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Kōhaku Uta Gassen | |
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Also known as | NHK Kōhaku Uta Gassen |
Created by | Tsumoru Kondo |
Ending theme | Hotaru no Hikari |
Country of origin | Japan |
Original language | Japanese |
No. of episodes | 75 contests |
Production | |
Production locations | Tokyo Takarazuka Theater (1959–1972) NHK Hall (1973–2020; 2022 onwards) Tokyo International Forum (2021) |
Running time | 4 hours 30 minutes |
Production company | NHK |
Original release | |
Network | NHK General TV (1953–present) NHK Radio 1 (1951–present) NHK World Premium(Worldwide) (1998–present) |
Release | January 3, 1951 (1951-01-03) – present |
NHK Kōhaku Uta Gassen (Japanese:NHK紅白歌合戦,Hepburn:Enu Eichi Kei Kōhaku Uta Gassen, "NHK Red and White Song Battle"[1]), more commonly known simply asKōhaku, is an annualNew Year's Evetelevision special produced by Japanese public broadcasterNHK. It is broadcast live simultaneously on television and radio, nationally and internationally by the NHK network and by some overseas (mainly cable) broadcasters who buy the program. The show ends shortly before midnight. Before the show began broadcasting on television in late 1953, the show was held on 3 January and only consisted of a radio broadcast.
The program divides the most popular music artists of the year into competing teams of red and white. The "red" team orakagumi (赤組, 紅組) is composed of all female artists (or groups with female vocals), while the "white" team orshirogumi (白組) is all male (or groups with male vocals). At the end of the show, judges and the audience vote to decide which group performed better.[2] The honor of performing onKōhaku is strictly by invitation, so only the most successful singing acts in the Japanese entertainment industry can perform. In addition to the actual music performances, the costumes, hair-styles, makeup, dancing, and lighting are given focus. A performance on the show is regarded as a highlight in singers' careers due to the show's wide reach.
The songs and performers are examined by a selection committee put together by NHK. The basis for selection are record sales and adaptability to the edition's theme.
At the same time, ademographic survey is conducted regarding the most popular singers for each and what kind of music people want to hear. This and the song selection explain theamalgamation of themusical genres and itsartists.
There are, however, exceptions to the process.Momoe Yamaguchi chose to sing her favorite song "Hito Natsu no Keiken" (ひと夏の経験) with its suggestive lyrics during the 25th edition, despite NHK's pick of a different song.
When the show was first broadcast on radio in 1951, each team had a few performers, all of whom would perform within an hour. Since 1989, the program goes on for at least four hours as both teams, each having at least 25 performers, perform their songs.
At the end of the show, the audience and a panel of judges—notable celebrities who may or may not have a connection to the music industry—vote to select the winning team. In the past, the audience vote has been composed of a head count of the venue audience members, who could vote for either team (NHK Hall, which has been the venue for mostKōhaku editions since 1971, can seat 3,000 people). This counted as one vote.
As of the 54th (2003) and 55th editions (2004), viewers who watch the program throughISDB-S on NHK BS Hi-vision could vote by having their own head count in their respective households. Although it was still sketchy to determine in the 55th, the audience vote was counted as two votes: one for the venue audience and one for ISDB-S viewers.
The audience vote(s) are added to those of the judges who each have to vote for one team. The team with the most votes wins.
The above process was done differently for the 56th edition (2005). Instead, the NHK Hall head count, the vote count from cellphone users and the vote count from ISDB-S viewers each counted as one vote. As stated above, the team that got at least two votes won.
In the57th edition (2006), aside from cellphone and ISDB-S viewers and the NHK Hall audience,1seg users voted. Its format had been reverted to the ball voting system—from the audience head count and the judges' votes.
From the58th edition (2007) to the 63rd edition (2012) and again in the 65th (2014), 66th (2015), and 68th (2017) through 70th editions (2019), the winner was determined through an overall head count, all from cellphone, ISDB-S viewers, 1seg users, and the NHK Hall Audience (including guests). Voting reverted temporarily to judges plus audience-unit votes in the 64th edition (2013) and 67th (2016) except that viewing audience votes (from internet, cellphone, digital TV, and 1seg voting) during halftime and end of show would each count as one vote and the NHK Hall head count as another single vote. The71st edition (2020) featured off-venue voting only as there was no live audience in attendance due to concerns that arose from theCOVID-19 pandemic in Japan. The 71st edition also saw performances emanating from multiple venues within NHK's studio premises with NHK Hall still the main staging area.
