Howard da Silva | |
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![]() Howard da Silva inUnconquered (1947) | |
Born | Howard Silverblatt (1909-05-04)May 4, 1909 Cleveland, Ohio, U.S. |
Died | February 16, 1986(1986-02-16) (aged 76) Ossining, New York, U.S. |
Occupations |
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Years active | 1930–1984 |
Spouses | |
Children | 5 |
Signature | |
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Howard da Silva (bornHoward Silverblatt, May 4, 1909 – February 16, 1986) was an American actor, director and musical performer on stage, film, television and radio. He was cast in dozens of productions on the New York stage, appeared in more than two dozen television programs, and acted in more than fifty feature films. Adept at both drama and musicals on the stage, he originated the role of Jud Fry in the original 1943 run of theRodgers and Hammerstein musicalOklahoma!, and also portrayed the prosecuting attorney in the 1957 stage production ofCompulsion. Da Silva was nominated for a 1960Tony Award as Best Featured Actor in a Musical for his work inFiorello!, a musical aboutNew York City mayorLaGuardia.[1] In 1961, da Silva directedPurlie Victorious, byOssie Davis.
Many of his early feature films were of thenoir genre in which he often played villains, such as Eddie Harwood inThe Blue Dahlia and the sadistic Captain Francis Thompson inTwo Years Before the Mast (both 1946). Da Silva's performances as historic figures are among some of his most notable work: he was Lincoln's brawling friend Jack Armstrong in both play (1939) and film (1940) versions ofAbe Lincoln in Illinois written byRobert Sherwood;Benjamin Franklin in the 1969–1972 stage musical1776 and a reprisal of the role for the 1972film version of the production; Soviet leaderNikita Khrushchev inThe Missiles of October (1974);Franklin D. Roosevelt inThe Private Files of J. Edgar Hoover (1977); andLouis B. Mayer inMommie Dearest (1981).
Da Silva's American television character work included the defense attorney representing the robot inThe Outer Limits episode "I, Robot" (1964), and district attorney Anthony Cleese inFor the People (1965). For his performance as Eddie in theGreat Performances production ofVerna: USO Girl (1978), the actor received aPrimetime Emmy Award for Outstanding Performance by a Supporting Actor in a Comedy or Drama Special.[2]
In the 1970s, da Silva appeared in 26 episodes of the radio series theCBS Radio Mystery Theater.
Da Silva was born inCleveland, Ohio, the son of Bertha (née Sen) and Benjamin Silverblatt, a dress cutter. His parents were both immigrants,Yiddish-speaking Jews born in the Russian Empire. His mother was a women's-rights activist.[3] Before beginning his acting career on thestage, he was employed as a steelworker.[citation needed]
Da Silva was a graduate of theCarnegie Institute of Technology. He studied acting withEva Le Gallienne beginning in 1928 at theCivic Repertory Theatre.[3] He changed his surname for acting purposes, adopting the PortugueseDa Silva (his name is sometimes misspelledHoward De Silva).[4]
Da Silva appeared in a number ofBroadwaymusicals, including the role of Larry Foreman in the legendary first production ofMarc Blitzstein's musicalThe Cradle Will Rock (1938).[5] Later, he costarred in the original 1943 stage production ofRodgers and Hammerstein'sOklahoma!, playing the role of the psychopathic Jud Fry. He was the easygoing Ben Marino who opposedTammany Hall in the Pulitzer winning musicalFiorello!.
In 1969, da Silva originated the role ofBenjamin Franklin in the musical1776. Four days before the show opened on Broadway, he suffered a minorheart attack but refused to seek medical assistance because he wanted to make sure critics saw his performance. After the four official critic performances were over, the cast left to go to the cast party and da Silva went to the hospital and immediately took a leave of absence from the production.[6] While da Silva recuperated, his understudy,Rex Everhart, took over the role[7] and performed on thecast recording. Da Silva was able to reprise his role in the 1972 film version and appeared on that soundtrack album.
