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Resistance through culture

From Wikipedia, the free encyclopedia

Resistance through culture (also calledcultural resistance,resistance through the aesthetic,[1] orintellectual resistance)[2] is a form ofnonconformism. It is notopen dissent, but a discreet stance.[3]

A revolt "so well hidden that it seems nonexistent",[4] it is a quest "to extend the boundaries of official tolerance, either by adopting a line considered by authorities to be ideologically suspect, or by highlighting certain contemporary social problems, or both."[3] Criticized for being "utopian, and thus inadequate to the realities of that age",[5] during the time of theCommunist regimes in Europe, it was also a surviving formula, a modality for writers and artists to cheat Communist censorship without going the whole way into open political opposition.[6][7]

Romania

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One of the most sharply criticized phrases inpost-revolutionary Romania,[8] considered to be not much more than "blowing in the wind" by Romanian-born GermanNobel literature prize winnerHerta Müller,[9] and "not only resignation [...] but complicity with the terrorist communism" by Romanian exiled writerPaul Goma,[10] so-called "resistance through culture" has often been linked toConstantin Noica's so-called "Păltiniș School".[11]

In the fine arts,Corneliu Baba, among others, is sometimes considered to be an example of a painter who was nonconformist in this way.[12]

References

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  1. ^Simion, Eugen (May 20, 2010)."Insemnari marunte despre rezistenta prin cultura si despre un român care schimba lumea" (in Romanian). Cultura. RetrievedJanuary 26, 2014.
  2. ^Corbea, Andrei (30 May 2000)."Exilul, inainte si dupa exil" (in Romanian). Observator cultural. Retrieved10 Aug 2015.
  3. ^abMcDermott, Kevin; Stibe, Matthew (eds.).Revolution and Resistance in Eastern Europe: Challenges to Communist Rule. Oxford, New York: Berg. pp. 90, 91.ISBN 978-1-84520-258-3.
  4. ^Marcu, Luminița (2002)."Rezistenţa culturală la începuturile comunismului" (in Romanian).România literară. Archived fromthe original on 24 September 2015. Retrieved10 Aug 2015.
  5. ^Bradatan, Costica; Oushakine, Serguei Alex., eds. (2010).In Marx's Shadow: Knowledge, Power and Intellectuals in Eastern Europe and Russia. Plymouth, UK: Lexington Books. p. 54.ISBN 978-0-7391-3624-9.
  6. ^Cesereanu, Ruxandra (2005)."Memorie si exil" (in Romanian). romaniaculturala.ro. Archived fromthe original on 2015-09-24. Retrieved10 Aug 2015.
  7. ^Copoeru, Ion; Sepp, Hans Rainer, eds. (2007).Phenomenology 2005: Selected Essays from the Euro-Mediterranean Area, Part 1. Zeta Books. p. 74.
  8. ^Dinițoiu, Adina (September 2009).""Textualism socialist" şi "rezistenţă prin cultură" în proza anilor '80" (in Romanian). Observator cultural. Retrieved10 Aug 2015.
  9. ^"Cazul Noica şi şcoala de la Păltiniş (I)" (in Romanian). jurnalul.ro. January 10, 2011. Archived fromthe original on February 2, 2014. RetrievedJanuary 26, 2014.
  10. ^Behring, Eva; Brandt, Juliane; Dozsai, Monika; Kliems, Alfrun; Richter, Ludwig; Trepte, Hans-Christian (2004).Grundbegriffe und Autoren ostmitteleuropäischen Exilliteraturen 1945-1989 Ein Beitrag zur Systematisierung und Typologisierung (in German). Stuttgart: Franz Steiner Verlag. p. 641.
  11. ^GRIGORE, VASILICA; MITRACHE, GEORGETA; PREDOIU, RADU (2016-08-30)."Analogical transfer capacity and the discrimination reaction time in elite female tennis players".Psiworld 2015 Proceedings. Romanian Society of Experimental Applied Psychology.doi:10.15303/rjeap.2016.si1.a11.
  12. ^"Somnul de 50 de ani al creaţiei" (in Romanian). tvrplus.ro. RetrievedJanuary 26, 2014.
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