Aside from the performances, there are special performances where certain performers do their act together, the so-called "Ring Show" where performers from both teams take part in a "singing exercise," as well as performances from non-competing artists both in Japan and abroad. At the end of the show, all the performers sing "Hotaru no Hikari" (蛍の光) together. The song is based on the Scottish "Auld Lang Syne" that is commonly sung at New Year parties in the west. In addition, the 50th edition of the show included a "Countdown Special" to welcome the year 2000.
A special celebrating the 100 years of broadcasting is scheduled to air on March 25, 2025. More than 10,000 submissions were received from the public, who shared their favorite and most memorable moments from all broadcasts.Teruyoshi Uchimura,Yo Oizumi,Mone Kamishiraishi, and announcerMaho Kuwako serve as hosts of the special program "100 Years of Broadcasting Project: Everyone's Best Kohaku", airing on March 25, recorded at NHK Hall, Kohaku's venue since 1973. The cast includesKiyoshi Hikawa,Hiromi Go,Akira Fuse,AI,Nogizaka46, andGolden Bomber.Kazunari Ninomiya is scheduled for a guest appearance. Performers talk about their "Kohaku" memories and sing songs that meet this theme.[3] Previous to the program, a specialSongs [ja] will air on March 13, with guests, includingLady Gaga, commenting about their experiences on Kohaku.[4][5][6]
No. | Date | Red team host | White team host | Mediator | Winning team | Overall record |
---|---|---|---|---|---|---|
SHOWA ERA | ||||||
1 | 3 January 1951 | Michiko Katō | Shuuichi Fujikura | Masaharu Tanabe | White | 1-0 |
2 | 3 January 1952 | Kiyoko Tange | Shuuichi Fujikura | Masaharu Tanabe | White | 2-0 |
3 | 2 January 1953 | Suga Honda | Teru Miyata | Masayori Shimura | White | 3-0 |
4 | 31 December 1953 | Takiko Mizunoe | Keizo Takahashi | Seigoro Kitade | Red | 3-1 |
5 | 31 December 1954 | Natsue Fukuji | Keizo Takahashi | Shōzaburō Ishii | Red | 3-2 |
6 | 31 December 1955 | Teru Miyata | Keizo Takahashi | Shōzaburō Ishii | Red | 3-3 |
7 | 31 December 1956 | Teru Miyata | Keizo Takahashi | Shōzaburō Ishii | White | 4-3 |
8 | 31 December 1957 | Takiko Mizunoe | Keizo Takahashi | Shōzaburō Ishii | Red | 4-4 |
9 | 31 December 1958 | Tetsuko Kuroyanagi | Keizo Takahashi | Shōzaburō Ishii | Red | 4-5 |
10 | 31 December 1959 | Meiko Nakamura | Keizo Takahashi | Shōzaburō Ishii | Red | 4-6 |
11 | 31 December 1960 | Meiko Nakamura | Keizo Takahashi | Shōzaburō Ishii | White | 5-6 |
12 | 31 December 1961 | Meiko Nakamura | Keizo Takahashi | Toshiaki Hosaka | White | 6-6 |
13 | 31 December 1962 | Mitsuko Mori | Teru Miyata | Shōzaburō Ishii | White | 7-6 |
14 | 31 December 1963 | Eri Chiemi | Teru Miyata | Shōzaburō Ishii | Red | 7-7 |
15 | 31 December 1964 | Eri Chiemi | Teru Miyata | Shōzaburō Ishii | White | 8-7 |
16 | 31 December 1965 | Michiko Hayashi | Teru Miyata | Shōzaburō Ishii | White | 9-7 |
17 | 31 December 1966 | Peggy Hayama | Teru Miyata | Shōzaburō Ishii | Red | 9-8 |
18 | 31 December 1967 | Yumiko Kokonoe | Teru Miyata | Shōzaburō Ishii | Red | 9-9 |
19 | 31 December 1968 | Kiyoko Suizenji | Kyu Sakamoto | Teru Miyata | White | 10-9 |
20 | 31 December 1969 | Yukari Ito | Kyu Sakamoto | Teru Miyata | Red | 10-10 |
21 | 31 December 1970 | Hibari Misora | Teru Miyata | Shizuo Yamakawa | Red | 10-11 |
22 | 31 December 1971 | Kiyoko Suizenji | Teru Miyata | Shizuo Yamakawa | White | 11-11 |
23 | 31 December 1972 | Naomi Sagara | Teru Miyata | Shizuo Yamakawa | Red | 11-12 |
