, where the crow gives her Shelly's ring.
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Michael Berryman filmed scenes as the Skull Cowboy, Eric's spirit guide, but his scenes were cut from the finished film.Chad Stahelski was Brandon Lee's body double in several scenes filmed after Lee's death.[9]
James O'Barr wrote what would becomeThe Crow as a means to cope with the unexpected death of his fiancée, who was killed by a drunk driver.[10] The first meeting O'Barr had with a major studio was quickly dismissed after the studio's vision for the film was amusical withMichael Jackson as the lead.[11] Around the time ofThe Crow's publication, writerJohn Shirley pitchedAngry Angel toCaliber Press, who turned it down due to similarities withThe Crow. Shirley sought the comic out and decided to adapt it into a film.[12] O'Barr was receptive and agreed to workshop the film with Shirley and producerJeff Most, turning down a significant offer fromNew Line Cinema in the process. O'Barr oversaw three different scripttreatments by Shirley and Most before directly collaborating on the first two drafts of the screenplay. Shirley penned the third and fourth draft by himself which awarded him screenplay credit by theWriters Guild of America. Most claimed to have written a "substantial proportion" of the script, but was denied credit due to a rule in the WGA which prohibited producers from receiving credit.[13] The addition of producerEdward Pressman gaveThe Crow further momentum, but Shirley would be fired during development after clashing with a development head at Pressman's studio.[14]Splatterpunk writerDavid J. Schow was brought in for rewrites.[5] From a suggestion by Most, Pressman primarily pursued music video and commercial directors to helm the film;Julien Temple being Most's top choice.[15] Australian filmmakerAlex Proyas was hired to direct the film.[12]Paramount Pictures picked up the distribution rights and slotted an August 1993 release date.[16]
Christian Slater andRiver Phoenix were early considerations for the role ofEric Draven.[17][18] Shirley and Most pushed for Slater while Pressman wanted River Phoenix.[19]Brandon Lee was suggested to play Draven, but O'Barr was unconvinced fearing he wouldn't be suited for the material. However, Lee won O'Barr over and was given the role shortly thereafter.[20] Lee dropped 20 pounds to portray Draven and worked closely with the crew to shape the film, co-choreographing his action sequences withJeff Imada, performing most of his stunts, and removing a subplot due to its Asian stereotyping.[21][22][4] Rochelle Davis,Ernie Hudson,Michael Wincott,Bai Ling,Sofia Shinas,Michael Massee,David Patrick Kelly,Tony Todd, andJon Polito rounded out the supporting cast.
Production began onThe Crow in February 1993 inWilmington, North Carolina and was scheduled to last 54 days.[23][16]
On March 31, 1993, atEUE Screen Gems Studios inWilmington, North Carolina, Lee was filming a scene where his character, Eric, is shot after witnessing the beating and rape of his fiancée. Actor Michael Massee's character Funboy fires a.44 MagnumSmith & Wesson Model 629 revolver at Lee as he walks into the room.[24] A scene filmed two weeks before Lee's had called for the same gun to be shown in close-up. Revolvers often usedummy cartridges fitted with bullets, but nopowder orprimer, during close-ups as they look more realistic thanblank rounds which have no bullet. Instead of purchasing commercial dummy cartridges, the film's prop crew, hampered by time and money constraints, created their own by pulling the bullets from live rounds, dumping the powder charge but not the primer, then reinserting the bullets. Witnesses reported that two weeks before Lee's death they saw an unsupervised actor pulling the trigger on the gun while it was loaded with the powderless but primed round. Since the primer was still live, it could launch the bullet with enough force to push it out of the case and wedge it in the barrel.[25][26]
In the fatal scene, which called for the revolver to be actually fired at Lee from a distance of 12–15 feet, the dummy cartridges were exchanged forblank rounds, which feature a live powder charge and primer, but no bullet, thus allowing the gun to be fired without the risk of an actual projectile. As the production company had sent the firearms specialist home early, responsibility for the guns was given to a prop assistant who was unaware of the rule for inspecting all firearms before and after any handling. Therefore, the barrel was not checked for obstructions when the time came to load it with the blank rounds.[25][26] Since the bullet from the dummy round was already trapped in the barrel (a condition known as asquib load), this caused the .44 Magnum bullet to be fired out of the barrel with virtually the same force as if the gun had been loaded with a live round, and it struck Lee in the abdomen, mortally wounding him.[27][28]