Da Silva did summer stock at thePine Brook Country Club, located in the countryside ofNichols, Connecticut, with theGroup Theatre (New York) formed byHarold Clurman,Cheryl Crawford andLee Strasberg in the 1930s and early 1940s.[8][9]
Da Silva appeared in over 60motion pictures. Some of his memorable roles include a leading mutineer inThe Sea Wolf (1941),Ray Milland's bartender inThe Lost Weekend (1945), and the half-blind criminal "Chicamaw 'One-Eye' Mobley" inThey Live by Night (1949). He also released an album onMonitor Records (MP 595) of political songs and ballads entitledPolitics and Poker.[10]
Da Silva returned to the stage, and he was nominated for the 1960Tony Award for Best Featured Actor in a Musical for his role as "Ben Marino" inFiorello! (1959). After being blacklisted, da Silva and Nelson left Los Angeles for New York to perform inThe World of Sholom Aleichem.[11]
Da Silva was nominated for the BritishBAFTA Film Award for Best Foreign Actor for his performance as Dr. Swinford inDavid and Lisa (1962).[12] Da Silva portrayed Soviet Premier Khrushchev in the television docudramaThe Missiles of October (1974). He won theEmmy Award for Outstanding Performance by a Supporting Actor in a Comedy or Drama Special for his role as Eddie inVerna: U.S.O. Girl (1978) withSissy Spacek.
Da Silva's TV guest appearances, after the era in which blacklisting was strongest, include such programs asThe Outer Limits,Ben Casey,The Man from U.N.C.L.E.,The Fugitive,Gentle Ben,Mannix,Love, American Style,Kung Fu, andArchie Bunker's Place.
Da Silva also played PresidentFranklin D. Roosevelt inThe Private Files of J. Edgar Hoover (1977), Hollywood mogulLouis B. Mayer inMommie Dearest (1981), and American statesmanBenjamin Franklin in both1776 (1972) and a documentary depicting the life of Ben Franklin shown at Franklin's house in Philadelphia, as well as in a television commercial forConsolidated Edison. He appeared in two different film adaptations ofF. Scott Fitzgerald's 1925 novel,The Great Gatsby. In the1949 production withAlan Ladd as Gatsby, da Silva played garage owner George Wilson; in the1974 film withRobert Redford, da Silva was Meyer Wolfsheim, the flamboyant gambler with the interesting cufflinks. In his final appearance on screen, da Silva played a New York photographer fascinated with the reclusiveGreta Garbo in the filmGarbo Talks (1984), directed bySidney Lumet.
He also did voice acting in 26 episodes of the popular 1974–82 radio thriller seriesCBS Radio Mystery Theater (between July 1974 and February 1977).[13] In 1978, he recorded linking narration for episodes of the Britishtelevision programDoctor Who broadcast in the United States.
Da Silva became one of hundreds of artistsblacklisted in the entertainment industry during theHouse Committee on Unamerican Activities investigation into allegedCommunist influence in the industry. Following his March 1951 testimony, in which he repeatedly invoked hisFifth Amendment rights,[14] his lead performance in the completed feature filmSlaughter Trail was re-shot with actorBrian Donlevy.[15] Da Silva continued to find work on the New York stage, but did not work in feature films again until 1961 when he appeared inDavid and Lisa (aBAFTA-nominated performance).[12][16] He was eventually cleared of any charges in 1960,[17] but not before his career in television had also stalled, with no work between 1951 and 1959 when he appeared inThe Play of the Week. The brief respite was followed by another television career void until his appearance in a 1963 episode ofThe Defenders. That was the beginning of the end of da Silva's blacklist, and the show's producer Herb Brodkin paired da Silva withWilliam Shatner when he created the television seriesFor the People.[18]