24 | 31 December 1973 | Kiyoko Suizenji | Teru Miyata | Shizuo Yamakawa | Red | 11-13 |
25 | 31 December 1974 | Naomi Sagara | Shizuo Yamakawa | Masao Domon & Yōzō Nakae | Red | 11-14 |
26 | 31 December 1975 | Naomi Sagara | Shizuo Yamakawa | Hiroshi Aikawa | White | 12-14 |
27 | 31 December 1976 | Naomi Sagara | Shizuo Yamakawa | Hiroshi Aikawa | Red | 12-15 |
28 | 31 December 1977 | Naomi Sagara | Shizuo Yamakawa | Hiroshi Aikawa | White | 13-15 |
29 | 31 December 1978 | Mitsuko Mori | Shizuo Yamakawa | Hiroshi Aikawa | White | 14-15 |
30 | 31 December 1979 | Kiyoko Suizenji | Shizuo Yamakawa | Yōzō Nakae | Red | 14-16 |
31 | 31 December 1980 | Tetsuko Kuroyanagi | Shizuo Yamakawa | Yōzō Nakae | Red | 14-17 |
32 | 31 December 1981 | Tetsuko Kuroyanagi | Shizuo Yamakawa | Keiichi Ubukata | White | 15-17 |
33 | 31 December 1982 | Tetsuko Kuroyanagi | Shizuo Yamakawa | Keiichi Ubukata | Red | 15-18 |
34 | 31 December 1983 | Tetsuko Kuroyanagi | Kenji Suzuki | Tamori | White | 16-18 |
35 | 31 December 1984 | Mitsuko Mori | Kenji Suzuki | Keiichi Ubukata | Red | 16-19 |
36 | 31 December 1985 | Masako Mori | Kenji Suzuki | Masaho Senda | Red | 16-20 |
37 | 31 December 1986 | Yuki Saito &Yoriko Mekata | Yūzō Kayama & Masaho Senda | Seiichi Yoshikawa | White | 17-20 |
38 | 31 December 1987 | Akiko Wada | Yūzō Kayama | Seiichi Yoshikawa | Red | 17-21 |
39 | 31 December 1988 | Akiko Wada | Yūzō Kayama | Keiko Sugiura | White | 18-21 |
HEISEI ERA | ||||||
40 | 31 December 1989 | Yoshiko Mita | Tetsuya Takeda | Sadatomo Matsudaira | Red | 18-22 |
41 | 31 December 1990 | Yoshiko Mita | Toshiyuki Nishida | Sadatomo Matsudaira | White | 19-22 |
42 | 31 December 1991 | Yūko Asano | Masaaki Sakai | Shizuo Yamakawa | Red | 19-23 |
43 | 31 December 1992 | Hikari Ishida | Masaaki Sakai | Shizuo Yamakawa | White | 20-23 |
44 | 31 December 1993 | Hikari Ishida | Masaaki Sakai | Miyuki Morita | White | 21-23 |
45 | 31 December 1994 | Emiko Kaminuma | Ichiro Furutachi | Yasuo Miyakawa | Red | 21-24 |
46 | 31 December 1995 | Emiko Kaminuma | Ichiro Furutachi | Ryūji Miyamoto &Mitsuyo Kusano | White | 22-24 |
47 | 31 December 1996 | Takako Matsu | Ichiro Furutachi | Ryūji Miyamoto & Mitsuyo Kusano | White | 23-24 |
48 | 31 December 1997 | Akiko Wada | Masahiro Nakai | Ryūji Miyamoto | White | 24-24 |
49 | 31 December 1998 | Junko Kubo | Masahiro Nakai | Ryūji Miyamoto | Red | 24-25 |
50 | 31 December 1999 | Junko Kubo | Nakamura Kankurō V | Ryūji Miyamoto | White | 25-25 |
51 | 31 December 2000 | Junko Kubo | Motoya Izumi | Ryūji Miyamoto | Red | 25-26 |
52 | 31 December 2001 | Yumiko Udo | Wataru Abe | Tamio Miyake | White | 26-26 |
53 | 31 December 2002 | Yumiko Udo | Wataru Abe | Tamio Miyake | Red | 26-27 |
54 | 31 December 2003 | Yumiko Udo &Takako Zenba | Wataru Abe &Tetsuya Takayama | Tōko Takeuchi | White | 27-27 |
55 | 31 December 2004 | Fumie Ono | Wataru Abe | Masaaki Horio | Red | 27-28 |
56 | 31 December 2005 | Yukie Nakama | Koji Yamamoto[a] | Mino Monta andMotoyo Yamane | White | 28-28 |
57 | 31 December 2006 | Yukie Nakama | Masahiro Nakai | Tamio Miyake &Megumi Kurosaki | White | 29-28 |
58 | 31 December 2007 | Masahiro Nakai[b] | Shōfukutei Tsurube II | Kazuya Matsumoto &Miki Sumiyoshi | White | 30-28 |
59 | 31 December 2008 | Yukie Nakama | Masahiro Nakai | Kazuya Matsumoto | White | 31-28 |
60 | 31 December 2009 | Yukie Nakama | Masahiro Nakai | Wataru Abe | White | 32-28 |
61 | 31 December 2010 | Nao Matsushita | Arashi[c] | Wataru Abe | White | 33-28 |
62 | 31 December 2011 | Mao Inoue | Arashi | Wataru Abe | Red | 33-29 |
