Amaraca (pronunciationⓘ), sometimes calledla mamá del palote orkaroline,[1] is arattle which appears in many genres ofCaribbean andLatin music. It is shaken by a handle and usually played as part of a pair.
Maracas (fromGuaranímbaracás),[2] also known as tamaracas, were rattles of divination, an oracle of the BrazilianTupinamba people, found also with other Indigenous ethnic groups, such as theGuarani,Orinoco and inFlorida. Rattles made fromLagenaria gourds are being shaken by the natural grip, while the roundCrescentia calabash fruits are fitted to a handle.[3] Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which theirshamans (payes) made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of theguarás (scarlet ibis). It was used at their dances and to heal the sick.[4] Andeancuranderos (healers) use maracas in their healing rites.[5]
Modern maraca balls are also made of leather, wood or plastic.[6]
A maraca used by the knights of Toritos de Chichicastenango, danced for the feast of Saint Thomas, around December 21. Each maraca is unique and made specially for each year
^Robert Southey (1810),History of Brazil, vol. 1, Longman & Hurst, pp. 187–188, 635 Note:guarás is spelled idiosyncratically as "goaraz" in this historical source.
^Federico Kauffmann Doig (2005), "SOUTH AMERICAN INDIANS: INDIANS OF THE ANDES IN THE PRE-INCA PERIOD", in Lindsay Jones (ed.),Encyclopedia of Religion, vol. 13 (2nd ed.), Gale, pp. 8599–8605,ISBN0-02-865982-1