Da Silva's first wife was Evelyn Horowitz. They were married on August 13, 1930, inManhattan, New York City.[19]
His second wife was stage actress Jane Louise Taylor, born in 1913 in New York.[20] They were married in January 1941 inYuma,Arizona, and had one son.[21][22] They were divorced on July 28, 1948, inLos Angeles,California.[23]
His third wife was actressMarjorie Nelson; they were married on August 19, 1950, inHollywood, California.[24][25] Da Silva and Nelson had two daughters and were divorced on May 9, 1961, inJuárez,Mexico.[26]
His fourth wife was Nancy Nutter; they were married in May or June 1961 inGreenwich, England.[27]
Da Silva died oflymphoma, aged 76, inOssining, New York.[3]
Opening date | Closing date | Title | Role | Theatre | Notes | Refs |
---|---|---|---|---|---|---|
Apr 21, 1930 | May 1930 | Romeo and Juliet | Apothecary | Civic Repertory Theatre | [28] | |
Oct 6, 1930 | unknown | The Green Cockatoo | Scaevola | Civic Repertory Theatre | Written in 1899 by Arthur Schnitzler asDer grüne Kakadu | [29] |
Oct 6, 1930 | Nov 1930 | Romeo and Juliet | Apothecary | Civic Repertory Theatre | [30] | |
Oct 20, 1930 | Nov 1930 | Siegfried | Mr. Patchkoffer, Schumann | Civic Repertory Theatre | Written byJean Giraudoux; adaptation by Philip Carr | [31] |
Dec 1, 1930 | Jan 1931 | Alison's House | Hodges | Civic Repertory Theatre | Written bySusan Glaspell | [32] |
Jan 26, 1931 | Mar 1931 | Camille | Guest | Civic Repertory Theatre | Written byAlexandre Dumas, fils; translation by Henriette Metcalf | [33] |
May 11, 1931 | May 31, 1931 | Alison's House | Hodges | Ritz Theatre | Written by Susan Glaspell | [34] |
Oct 26, 1932 | Oct 1932 | Liliom | Wolf Beifeld | Civic Repertory Theatre | Written byFerenc Molnár; adaptation byBenjamin Glazer | [35] |
Nov 14, 1932 | Nov 1932 | Dear Jane | Dr. Samuel Johnson | Civic Repertory Theatre | Written by Eleanor Holmes Hinkley | [36] |
Dec 12, 1932 | Dec 1933 | Alice in Wonderland | Cook, White Knight | Civic Repertory Theatre | Based on theLewis Carroll books; written byFlorida Friebus andEva Le Gallienne | [37] |
March 6, 1933 | April 1933 | The Cherry Orchard | Stationmaster | New Amsterdam Theatre | Written byAnton Chekhov; translation byConstance Garnett | [38] |
Dec 10, 1934 | Mar 1935 | Sailors of Cattaro | Sepp Kriz | Civic Repertory Theatre | From the 1930 German workDie Matrosen von Cattaro byFriedrich Wolf; translation by Keen Wallis; adaptation byMichael Blankfort | [39] |
Mar 20, 1935 | June 1935 | Black Pitt | Hansy McCulloh | Civic Repertory Theatre | Written byAlbert Maltz | [40] |
Nov 4, 1937 | June 1938 | Golden Boy | Lewis | Belasco Theatre | Written byClifford Odets | [41] |
Jan 3, 1938 | April 1938 | The Cradle Will Rock | Larry Foreman | Windsor Theatre | Written byMarc Blitzstein | [5][42] |
Feb 19, 1938 | May 1938 | Casey Jones | Old Man | Fulton Theatre | Written byRobert Ardrey | [43] |
Oct 15, 1938 | Dec 1939 | Abe Lincoln in Illinois | Jack Armstrong | Plymouth Theatre | Written byRobert E. Sherwood | [44] |
Nov 2, 1939 | Nov 4, 1939 | Summer Night | Speed | St. James Theatre | Written by Benjamin Glazer andVicki Baum | [45] |
Jan 22, 1940 | Apr 13, 1940 | Two On An Island | The Sightseeing Guide | Broadhurst Theatre | Written byElmer Rice | [46] |
Jan 22, May 31, 1943 | May 29, 1948 | Oklahoma! | Jud Fry | St. James Theatre | Written byRodgers and Hammerstein | [47][48] |
