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Jean-Jacques Annaud

From Wikipedia, the free encyclopedia
French film director, screenwriter and producer (born 1943)

Jean-Jacques Annaud
Jean-Jacques Annaud in 2015
Born (1943-10-01)1 October 1943 (age 81)
Alma materInstitut des Hautes Études Cinématographiques
OccupationFilm director • screenwriter • producer
Years active1965–present
Websitejjannaud.com/en

Jean-Jacques Annaud (French:[ʒɑ̃ʒakano]; born 1 October 1943) is a French film director, screenwriter and producer. He directedQuest for Fire (1981),The Name of the Rose (1986),The Bear (1988),The Lover (1992),Seven Years in Tibet (1997),Enemy at the Gates (2001),Black Gold (2011), andWolf Totem (2015).

Annaud has received numerous awards for his work, including fiveCésar Awards, oneDavid di Donatello Award, and one National Academy of Cinema Award. Annaud's first film,Black and White in Color (1976), received anAcademy Award forBest Foreign Language Film.[1]

His most recent film isNotre-Dame on Fire, released in 2022.

Early life

[edit]

Jean-Jacques Annaud was born on 1 October 1943 inDraveil,Juvisy-sur-Orge,Essonne, in France.[2] He was educated at the technical school inVaugirard, and in 1964 graduated from the prestigious film schoolInstitut des Hautes Études Cinématographiques (IDHEC) in Paris.

Career

[edit]

Annaud began his career by directing television advertisements in the late 1960s to early 1970s. In his first feature film,Black and White in Color (1976), he drew on his personal experience of military service inCameroon. The film won the Academy Award for Best Foreign Language Film.[3] His third film, 1981'sQuest for Fire (La Guerre du feu), received twoCésars for best film and best director.

AfterHothead (1979), a French-language film that became a cult classic in his homeland, he moved to Kenya, Scotland and Canada to shootQuest for Fire, which brought him international recognition. He subsequently won a César – French National Award – for Best Film & for Best Director. He then directed Sean Connery inThe Name of the Rose (1986), which was shot in Italian and German monasteries (César for Best Foreign Film and David Di Donatello for Best Director), and is based onUmberto Eco's popularnovel of the same name. The film version, with a screenplay byAndrew Birkin, won twoBAFTA Film Awards and was the subject of another 14 wins and two nominations. Annaud spent four years preparing for the film, traveling throughout the United States and Europe, searching for the cast and film set locations. He supposedly felt personally intrigued by the project, among other things because of a lifelong fascination with medieval churches and familiarity with Latin and Greek.[citation needed]

He then adaptedThe Bear P.O.V. (César for Best Director, 1988) in the heart of select locations of the Dolomites, Germany, Canada and Austria. He then shot in Vietnam the adaptation ofMarguerite Duras's autobiographical novel,The Lover (1992), recreating the atmosphere of colonial Indochina. He then set back out to the Canadian Rockies and directedWings of Courage, the first 3D fiction film ever made in Imax-3D (1995). In 2000 he wrote and producedRunning Free, directed bySergei Bodrov.

Annaud also worked withBrad Pitt when he directedSeven Years in Tibet (1997), shot in Argentina, Canada, Tibet, Nepal and Tyrol. In 2001, Annaud reunitedJude Law andEd Harris in a retelling of theBattle of Stalingrad (Enemy at the Gates, 2001), filmed in Germany. Soon after, Annaud flew to the ruins of the temples of Angkor and filmedTwo Brothers (2004), shot in Cambodia, Thailand and France. He then set out to revive ancient Greece (His Majesty Minor, 2007), shot entirely in Spain, then Arabia of the late 1930s, directingAntonio Banderas in Tunisia and Qatar inBlack Gold (2011). In 2015, Annaud adaptedWolf Totem, a Chinese literary phenomenon entirely shot in Inner Mongolia. The film won the People's Hundred Flowers Award and Golden Rooster in China and a dozen other trophies around the world.

