Movatterモバイル変換


[0]ホーム

URL:


Jump to content
WikipediaThe Free Encyclopedia
Search

Open music model

From Wikipedia, the free encyclopedia
Economic and technological framework which foresees the playback of prerecorded music as a service

Theopen music model is an economic and technological framework for therecording industry based on research conducted at theMassachusetts Institute of Technology. It predicts that the playback of prerecorded music will be regarded as aservice rather than asindividually sold products, and that the only system for thedigital distribution of music that will be viable against piracy is asubscription-based system supportingfile sharing and free ofdigital rights management. The research also indicated thatUS$9 per month for unlimited use would be themarket clearing price at that time, but recommended $5 per month as the long-term optimal price.[1]

Since its creation in 2002, a number of its principles have been adopted throughout the recording industry,[2] and it has been cited as the basis for the business model of manymusic subscription services.[3][4]

Overview

[edit]

The model asserts that there are fivenecessary requirements for a viable commercial music digital distribution network:

#RequirementDescription
1Open file sharingusers must be free toshare files with each other
2Open file formatscontent must be distributed inopen formats with noDRM restrictions
3Open membershipcopyright holders must be able to freely register to receive payment
4Open paymentpayment should be accepted via multiple means, not a closed system
5Open competitionmultiple such systems must exist which can interoperate, not a designed monopoly

The model was proposed byShuman Ghosemajumder in his 2002 research paperAdvanced Peer-Based Technology Business Models[1] at theMIT Sloan School of Management. It was the first of several studies that found significant demand for online, open music sharing systems.[5] The following year, it was publicly referred to as the Open Music Model.[6]

The model suggests changing the way consumers interact with the digital property market: rather than being seen as a good to be purchased from online vendors, music would be treated as a service being provided by the industry, with firms based on the model serving as intermediaries between the music industry and its consumers. The model proposed giving consumers unlimited access to music for the price of$5 per month[1] ($9 in 2024), based on research showing that this could be a long-term optimal price, expected to bring in a total revenue of overUS$3 billion per year.[1]

The research demonstrated the demand for third-party file sharing programs. Insofar as the interest for a particular piece of digital property is high, and the risk of acquiring the good via illegitimate means is low, people will naturally flock towards third-party services such asNapster andMorpheus (more recently,Bittorrent andThe Pirate Bay).[1]

The research showed that consumers would use file sharing services not primarily due to cost but because of convenience, indicating that services which provided access to the most music would be the most successful.[1]

Industry adoption

[edit]

The model predicted the failure ofonline music distribution systems based ondigital rights management.[6][7]

Criticisms of the model included that it would not eliminate the issue of piracy.[8] Others countered that it was in fact the most viable solution to piracy,[9] since piracy was "inevitable".[10] Supporters argued that it offered a superior alternative to the currentlaw-enforcement based methods used by the recording industry.[11] One startup in Germany, Playment, announced plans to adapt the entire model to a commercial setting as the basis for its business model.[12]

Several aspects of the model have been adopted by the recording industry and its partners over time:

Why would the big four music companies agree to let Apple and others distribute their music without using DRM systems to protect it? The simplest answer is because DRMs haven't worked, and may never work, to halt music piracy.

Steve Jobs,Thoughts on Music[13] open letter, 2007
  • The abolition of digital rights management represented a major shift for the industry. In 2007,Steve Jobs, CEO ofApple, published a letter[13] calling for an end to DRM in music. A few months later,Amazon.com launched a store single individual DRM-free mp3's.[14] One year later, iTunes Store abolished DRM on most of its individual tracks.[15]
  • Open payment was relatively straightforward to implement, and theiTunes Store offered gift cards, which could be purchased with cash, from its launch in 2003.
  • In 2010,Rhapsody announced a download ability[16] for their subscribers usingiPhones.
  • In 2011, Apple launched itsiTunes Match service with a subscription model, supporting file-sharing between a user's own devices.[17] However, the subscription price did not include the cost of acquiring content, which would still have to be purchased on a per track basis from the iTunes Store.
  • Pricing close to the model's suggested $5 per month price, or its $9 per month market clearing price, has been adopted by many platforms:
    • In 2005,Yahoo! Music was launched at $5 per month withdigital rights management.
    • In 2011,Spotify introduced a $5 per month premium subscription in the United States withdigital rights management,[18] recognized as adhering closely to the model.[19][20]
    • In 2011,MicrosoftZune offered a subscription service for music downloads withdigital rights management known as aZune Pass, at $10 a month.
    • in 2012,Google Play Music launched unlimited music streaming for a subscription price of $9.99 per month.[21] Users can upload their own MP3s to the service and download them, but cannot download songs they have not uploaded themselves.
    • In 2014,Amazon added DRM music streaming to their Amazon Prime service.[22]
    • In 2015, Apple announcedApple Music, which would offer unlimited streaming of songs encrypted withFairPlay DRM for a subscription price of $9.99 per month, and compensate artists on the basis of song popularity. Apple reportedly wanted to enter the market with a lower price but was pressured by record labels to adopt a higher subscription fee.[23]
  • According to inflation calculated through theUnited States Consumer Price Index calculator, the $9 per month estimated market-clearing price in 2002 would become US$13.72 per month in 2021,[24] closer toApple Music's family plan price of $14.99.[25]