April 9, 1946 | Shootin' Star | Saloon proprietor, sheriff | Shubert Theatre, Philadelphia | Written by Walter Hart and Louis Jacobs | [49] | |
Dec 26, 1947 | Feb 7, 1948 | The Cradle Will Rock | (directed) | Mansfield Theatre,Broadway Theatre | Written by Marc Blitzstein | [5][50] |
Oct 18, 1950 | Oct 28, 1950 | Burning Bright | Friend Ed | Broadhurst Theatre | Written byJohn Steinbeck | [51] |
Nov 23, 1954 | Jan 2, 1955 | Sandhog | (produced) | Phoenix Theatre | Written byEarl Robinson andWaldo Salt, based onSt. Columbia and the River byTheodore Dreiser. Rachel Productions was owned by da Silva andArnold Perl. | [52] |
Nov 4, 1956 | Nov 25, 1956 | Diary of a Scoundrel | Neel Fedoseitch Mamaev | Phoenix Theatre | Written byAlexander Ostrovsky; adapted byRodney Ackland | [53] |
Oct 24, 1957 | Feb 22, 1958 | Compulsion | Horn The Prosecuting Attorney | Ambassador Theatre | Based on the 1956Meyer Levin novel of the same name; later produced as the 1959 filmCompulsion. | [54] |
Nov 23, 1959 | Oct 28, 1961 | Fiorello! | Ben Marino | Broadhurst Theatre, Broadway Theatre | Based on the book byJerome Weidman andGeorge Abbott; da Silva nominated for 1960Tony Award Best Featured Actor in a Musical | [55][56] |
Sept 28, 1961 | May 13, 1962 | Purlie Victorious | (directed) | Cort Theatre,Longacre Theatre | Written byOssie Davis | [57][58] |
Jan 10, 1962 | Mar 10, 1962 | Romulus | Ottaker | Music Box Theatre | Written byFriedrich Duerrenmatt; adapted byGore Vidal | [59] |
Dec 12, 1962 | Dec 15, 1962 | In the Counting House | Max Hartman | Biltmore Theater | Written by Leslie Weiner | [60] |
Feb 28, 1963 | Jul 10, 1963 | Dear Me, The Sky is Falling | Paul Hirsch | Music Box Theatre | Written byLeonard Spigelgass, based on the book byGertrude Berg and James Yaffe | [61] |
Oct 14, 1963 | Oct 19, 1963 | The Advocate | (directed) | ANTA Playhouse | Written by Robert Noah | [62] |
Nov 8, 1964 | Jan 7, 1965 | The Cradle Will Rock | (directed) | Theatre Four | Written by Marc Blitzstein | [5][63] |
Nov 10, 1965 | Apr 16, 1966 | The Zulu and the Zayda | (writer) | Cort Theatre | Original story byDan Jacobson; book adaptation by Howard da Silva and Felix Leon | [64][65] |
Dec 06, 1966 | Dec 31, 1966 | My Sweet Charlie | (directed) | Longacre Theatre | Written byDavid Westheimer | [66] |
May 5, 1966 | May 29, 1966 | Galileo Galilei | (guest directed) | Goodman Theater | Written byBertolt Brecht FeaturingMorris Carnovsky | [67] |
Jul 06, 1967 | Nov 12, 1967 | The Unknown Soldier and His Wife | Archbishop | Vivian Beaumont Theater,George Abbott Theater | Written byPeter Ustinov | [68] |
Mar 16, 1969 | Feb 13, 1972 | 1776 | Benjamin Franklin | 46th Street Theatre, St. James Theatre,Majestic Theatre | Based on a book byPeter Stone; adapted bySherman Edwards | [69][70] |
Feb 11, 1982 | Feb 28, 1982 | The World of Sholom Aleichem | (conceived) | Rialto Theatre | Conceived by Howard da Silva and Arnold Perl; written by Perl. | [71][72] |
Year | Title | Role | Notes | Refs. |
---|---|---|---|---|
1950 | The Silver Theatre | My Heart's in the Highlands | [120] | |
1951 | The Bigelow Theatre | My Heart's in the Highlands | ||
1959 | The Play of the Week | Dupont-Dufour Sr. | Thieves Carnival | |
1963 | The Defenders | Peter Cole | The Bagman | |
East Side/West Side | Wallace Mapes | I Believe E Except After C | [121] | |
The Doctors and the Nurses | Dr. McClendon | Disaster Call | ||
1964 | The Defenders | Arnold Fermuller | The Man Who | |
The Outer Limits | Thurman Cutler | I, Robot | [122] | |