63 | 31 December 2012 | Maki Horikita | Arashi | Yumiko Udo | White | 34-29 |
64 | 31 December 2013 | Haruka Ayase | Arashi | Yumiko Udo | White | 35-29 |
65 | 31 December 2014 | Yuriko Yoshitaka | Arashi | Yumiko Udo | White | 36-29 |
66 | 31 December 2015 | Haruka Ayase | Yoshihiko Inohara | Tetsuko Kuroyanagi | Red | 36-30 |
67 | 31 December 2016 | Kasumi Arimura | Masaki Aiba | Shinichi Takeda | Red | 36-31 |
68 | 31 December 2017 | Kasumi Arimura | Kazunari Ninomiya | Teruyoshi Uchimura &Maho Kuwako | White | 37-31 |
69 | 31 December 2018 | Suzu Hirose | Sho Sakurai | Teruyoshi Uchimura & Maho Kuwako | White | 38-31 |
REIWA ERA | ||||||
70 | 31 December 2019 | Haruka Ayase | Sho Sakurai | Teruyoshi Uchimura &Mayuko Wakuda | White | 39-31 |
71 | 31 December 2020 | Fumi Nikaido | Yo Oizumi | Teruyoshi Uchimura & Maho Kuwako | Red | 39-32 |
72 | 31 December 2021 | Haruna Kawaguchi,Yo Oizumi, andMayuko Wakuda[d] | Red | 39-33 | ||
73 | 31 December 2022 | Kanna Hashimoto,Yo Oizumi,Sho Sakurai andMaho Kuwako[7] | White | 40-33 | ||
74 | 31 December 2023 | Kanna Hashimoto,Hiroiki Ariyoshi,Minami Hamabe andKozo Takase | Red | 40-34 | ||
75 | 31 December 2024 | Kanna Hashimoto,Hiroiki Ariyoshi,Sairi Ito andNaoko Suzuki | White | 41-34 | ||
The white team has won 41 of the 75 contests as of 2024. |
Kōhaku was once the most-watched show on Japanese television of the year. One major factor was that New Year's Eve in Japan is a holiday traditionally spent at home (seeŌmisoka). Over the years, the annual event's popularity has declined from an all-time high of an 81.4 rating in 1963 to a low of 30.6 in theKantō region for the first part of the 2006 event.[8] The 2021Kōhaku program set a record low for the second portion of the show with a 34.3 viewership rating in the Kantō region.[9] Despite the drop,Kōhaku is consistently the top-rated musical event each year.[10]
Outside Japan, Taiwan also hosts a similarKōhaku competition,Super Star (超級巨星紅白藝能大賞), which broadcasts on theeve ofChinese New Year. Similar toKōhaku, the special is held at a live venue,Taipei Arena. UnlikeKōhaku,Super Star does not have gender-affiliated teams and the special is pre-recorded weeks before airing instead of being a live broadcast. Thefirst special premiered on February 13, 2010, the eve of the 2010's Chinese New Year.[11] Themost recent special was set to be broadcast on February 9, 2024.
The following is a list of acts with notable contributions to the Japanese entertainment industry, and have a minimum of five appearances onKōhaku to their credit (appearance numbers in parentheses are as of the 73rd edition):
1. Matsuura has also appeared withDEF.DIVA andGAM. However, NHK does not count those appearances towards her count.
1. Saori Yuki and Sachiko Yasuda are counted as a duet. Solo appearances by either of the two would not count towards the duet count.
AlthoughKōhaku is made up of mostly Japanese entertainers, foreign artists (artists who are not Japanese nationals) popular in Japan have competed in the program. Special appearances, supporting musicians or other methods of participation where the artist or group's performance was not accounted for in the overall scoring should not be added to this list. Below is a list of artists or groups who have done so, categorized based on the country of origin (Asian or non-Asian) the person or majority of the members in a group are from, along with the editions:
Asian[edit]South Korea
Taiwan
Philippines
Hong Kong
Thailand
China
Other
| Non-Asian[edit]United States
Other
|