معبد بعل شمين | |
![]() The Temple of Baalshamin in 2010 | |
Location | Palmyra,Syria |
---|---|
Coordinates | 34°33′12″N38°16′12″E / 34.553401°N 38.269941°E /34.553401; 38.269941 |
Type | Temple |
History | |
Material | Stone |
Founded | 131 AD |
Cultures | Palmyrene |
Site notes | |
Excavation dates | 1954–1956 |
Condition | Restored, August 2015 |
Ownership | Public |
Public access | Inaccessible (in a war zone) |
Type | Cultural |
Criteria | i, ii, iv |
Designated | 1980(4th session) |
Part of | Site ofPalmyra |
Reference no. | 23 |
Region | Arab States |
Endangered | 2013–2015 (destroyed) |
TheTemple of Baalshamin was an ancient temple in the city ofPalmyra, Syria, dedicated to theCanaanitesky deityBaalshamin. The temple's earliest phase dates to the late 2nd century BC;[1] itsaltar was built in 115 AD,[2] and the temple was substantially rebuilt in 131 AD. The temple would have been closed during thepersecution of pagans in the late Roman Empire in a campaign against the temples of the East made byMaternus Cynegius,Praetorian Prefect of Oriens, between 25 May 385 to 19 March 388.[3] With the spreading of Christianity in the region in the 5th century AD, the temple was converted to a church.[4]
In 1864, French photographer and naval officer Louis Vignes was the first to photograph the temple following his expedition to the Dead Sea under the sponsorship of the Duc du Luynes.[5]
It was one of the most complete ancient structures in Palmyra.[4] In 1980,UNESCO designated the temple as aWorld Heritage Site.
In 2015, theIslamic State of Iraq and the Levant demolished the Temple of Baalshamin aftercapturing Palmyra during theSyrian Civil War.
The temple was originally a part of an extensive precinct of three courtyards and represented a fusion of ancient Syrian andRoman architectural styles. The temple's proportions and thecapitals of its columns were Roman in inspiration, while the elements above thearchitrave and the side windows followed the Syrian tradition. The highly stylizedacanthus patterns of theCorinthian orders also indicated an Egyptian influence.[4] The temple had a six-columnpronaos with traces ofcorbels and an interior which was modelled on the classicalcella. The side walls were decorated withpilasters.
An inscription written in Greek andPalmyrene, on the column bracket that supported the bust of the temple's benefactor, the Palmyrene official Male Agrippa, attested the temple was built in 131 AD.[6] The inscription was dedicated by the Senate of Palmyra to honor Male Agrippa for building the temple, which was dedicated to Baalshamin, the Semitic god of the heavens, to commemorate the Roman EmperorHadrian's visit to Palmyra around 129 AD.[7] The translated inscription is:
The Senate and the people have made this statue to Male Agrippa, son of Yarhai, son of Lishamsh Raai, who, being secretary for a second time when the divine Hadrian came here, gave oil to the citizens, and to the troops and the strangers that came with him, taking care of their encampment. And he built the temple, the vestibule, and the entire decoration, at his own expense, to Baal Shamin and Durahlun.[6]
Parts of the temple were damaged to some extent by bombings in 2013, during theSyrian Civil War.[8] The southeastern corner of the temple wall was damaged further by looters who made two openings to steal the furniture of the adjacent guesthouse.[8]
In May 2015, Palmyra was captured by theIslamic State of Iraq and the Levant (ISIL), a terrorist group with a history of destroying ancient religious structures. Shortly after, ISIL reportedly claimed that it did not intend to demolish the buildings at Palmyra'sWorld Heritage Site, but stated that it would destroy any artifact it deemed "polytheistic" or "pagan".[10] On 23 August 2015 (or earlier in July, according to some reports), ISIL militants detonated a large quantity of explosives inside the Temple of Baalshamin, completely destroying the building.[11][12] The temple's destruction was announced by the head of the SyrianDirectorate-General of Antiquities and Museums, Maamoun Abdulkarim.[11] Photographs of the placement of the explosives, the explosion itself and the remnants of the temple subsequently appeared on social media.[13]UNESCO described the willful destruction of the temple as a "war crime".[14][15] The destruction was independently verified by a FrenchPléiades satellite, which photographed the pile of rubble a few days later.[16]
After the temple's destruction, theInstitute for Digital Archaeology announced plans to establish a digital record of historical sites and artifacts threatened by IS advance.[17][18][19] To accomplish this goal, the IDA, in collaboration withUNESCO, will deploy 5,000 3D cameras to partners in the Middle East.[20] The cameras will be used to capture 3D scans of local ruins and relics.[21][22]
Following therecapture of Palmyra by the Syrian Army in March 2016, director of antiquities Maamoun Abdelkarim stated that the Temple of Baalsahamin, along with theTemple of Bel and theMonumental Arch, will be rebuilt using the surviving remains (anastylosis).[23]
The systematic destruction of cultural symbols embodying Syrian cultural diversity reveals the true intent of such attacks, which is to deprive the Syrian people of its knowledge, its identity and history...this destruction is a new war crime