See also

[edit]

References

[edit]
  1. ^abcdefShuman Ghosemajumder (May 10, 2002).Advanced Peer-Based Technology Business Models (Thesis).MIT Sloan School of Management.hdl:1721.1/8438.
  2. ^Gautham Somraj Koorma (November 27, 2015)."On-Demand Music Streaming to battle Piracy".iRunway. Archived fromthe original on January 28, 2020. RetrievedMarch 27, 2016.
  3. ^Marco Consoli (July 3, 2014)."Spotify, il business folle sbarca a Wall Street".L'Espresso.
  4. ^Karol Kopańko (June 5, 2015)."Dla użytkowników streaming muzyki jest spełnieniem marzeń, a dla wytwórni – źródłem obaw".Gazeta.pl.
  5. ^Alagoa, Hans (November 9, 2015)."A Review of Digital Marketing Influences on the Music Industry and a Vision of the Industry in the Next 5 Years". Rochester, NY.doi:10.2139/ssrn.2688210.SSRN 2688210.{{cite journal}}:Cite journal requires|journal= (help)
  6. ^abRuth Suehle (November 3, 2011)."The DRM graveyard: A brief history of digital rights management in music".Red Hat Magazine.
  7. ^Emanuele Lunadei; Christian Valdiva Torres; Erik Cambria (May 18, 2014)."Collective Copyright".Proceedings of the 23rd International Conference on World Wide Web.International World Wide Web Conference 2014. pp. 1103–1108.doi:10.1145/2567948.2602197.ISBN 9781450327459.S2CID 16332051.
  8. ^Sungwon Peter Choe (2006)."Music Distribution: Technology and the Value of Art in Society".KAIST.
  9. ^Andrew Traub (November 25, 2009)."Open music model". US Intellectual Property Law. Archived fromthe original on January 1, 2011.
  10. ^Yrjö Raivio (December 4, 2009)."Mobile Services and the Internet: A Study of Emerging Business Models"(PDF).Helsinki University of Technology.
  11. ^Matěj Myška (December 2007)."Flat Fee Music"(PDF).Masaryk University Journal of Law and Technology. Archived fromthe original(PDF) on July 18, 2011.
  12. ^Playment."Playment – Our Solution". playment.com. Archived fromthe original on June 19, 2012. RetrievedJune 15, 2010.
  13. ^abSteve Jobs (February 6, 2007)."Thoughts on Music".Apple Inc.
  14. ^Marshall Kirkpatrick (September 25, 2007)."Amazon MP3 Launches DRM-Free Music Store".ReadWriteWeb. Archived fromthe original on May 10, 2012. RetrievedJune 16, 2010.
  15. ^Peter Cohen (January 6, 2009)."iTunes Store goes DRM-free".MacWorld.
  16. ^Kit Eaton (April 26, 2010)."Rhapsody First Subscription Service in U.S. to Offer Offline Music on iPhone".FastCompany.
  17. ^Erik Rasmussen (November 16, 2011)."Cloud Music and iTunes Match".
  18. ^Charlie Sorrel (July 14, 2011)."Spotify Launches in the U.S at Last".Wired.
  19. ^"Napster and the proliferation of OMM (Open Music Model) | Metal Insider". March 21, 2019. RetrievedNovember 7, 2021.
  20. ^Sharma, Prajwal (September 12, 2021)."Why is PinkPantheress' Just a Waste Not On Spotify?".Otakukart. RetrievedNovember 7, 2021.
  21. ^Jefferson Graham (June 24, 2015)."First Look – Google Play Music has 1000s of free music playlists".USA Today.
  22. ^"The Gotchas of the Amazon Prime Music Service | WindowsObserver.com".www.windowsobserver.com. RetrievedApril 27, 2025.
  23. ^Popper, Ben; Singleton, Micah (June 8, 2015)."Apple announces its streaming music service, Apple Music".The Verge.Vox Media.Archived from the original on June 9, 2015. RetrievedJune 8, 2015.
  24. ^"CPI Home : U.S. Bureau of Labor Statistics".www.bls.gov. RetrievedNovember 7, 2021.
  25. ^"Apple Music".Apple. RetrievedNovember 7, 2021.
Networks,
protocols
Centralized
Decentralized
Historic
Comparisons
ofclients
Hyperlinks
Uses
Concepts
Privacy
Internal
technologies
Issues
Concepts
Movements
Organizations
Pro-copyright
Pro-copyleft
People
Documentaries
Concepts and
practices
Key concepts
Research and science
Data, information,
and knowledge
Communication
and learning
Media
Education
Journalism
Products
Economic principles
Politics and governance
Organizations
Activists
Projects and
movements
Tools
Retrieved from "https://en.wikipedia.org/w/index.php?title=Open_music_model&oldid=1288529254"
Categories:
Hidden categories:

[8]ページ先頭

©2009-2025 Movatter.jp