Annaud signed a petition in support of film directorRoman Polanski in 2009, calling for his release after Polanski was arrested in Switzerland in relation to his1977 charge for drugging and raping a 13-year-old girl.[4]

In 2018, Annaud directedPatrick Dempsey in his 10-part television adaptation ofJoël Dicker's best-sellerThe Truth about the Harry Quebert Affair (2018); it was released in 22 countries and shot in Canada.

Filmography

[edit]

Film

[edit]
YearTitleDirectorWriterProducerOriginal title
1976Black and White in ColorYesYesNoirs et Blancs en couleur orLa Victoire en chantant
1979HotheadYesCoup de tête
1981Quest for FireYesLa Guerre du feu
1986The Name of the RoseYesDer Name der Rose orLe Nom de la rose
1988The BearYesL'Ours
1992The LoverYesYesL'Amant
1995Wings of CourageYesYesYesGuillaumet, les ailes du courage
1997Seven Years in TibetYesYesSept ans au Tibet
2001Enemy at the GatesYesYesYesStalingrad
2004Two BrothersYesYesYesDeux frères
2007His Majesty MinorYesYesYesSa majesté Minor
2011Black GoldYesYesDay of the Falcon orOr Noir
2015Wolf TotemYesYesYesFrench:Le Dernier Loup
Chinese: 狼图腾
2022Notre-Dame brûleYesYesNotre-Dame brûle

Television

[edit]
YearTitleDirectorProducerNotes
2018The Truth About the Harry Quebert AffairYesYesTV mini-series

Awards and nominations

[edit]

Annaud is a member of theInstitut de France and has received numerous distinctions: Film Award of the National French Academy, Knight of the National Order of Merit, Commander of the Order of Arts and Letters, and the Charlemagne Medal for European Media (Karlsmedaille für die europäischen Medien).