1965 | For the People | Anthony Celese | 13 episodes | [123] |
Ben Casey | Ulysses Pagoras | The Day They Stole Country General | ||
Ben Casey | Cantor Nathan Birmbaum | A Nightingale Named Nathan | [124] | |
1966 | The Man from U.N.C.L.E. | Captain Basil Calhoun | The Foreign Legion Affair | [125] |
The Loner | Gonzales | To Hang a Dead Man | ||
The Fugitive | Pete Dawes | Death is the Door Prize | [126] | |
1967 | N.Y.P.D. | Dimitchik | Old Gangsters Never Die | |
Gentle Ben | Phillip Garrett | Battle of Wedlow Woods | [127] | |
1968 | Mannix | Aram Karmalis | You Can Get Killed Out There | |
1972 | Keep the Faith | Rabbi Mossman | TV film | [128] |
1973 | Love, American Style | Doctor Wazanskyi | Love and the End of the Line | |
Kung Fu | Otto Schultz | The Hoots | ||
1974 | Smile Jenny, You're Dead | Lt. Humphrey Kenner | TV film | [111] |
The Missiles of October | Nikita Khrushchev | TV film | [111] | |
1976 | The American Parade | William M Tweed | Stop, Thief! | [129] |
1977 | Insight | Arnstein – Violinist | Arnstein's Miracle | |
1978 | When the Boat Comes In | Host | American broadcast | |
Great Performances | Eddie | Verna:USO Girl | [111] | |
1980 | Power | Jack Eisenstadt | TV film | [111] |
The Greatest Man in the World | Conklin | TV film | [130] | |
1983 | Archie Bunker's Place | Abe Rabinowitz | The Promotion | [131] |
Masquerade | General Breznin | Pilot | [132] | |
1984 | American Playhouse | Critic | The Cafeteria | [133] |
Howard da Silva provided linking narration for North American broadcasts ofDoctor Who, providing continuity announcements for episodes from season 12 through season 15, ostensibly to help North American audiences get acclimatized to the nature of serial storytelling, which was then uncommon on non-soap-operatic television in the United States and Canada. His narration accompanied the earliest runs of Doctor Who as broadcast on AmericanPBS stations and Canadian broadcasters likeTVOntario during the 1970s and early 1980s. Typically, afterDoctor Who had been run on a station for a while, the linking narration was removed as unnecessary.[134] Nevertheless, the announcements were so familiar a part of some viewers' experience ofDoctor Who that they became a standard extra feature on BBC DVD releases of early Tom Baker serials.[135]
From 1974 to 1977, da Silva was a regular player onCBS Radio Mystery Theater.[136]
Year | Date | Title | Ep. No. |
---|---|---|---|
1974 | July 31 | "The Only Blood" | 125 |
Dec 5 | "The Body Snatchers" | 183 | |
Dec 24 | "A Very Private Miracle" | 191 | |
1975 | Jan 14 | "Faith and the Faker" | 205 |
Feb 14 | "The Shadow of the Past" | 223 | |
Mar 20 | "The Doppelganger" | 242 | |
Apr 18 | "A Challenge for the Dead" | 259 | |
May 8 | "Taken for Granite" | 270 | |
June 6 | "The Transformer" | 287 | |
July 2 | "Come Back with Me" | 301 | |
Aug 5 | "Hung Jury" | 321 | |
Aug 19 | "Welcome for a Dead Man" | 329 | |
Sept 18 | "The Coffin with the Golden Nails" | 346 | |
Sept 28 | "The Other Self " | 354 | |
Oct 23 | "The Sealed Room Murder" | 366 | |
Nov 17 | "The Moonlighter" | 380 | |
Nov 28 | "The Frammis" | 387 | |
Dec 15 | "Burn, Witch, Burn" | 396 | |
1976 | Jan 19 | "There's No Business Like" | 418 |
Feb 19 | "Goodbye, Benjamin Flack" | 434 | |
Apr 24 | "The Prince of Evil" | 475 | |
Aug 30 | "The Night Shift" | 511 | |
Oct 22 | "Somebody Help Me!" | 540 | |
Dec 14 | "The Smoking Pistol" | 565 | |
1977 | Jan 4 | "This Breed Is Doomed" | 577 |
Feb 25 | "Legend of Phoenix Hill" | 607 |
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