After Lee's death, the producers were faced with the decision of whether or not to continue with the film. Lee had completed most of his scenes for the film and was scheduled to shoot for only three more days.[1] The rest of the cast and crew, except for Ernie Hudson, whose brother-in-law had just died, stayed in Wilmington.Paramount Pictures, which was initially interested in distributingThe Crow theatrically (originally a direct-to-video feature), opted out of involvement due to delays in filming and some controversy over the violent content being inappropriate given Lee's death. However,Miramax picked it up with the intention of releasing it in theatres and injected a further $8 million to complete the production, taking its budget to approximately $23 million.[1] The cast and crew then took a break for script rewrites of the flashback scenes that had yet to be completed.[25] The script was rewritten byWalon Green,Terry Hayes,René Balcer, andMichael S. Chernuchin, adding narration and new scenes.[29][30] Lee's stunt doubleChad Stahelski was used as a stand-in anddigital face replacement was used to superimpose Lee's face onto the head of the double. The beginning of the movie, which had not been finished, was rewritten, and the apartment scene remade using computer graphics from an earlier scene of Lee.[31]
A character from the original comic book called Skull Cowboy was originally planned to be part of the adaptation and even had scenes filmed. He acted as a guide for Eric Draven between the worlds of the dead and the living. He was set to be played byMichael Berryman, but the role was cut from the film due to Lee's death.[32]
O'Barr later remarked that losing Lee was like losing his fiancée all over again, and he regretted ever writing the comic in the first place.[33]
The film opened at number one in the United States in 1,573 theaters with $11,774,332 and averaging $7,485 per theater, making it Miramax's biggest ever opening.[34][35] Some industry sources believed that Miramax overstated the weekend gross by as much as $1 million.[36] The film ultimately grossed $50,693,129 in the United States and Canada, and $43 million internationally, for a worldwide total of $93.7 million against its budget of $23 million.[37][2] It ranked at number 24 for all films released in the US in 1994, the 24th highest-grossing film worldwide for 1994 and number 10 for R-rated films released that year.[38][2]
In Europe, the film grossed £1,245,403 in the United Kingdom (where it was18-rated),[39] and sold 4,604,115 tickets in France, Germany, Italy and Spain.[40][41] InSeoul, South Korea, it sold 83,126 tickets.[42]
The Crow has an approval rating of 87% onRotten Tomatoes based on 75 reviews and an average rating of 7.2/10. The critical consensus states: "Filled with style and dark, lurid energy,The Crow is an action-packed visual feast that also has a soul in the performance of the late Brandon Lee."[8] The film also has a score of 71 out of 100 onMetacritic based on 14 critics, indicating "generally favorable reviews".[43]
Reviewers praised the action and visual style.[44][45]Rolling Stone called it a "dazzling fever dream of a movie"; Caryn James, writing forThe New York Times, called it "agenre film of a high order, stylish and smooth"; andRoger Ebert called it "a stunning work of visual style".[45][46][47] TheLos Angeles Times praised the film also.[48][49]
Lee's death was alleged to have a melancholic effect on viewers; Desson Howe ofThe Washington Post wrote that Lee "haunts every frame" andJames Berardinelli called the film "a case of 'art imitating death', and thatspecter will always hang overThe Crow".[44][45][50] Both Berardinelli and Howe called it an appropriateepitaph to Lee, and Ebert stated that not only was this Lee's best film, but it was better than any ofhis father's.[44][45][50] Critics generally thought that this would have been a breakthrough film for Lee, although Berardinelli disagreed.[45][50][51] The changes made to the film after Lee's death were noted by reviewers, most of whom saw them as an improvement. Howe said that it had been transformed into something compelling.[44] Berardinelli, although terming it a genre film, said that it had become more mainstream because of the changes.[50]
James Lowder reviewedThe Crow inWhite Wolf Inphobia #57 (July, 1995), rating it a 4 out of 5 and stated that "Of course the incredible pall of melancholy that hangs overThe Crow owes something to Brandon Lee's death during the film's production. Beyond the death's utter senselessness, it should make us wonder at the human price we're willing to pay for entertainment."[52]
The film was widely compared to other films, particularlyTim Burton'sBatman movies andRidley Scott'sBlade Runner.[50][51] Critics describedThe Crow as a darker film than the others;[50] Ebert called it a grungier and more forbidding story than those ofBatman andBlade Runner, and Todd McCarthy ofVariety wrote that "it’s set in a generic inner city so hellish it makesGotham City look like theEmerald City".[51]
The cinematography byDariusz Wolski and the production design byAlex McDowell were also praised. The cityscape designed by McDowell and the production team was described by McCarthy as rendered imaginatively.[51] The film's comic book origins were noted, and Ebert called it the best version of a comic bookuniverse he had seen.[45] McCarthy agreed, calling it "one of the most effective live-actioners ever derived from a comic strip".[51] Critics felt that the soundtrack complemented this visual style, calling it blistering, edgy and boisterous.[44][46][51] Graeme Revell was praised for his "moody" score;[51] Howe said that it "drapes the story in a postmodern pall."[44]
The Crow is mentioned inEmpire's 2008 list of the 500 greatest movies of all time; it ranked at number 468.[53] It has since become acult film.[54]