Awards and distinctions – full list

[edit]
    • 1970: Special Effects Award at the 17th International Advertising Festival of Venice for the commercial spot "Super Shell" (Italy). (Won)
    • 1971: EuroTV Prize for the commercial spot "Crunch" (France). (Won)
    • 1973: Golden Lions at the 20th International Advertising Film Festival in Cannes for the spots "Christofle – The Chinese" and Comédie Materna". Silver Lions at the 20th International Advertising Festival for "Le Diner" and "Travesti". Cinema Diploma at the 20th International Advertising Festival in Cannes for the "Roll and Roll for Eram" spot. First Prize from the Art Directors Club for the commercials "Christofle – The Chinese" (France). Clio Award for the commercial "Christofle – The Chinese" (USA). (Won)
    • 1974: Silver Lions at the 21st International Advertising Festival in Cannes for the commercial "Look Nevada" (France). (Won)
    • 1977: First Prize from the Art Directors Club for Advert for the commercial "Urgo" (France). (Won)
    • 1977: Academy Award for Best Foreign Film forBlack and White in Color (USA), originally released asLa victoire en chantant (1976, France). (Won)
    • 1978: Second Prize from the Art Directors Club for Advert for the commercial "Dunlopillo" (France). (Won)
    • 1979: Best Commercial Award for TV for the spot "The Train" for the Kelton brand (France). (Won)
    • 1982: César (French National Award) for Best Film and César for Best Director forQuest for Fire (France). This movie also won five Genie Awards (Canada), an Academy Award (USA), and the British Academy Award for Best Makeup and Hairstyling (England). (Won)
    • 1982: Jury Member at the 35th Cannes Film Festival (France).
    • 1985: César for the Best Commercial and Bronze Elephant for the commercial "Hertz – The Vultures" (France). (Won)
    • 1987: César Award for Best Foreign Film forThe Name of the Rose (France). René Clair Award at David Di Donatello for Best Art Direction forThe Name of the Rose (Italy). Bambi Award for Best Film forThe Name of the Rose (Germany). Deutscher Filmpreis Award for Best Art Direction forThe Name of the Rose (Germany). Silver Award for Outstanding Feature Film at the German Film Awards forThe Name of the Rose (Germany). Golden Screen Award forThe Name of the Rose (Germany). Jupiter Award forThe Name of the Rose (Germany). Actors and other contributors also won numerous awards for this motion picture (Bafta, Bavarian Film Awards, David di Donatello Awards, Edgar Allan Poe Award). (Won)
    • 1988: National Movie Award forThe Bear (Ministry of Culture, France). (Won)
    • 1989: César Award for Best Director forThe Bear (France). Best Director (Bulgaria) forThe Bear. Genesis Award for Best Foreign Film for The Bear (USA). (Won)
    • 1990: Officer of Arts and Letters Order (France). Guild of German Art House Cinemas Film Award, Silver Foreign Film forThe Bear. (Won)
    • 1992: Japanese Film Critic Award for Best Director for The Lover (Japan). The film won the Motion Picture Sound Editors' 1993 Golden Reel Award for Best Sound Editing Foreign Feature (USA) and the 1993 César Award for Best Music Written for a Film (France). (Won)
    • 1997: Guild Film Gold Award from the Guild of German Art House Cinemas (Germany) for Seven Years in Tibet. Best Film of the Year forSeven Years in Tibet (Germany). PFS Award for Peace at the Political Film Society forSeven Years in Tibet (USA). (Won)
    • 2001: President of the 27th Festival of American Cinema in Deauville (France).
    • 2004: Charlemagne Medal for the European Medias (Karlsmedaille für die europäischen Medien) (Germany). (Won)
    • 2005: Genesis Award for Best Foreign Film forTwo Brothers (USA). (Won)
    • 2005: President of the Jury at the 5th Marrakesh International Film Festival (Morocco).
    • 2007: Member of the Institut de France (Paris), elected to chair #3 of the Académie des Beaux-Arts au siège de Gérard Oury (succeedingRené Clément), Knight of the National Order of Merit, Commander of the Order of Arts and Letters and Knight of the Order of Academic Palms (France). (Won)
    • 2012: President of the Jury at the 16th Shanghai International Film Festival (China).
    • 2015: President of the jury at the 37th Moscow International Film Festival (Russia). Moscow Film Festival Special Award for Outstanding Contribution to the World Cinema. (Won)
    • 2015: Golden Rooster Award for Best Film forWolf Totem (China); Moscow International Film Festival Special Jury Award forWolf Totem (Russia); Prague Film Festival Kristian Award forWolf Totem (Czech Republic); International Award for Best Director at Bari International Film Festival (Italy) forWolf Totem; The CineMerit Award Filmfest München forWolf Totem (Germany); Best Director at the Macau International Movie Festival forWolf Totem (Macau); Golden Lotus Award Best Picture forWolf Totem at the Beijing International Film Festival (China); Tiantian Award for Best Director forWolf Totem (China); Jury Award for Best Director at the Beijing College Student Film Festival 2015 forWolf Totem (China). (Won)
    • 2016: People Hundred Flowers Award for Best Film forWolf Totem (China). (Won)
    • 2018: Cinematographer-Director Duo Award to lenser Jean-Marie Dreujou and helmer Annaud at the 26th Camerimage International Film Festival of the Art of Cinematography, November 10–17 in Bydgoszcz, Poland. (Won)

References

[edit]
  1. ^"The 49th Academy Awards (1977) Nominees and Winners".Oscars. Retrieved16 May 2013.
  2. ^"Jean-Jacques Annaud – BFI".BFI. Archived fromthe original on 18 June 2016. Retrieved25 May 2018.
  3. ^"The 49th Academy Awards (1977) Nominees and Winners".oscars.org. Retrieved25 March 2012.
  4. ^"Le cinéma soutient Roman Polanski / Petition for Roman Polanski".Société des Auteurs et Compositeurs Dramatiques (in French). 28 September 2009. Archived fromthe original on 4 June 2012. Retrieved29 August 2021.

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