Pyotr Konstantinovich Leshchenko (Ukrainian: Петро Константинович Лещенко;Russian:Пётр Константинович Лещенко; 2 June 1898Isayeve,Odessa uezd,Kherson Governorate,Russian Empire (nowUkraine) – 16 July 1954Bucharest), a singer in theRussian Empire, and laterRomania, is universally considered "the King of Russian Tango"[1] and specifically known for his rendition of "Serdtse"—a European tango, sung inRussian.
He was born in the village of Isayeve,Kherson Governorate (now part ofOdesa Oblast,Ukraine) into a poor and illiterate Ukrainian peasant mother (born with no father). During theFirst World War, his mother and stepfather moved toChișinău (Bessarabia Governorate), which was later united withRomania (today'sMoldova). He was drafted into the Russian army, and attended an officers college inKiev. After graduating he was sent to the front, and was wounded soon thereafter, recuperating at a military hospital in Chișinău. He was proficient in numerous languages: Russian, Ukrainian, Romanian, German, and others. In his early childhood, he sang in a church choir and learned how to play the 7-string guitar.
After the war, Pyotr, who had never learned a real trade, worked at various restaurants, serving, dish-washing and performing small theatrical acts. He had a softbaritone voice.
After taking some ballet lessons in Paris, he started performing with hisLatvian wife Zinaida Zakit, a dancer. Their act was a mixture of ballet, folklore dance and European tango, which was so popular it led to tours to Egypt, Syria, Lebanon, Turkey, Germany, and Great Britain. It was atRiga, when he improvisedgypsy music and tango singing to make up for the absence of his pregnant wife, that he discovered he could sing in front of an audience. In 1935, he was at the peak of his success. Though he still included oldRussian romances, and even Soviet songs (like "Serdtse", which was originally sung byLeonid Utyosov) in his repertoire, songs were now composed for him exclusively (with the tango songs turning Argentine in style and arrangement). One of his favourite non-Russian composers wasJerzy Petersburski, but he also sang work composed by Pavel German,Konstantin Podrevsky andIsaak Dunayevsky. Composers who composed certain songs specifically for him included Oscar Strok, Mark Maryanovsky and Yefim Sklyarov. Many lyrics of Leshchenko songs were written byBoris Fomin.
Leshchenko performed for European nobles and "White" (anti-Bolshevik) Russianémigrés at his own "Leschenko" cabaret inBucharest (dubbed the "EasternMaxim's"). The first part of every performance would typically be dedicated togipsy music, but during the second part Leshchenko would dress up in a tuxedo, with a white silk handkerchief and sing and dance Argentine tango.
In theSoviet Union his work was banned both because he was believed to be aWhite émigré (which he was not legally) and because the style (tango andfoxtrot) was deemedcounter-revolutionary. Nevertheless, secretly he was very popular: people would even listen to Radio Tehran to hear his music, '78 records were smuggled into the country from theBaltics, and specialists wouldbootleg his music onto "ribs" (usedX-ray plates). When during theSecond World War and the subsequent occupation ofOdessa by theRomanian army, Leshchenko was finally able to perform in the country he still considered his own, people would queue for hours on end to buy a ticket to one of his Odessa concerts. It was at Odessa that Pyotr met his second wife, Vera Georgievna Belousova, for whom he would later, back in Romania, divorce Zinaida.
After Romaniaswitched sides in August 1944 and the Soviet army entered Romania, Leshchenko was not arrested, and became the protégé ofgeneralVladimir Ivanovich Burenin, military commander of the Red Army garrison in Bucharest.[2] Some sources believe this was due to MarshalGeorgy Zhukov being a secret admirer of his music – Pyotr probably thought so, and after the war, wrote many letters to friends in the Soviet Union asking them to contact high-level officials so that he and Vera might be allowed back to the country of their birth.[3]
In 1951, a week after receiving an official letter granting them permission to settle in the Soviet Union, Vera and Pyotr were arrested by the Romanian police. Vera was extradited to the Soviet Union, where she was condemned to forced labour for amongst other things, "marrying a foreigner". Pyotr was detained in a prison near Bucharest, and then was sent to a forced labor camp at theDanube–Black Sea Canal. Both outlivedJoseph Stalin, but Pyotr died in a prison hospital inTârgu Ocna on 16 July 1954, without Vera at his side (she had already been released but did not know her husband was still alive). Some friends present when he died claimed his last words were "Friends, I am happy, for I will return to my fatherland! I am going away, but I leave you my heart." Vera died on December 18, 2009, age 86.
In 1988, his 90th birthday was marked by several articles in Soviet newspapers, and several radio shows were dedicated to him at the time.
While most tango dancers around the world only knowSerdtse, on special theme evenings and modern CDs, other songs sung by Pyotr Leshchenko may get a mention. They include: the Argentinian TangosAnikusha,Barselona,Chornye Glaza,Davay Prostimsya,Golubye Glaza,Moyo Poslednee Tango (Strok),Ne Uhodi,Ostansya,Priznaysya Mne,Studentochka,Skazhite Pochemu,Skuchno,Ty I Eta Gitara (both sometimes called "Polish Tangos"),Vernulas Snova Ty,Vino Lyubvi (Maryankovsky) andZabyt Tebya, the Gypsy RomancesChto Mne Gorye andZa Gitarnyi Perebor and finally the "waltzes"Moy Drug andPesnya o Kapitane (this last one, like Serdtse, with text written by the Soviet poetVasily Lebedev-Kumach)
