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Saron (instrument)

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Indonesian musical instrument used in Gamelan
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Saron (instrument)
Classification
DevelopedIndonesia
saron gamelan degung barudakIndra Swara Mexico

Thesaron is a musical instrument ofIndonesia, which is used in thegamelan. It normally has sevenbronze bars placed on top of a resonating frame (rancak). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In apelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death[1]) (inkepatihan numbering); forslendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody (balungan) in the gamelan orchestra.

Varieties

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From left to right, saron panerus, saron barung, and demung, fromSTSI Surakarta

Sarons typically come in a number often sizes, from smallest to largest:

  • Saron panerus (also:peking)
  • Saron barung (sometimes justsaron)
  • Saron demung (often just calleddemung)

Each one of those is pitched anoctave below the previous. Theslenthem orslentho performs a similar function to the sarons one octave below the demung.

Playing techniques

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The sarons are struck with a mallet (tabuh). Typically the striking mallet is angled to the right to produce a fuller sound. Demung and saron barung generally use a wooden mallet, while the peking mallet is made of awater buffalo horn, which gives it a shriller sound. The other hand is used todampen the previous note by grasping the key, in order to prevent a muddy sound. On repeated notes, the note is usually dampened half a beat before it is struck again.

The saron barung and demung usually play less often and more simple parts. These are the usual techniques for playing them:

  • Mbalung: playing thebalungan melody as notated, without elaboration
  • Tabuhan pinjalan: playing an interlockingpinjalan pattern between the saron barung, demung, andslenthem, which fills in the offbeats of the balungan
  • Tabuhan imbal: playing an interlockingimbal pattern between two of the same instruments, usually either saron barung or demung. Note that the dampening must happen as soon as the other performer plays a note; this is usually twice as soon as when playing by oneself.
  • Pancer: sometimes a note is added betweenbalungan notes if there is a great deal of space between them (i.e., it is in a slowirama). This is called apancer.

Saron panerus has distinctive patterns which make it different from the other sarons. It usually plays more often, and keeps a constant beat going throughout a piece. Its playing techniques include:

  • Nacah lamba: playing the balungan (with repeated notes if necessary, depending on theirama)
  • Nacah selang-seling: playing the balungan in pairs of notes (which may be repeated), making a more elaborate variation on the phrase
  • Imbal-imbalan: similar to tabuhan imbal for the other sarons

History

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Saron (c. 1800-1850) brought back from Indonesia or Java to England byStamford Raffles.

The earliest known appearance of a single-octave saron is in a relief atBorobudur, from the 9th century. It was formerly supposed that the saron derived from the decomposition of thegambang gangsa, after it fell out of use.Mantle Hood rejected this hypothesis, and associates the preference for a single octave with the characteristic shape of thecadence in thepathet. There is no evidence that the gambang gangsa is older than the saron; indeed, it may be younger.[2]

See also

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Footnotes

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  1. ^Panesar, Nirmal S.; Chan, Noel C. Y.; Li, Shi N.; Lo, Joyce K. Y.; Wong, Vivien W. Y.; Yang, Isaac B.; Yip, Emily K. Y. (Dec 1–15, 2003)."Is four a deadly number for the Chinese?".The Medical Journal of Australia.179 (11–12):656–658.doi:10.5694/j.1326-5377.2003.tb05741.x.ISSN 1326-5377.PMID 14636150.
  2. ^Hood (1977), p. 240-242

References

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  • Hood, Mantle (1977).The Nuclear Theme as a Determinant of Patet in Javanese Music. New York: Da Capo.
  • Sorrell, Neil (1990).A Guide to the Gamelan. United Kingdom: Faber and Faber.
Theory
Musicians performing musical ensemble, bas-relief of Borobudur.
A Java-Bali style Gong, hanging in a frame.
Genres &
ensembles
Musicians
Instruments
Colotomic or
phrase-making
Balungan
or melody
Panerusan or
elaborating
Unpitched
Vocals and
clapping
Traditional musical instruments ofIndonesia
Aerophones
Chordophones
Idiophones
Membranophones
Related articles
Authority control databasesEdit this at Wikidata
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