| Award | Category | Recipient | Result |
|---|---|---|---|
| MTV Movie Award[61] | Best Movie of the Year | Nominated | |
| Best Actor | Brandon Lee (posthumous) | Nominated | |
| Best Song | Stone Temple Pilots For the song "Big Empty" | Won | |
| Saturn Awards | Best Horror Film | Nominated | |
| Best Director | Alex Proyas | ||
| Best Costume Design | Arianne Phillips | ||
| Best Special Effects | Andrew Mason (International Creative Effects) |
The original soundtrack album forThe Crow features songs from the film, and was a chart-topping album. It included work byThe Cure (their song, "Burn", became the film'smain theme),The Jesus and Mary Chain,Rage Against the Machine andHelmet, among many others. InPeter Hook's memoirSubstance: Inside New Order, Hook relates thatNew Order were approached to provide the soundtrack for the film, with a cover of "Love Will Tear Us Apart", their hit asJoy Division, citing parallels between Eric's resurrection and New Order's formation after the suicide of Joy Division frontmanIan Curtis. However, New Order frontmanBernard Sumner declined, stating that they were too busy with their albumRepublic to commit to another project.James O'Barr, creator of the original comic book series, was a big fan of Joy Division and had named the characters Sergeant Albrecht and Captain Hook after bandmates Sumner (who was also known as Bernard Albrecht early in his career) and Hook.[citation needed]
Several groups contributed covers.Nine Inch Nails rendered Joy Division's "Dead Souls",Rollins Band coveredSuicide's "Ghost Rider" andPantera performedPoison Idea's "The Badge".[citation needed]
The bandsMedicine andMy Life with the Thrill Kill Kult make cameo appearances in the film on stage in the nightclub below Top Dollar's headquarters.[citation needed]
The score consists of original, mostly orchestral music, with some electronic and guitar elements, written for the film byGraeme Revell.[citation needed]
In 1996, a sequel was released, calledThe Crow: City of Angels. In this film,Vincent Pérez plays Ashe Corven, who, along with his son Danny, is killed by criminals. Ashe is resurrected as a new Crow. The character of Sarah (now played byMia Kirshner) reappears in this film and assists Ashe.[62] The film also featuresIggy Pop, who, according to the booklet insert for the film's soundtrack, was the producer's first choice for Funboy in the first Crow movie, but he was unable to commit due to his recording schedule. In addition, it also featured the final appearance ofThuy Trang. The bandDeftones can be seen playing live in a festival scene and they contributed the song "Teething" to the soundtrack. The film received mostly negative reviews.
The Crow: Stairway to Heaven was a 1998 Canadian television series created byBryce Zabel and starringMark Dacascos in the lead role as Eric Draven. It garnered generally positive reviews and performed moderately well in the ratings, but was cancelled after one season.[63][64]
The third film,The Crow: Salvation, was released in 2000. Directed byBharat Nalluri, it starsEric Mabius,Kirsten Dunst,Fred Ward,Jodi Lyn O'Keefe andWilliam Atherton. It is loosely based onPoppy Z. Brite's novelThe Lazarus Heart. After its distributor cancelled the intended theatrical release due toThe Crow: City of Angels' negative critical reception,The Crow: Salvation was released directly to video with mixed reviews.[65]
The fourth film,The Crow: Wicked Prayer, was released in 2005. Directed byLance Mungia, it starsEdward Furlong,David Boreanaz,Tara Reid,Tito Ortiz,Dennis Hopper,Emmanuelle Chriqui andDanny Trejo. It was inspired byNorman Partridge's novel of the same title. It had a one-week theatrical première on June 3, 2005, at AMC Pacific Place Theatre inSeattle, Washington, before being released to video on July 19, 2005. Like the other sequels, it had a poor critical reception.[citation needed]
The Crow: 2037 was a planned sequel written and scheduled to be directed byRob Zombie in the late 1990s;[66] however, it was never made.[67][68]
On April 1, 2022, a new attempt at a remake was announced byThe Hollywood Reporter, withBill Skarsgård starring as Eric,Rupert Sanders directing, and Edward R. Pressman and Malcolm Gray co-producing.[69] Days later, the site also reported thatFKA Twigs had been cast as Shelly.[70] In July 2022, production on the reboot was reportedly underway inPrague,Czech Republic.[71] By August 26, 2022,Danny Huston was cast as Vincent Roeg.[72] On September 16, 2022, the film wrapped production.[73][74] The film was theatrically released on August 23, 2024, byLionsgate Films, in the United States.[75]
The film received negative critic and audience reviews, and was declared a box-office bomb.[76][77][78]
The Crow was first released onVHS andLaserDisc multiple times between 1994 and 1998 in addition to the widescreenDVD on February 3, 1998. The two-disc DVD was released on March 20, 2001, as part of the Miramax/Dimension Collector's Series.[79] On October 18, 2011,The Crow was released onBlu-ray throughLionsgate Pictures who also re-released the DVD format on August 17, 2012.[80] In Japan, the movie was remastered in 4K for a special edition in 2016, although the film's final resolution was capped at 1080p; a 4K edition of the film was released on May 7, 2024 byParamount Home Entertainment.
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