 | This articleneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Open D tuning" – news ·newspapers ·books ·scholar ·JSTOR(March 2009) (Learn how and when to remove this message) |
Open D tuning is anopen tuning for theacoustic orelectric guitar. The openstringnotes in thistuning are (from lowest to highest):DADF♯AD. It uses the threenotes that form thetriad of aD majorchord: D (the root note), F♯ (the major third) and A (the perfect fifth).[1][unreliable source?]
To tune a guitar from standard tuning to open D tuning, lower the 1st (high-E) string down a full step to D, 2nd (B) string down a full step to A, 3rd (G) string down a half step to F♯, and 6th (low-E) string down a full step to D.
In this tuning, when theguitar is strummed withoutfretting any of the strings, a D major chord is sounded. This means that any major chord can be easily created using one finger, fretting all the strings at once (also known asbarring); for example, fretting all the strings at the secondfret will produce anE major chord, at the third fret anF major chord, and so on up the neck.
Open D tuning is very popular withslide guitar (or 'bottleneck') players, as it allows them to play complete chords using the slide. This tuning is also used in regular (non-slide) guitar playing. The full and vibrant sound it produces - particularly on anacoustic guitar - also makes it ideal forfingerstyle playing.[2]
Many new chord shapes and sounds are available with open D tuning. It can offer a strong compositional element that producestonal qualities markedly different from standard tuning. The full range of major andminor chords, with all their extensions, are available to the player. Many well-known guitarists have used this tuning at some point in their career.Neil Young,Richie Havens,Joni Mitchell,Bruce Cockburn,Barry Gibb,Jim O'Rourke and Jason Swain have all released recordings featuring this tuning.Elmore James used this tuning heavily.Stone Gossard fromPearl Jam uses this tuning when playing therhythm guitar on "Even Flow" and "Oceans", from theirTen album. Broadbay use this tuning in all their songs.Mumford & Sons also use this tuning on their tracks "The Cave", "Awake My Soul" and "Roll Away Your Stone" from their albumSigh No More.Needtobreathe used it on some of their songs, most notably "Something Beautiful" fromThe Outsiders. Laura Marling uses the tuning on the title track of her 2010 album,I Speak Because I Can.Kevin Shields ofMy Bloody Valentine uses this tuning and its variations on many songs.[3] Also, Alessio Frusta uses this tuning on the track "Freedom Island" from his 2015 albumPen Siero. Additionally,Switchfoot uses this tuning on the track "Daisy" from its 2005 albumNothing Is Sound, albeit lowered a half step (giving an open D♭ tuning with the same intervalic relationships as open D).Mitski uses this tuning for almost all the songs,[4][5] while guitarists performing with her live often use standard tuning.[6]
Used by some Braziliansertanejo musicians on the acoustic guitar to approximate the sound of theviola caipira, a Brazilian country guitar with ten paired strings, traditionally tuned either A-D-F#-A-D or B-E-G#-B-E.
This variant is achieved by lowering the high D string a half step to C♯ when tuned to open D. C♯ is themajor seventh of the Dmajor scale, hence the name. It also can be used for both fingerstyle and slide guitar work.
This variant uses an F natural, theminor third.
This tuning has been used by Niko Wenner ofOxbow on the songs "Angel," "Cat and Mouse"; by Ian Thornley of Big Wreck on "Ladylike" and "Overemphasizing" and byOwen Campbell on "Sunshine Road".
DADFAD tuning is ideal for guitarists who are accompanying instruments that are tuned tominor scales, such as theNative American flute.[7]
This tuning was used by theprogressive metal bandOpeth on their albumGhost Reveries.
This variant is used most notably byMark Tremonti ofAlter Bridge andCreed. Eight of the songs in which it is used are "Are You Ready?",[8] "Faceless Man",[8] "My Sacrifice",[9] "Weathered",[9] "Open Your Eyes",[10] "Ghost of Days Gone By" (half-step down),[11] "Life Must Go On",[12] and “Fortress” (half-step down).[13] It is also used on "Rain",[14] "Brains", and "New Way Out", all tuned down 1 and a half steps (BF♯BF♯BB). Mark has mentioned in his instructional DVD that this tuning is one of his favorites because of its simplicity. It is also used by theGoo Goo Dolls in their song "Black Balloon", which was tuned down a half step on the album but played live in Open D5. "Without You", "Emotion Sickness" and "Paint Pastel Princess" by Australian bandSilverchair also uses the Open D5 tuning, but down half a step.Fair to Midland use this tuning tuned down 1 full step (CGCGCC) and 1 1/2 steps (BF♯BF♯BB).
A variation on the above Open D5 tuning, is occasionally used by folk guitarists, such asStephen Stills on the song "4+20".[15] It has the advantage of a ringing pair of identical Ds on the third and fourth strings, which can be used to carry a melody line above a bed of D5 created by the other strings.
This tuning has been used by:
Nicknamed the "Wind of Change," this tuning was used byPeter Frampton on his song of the same name. Frampton discovered this tuning while browsing guitars at the home ofGeorge Harrison, who had a large collection of guitars in various tunings. When speaking of the tuning in an interview, Frampton said, "The low E and A strings drop down to D, the fourth string remains unchanged, the third string goes up to A, the second string up to D, and the first string up to F♯ , so there's a D triad on top and three Ds on the bottom. It's a very strange tuning, but oh my God, it sounds huge."
| |||||||||||||||
| |||||||||||||||
| |||||||||||||||
| |||||||||||||||
| |||||||||||||||
